Interview with indie author Joel Dennstedt

Almost a year ago I interviewed two great author’s about their experiences of writing and publishing, Kate Rigby and Alec John Belle. You can find the interviews here. I’ve been meaning to interview more author’s since then, and just have not had the chance to get around to it. Anyway, that’s all about to change! Joel Dennstedt is a very diverse indie author, and I have enjoyed all three of his novels. Here he chats to me about his indie journey so far, his books, his on-going travels, and his plans for the future.

 

1) You and your brother are currently travelling through South America. Could you tell us a bit about what made you decide to do this? And was there a conscious decision to write and blog about it as you went?

Everything was Steve’s idea. As of 2010, I was working for the same evil corporation as he, a criminal organization known as the largest bank in the United States. He couldn’t take it anymore and decided to retire. His wife could not take that, so they divorced. He said he was off to see the world. I had to ask him twice – he did not believe me the first time – if I could tag along. So, in April of 2012 we packed everything we owned into our backpacks and duffels and went off to see the world …. slowly. Four years later, we have made it to Peru. He began his blog a year before we left, and once we hit our first stop in Merida, Yucatan, MX he said: you should publish your novel Orange Cappuccino. So I did. Because he has really great ideas.

2) Your novels are all quite different. Could you tell us what inspired you to write each one? Where did each idea come from?

Orange Cappuccino is true. I wrote it as a novel for the style. It tells the story of my life with my second wife and our trials and tribulations in Alaska. I had to write that story to make way for other things. And yet, the first book I wrote was Hermit – A Novella. I wrote that during my breaks at work, and though the main character is a lot like me, the story was simply a fantasy to help me get through my days in the real world. I published Orange Cappuccino first, and Hermit only after a hundred hours of editing while ensconced in a hostel/brewery in the jungles of Honduras. Guanjo is my science fiction novel, a promise to myself when I was young. The idea came from two photographs I had collected along the way: one of a huge longhouse situated in the canopy of a rainforest; the other of a little native girl with her pet frog.

3) Did you always know you wanted to be a writer?

I have never wanted or intended to be anything else. I considered myself an abject failure for 60 years of my life because I caved to the necessities of the real world.

4) What has been your journey so far as a writer? How would you describe the experiences you’ve had?

Mostly, I have felt rather lost. The writing is not fun. There has been little appreciation for my work. And yet, when I compare now to four years ago, that is not true at all. I have had a lot of fun. The appreciation has been immense. Now put those two feelings into one and shake them up every single day, and you know something of the rollercoaster ride that you and I are on. The experience of writing has called on every reserve of wisdom that I possess, and made me practice the path I follow with an intensity far beyond what I had known

before. The best things come unexpectedly. The worst come from my own expectations. The lesson: stop expecting and start accepting. And all I can say to that is when I do, things seem to progress perfectly.

5) What would you say are the best things about being an indie writer?

This is pretty easy. The creative control is great. The ability to immediately respond to any new idea, whether in the writing itself or in the marketing and sales keeps everything alive and fresh. The rebelliousness of it all. The interactions with other indie writers, their support and commiserations.

6) What would you say are the worst things about being an indie writer?

Only one thing that I know of: lack of exposure. The challenge to locate your audience, when mainstream authors seem to find their audience ready-made.

7) What are your personal top tips for indie survival?

Be prepared to do it all. Create, Write, Proofread, Edit, Produce, Promote, Market & Sell. If you don’t understand the essential elements of business, then enjoy the vanity of it all, but don’t expect success. And one personal tip for Indie Authors in general: if you don’t start learning to edit and correct your mistakes, you are going to fail. I read a lot of Indie works now, and I am nauseated by the typo’s, grammatical errors, misspellings, and simple format errors that permeate their books. It has given and will continue to give Indie Authors a bad reputation.

8) What are you working on at the moment?

I am supposed to be working on my literary novel: In the Church of the Blue-Eyed Prophets. Instead, I work most consistently on my blog, my collection of horror short stories, and my book reviews.

9) Who are your favourite authors?

My top 5 favorite authors are British: Barry Unsworth, Jean LeCarre, William Golding, Charles Dickens, and Graham Greene.

10) What are your dreams/hopes for the future in terms of your writing?

My biggest dream is to be accepted by the industry professionals and regarded as a writer of great literary merit. I know I ought to be seeking popular approval, but mostly I just want affirmation from those who know good writing.

11) Tell us about your writing routine/process

I guess that you’re assuming I have a routine. Not so much, really. I write what I want, when I want, at the pace I want. In this regard I pretty much go against all the advice of others. I do not write a certain number of words a day. I do not challenge myself to write so many pages. I do not even make myself write each day. It does not work for me. And even if it did, I would not do it. When I have experimented with such a program, what I wrote was trash, and I had to go back and rewrite every word. Sometimes I write a single paragraph in a day. Sometimes a page. Much more than that, and once again it turns to trash. I also ignore the trusted advice to just get the first draft out. Doesn’t work for me. I edit as I write. A lot. I cannot proceed until the writing is almost at the standard I maintain. And when I’m done, I go back and edit, edit, edit all over again. You see, writing does not come easily to me. And if I don’t take long breaks between, the writing suffers … a lot!

12) Tell us three interesting things about you

I am the son of a dwarf.

I believe that I am high-functioning autistic, enough not to be diagnosed.

I believe that animals can talk.

http://www.amazon.com/Joel-R.-Dennstedt/e/B008VJZ6RE/ref=sr_ntt_srch_lnk_1?qid=1456438558&sr=1-1

https://www.facebook.com/JoelRDennstedt/

Writings

 

Untold Stories

I’ve blogged recently about the amount of stories and characters I have in my head. I have also blogged about my struggles with the final draft of my YA novel The Tree Of Rebels, and how I have been constantly distracted by voices from untold stories. In order to keep some of these voices at bay, so that I can finish each project I am on, I have been writing the odd short story for these characters. Has this worked? Well, yes and no! On the one hand, it does feel good to get something out, to relieve a little of the pressure. But on the other hand, it seems that if I allow these people an inch, they will take a mile, and start shouting even louder.

Anyway, I am making great progress with the final draft of The Tree Of Rebels. I am probably only days away from finishing it. I might have mentioned before that I decided to try changing the tense, to see if that worked, and although I can’t be sure until I read through it all, I think it has! So, the plan is, I finish the draft then re-read the whole thing, checking a final time for errors, typos and so on. Then it will be done! What comes next? Well, I do feel I ought to finish my rough plot for the sequel, as it might be a good idea to not let there be too big a gap between the two books, but this won’t take me long. I will then jump into the second draft of my novel Elliot Pie’s Guide To Human Nature. As you might recall, Elliot Pie was a queue jumper! Jumping neatly ahead of the planned sequels to The Tree Of Rebels and The Mess Of Me! He was too insistent to ignore, so he finally got his story told. Once I have done the second draft I will send it to my wonderful beta readers, as I will need feedback on the structure of the novel, as it is a little bit different. What will I do whilst they are reading this?

Ooh, I’m glad you asked! Well, I recently wrote two short stories for a character that was getting impatient. Bill Robinson is one of the characters in a gritty teen drama I first wrote when I was sixteen years old. I never finished the book, and it had always been one I knew I would go back to at some point! Much in the same way I finally finished The Boy With The Thorn In His Side in 2013, after first writing it when I was twelve! Nightprowler and Bird People are both available to read on Wattpad if you are interested. Nightprowler is really a prequel to the novel, an event that happens before it all begins, and Bird People is really a snapshot into the mind and character of Bill.

Anyway, the point of this blog post is untold stories, and how exciting it is once you finally get the chance to tell them. Maya Angelou was quoted as saying that ‘there is no greater agony than bearing an untold story inside you,’ and I think most writers would agree that this is very true. It does become an agony. The desire to write and share, and the noise created by the characters and their lives, can reach unbearable levels if something is not at last released.

With this in mind I went hunting yesterday, and dragged the old suitcase out from under my bed. This suitcase is very important to me because it contains all my old stories, school work, essays and ideas. Luckily for me, I have never thrown anything away. And thank goodness too, because I found what I was looking for, and what a joyous moment that was. This great big hulking binder full of Bill’s story. It didn’t have a title back then, but the working title will now be A Song For Bill Robinson. Everything was right there. A plot (and how exciting to see that I used to plot at age sixteen, the same way I do no! ie a scruffy notepad filled with ideas with ticks on top of them!) character bios, and a whole load of notes and extra bits paper clipped together. More excitingly there is also a map! I used to draw maps of the fictional worlds I created to help me when moving the characters about. There is even a play list of songs, as one of the main plot lines involves Bill entering talent contests in his local community centre as a singer. He hooks up with some other people who play instruments, and the play list was a rough idea of some of the music they might play together.

How exciting! What a find…I knew I still had the unfinished handwritten manuscript, but I had completely forgotten about all the extra bits! I wanted to go back in time and pat my sixteen year old self on the back! Job well done! I can use all this! This is going to be brilliant! I was also impressed to find scraps of paper where I had written things like ‘by chapter 7 we know that Charlie is hiding something, and we know about some of it. We have suspicions of Laura’s private life, some from what she tells us and some from Bill’s own suspicions.’ Ha ha! Nice to know I had a good handle on the whole show not tell thing back then!

I can’t tell you how happy this discovery made me yesterday. This story still has to wait for me to get around to it, but in the meantime it is going to continue to grow and swell and evolve inside my head. I already know lots more about the characters than I did back then. There have been lots of nice, little details striking me lately.

So exciting!!

 

 

 

 

 

Too Many Ideas, Too Little Time

I’m lucky that I never get writer’s block, or run out of ideas. It would be quite nice to get some peace one day, but for now, my head is full of so many people and stories that I struggle to sleep or get a break from them. Some of them have been around for years. They fade in and out, getting loud, only to fall quiet again. Some are new, popping up and thrusting themselves into my consciousness when they are least wanted. Some of them are being dealt with right now, while some of them are getting really, really impatient…

It was the same today. I was out walking, because walking is where most of it happens, when I get away from the home and the duties and the children, I suppose when I get the chance to become more me…Anyway, today was a day like all others. It was good the way my mind jumped from one thing to the next. A new idea for the collection of shorts related to next novel The Tree Of Rebels. I had almost forgotten about these until I heard a gunshot while walking through the woods. In my perpetual childish state, I wanted to run and duck and cower and find a tree to hide behind because the baddies were after me…instead I let my mind run, and there was this small child running through the woods, running from the gun and the men in black and the dog-like creatures she’s can’t quite believe will be allowed to hurt her…and I thought oh yes, hell yes, another short for Tales From Province 5…I forgot I already had three…I need to sort these out and get these done! They were meant to be part of the launch plan I wrote for The Tree Of Rebels ages ago…you know, because for the first time ever I’m going to try that!

Anyway, there was that, and that was really good. I pretended I was her for a while, blundering through the thorns and the undergrowth, so that was fun. Then there was the Tree Of Rebels in general. You’ll be pleased to know I am not struggling with the final draft anymore. That’s probably because I know it won’t be the final draft! So at the moment I am changing it all to past tense, instead of present. It was worth a try to see if it worked, and I think it has. I’m editing as I go of course, but what I intend to do, is change the tense, then go back to the beginning for the final, FINAL draft. And I definitely love it again. I am loving it. It is loved!

Then there were some extra bits to add to a short story I wrote the other day, which was an attempt to alleviate the urgency of an old story pushing its way forward. It keeps doing it. This story about teenage alcoholic Bill Robinson I wrote when  I was 16 but abandoned for another idea…used to do that a lot back then! Anyway, Bill Robinson keeps piping up, so I wrote a short for him a while ago and put it on Wattpad and here, and that worked. It pushed him back a bit. But not for long.

You see, what happens is, I will be in the car, I’ll see a person, a face, hear some music, glimpse a building, a snippet of conversation, anything god damn it, and it will link up, it will hold on and it will grow and swell and it becomes fiction, although somehow real at the same time…so I can’t avoid it or ignore it, it just happens! So I wrote another short for Bill, but that made it worse. Some new bits came today, they’ll get added when I get time…he is not going to shut up any time soon.

And then there is Elliot Pie…quiet for now because his first draft was done, and that calmed him, that quieted him because his story is told. But even today, I got some snippets of dialogue, some expressions in my mind, some bits I need to remember…and this blog post…

I thought, god its frustrating and crazy feeling like this all the time, like there are stories and lives and stuff everywhere, and I get so impatient because I will never have the time to do it all, to say it all, to get it all out, especially when every time I leave the house I get more! But then I thought, hold on, isn’t it also the best feeling in the world? Like no other high? All that energy and life, all those possibilities, all that potential, comedy, tragedy, and drama in my head! It makes me feel so alive!

How to cope? Who to listen to? Who shouts the loudest or who has been waiting the longest? How to hold onto one thread and not drop it when another one barges in? How not to dilute the passion of one project, because another one is already tapping on the door? I will try to keep them back with shorts and notes, and thoughts that calm them. I will get to them all in time. Take a deep breath . Plot them out if I need to. Let them stew. So I do this, and I get home fast, got to rush in and get to a notebook and make a list, jot stuff down before I forget any of those things!

And then I step into the hallway and see that it needs sweeping, and the reality hits, and the toddler wants me, and oh it feels so selfish to want to push them all aside and get to my notebook before it fades… I just need to get this down, just quickly, just a few things before I forget, and my mind is always on it, always wandering here and there, always listening to the people in my head. So selfish.

Yet it’s not.

Think about it. All that sharing. Writers share their thoughts and feelings, fears and anger more than anyone else! Okay, a lot of it is made up, turned into fiction, exaggerated and so on, but at the same time it is real, because it came from us. Maybe we are like the sponge, absorbing all the lives and stories we see and hear around us, but we don’t just take it and keep it for ourselves. We put it right back out again. We share it with the world.

So I’ve decided, I will try not to feel guilty. It’s not like I can help it. I can’t stop them coming, I can’t stop seeing ideas and stories almost everywhere I look. I’ll just do what I can with the time I have, and try to remain calm. I just hope that if I am lucky enough to live a long life…I will have run out of ideas by the end of it. I want to lie on my death bed and know that there is nothing more to say! But that is probably wishful thinking.

 

 

Final Draft Struggles

Last week I blogged about the difficulties I had experienced writing my YA novel The Tree Of Rebels. I was just about to dive into what I hoped would be the final edit of the book, and I was looking back on the struggles I’d had so far. There was more than one issue, but in last week’s post I was examining the difficulties of getting to know your characters. I was trying to figure out what had been bothering me about this particular novel, which had not bothered me so much in my others. At least I now felt like I knew my main character Lissie Turner better, properly, finally. So I could begin…

I’m a few days in now, and I have to report that the struggles remain. Not necessarily with the character, but with something just not being right. I have tried to think back to the final drafts of my other books. Did I feel the same about them? Is this all completely normal? It begs the question, how do you even know if it is the final draft? I guess I feel I have already done so many drafts and sent the book out to beta readers, amended it, let it sit and stew, and now know, or at least think I know, how to finally make it work. So it feels like the final draft…or is it more like the last chance?

Because over the last few days I have been plagued by the feeling that something is just not right. I thought it was the characters, and not knowing them as well as I wanted to, but now I think it is more than that. The most frustrating thing is not being able to quite put my finger on whatever it is! And how do I know if this is the book telling me something is wrong, something does not work here, or if it is simply, normal writers self doubt? Because lets face it, writers are swimming in self doubt the majority of the time! You kind of get used to it. You learn to shut it up, push it aside and keep going.

My question is; how do you know whether you are meant to keep going? How do you know whether the doubts you are feeling are justified? I mean, that it really is a massive turd of a book that no one in the world will ever want to read?

I think my issue with this book is how different it has always felt to the other books, and there are several reasons for this. So it might do me some good to clarify them right here.

1) Firstly it’s set in a dystopian future, and I have never set a book in the future before. I have used the past and the present, but never a future made up by yours truly. I guess this means I am winging it a lot more than I would be ordinarily. I have had to make up an entire world, a civilisation, a back story as to what has led to this, and so on. In theory, this was not a problem, because for the first time ever, I got the idea for the plot before I heard the characters talk to me. Which leads me neatly to my second issue.

2) I got the idea for the plot first. And that never happens to me. Ever. Like I have said before, it’s the people that fill my head. They come with stories, so it is easy for me. I just do what they say. I just offload for them. But this time, I got an idea. What if in the future Nature is banned? What if everything you need to survive is kept under massive domes and delivered to you when you need it? What if, after endless wars, a tiny amount of humans inhabit the earth, and because there is no more war, and no more fear, they are very, very grateful for the lives they have…What if a young girl who was born into this world one day finds an apple tree outside of the domes? Anyway, without giving too much away, the idea stuck and grew and grew and eventually I had to start writing it. But I didn’t really want to. I will explain why in point 3.

3)I wanted to write a book that would impress my daughters. This has never happened to me before either, because I have always written for me, myself and I. That was how it all began. I wrote the stories I wanted to read. I created the characters I wished were real. This was different, and very new, and scary. I have two daughters. One is an avid reader, who devours YA and dystopia at an impossible rate. The other is a reluctant reader unless it is Diary of a Wimpy Kid. I wanted to lure them in, force them to turn the pages and show them what I could do. I now think this was a big, big mistake! They like the book, what they have read of it anyway, but I don’t think they love it. And I think knowing I was writing for an audience has haunted me all the way through. I’ve felt like someone has been watching over my shoulder. This is the first time I have decided upon the audience before writing the book…and I am not sure it works for me.

4) There was another reason I didn’t want to write the book. Well, a few. It was outside of my comfort zone, I knew I would have to research a lot of stuff, which I am happy to admit is not my strong point or my favourite part of writing, and I already had another book chomping at the bit, wanting to jump the queue. That book was Elliot Pie, which, if you follow this blog, you will know I finished the first draft of just a few weeks ago. I had only just started The Tree Of Rebels when Elliot tried to jump the queue. Now, as tempting as it is, I don’t let them do this. They all have to wait their turn, although they do get note books and they do get little bits written down and they do get thought about constantly! So, Elliot. Once I had him, I wanted to write his story. And I think that made things harder with this book.

5)Well, point 5 kind of sums up all the above. This book was a challenge. This book happened in a very different way to all of my others. This book scared me. This book confused me. I felt impatient with it, reluctant to do it, and constantly had this niggling little voice telling me that it was not right. It’s a fantasy, right? Almost a sci-fi, and that’s not my genre, that’s not my niche. My thing is realism, down to earth, gritty, edgy, a bit dark, that kind of thing.

Now that I know all of this and can admit it here to you, the question remains, what do I do about it? Keep going with the final draft and see what happens? Hope the self-doubts will pass, and some genuine love and appreciation will return for this novel? It has happened before. As with all my books, when I am writing them I tend to think they are rubbish, and it is only when I am re-reading bits that I smile and think hey, this isn’t too bad! This is better than I thought it was! And that has definitely happened enough with this book…even in the last few days!

Luckily for me I was talking to my 13 year old avid reader about it this morning and she made several wonderful points. She reminded me that the beginning of the book cannot be as dark and edgy as I intend to make it this time around, as in the beginning Lissie does not know anything is wrong with her world. Sure, things are suggested to the reader, but on the surface, for the reader and for Lissie, this really is a perfect, easy to live in society. Things do start to get darker very quickly, as things start to unravel and there is a fast pace, as this is by far my shortest book. I had forgotten this, and she was right. She also reminded me that my other books are concerned with ‘real-life’ problems ie eating disorders, bullies, evil step-fathers and missing mothers. The Tree Of Rebels does have some family drama, of course it does. In fact you could also describe it as coming of age as Lissie makes her journey, but it does not contain the same gritty subjects I usually handle. Again, she was right. It’s just different.

I’ve made a few decisions and I will blog again when I have them clearer in my head. Hopefully by the time I post again I will be feeling better about this book. I will have listened to the doubts, dealt with them and recognised that there is nothing wrong with The Tree Of rebels…it’s just different. At least for me!