Author Interview; Gail Aldwin

Hello and welcome to another author interview! This time I have the pleasure of hosting Gail Aldwin, a prize-winning writer of short fiction and poetry. She has lived in Australia, Spain and Papua New Guinea and is now based in Dorset. Her new collection of short fiction Paisley Shirt is published by Chapeltown Books. You can purchase a Kindle edition on Amazon (the paperback will follow soon).

gailsbook

Can you tell us what inspired this collection of stories?

I looked for commonalities in the range of short fiction I had written over time. I noticed a thread of resilience woven through the stories and selected the best. Paisley Shirt is a collection of short fiction that tells of the obstacles encountered in life and how it is possible to overcome them.

I understand you are also working on a novel. What do you find harder? Short stories or novel writing?

All writing is a pleasure and a challenge. I like being able to work on short fiction alongside novel writing. The timescale for finishing a longer piece of work means that it’s good to have other projects on the go where there is satisfaction in knowing the story is complete.

Can you tell us about your novel? What is it about and when will it be released?

I wrote a novel called The String Games as part of studies in creative writing with the University of South Wales. It is the story of the abduction and murder of a sibling told from the older sister’s viewpoint. Rather than a crime novel, the story focuses on the legacy of loss for the protagonist, as she moves from childhood to the teenage years and into adulthood. Last year, I entered the novel into a competition and although I didn’t win and wasn’t placed, one of the judges was a literary agent and offered me representation. This was a lovely experience but it didn’t last long! My agent took maternity leave and decided not to return to work, so I continue to seek a home for this novel.

Did you always want to be a writer?

I’ve been interested in writing for over twenty years but as I child I didn’t like books. I experienced intermittent hearing loss, which meant it was difficult to learn to read, as I couldn’t distinguish the phonic sounds. Reading was hard work and it took until my teenage years to see books as a source of pleasure and enjoyment. My interest in writing started when I lived overseas and enjoyed writing letters. This grew into a love of writing short fiction and then novels, scripts and poetry.

Do you have a day job and if so what is it?

I currently work as a visiting tutor to creative writing students at Arts University Bournemouth. I love my job! It is a joy to watch students develop new skills and confidence. I am also Chair of the Dorset Writers Network. With the steering group, I work to inspire writers across the county by connecting creative communities.

Can you describe your writing process? 

When I get an idea, I muse on it for a while, then I decide which style of writing the content is suited to. Fragments or moments lend themselves to poetry, short fiction needs a story arc, I usually work collaboratively to develop scripts and novels are a home-alone process. The first draft of anything is about getting the words on the page, then the fun begins: shaping, deepening, layering through drafting and redrafting. For the first time ever, the novel I’m currently working on has been fully plotted. This Much I Know gives a child’s eye view of the interaction between adults in a suburban community where a paedophile is housed. The trick in writing from a child’s viewpoint is to exploit the gap in understanding between the child and the actions of adults around them. It’s a lot of fun playing around with strategies and techniques to capture the voice of a young child.

Tell us about your marketing and self-promotion approach

I am new to marketing and promotion so I refer to books with practical advice on how to move forward. I’ve learnt how to write a press release, have made contacts with local press and cultivated friendships on social media. I am hoping there are others like you, Chantelle, who are willing to interview me and review Paisley Shirt.

Where to find Gail:

Email:             gailaldwin@btinternet.com

Twitter:           @gailaldwin

Facebook:      https://www.facebook.com/gailaldwinwriter/

Blog:              The Writer is a Lonely Hunter

Chair DWN:    http://www.dorsetwritersnetwork.co.uk

New Feature; Indie Book of The Month!

Welcome to a new monthly feature for my blog. I read A LOT, and I read a good mix of indie and traditionally published books as well as a real mix of genres. I’m always looking for ways to repay the indie community who are so supportive of me, so I thought why not post a book of the month feature?

At the end of each month, I will post a blog promoting the best indie book I read that month. I will also be contacting the author for a follow-up interview. After highlighting the book of the month, I will also link to any other indie books that caught my eye, as well as the best traditionally published book I read this month and the best new author I discovered this month. But the main feature is the indie book!

So, please allow me to introduce you to the very best indie book I read in January 2018. The Minotaur Hunt by Miriam Hastings

This fantastic book about life inside a mental institution won the MIND book of the year award and was previously published by Harvester Press. Here is the blurb;

A winner of the MIND Book of the Year Award, this is a present-day story with a legendary model. To the people of Crete, the Minotaur was a creature of darkness and horror. Locked in a labyrinth where no-one could see him, he became the scapegoat for everyone’s worst imaginable nightmares and terrors.

Chrissie and Rachel are Minotaurs. They meet in Bradley, a rambling Victorian institution for the mentally ill. As the novel unfolds and their respective stories are gradually revealed, their growing relationship becomes a rich source of shared experience and a focus for their deepening knowledge of themselves.

The Minotaur Hunt is an arresting story of modern society which draws on some of the most evocative qualities of myth-making. In its fearless exploration into some of the darkest areas of human experience, it strikingly portrays the complexities and difficulties of human communication in a powerful and moving narrative which is both disturbing and honest, captivating and profound.

This is a revised edition of the novel with a new Afterword by the author.

And here is my Amazon/Goodreads review;

I was drawn into this book from the very first page. Rachel is a 16-year-old girl who has a habit of escaping from everyday life whenever she feels like it. She simply curls up on her bed and waits for the boat to come and take her to the world she has created in her mind. It’s a beautiful world, inhabited by elegant and sexless creatures who would like her to live with them permanently. Rachel cannot do this while she is still anchored to the real world, and her desire to do so results in her parents committing her to an institution for the mentally ill. At such a young age, Rachel is terrified and confused, but she gradually discovers true friendship among the other inmates, Chrissie, Rosie, Daniel and David. Rachel and Chrissie become particularly close, eventually realising that they have experienced similar trauma. This book is set in the 1980’s, a time when the mentally ill were still treated quite badly in such places. The relationship they all had with the ward doctor made for some interesting reading. I could never quite decide if he was on their side or not, or simply manipulating them. This is a beautifully written book which gave me characters I could truly care about and I thank the author for that. I felt like they were all real and I was part of their journey for the time I was immersed in their lives. There is a tragic ending for a few of the characters and hope and recovery for some of the others. I was desperate for things to turn out well for all of them! There are some fantastic characters in this book and some really thought-provoking issues dealt with. It really made me think all the way through. I also enjoyed the mythical element to it which at times provided a slight relief from the starkness of life inside the institution. A brave and wonderful book. I would love to read more from this author.

I highly recommend this book if you are looking for something to really get involved with. Not only does this book totally pull you into these characters lives and minds, this novel really invites you to think about mental health. Not a light read and contains some upsetting scenes, but in my view, an extremely important book by a fantastic indie writer, who I really hope has more books out soon!

The Minotaur Hunt by [Hastings, Miriam]

Other Indies I Enjoyed This Month;

Ghosts of London(book 3 in Mark Gillespie’sFuture of London Series)

The Oscillator by JK Neve

Best Traditionally Published Book of the Month;

Six Stories by Matt Wesolowski

Best Author I’ve Discovered This Month;

Matt De La Pena

The Tree Of Rebels Won An Award!

I just thought I would share the good news with you guys, that The Tree Of Rebels has won a Chill With A Book Readers’ Award! (check out the awards here)

I’ve entered a few awards here and there over the years, but this is the first time I have won anything, so I am obviously thrilled to bits!

The Tree Of Rebels came out in August 2017. It took me two years to write and regular readers of this blog will know that I had a real love/hate relationship with it at times. It has been really well received since its release. It was voted 12th in Amy Shannon’s Top 20 Indie Books of 2017 and it also made it into the My Top Ten Books of 2017 by book blogger Jules at LittleMissNoSleep Daydreams Of Books blog.

I was extremely surprised and overwhelmed by all of these. I’ve blogged many times about how up and down the life of an indie author is. It’s recognition like this that keeps you going. Support from other authors such as the wonderful Amy Shannon who does so much to highlight indie books, and devoted book bloggers such as Jules who take a chance on indies like me, really does mean so much. It’s impossible to do this alone, so you really do need these people around you! To start 2018 with a Chill With A Book Award is really thrilling. It has given me a much-needed boost of confidence.

And now, back to the writing!

 

 

 

My Bad Writing Habits

I’m currently editing the fifth draft of my YA drama A Song For Bill Robinson. The fourth draft was edited on my Kindle, with me making notes on typos, words, and phrases to cut. Overall, I thought it was pretty good when I went through it on my Kindle. Almost there. On this current draft, however, I have totally changed my mind, because I can now see how many bad habits I have! And it’s so weird, because I don’t seem to spot them until I get to about fifth draft stage. Interesting! Anyway, I thought I would share them with you. And then you can tell me yours!

  1. Over-explaining – I don’t realise I am doing this in a first draft. I don’t even spot it on a second or a third. But eventually, I see it. Usually about now, when I am trying to get the word count down. I over explain things. I do this in real life too. My husband has a habit of quoting Tim from Spaced when I speak; ‘skip to the end…’ I am forever saying, ‘yeah, I know, I said that already.’ This isn’t too bad when talking to people, but when writing books? This is very bad indeed! Here’s an example… ‘And it was he who had suggested she stay the night. It was he who had talked her out of cycling home or going back to her dads for the night.’ (See? Too much explaining. The second sentence is not needed!)
  2. Repetition – This is similar to over-explaining but much more repetitive and needless. Again, I only notice this when editing a later draft and trying to delete unnecessary words. Here’s one I just picked up and this is typical; ‘He didn’t know. He didn’t have a clue and it was driving him crazy.’ You see, I really didn’t need to repeat the fact he didn’t know!
  3. I write too much – My word counts are ridiculous. This is a very bad thing because publishers don’t want to look at manuscripts with excessive word counts, and a lot of readers are also put off by them. It’s also bad when it comes to editing, formatting and revising. And it’s because I do too much overexplaining and repeating myself. I really need to get better at writing shorter books.
  4. Swearing – I’m getting better at this. I’m trying to rein my foul-mouthed characters in and make sure any curse words are absolutely necessary. One day, when I have the time, I will go back over all my old books and delete some of the swear words.
  5. Making Characters Frown – Ugh, so annoying. Again, I don’t realise I am doing this when I first write the book. But on later edits, it is revealed to me in the most cringe-worthy fashion, that there is way too much frowning going on!
  6. Making Characters Raise Their Eyebrows – Very annoying when you read it. There are many, many other ways to imply expression on a character’s face. I cut tons of these out as I edit again and again.
  7. Sighing and eye-rolling – So embarrassing, but it’s true. You think I would have grown out of this by now. But no. For some reason, when I write a first draft, all my characters sigh and eye-roll constantly. I have to calm them all down on later edits. It’s okay to be silent and still!
  8. Trying Way Too Hard To Make The Reader See Exactly What The Character is Doing – eg; ‘I don’t think it’s a good idea,’ Andy was shaking his head and blowing air out through his nostrils.’ Wait? What? Why did I feel the need to mention the fact he is breathing? Of course he is breathing, and the reader is well aware of that because he is talking and shaking his head. Nothing else needed!
  9. Not Bothering To Research Vital Things Because I Am Too Impatient To Get the First Draft Written – I try to kid myself that this is a good tactic. I am writing! I am getting words down, getting the story out! I don’t want to break that precious flow by stopping to research something as small as how a person is actually signed out from hospital! No, I’ll do that much later. (And then find out that I have to rewrite the entire scene…)
  10. Adding Pointless Needless Words That Do Nothing – eg ‘Andy watched rather helplessly’. He’s not watching rather helplessly. He’s not feeling rather helpless or rather that. Rather is a really horrible word actually and I am never, ever using it again.

Well, there you have 10 of my bad writing habits. Of course, there are loads more, but I didn’t want to bore you by waffling on, which is another bad habit of mine! So, come on then. Be brave. Tell me your bad writing habits. We can cringe together!