Social Media, Medium, Substack and Writing! An update on spinning all those plates!

Image by Gerd Altmann from Pixabay

Hi everyone!

I’ve been active on Medium now since 2023 and active on Substack for over a year. My trusty and much loved blog here on WordPress has been going since I started my writing and publishing journey back in 2012 or therearebouts! Since I published my debut novel The Mess Of Me in 2013 I have gone on to publish a total of 23 books, if you count The Dark Finds You which is out next month.

It was all a learning curve in the beginning and it’s true to say I actively hated a lot of it. I just wanted to be writing. Fast forward through the years and I started to get used to it and eventually, even enjoy it. And then of course the landscape shifted – again and again and again – and like all independent authors on a low budget, I’ve had to shift and adapt with it each time.

What I do now is try new things, give them some time and then assess what is working and what is not. After all, no one wants to spend their entire lives on social media and these books have got to be written somehow! With all that in mind I thought I’d do a little recap on what has been working for me, as well as what I am thinking of trying in the future!

The first thing to mention is that my sales are up. Reviews are still very hard to come by, but I get sales from Amazon and from Draft 2 Digital (who distribute both ebooks and paperbacks to everywhere else) every month and in the last year or so, those sales have improved. Now, I am nowhere near being able to pay the rent! Nowhere close! But I do get a nice surprise most months, a little ‘oh!’ moment when my royalties show up. Funnily enough, most of my royalties are coming from Draft 2 Digital distributors, not Amazon!

Let’s start with social media.

Facebook and Instagram: I am still not as active as I probably should be, but whatever I am doing there for free does seem to be fetching me sales. I have 424 followers on Instagram which is linked to my Facebook author page where I have around 1,500 followers. I post daily life pictures and videos such as dog walks in my favourite places, gardening and baking pictures and writing updates. I post review graphics of all my books as much as I can, and quote graphics too, all with buy links and blurbs attached with the relevant hashtags. What I’ve done differently this year is use music! I caught on late and who knows what difference it makes, but it is fun picking songs to go with your pictures and reels. I try to repost and share my Substack and Medium posts to Instagram and Facebook too but not as much as I should.

What I want to try in 2026: I want to try posting more videos of me talking. Scary, I know, but a lot of the time it would actually be quicker to record myself saying or doing something and post that to several places. I particularly want to try this with my Chasing Driftwood Writing Group social media platforms and blog. I work with young writers running clubs on Zoom and in schools, but I often worry about the young writers I can’t reach. There is only one me and I can’t run any more clubs than I already do. I already post a weekly round-up of what the kids have been up to on my Chasing Driftwood Writing Group blog and Facebook page, but I was thinking of changing that to a video where I could go into a bit more detail. It might be useful for writers who can’t access clubs and workshops, and I could cross post it to lots of places. I’m unsure at the moment, but it could potentially be more effective as well as a time-saver!

Medium: It’s been up and down over on Medium but I do try and publish pieces there at least once a week. Essays, poems and short stories mostly. I am still running my tiny little publication The Wild Writers Club but constantly wondering if it is worth it! I have been boosted a few times lately and while two of them didn’t earn as much as I would have liked, one did hit the sweet spot and earned me over £200 just in time for Christmas! I was thrilled. Funnily enough, although I was only responding to a writing prompt about revolution, it was the most political piece I have ever shared there, so maybe I should do that more often? Anyway, it continues to be worth it, so I will stick around for the forseeable future. One new thing I have been doing is sharing links to my Medium pieces to my Substack weekly round-up post. I share the Medium member link and the free friends link to cover everyone.

What I want to try in 2026: I need to remember to share my Medium pieces in more places, such as Instagram and Facebook as well as Substack. Chances are the same people are not following me in all these places, so it makes sense to cross post as much as possible. I also intend to keep up my once a week posting if I can and maybe even up it, but we will see. Maybe I will be brave and share more of my political and social opinions!

Substack: I am not earning anything on Substack, that is the most important thing to point out. I have zero paid subs and I don’t think I am likely to ever get any. I have thought about offering high value content to paid subscribers but it just feels a bit cheap. I’m not sure I have anything to offer that’s worth £5 a month. I just want people to read my books and that’s what I focus on there. Sales have been better this year, so perhaps it is working? I have 139 subscribers there. I post weekly round-ups on a Friday where I share the main news of the week, whether it is writing, work or just life related and I also share what I am reading, watching and listening to. I just enjoy it! It’s fun sharing books and music and TV I love! There is always writing related news too and as I already said, I also post links to my Medium pieces. I also post an end of the month author newsletter, which really just replaces the old useless MailChimp one I used to have. This is always 100% writing related. And up until recently I was serialising Black Hare Valley Book 1 on Substack as well as here.

What I want to try in 2026: I was thinking about adding writing tips and prompts to my weekly round-up but if I go ahead with my weekly video thing for Chasing Driftwood Writing Group, I wouldn’t need to do this. I would link to it. One thing I am definitely doing is adding character POV things to my author newsletter. There is endless content for this! I am going to be handing over a part of the newsletters to one of my characters each month. For example, Danny from The Boy With The Thorn In His Side will share his favourite sad songs, or Bill Robinson from The Holds End Trilogy will share his best ‘fuck you’ songs to sing at a gig. Chess and Reuben from The Day The Earth Turned series will share survival skills, and so on! There will be all sorts from playlists, reading recommendations to life hacks, recipes and philosophical thoughts! I am looking forward to this!

Well, I think that’s everything. As always there are probably a million more things I could be doing to sell books and improve visibility as an independent author, but at the moment I think it’s wise to stick to the things I know and keep building on them. Tweaking things and trying something new every now and then within these platforms also seems to be worth it!

How about you? If you are an author what is working and not working for you at the moment and d you plan to try anything different in 2026? If you are a reader, where are you finding your books at the moment?

See you next time!

My Next Release ‘The Dark Finds You’ is Now Available to Pre-Order!

The final book in an interconnected universe is finally here…

image owned by Luke Fielding Art

First of all, let me apologise for the lack of blog posts since I started sharing Black Hare Valley Book 1 with you a few months back! A huge thank you to those who read along and left me feedback. I really appreciate it and serialising was an overwhelmingly positive thing to do. I will be serialising something else soon but more on that next week!

This week the good news is I finally have a new book on the horizon. The Dark Finds You is a gritty crime thriller drama about a fractured community and a missing boy. It also contains characters from many of my previous books in a shared universe. However, it can very much be read as a standalone and you do not have to read any of the previous books to enjoy this one.

If you are interested in exploring the connected universe however, I’ve listed the order to read them in. If you start with The Boy With The Thorn In His Side series and work your way through, you will find that The Dark Finds You makes a satisfying conclusion to previous storylines in that world. The main characters in The Dark Finds You are: Danny Bryans (nightclub owner), Leon Lawrenson (drug dealer) Bill Robinson (lead singer in a band who play at Danny’s nightclub) Elliot Pie (Bill’s father is having a baby with Elliot’s mother so they are now almost brothers) Laura Pie, (Elliot’s mother) Leah Barratt (Elliot’s friend) and Finn Douglas (Elliot’s other friend and the catalyst for the storyline when he goes missing.)

And here are the order the characters appear in books I have already published. In other words, read in this order!

Danny Bryans – The Boy With The Thorn In His Side – Part One (5 book series)

Leon and Joe Lawrenson – The Mess Of Me

Elliot and Laura Pie, Leah Barratt and Finn Douglas – Elliot Pie’s Guide To Human Nature

Bill Robinson – A Song For Bill Robinson, Emily’s Baby and The Search For Summer (also known as The Holds End Trilogy)

Danny Bryans also appears in At Night We Played In The Road and the events at the end of that book lead on to…

Leon and Joe Lawrenson – The Mess Of Us

Here is the blurb for The Dark Finds You:

14 year-old Finn Douglas is missing.

Best friend Elliot is desperate to find him, but why is mutual friend Leah strangely reluctant to help?

Elliot’s pregnant mother fears her agoraphobia has returned, while his almost-brother, Bill, agrees to help look for Finn but risks exposing his secret drug habit in the process.

Meanwhile, ex-con Danny knows his nightclub is being infiltrated by drug dealers who work for a gang from his past. And drug dealer Leon can’t have the fresh start he wants until he has repaid his debt to the same criminal gang.

A collection of characters with dark pasts find themselves linked by a common mystery that they all have a clue to solving – what has happened to Finn Douglas?

And you can pre-order the ebook here: https://books2read.com/u/m07dgP

At the time of writing you can’t pre-order the paperback because I am currently waiting for the proof copies arrive for me to check over! I will let you know as soon as the order links are live.

Black Hare Valley: The Final Chapter! “The Fight”

image is mine

© 2025 Chantelle Atkins. All rights reserved. This work may not be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law.

NO AI TRAINING: Without in any way limiting the author’s [and publisher’s] exclusive rights under copyright, any use of this publication to “train” generative artificial intelligence (AI) technologies to generate text is expressly prohibited. The author reserves all rights to license uses of this work for generative AI training and development of machine learning language models.

1

Mr Bishop is chasing Ralph and Jaime up School Lane towards Black Hare Road.

‘Get back here!’ he bellows after them and the tone of his voice chills Jaime to the bone. He sounds deranged with fury; outraged and incredulous, like he simply cannot believe they have the audacity to run from him.

Running away from an adult, let alone a teacher, let alone the head-teacher, goes against all of Jaime’s good-girl instincts. Her guts are a tight knot of dread and she can’t help picturing her mum and Mark in her head – the disappointment in their eyes when they find out. But she hears another sound, a low rumbling growl and when she looks over her shoulder, Jaime is horrified to see a large feline creature is chasing them.

She lets out a high-pitched scream that ought to wake the dead – but of course, there is no one about – how convenient, she thinks, no one to open a door or even a window to see what is going on. But Ralph grips her hand and holds on tight, and they race up the next road towards the safety of the book shop.

They tear down the back alley and look back to see the cat, a lynx, she thinks, is pounding after them. But suddenly it stops running and slows to a trot. It seems conflicted, its ears twitching, its tail low and stiff. It stops.

At the end of the alley, Ralph and Jaime look back and see the cat is turning around.

‘What’s it doing?’ Jaime whispers to Ralph.

‘I think it’s leaving.’

‘Come on.’ She grabs his sleeve. ‘The treehouse.’

They run towards the Finnis gate and bump headlong into Willow, who is clinging to the gate, her eyes wide and her mouth gaping. She grabs them when they appear, then tugs them frantically over the threshold and into the garden.

‘Mayfield,’ Willow pants, her shoulders heaving. ‘Chased me but then he left.’

‘Bishop,’ Ralph responds, breathlessly. ‘Same. Then changed course.’

‘Why?’ asks Jaime as they huddle together in the darkness and it hits her at the same time it does Willow. Their eyes widen in alarm and startled, they cling to each other’s hands and cry at the same time, ‘Paddy!’

2

Jesse cuts around the back of the town hall but before he can burst out onto Town Road and race across to Black Hare Road, he smells something new in the air – something old and heavy and powerful and hungry, and all his hairs stand on end – but he can’t stop running, can’t stop his legs in time. He runs into something solid and the breath leaves his body as he’s thrown backwards onto the ground.

Winded, he stares up, aghast, as the huge looming form of Sergeant Aaron Mayfield stands over him. The man who has haunted his dreams for as long as he can remember. The man who killed his aunt and his mother. He thinks suddenly, how? How and where did he kill her?

Before he can ask, Mayfield is shoving him down hard and his big black boot collides violently with Jesse’s ribs. Mayfield grabs his right arm and a pair of handcuffs is snapped over his wrist. The man is growling and drooling, his eyes manic and bloodshot as the beast struggles to get out.

Jesse is stronger now thanks to Margaret and as Mayfield reaches for his other arm, he brings up the right one and swipes at Mayfield with the dangling metal cuff. He swings as hard as he can and hears a crack followed by a groan. Jesse reacts fast, scrambling to his feet and aiming a kick at Mayfield’s backside as he rubs at his head. Mayfield staggers forward but does not fall. Jesse waves the knife at him.

‘You killed my mother!’

Mayfield turns slowly and grins at him. His lips lift away from his teeth and Jesse can see saliva strung out between them, glistening in his beard. The man reeks of primal animal hunger.

‘And I’m gonna kill you too,’ he laughs, lurching forward. ‘I should’ve killed you years ago!’

Jesse backs up warily, waving the knife. ‘Why didn’t you?’

‘It was too much fun playing with you!’ Mayfield sneers and runs the back of one hand across his chin. ‘It was fun making you run all over town doing whatever I wanted. But that’s done now. I’m not letting you join us, Archer. No way. Not a useless scumbag like you! You’re not fit to lick our shoes! You’re not one of us!’

Jesse shakes his head. ‘No, I’m not and I never will be. But I am gonna kill you, old man. Something tells me you should’ve died a long time ago.’

Mayfield laughs and lunges again. He grabs Jesse’s arm just above the wrist, close to the knife. He tightens his grip as Jesse struggles and his eyes widen when he takes in the knife. ‘Did she give you this?’

Jesse doesn’t answer. He swings the cuff again, battering Mayfield with it. ‘How do you do it?’ he screams as they both fall to the ground. Mayfield has both hands around his wrist and is trying to free the knife. Jesse hits him in the head again and again with the cuff. He sees blood fly but Mayfield does not seem to feel the pain or the battering. ‘What do you do to them?’ Jesse sputters as they wrestle for the knife.

‘We tie them down!’ pants Mayfield, wincing from another strike and loosening his grip on Jesse’s wrist for one moment. He recovers, using his knee to pin Jesse’s free arm to the ground. ‘In that spot in the cellar!’ he goes on, grappling for the knife as Jesse tightens his fingers around it. ‘We circle them and we all take a part of them, all of us! We take them apart bit by bit with our teeth and our claws and this knife! Give it to me you fucking shit! You’re not worthy!’

Jesse twists away, the knee pressing his arm down but his fingers scrambling at the ground, searching for a rock or a stick. His other hand grips the knife handle with immense strength, with something he didn’t know was inside of him, or something he does not recognise, refusing to let go.

Mayfield growls impatiently. ‘We take every bit of them, Jesse, is that what you want to know? What happened to Paddy and your aunt? Bit by bit, piece by piece and they feel every moment, Archer, every slice and dice and every amputation. Their blood flows and drenches the earth and we all join hands and say the words and their true form is set free… it’s not murder… it’s new life!’

‘Until you chase them down and kill them!’ Jesse yells, his fingers closing on the end of a fallen stick. He swings it at Mayfield but the knee is still in his way. He twists onto his belly and feels Mayfield rise on his back, still clawing at the hand that holds the knife.

‘That’s the fun bit!’ he leers. ‘Hunting them down and tearing them to shreds!’

Jesse lets the stick go and now clings to the knife with both hands. He bucks his back and Mayfield tumbles off and lands heavily behind him. Jesse knows he shouldn’t have that kind of strength, but he does, and he is determined to make use of it. Mayfield is still clutching his arm but Jesse brings up his own knee and boots him in the chest again and again until finally he feels the grip loosen. He rolls away as forcefully as he can and he takes the knife with him.

Mayfield rolls and grins at him through bloodied teeth. ‘Then we drink them, just like you did, Archer. You’ve got them all inside you too now, Paddy, your mother, your aunt!’ He throws back his head and howls laughter. ‘You’re gonna live forever whether you want to or not!’ Mayfield gets on his hands and knees. He lifts the back of one hand and drags it across his menacing smile. ‘But you don’t deserve it. It should have been you that was taken. Iris never liked me. Thought she’d wind me up by forcing our hand, forcing us to take Finnis!’

Rejuvenated, knowing it is now or never, Jesse staggers to his feet and spins around. Mayfield sits back on his knees and Jesse wonders if he should let him change or just go for it. He steps forward, knowing he can do this, knowing he is stronger for now, faster, smarter, knowing Margaret has faith in him and so do his friends. He runs at Mayfield with the knife and he sees where he will plunge it, right into the man’s exposed neck as he throws back his head and howls.

Jesse lunges with the blade and the tip is sailing like ice towards its meaty pulsing target when something comes crashing out of the bushes behind Mayfield. Something large and furry and snarling in rage. He feels huge paws thump into his chest and he is thrown backwards again, further this time and when he lands, not only is he winded but his head throbs from striking the ground so hard and the knife is thrown aside.

Shit, he thinks and closes his eyes.

When he opens them he is staring up into the snarling face of a huge lynx cat and somehow he just knows it’s the other man who has always loathed him, Mr Bishop, the headteacher. His claws curl tightly into Jesse’s clothes and the weight of him is pushing him into the earth.

He thinks, okay, I die now, but Mayfield is on his feet and striding over. The beast on Jesse’s chest releases its hold just long enough for Mayfield to pull Jesse’s wrists back together.

‘They’ve got the book,’ he snaps as he clicks the cuffs back on. ‘So we can’t kill him yet.’

The cat’s green eyes narrow and it stretches open its mouth to reveal what look like hundreds of razor sharp feline teeth. It hisses so loudly Jesse feels the breath whipping back his hair.

‘It’s okay, Mayfield goes on, giving the creature a stroke between its curved ears. ‘I give you permission to drag this piece of shit by the neck and as soon as we get the book back you can finish him off. Then we’ll eat him together.’

The cat seems to smile as it lowers its head and Jesse flinches away from the thick meaty smell of its breath as it stretches its jaws once again to receive him. He is unable to scream as several teeth puncture the skin of his neck and the blood begins to flow.

3

Willow, Jaime and Ralph group together under the treehouse. The bookshop and the flat above are dark and closed up. No help there. No sign of Paddy either. Willow lowers the spell book to the ground and unfolds the cloth.

‘Should we go out there and look for Paddy?’ Ralph wonders, chewing on a nail and looking around anxiously.

Jaime slips an arm around his waist and rests her head on his shoulder. He wonders if now would be a good or bad time to tell her how much he likes her…

Wind and rain are battering the garden around them and the dark town beyond. Everyone has gone inside – gone home – and Ralph thinks of his mother and swallows a small sob.

‘What about Jesse?’ asks Jaime. ‘He should be here by now.’

‘No, we’re all early,’ Willow responds, glancing at her watch. ‘We have to assume he’s safe because Margaret has plans for him. Its Paddy the beasts were after.’

‘But why?’ Ralph wrinkles his nose in confusion. ‘What would they want with him? Especially if Mayfield knew you had the book?’

Willow is flicking through the pages, poring over the Latin words with her brow furrowed in concentration. Jaime leaves Ralph and crouches beside her.

‘What are you looking for?’

‘A way to kill them or  a way to stop it all, but I can’t make sense… I don’t know Latin, damn it, these words or spells, they could mean anything!’

‘What about the protective ring?’ asks Jaime. ‘We might need to strengthen it is all I’m thinking. Or even expand it?’

Willow is shaking her head then thumps the book in frustration. ‘None of it is any use if we can’t read it!’

‘Better give it back to its rightful owner then,’ snarls a voice and they all jump and look up in fright.

Sergeant Mayfield is at the gate and a wild cat about the size of a Labrador is at his side. Bishop, Ralph thinks in dread – and worse – Jesse is with them, handcuffed and dangling by his throat from the cat’s jaws. Willow and Jaime leap to their feet, hands pressed over their mouths in horror. Ralph finds himself moving slowly forward, out from under the treehouse.

He’s staring at Jesse, long and hard and then he sees the boy’s eyes move, along with his chest. He is still alive. Ensnared, trapped, but alive.

‘A fair swap,’ Mayfield growls. ‘Toss us the book and your friend here lives.’

Ralph looks back at the others and Willow looks down at the book. ‘This is proof, isn’t it?’ she asks, lifting her chin. ‘It’s important to you because it’s the only thing that can prove what you’ve been doing for so long.’

Mayfield smiles at her coldly and tilts his head. ‘Clever girl. Give it back and your friend lives and I don’t arrest you for breaking and entering my house, again!’ He roars the last word, making them all jump back a step.

‘Let him go first,’ Ralph says. ‘We need to see he’s okay and then you can have your book.’ He inches closer and feels the girls doing the same behind him. Willow has wrapped the book back up and is holding the bundle under one arm. Ralph slides a hand around to his back pocket and slips his fingers inside to retrieve his pen knife.

Mayfield nods at the cat, at Bishop. ‘All right, drop him.’

The feline beast opens its jaws and Jesse drops to the ground, gasping and coughing. He lays on his front, his head turned to them, his eyes desperate and pleading. Blood surrounds his neck and pours down his front. What if he is dying, Ralph thinks, he’s dying and it’s already too late…

‘Now toss us the book,’ says Mayfield, but suddenly he steps back, eyes narrowed, head turning rapidly to the left, the right, the left again.

Ralph sees that something is moving in swift figure of eights around their feet. Something small and nimble. The cat has noticed it too and it lowers itself, its haunches lifting slightly, its ears flattening on its broad skull, while its chest, flicked with Jesse’s blood, draws breath in and out, and its short tail whips from side to side as if it preparing to pounce.

Ralph frowns – he can’t see what’s got their attention but whatever it is it is affecting Jesse too. As they look on in confused horror, Jesse presses himself up from the ground and sits back on his knees, sniffing the air like an animal. His frightened eyes are different now – keen and alert, hungry. He plants his cuffed hands in the grass and lowers his head, snarling suddenly, then lunging for something dark and fast that scoots out of the way.

Then Ralph understands.

It’s Paddy. He’s distracting them all, teasing their predator instincts so that they can do what needs to be done. It’s Ralph who seizes the moment. He pulls out his knife and flicks up the blade, grabs the book from Willow and tosses it under the treehouse. He shoves the wide-eyed girls towards the gate.

‘Get Jesse in the circle! Get him!’

The girls don’t argue and all three of them rush forward. Jaime and Willow grab Jesse between them, seizing an arm each and dragging him backwards. He struggles, whipping his head from side to side and growling to get free. Ralph sees his jaw snapping and hopes the girls keep their fingers away from his mouth.

They fall over in the struggle but Jaime grabs a leg and yanks hard and Willow wraps her arms around Jesse’s middles and wrestles him violently backwards. The lynx ignores Ralph and Jesse – its focus is now totally on the quick black hare that darts and leaps and twists between them. It’s too fast and agile for the cat and Mayfield, who is still in human form, turns and waves a dagger through the air, his eyes flitting madly as he tries to keep the hare in sight.

It’s all darkness, shadows and confusion but somehow Ralph forces himself forward into the middle of it all and while Mayfield is trying to snatch at the hare or stamp on the hare, he sneaks up behind him. Before he can think twice, before he can hesitate or question himself or back out in any way, he punches Sergeant Mayfield in the side of his thick neck with the small knife. It is only a short stubby knife and Ralph lets go almost instantly, backing away in horror as the lynx pounces on the hare. Mayfield’s hands flutter up to his neck and he tries to pull it out but he can’t; the handle is too short and slicked with his blood.

Ralph staggers away, back within the circle where Willow and Jaime are still wrestling with Jesse. The lynx does not notice Mayfield sinking to his knees, or Jesse writhing in the grass because the lynx has struck at exactly the right moment and has the black hare ensnared between its huge padded feet.

‘Paddy!’ Ralph hears Willow scream behind him.

Ralph continues to move backwards until he trips over Jesse’s thrashing legs and lands on top of him. He spreads out his arms, as if keeping all three of them safe under and behind him. He watches Mayfield fading.

The blood gushes, soaking his police uniform – glistening in the moonlight. His white hair is plastered to his skull by the rain. His hands fall away from the knife and his eyes go dull. Finally, he splutters and vomits blood before pitching forwards, face first.

He lies still. Everything goes still.

The lynx is frozen, facing them now with its prize hanging limply from its jaws. Everything is so still. Even Jesse has stopped fighting and growling.

Everything is still and silent.

Ralph blinks at the scene before him. Sergeant Mayfield with a knife stuck in his neck, blood pooling in the grass around him. The black hare hanging lifelessly from the jaws of a huge cat.

Willow cries out pitifully; ‘Paddy, Paddy, no!’

She disentangles herself from Jesse and Jaime and crawls forward but Ralph quickly blocks her – holding his arms out to both sides – his eyes fixed on the lynx.

‘Not yet,’ he warns her. ‘Mr Bishop is still here.’

4

Jesse pitches forward, his hands still cuffed, his head thick and foggy, he feels like he has just woken from a dark dream and he needs to shake himself. He feels Jaime let go of his arm and he moves forwards a few paces on his knees. The lynx stares right back at him – yellow eyes harsh and unforgiving as its lips seem to curl around the bloodied hare. Around Paddy.

Jesse flicks his hair from his eyes. ‘Put… him…down…’ he says, his voice juddery as tears begin to flow. He glances at the knife sticking out of Mayfield and remembers the one Margaret gave him. He moves forward on his knees until he reaches the body lying on the very edge of the circle.

‘Jesse, be careful,’ Ralph warns him.

He doesn’t care. He reaches into Mayfield’s back pocket and retrieves the dagger, then looks at the lynx, at Mr Bishop.

‘Put him down!’

Just then, a large bird swoops down from the stormy skies – it circles the garden twice, emitting a haunted mewing sound before it flaps slowly down into the alley, aiming its outstretched talons at the cat.

Margaret, thinks Jesse as Jaime turns to Willow and hugs her tightly and Ralph falls back to join them. The huge brown and cream buzzard flies at the cat, raking at its head and back with claws. The cat does not argue – it drops the hare, hisses then turns and lopes away into the darkness.

The buzzard follows it for a moment and then a figure appears in the alley, eyeing them all. Margaret. She looks solemnly at Jesse, who meets her eye before turning his gaze back to the limp body of the black hare.

‘Paddy… no…’ Willow whimpers behind him and he wants to go to her, go to all of them, but he can’t, he can’t move, can’t tear his eyes from the hare. His eyes burn into it, willing it to move, to live.

Margaret crouches and lays a hand upon its side. ‘I’m sorry,’ she says, raising her head to meet his eye again. ‘I am so sorry.’

‘He saved us…’ Ralph murmurs from behind while Willow sobs, wrapped tightly in Jaime’s embrace.

‘Is he dead?’ Margaret nods at Sergeant Mayfield.

Jesse, the dagger trembling between his hands, looks down at Mayfield. Suddenly, the rage and grief consume him, washing over him in a torrent and he lifts the knife and slams it into Mayfield’s still body – again and again. He grunts and cries and swears and wants to run to Paddy, pick him up, hold him, save him. He wants to beg Margaret to do something. But he is rendered speechless by rage and grief and useless regret. He never told Paddy what their time together meant to him.

He feels Ralph touch his shoulder and ease him gently backwards. Ralph keeps an arm around him and searching Mayfield’s pockets, comes up with handcuffs keys. He turns to Jesse, takes his quivering hands and releases the cuffs.

Jesse covers his face and sobs.

It’s Jaime who speaks next. ‘What now?’ she asks Margaret in a voice that is surprisingly steady.

‘Well,’ Margaret raises her eyebrows. ‘You four get out of here and let me get this all cleaned up.’

‘What about Paddy?’ Jaime frowns, her voice shaking slightly.

Margaret’s face softens. ‘You can take him.’ She looks to Jesse. ‘Go on, go. You’ve all done enough. Been through enough. Go home. Look after each other.’

‘But what happens now?’ Jaime persists, as she gets to her feet, pulling Willow up with her. ‘With the rest of you? And the town?’

Margaret smiles back at her. ‘We keep going.’

‘You mean you get away with it, with all the missing children, missing strangers…’

Margaret shakes her head sadly. ‘There will be no more strangers. That was Aaron.’

‘Just a sacrifice,’ says Jesse, raising his head. ‘Every generation, right?’ He scowls at her. ‘Could be your baby brother or sister next time, Jaime.’

‘That’s what I’m worried about,’ she replies, glaring at the mayor.

‘Well, maybe not,’ says Margaret, standing and wiping her hand on her jacket. ‘Maybe it is time to change. After all, all four of you know our secrets and that places us in a precarious situation at the very least. But the town does need custodians. The town needs feeding. It will fade otherwise. Iris saw to that a long, long time ago. I’ll tell you everything, in time, but you must understand this, willing or unwilling, the town requires what we give it.’

‘No.’ Jesse shakes his head. ‘It’s not the town, it’s you. You’re all power hungry and selfish and you want to live forever. That’s what it gives you.’

She nods at him. ‘Yes, it gives us that so we can be custodians, but if we knew there would be replacements… willing ones…to do our duties after we are gone, then maybe it could be done differently. We will talk again. We will. But for now, you must go. You must bury your friend while I bury mine.’

Ralph helps Jesse to his feet and looks at the girls. They form a line and move forward together, weak, in shock, shaking as they link arms.

‘I’ll need the book back,’ Margaret says to them as they approach the gate.

‘No,’ Jesse replies first, shaking his head firmly. ‘Not yet. Not until we understand everything. Not until we feel safe again.’ He glances back at the bundle under the tree. ‘That’s our insurance policy.’ He fixes the mayor with a hostile glare before leading the others past her. She does not say a word as Willow crouches and scoops up the hare. They turn right and walk down the narrow alley together, crowded around Paddy’s body.

5

They go to the ruins. It feels safer – the furthest point from town and the closest landmark to Bob Rowan’s farm. The storm has abated and only a slight drizzle patters upon them as they shelter there together. They dig the hole with their bare hands, sending the earth deep into the nails and skin and then Willow lays the hare carefully inside.

They are all weeping as they take turns sprinkling earth on top of the body. They bury him, not talking, and then they reach for each other and hold each other tight in a circle above the grave.

‘This isn’t over,’ Willow promises them through gritted teeth and they all nod in reply.

Jaime and Ralph leave first, trailing wearily through town until the reach the Hare and Hound pub. Jaime is pale, her eyes glassy and she does not speak during the walk but when they reach the black side door, she turns to Ralph and hugs him tightly. He wonders, is this my chance? Is this the right moment or the wrong one?

And when she pulls back, he puts his hands on either side of her face and he kisses her.

At the ruins, Jesse hunches up against the wall and stares dully at nothing. He feels ragged and battered and is fighting to keep his eyes open.

‘Do you want to come back to mine?’ Willow asks him. ‘I don’t think my parents will notice.’

He sniffs. ‘Mine never did. They never stood a chance, anyway.’

‘What do you mean?’

‘My aunt, she was sacrificed, then my mother she was like us, you know, she tried to find out what happened to her sister and her sister came to her, like Paddy did to us.’

Willow jerks forward, eyes wide. ‘Oh my god! And were we right about our parents, Jesse? Were they all trying to find Carol-Anne?’

‘Yes, like us and Paddy, Margaret told me,’ he nods. ‘So, Mayfield killed them both. Bishop was the latest one to change. They killed Paddy so he could change and live forever. Never age. Never get ill. But I’m going to stop them and I’m going to kill Bishop too, for what he did to Paddy.’

Willow feels cold at the thought but nods, understanding. ‘What about the rest of the committee?’

‘They’re all changed,’ he tells her. ‘But they need to replace Iris and Bob. Margaret told me that’s why they want me and Jaime’s mother. Maybe next time will be my turn. But that’s never going to happen. I’d rather kill myself first.’

‘What about what you’ve already had? What she’s already done to you?’

‘I’m not a risk to Paddy anymore.’ He lowers his eyes, lips trembling. ‘But maybe I can use it against them. I’ll do whatever I have to.’

‘What about the book?’

He looks at her, eyes cold and shrugs. ‘Like you said, bargaining power.’

‘Nothing will happen now for a long time,’ she sighs. ‘We’ll be adults by the time it does.’

‘Exactly,’ he seethes. ‘And if any of us have children…’

‘We won’t let it happen,’ she argues. ‘We know too much. We figured it all out and we stopped them and we’re still here, Jesse. They didn’t beat us.’ She opens her mouth to say something else, then breaks off, staring forlornly at the grave. ‘I’m going to miss him so much.’

Jesse drops his head into his hands. He closes his eyes and wonders if he can finally say it to her, to himself – what he has been holding back all this time – what led him to Paddy’s treehouse that day, the day he tried to blow up the school.

He bites his lips, clenches his teeth and feels it exploding inside of him, the need to tell, the longing to share and when Willow crouches softly beside him and brushes his wet hair away from his face, he says it, whispering the words into his folded arms.

‘I… I think I loved him… I think he knew me.’

Willow is silent for a while, brushing his hair, smoothing it back. She wraps an arm around him and sighs softly as she rests her head on his shoulder.

‘I know.’ Jesse responds with a huge shuddering sigh of relief. ‘It’s all right,’ she says. ‘It’s all going to be all right.’

6

The next morning the four of them meet wordlessly at the treehouse and stand around the book. Margaret wants them to take it to Hill Fort Farm and allow her to take care of it, just as she promises to continue to take care of Jesse. But Jesse has packed his things into a bag he wears on his back. He doesn’t know where he will go or where he will sleep tonight, he just knows that it will not be under her roof.

And as for the book, it is leverage. It is security.

‘This town is going to work a little differently from now on,’ Jesse declares and they all agree. The book will remain with them.

7

Margaret sits on a chair on the patio when the work is done. She pours herself a large glass of ruby red wine and lights a cigarette which she raises slowly to her smiling lips. The house behind her is silent. Hilda was fractious when she returned but Margaret made up her favourite bedtime drink, milk with honey, dropped in the extra ingredient and before long her disabled daughter was sleeping like a baby.

Horatio has followed Margaret outside. She can see him sniffing anxiously at the rose garden. He spends a long time sniffing the fresh earth and she watches his ears twitching as his lips pull back from his teeth. Finally, he turns and cocks his leg over the grave of Sergeant Aaron Mayfield and Margaret lets out a great hoot of laughter.

He waddles back to her side, sits down and bangs his thick tail against the patio. She scratches him behind the ears and gazes back at the rose garden. She feels vindicated, she supposes, like a victor. She expects complaint from Bishop, rebellion even, but she knows it will be futile and short lived. His only true supporter was Aaron, and Aaron is gone. Bishop won’t want to upset her, not really.

She has won.

Her two greatest enemies are in the ground and she has secretly consumed blood from them both. It runs through her alongside centuries of other blood, blood scratched and flayed free from helpless victims, from the vital sacrifices they must continue to make. Blood that burst from eyeballs, flowed from slashed bellies and erupted from clawed veins. She licks her lips very slowly, savouring the metallic tang as if it is almost erotic.

Her thoughts turn to Jesse. She saw him leave Willow earlier. She watched him trudge towards Rowan land. The Holloway, she thinks with a chuckle, he thinks he can hide out in the Holloway. She will let him for now. She will let him seek solitude and lick his wounds. She knows he will come back out eventually and then she will pounce. She looks down at Horatio and revels in the idea of owning a very different kind of pet.

The End

Thanks for reading!

Please feel free to leave a comment letting me know what you thought of this last chapter. Thank you for reading along and being part of the Black Hare Valley world and journey! I have written five books in this series so look out for future blog posts, news and extracts on Black Hare Valley. the story is far from over and things are about to get even darker….

NOTE: Please remember this is NOT the finished version of Black Hare Valley Book 1. This book has not been to my editor yet or even my beta readers. There will be typos, grammatical mistakes, and sentences that need rewriting.

Black Hare Valley: Chapter Twenty-Nine “The Hunt”

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1

Jaime feels like her life has become a dream. From the moment she wakes up with weary confusion dredging through her bones, to the moment her head hits the pillow again that night, her mind is drenched in fog, and nothing feels real. Not home, not school, or the town or her life. She starts to fear she left reality behind when they moved to Black Hare Valley.

She wonders in odd moments, such as during morning assembly or while playing netball or eating her lunch, if she is maybe just in some sort of stupor. Shock. She supposes it would make sense. After all, she moved innocently to a new town and found herself pulled instantly into this hideous nightmare that surely can’t be real…

The realist part of her still won’t fully believe any of it. The journalist in her can’t let go no matter how dangerous or terrifying or confusing it gets. And her logical rational mind still can’t fully grasp what she is trying to deal with.

For surely, it can’t really be true?

That a sinister committee rule the town, that the mayor, the headteacher, the policeman, can all turn into animals? That people go missing here… some never heard of or seen again…. While others… She saw the black hare with her own eyes yet she still can’t believe it.

And now she and her friends are planning to kill someone. Fear grips her whenever she thinks of it. She can’t eat, every mouthful sticks in her throat; she can’t sleep. She certainly can’t concentrate on school and she dreads being called into the head’s office…

But if they don’t do it…

If she’s too scared, too afraid, if she cowers or breaks or lets them down… If they don’t do it, it will all carry on. Missing people, missing children. She does not want that on her conscience because she seems to know that allowing it would ruin her life forever.

Ralph tells her he is going to Rowan Farm after school. Jaime nods back at him before she can say no. ‘Me too,’ she whispers and it is decided.

When they arrive at the farm, Bob Rowan is waiting for them at the gate. It’s a dull grey afternoon; night eager to creep in and steal the town until morning. There are murmurs all over town about the awful weather and how it feels like summer will never arrive. Jaime can’t help feel like it is their fault. She nervously checks the sky as they approach the gate. She’s relieved to see Rowan there. Though her guts churn with dread, at least they didn’t have to risk trespassing again.

‘Better be quick,’ the old man grunts at them, arms resting loosely on the top bar of the gate. He’s wearing dark overalls and wellingtons, all smeared in mud. A scruffy olive green duffel coat hangs open, revealing a blue knit jumper that has seen better days. His woollen cap is pulled low, shielding his eyes. ‘What d’you want?’ he snaps. Then adds with a snarl, ‘Quick.’

‘We’re going to do it,’ Ralph blurts out. ‘When he’s changed. We need to know when and where and how. We don’t want to mess it up.’

‘He’s smarter than you are,’ Rowan retorts, glancing over his shoulder. ‘Faster, stronger, smell you coming, he will. Hear your thoughts. He’ll be ahead of you so how you gonna do it?’

‘You could help us,’ Ralph says, pleadingly. ‘Tell us what to do, so it works!’

The old man laughs at him. ‘Don’t let him catch you. If you’re gonna do it, you’re gonna do it. You’re not gonna get another chance. You gotta weaken him, slow him down, get the upper hand.’

‘Like a drug?’ Jaime askes, brightening.

Rowan waves a hand, looking away. ‘Something like that. You’re not gonna get close enough though, he’ll know you’re coming.’

‘There’s more of us,’ Jaime replies stiffly. ‘And we won’t give up. He needs to be stopped.’

Rowan nods. ‘He’s bloodthirsty. Hungry as hell. Gets worse every year. He’s a devil. Bad seed. Wrong un. Always known it.’

Jaime suddenly wants to ask him so many things. Her head is full of questions she has to know the answers to but she feels panicked knowing he’s already tired of them. So, she reaches out and snatches for the best question, the right question – the question with an answer that will make killing Sergeant Mayfield something she can do.

‘You’re one of them,’ she says. ‘A raven. But how? How did that happen to you?’

He waves a hand again, stepping back. ‘Committee stuff. Old stuff.’

‘How old? Hundreds of years? How long ago did this start?’

‘No date,’ he almost laughs. ‘Just when.’

When?’ she almost screams. ‘How long?’

‘As long as the town!’ he barks back at her. ‘It’s the place, idiot girl. It’s this place.’

‘But what about it? A place can’t turn people into animals…’

‘Don’t understand it.’ He shakes his head. ‘Place is special. Different. The air, the earth, the blood.’

‘Is it some kind of magic?’ Ralph asks then. ‘Iris gave Paddy that book full of spells.’

Bob Rowan breathes in and then out again slowly, as if considering the best way to answer such a question.

‘Called ‘em witches back then,’ he grunts. ‘But I dunno. I think it was here before then, before society, before people, before any of this. She harnessed it maybe. Found the right words or objects, maybe. She was the first. The oldest.’

Jaime gawps. ‘Are you saying Iris started it? But started what? What did she do to the rest of you? You must know! It happened to you! You’re one of them!’

He waves a hand again and looks annoyed. ‘Wasting time! If you want it to stop… the missing ones, the dead…. You got to kill him. That’s it. Talk after.’

Jaime stares at him. It is an enticing thought. One that tickles her investigative mind. One that almost makes her want to go and murder officer Mayfield right now. She feels brighter suddenly. More awake. She licks her lips and turns to Ralph.

‘How will we do it?’

‘I don’t know.’ He shrugs at her helplessly. ‘I don’t even know what he is. Mr Rowan, if we did it, would it be easier to kill the man or the… ?’

Bob Rowan shoves his hands into his pockets and nods once. Ralph nods back.

‘We should do it tonight,’ says Jaime and then feels ashamed and shocked by her own words. She and Ralph look as Bob Rowan lowers his head and walks slowly away.

2

Willow wanders restlessly for hours. She goes home, then leaves again, taking a few orders with her to deliver for her parents. She can’t settle – how can she? Knowing what they must do. And it must be soon, tonight, before any of them chicken out. She’s written another note for each of them and delivers them as discreetly as she can, adding to Ralph’s that he ought to use his mother again to get it to Jesse. It feels risky. As usual, she can’t help fearing who might be watching, who will know what they are planning. It seems like the committee are always one step ahead.

She’s not sure if they’ll all come – Jaime seemed panicked and sickened at the ruins earlier and she still thinks Jesse is in almost constant peril at Hill Fort Farm – then there is whatever is happening to him, changing him. Can they trust him? Willow hopes so. She just knows that she’ll be there, with or without the others.

She flits around town like a shadow – making the deliveries, keeping her eyes open, for what or who, she doesn’t know. Willow eventually finds herself at the police station. She wanders slowly past, glancing in the open door to overhear an old lady complaining that someone has been picking her flowers without her permission.

Willow lingers long enough to hear Sergeant Mayfield’s gruff tones responding. Willow moves on, a sudden plan forming in her head. She doesn’t think, she just moves. She knows she can’t allow herself to pause, plan or consider because if she does, she’ll tell herself that this is too crazy. Too dangerous.

So she runs around to the back of the house and flattens herself against the house wall. Willow blinks away the rain running down from her hood and into her eyes. She counts to three then reaches out and tries the door handle. It’s locked. She sighs. A broken window it is then.

3

Jesse looks up with a start when the library door creaks open. He whirls around with an armful of books to find himself face to face with Margaret. He lowers his arms slightly but holds onto the books.

‘Jesse,’ she says, standing up a little taller and pushing the door gently shut behind her. ‘There you are.’

He glares back at her while his pulse throbs violently in his ears. A smile flutters hesitantly on her lips. ‘What are you doing?’

He turns back to the shelves, running a finger along the ancient dusty spines. ‘You can’t stop me.’

‘Stop you doing what? Looking for a book?’ She gives a little chuckle. ‘Jesse, if you want some reading recommendations I’d be very happy to oblige.’

‘Okay then.’ He swings to face her again. ‘How about a book on how to kill men who can change into wolves? That would be helpful.’

Margaret lowers her arms and her shoulders dip as a puff of air escapes her pursed lips. ‘Jesse… You’re planning to kill Sergeant Mayfield?’

Jesse doesn’t answer. He carries the books over to the small round table and deposits them there on the shiny surface.

‘I can help you…’ Margaret says in a low, soft voice and Jesse’s head whips up, his eyes narrowing.

‘What?’

She comes forward. ‘I can help you. But first, you have to do something for me.’

He shrinks back instinctively. ‘What?’

‘I want you on the committee, Jesse. I need you.’ She comes closer again, smiling gently. ‘You’re right about Aaron. He needs to go. He’s a danger to us all. But the committee won’t like it. Some of them in particular. You might say there is a power struggle… Perhaps there always has been.’

She sighs and slips into the chair beside the table.

‘What do you mean?’ Jesse asks her.

‘Bob Rowan.’ She rests her head in one hand and looks up at him. ‘The reason he left us was Aaron. He didn’t like him, didn’t trust him. Saw the direction his bloodlust was pulling us in, I suppose. Bob left us a long time ago, Jesse, but that only made Aaron stronger and I know you know how he keeps control over so many people.’

Jesse nods stiffly. ‘The cameras.’

‘Indeed. Cameras everywhere. Secrets and lies and blackmail. He doesn’t have anything on me – well, no more than I have on him obviously, but the others are afraid of him.’

‘Then let me kill him.’

She smiles. ‘I will. Before Aaron joined us there were no deaths, you know, no kills.’

‘There were missing children though?’

‘Yes,’ she nods. ‘There always were. Once in a generation we have to feed. But our feeding doesn’t kill the child. You’ve seen that for yourself.’

Jesse feels his stomach muscles tightening. ‘Paddy.’

‘Exactly.’

‘You change them to keep you alive? To stop you ageing?’

‘It’s complex,’ she sighs. ‘But you’ll understand it all once you’re one of us.’

He shakes his head even though he knows it’s too late. ‘I don’t want to be.’

‘Well, I’m sorry but you already are. There’s no turning back, no undoing what’s already been done. You need to keep going, keep trusting me and then we can take on Aaron together.’

‘I’m going to get a gun.’

She shakes her head. ‘I’ll give you a knife. It has to be a silver knife. You’ll need to wait for him to change.’

‘Okay.’

Now she leans closer and takes his hand. ‘Come on,’ she whispers. ‘Come with me now. I’ll give you the knife and you’ll do something for me.’

He swallows tightly. ‘What if I don’t want to?’

Her smile stretches. ‘Jesse, do you want to find out what happened to your mum?’

His mouth falls open slowly. Time stops.

The mayor takes his hand again. ‘Come on. It’s time.’

4

Jaime and Ralph have both received the message from Willow. They were about to go their separate ways but the message tugs them together again. Ralph suggests they call the pub and tell Jaime’s mother she is staying for pizza at his house.

‘It’s not even a lie,’ he smiles as he picks up the phone. ‘Mum left me money to order in. She’s working late.’ 

Jaime nods unsurely and slips wearily into a wooden chair in the small kitchen. ‘Okay then.’ She takes the phone and starts to dial.

Ralph walks into the lounge. ‘I’m gonna pack some stuff,’ he says over his shoulder and she gives him a thumbs up as the phone starts to ring.

Ralph leaves her to it and hurries up to his room. He finds his school bag and empties it on to the bed. He grabs whatever he thinks could be useful in taking down a human/wolf hybrid. Rope from the shed, a hammer, an axe, a first aid kit, a bottle of water and a roll of thick tape.

Jaime finishes her call and watches him carefully. ‘Best to be prepared,’ he shrugs at her. ‘Just in case.’

‘What will we do with the body?’ she asks him.

He winces. ‘I don’t know. He’ll be an animal though, right? We could just bury it or throw it in the river. I don’t know.’

‘We need to get it all worked out,’ says Jaime, a note of exasperation creeping into her voice. ‘It needs to be a proper plan. We need to be sensible. Careful.’

‘We will be,’ nods Ralph. ‘Once we’re all together at the treehouse.’

Jaime drops her head into her hands. ‘If we get there!’ she exclaims. ‘If something or someone doesn’t try to stop us.’

5

Willow waits for a terrifying few minutes, convinced someone at the station would have heard the breaking glass. She thinks of Sergeant Mayfield and his super senses and closes her eyes tightly for a moment, willing herself to stay strong and not panic.

No one comes whirling around the corner so she reaches through the glass and turns the handle from the inside, letting the door swing open. Now she knows she must be fast. She remembers the cameras – will he have access to them while he’s next door? There’s no time to think about it – no time to think twice or worry. She takes off, running into the house, clattering, breath held, up the stairs and into his surveillance room.

Oh, how she would love to sit and watch each screen. Learn his secrets and unravel the hold he has over the town and everyone in it. But no, she’s here for one thing and one thing only. Willow recalls what Jesse told them about the loft door and she does as he must have done; climbing onto a desk and balancing on one leg while she stretches her fingers towards the hatch door.

She grunts, straining, reaching the latch and shoving the door to one side before flailing around for the book. For a horrible heart-stopping moment she fears that it’s not there. That she has risked everything for nothing. Then, her thumb brushes over the soft material of the cloth it was wrapped in and she reaches in further, gripping it, yanking it.

At that moment, she leans out too far and suddenly she’s falling. She’s shorter than Jesse and has overstretched. She hits the floor on her knees and elbows and the cloth bound book thumps down beside her. Winded, electrified, terrified, Willow grabs it and runs.

6

Margaret leads the way through the kitchen with Jesse in tow. She holds his hand tightly and does not even glance at Hilda or Horatio who are sharing ham sandwiches together. They enter the large pantry and Margaret closes the door behind them, perhaps indicating that they must not be disturbed.

She strides forward to the cellar door and Jesse feels colder, fear prickling across his skin while his pulse continues to roar in his head and his heart starts to hammer thunderously. Outside, the storm is picking up pace again – not finished with the town just yet. He catches a glimpse of tall dark trees shaking wildly from side to side outside, and then Margaret unlocks the door and nods for him to go on.

He steps down and cold air hits his face; makes him draw back. Under the cold air is something else though, something low and warm and alive. Margaret bumps into his back so Jesse takes the steps down until his feet meet the hard compacted earth floor. He looks around, peering into the shadows – his lips trembling as he forces his teeth together to prevent a scream from escaping.

Margaret picks up an old lantern and lights it with her lighter. It provides enough light to guide their way into the centre of the space. Jesse turns his head, taking in the cell doors and the stains on the ground. There is that buzzing in the air again – electricity thrumming in waves, making his hairs stand on end and his teeth chatter.

‘What happened to my mum?’ he hears himself ask in a small young voice.

Margaret lets go of his arm and walks away a few paces. He sees her come back with the same bottle she had at the meeting – the one he drank from. He shakes his head.

‘I’m not drinking anything until you tell me.’

He realises then that he can’t move. He’s in the same spot – frozen in place – limbs and muscles locked by some awful ancient primal fear. Fright or flight he thinks helplessly. Predator or prey.

Margaret stands before him clasping the bottle. He sees something glinting in her other hand. ‘This is the knife that will kill him,’ she says in a low, soft hypnotically gentle voice. ‘And you can kill him, Jesse. You can do it. But you must drink this first.’

‘Why? What will it do to me?’

‘It’ll find you. That’s what it does. It goes to the very core of you and finds who you really are. And then in time, sometimes lots of time, you can truly become what you really are.’

‘I’ll change,’ he murmurs. ‘Into an animal, like you can?’

‘In time,’ she repeats. ‘You take the drink to start the process, to give it time to find you. And then, once in every generation a child from town is sacrificed in order for a committee member to fully change. And that, Jesse, means you can in theory, live forever.’

He stares back at her. ‘Why would you want to?’

‘To protect the town,’ she replies. ‘That’s all this was ever about. A town born from war and battle and blood and death, and grief and revenge. There were hill forts on either side. Many, many bloody battles were fought here. The earth drenched in blood. Generation after generation through time. There is a special energy here. No one knows what or why. Everyone has a theory. If you ask the vicar, he would say God, I suppose. Maybe Aaron would say the devil. Maybe Iris would say witchcraft, for she was one. Maybe everyone is driven by their own inner force, Jesse. Bob Rowan would say nature. I’d say loyalty and protection, family and blood, but it doesn’t matter what causes it or where the power comes from. What matters is what it can do.’

‘How do you do it?’ he asks quickly. ‘How do you change?’

‘I told you, you take the drink until it’s your time. When it’s your time, a child must be chosen.’

‘But not killed?’

‘The body dies,’ Margaret replies smoothly. ‘Paddy Finnis does not have a human body he can change back to. He was a sacrifice. But he lives on, like Horatio and the others.’

‘Horatio was a child?’

‘Not just any child,’ Margaret smiles. ‘My son.’

If Jesse could move, he would stagger backwards away from her. But he can’t. He is frozen to the spot. Trapped. ‘Wh-what?’

‘Ugh.’ She clicks her tongue and rolls her eyes. ‘It’s a long, long story. I was too old. It wasn’t supposed to happen. I’ve never been maternal, and he was handicapped, mentally. It was cruel, really. I suppose if you could have combined Hilda’s mind with his body, he would have been normal. But it wasn’t to be. He was sacrificed a long time ago. He’s far older than Hilda. He’s forgotten, Jesse. He’s not trapped. He’s forgotten who he was.’

‘Hilda’s not really your sister, is she?’

‘No, she’s my daughter. But as you’ve probably noticed, she looks older than me these days. She’s very good really. And we are more like sisters than mother and daughter.’

‘So, why? Why him and not her?’

‘You can only choose one child,’ she explains patiently. ‘Every generation, which loosely speaking is every thirty years, give or take. And Horatio… it was best for everyone. Best for him and me, and the town. And he’s happy, you’ve seen that yourself. He’s better off. And he’ll live forever unless something or someone kills him.’

‘Tell me about my mum,’ Jesse says, watching in horror as she unscrews the cap to the bottle.

She nods. ‘Of course, we have a deal. I’ll tell you whatever you want to know, but take a sip first, just one…’

Jesse doesn’t want to – she could be lying – but he doesn’t see he has a choice. He opens his mouth and she pushes the rim of the bottle between his lips. He draws in a sip, a taste – it’s warm and rich and earthy. It slips down his throat like silk, burning and fizzing. His pupils dilate and his mouth falls open.

‘You aunt was a sacrifice,’ purrs Margaret. ‘She became a cat. A beautiful dainty black cat.’

Margaret lowers the bottle and he swallows again, drinking down the residue. He is already craving it and supresses a whimper to beg for more.

‘Aaron killed her,’ Margaret explains. ‘He had his reasons. She rejoined the family, you see, grew close to your mother, her sister. Your mother in time began to, well, she was very much like you and your friends, Jesse. She became a problem, a threat and she was drawing in others. Your father, Nicky we called him back then, he was obsessed with Angie Radley. He’d do anything for her. Frankie Maxwell and Willow’s mother, Lizzie, also got mixed up in it all.’ She reaches out and caresses his cheek.

‘They were a lot like you and your friends, I suppose. Anyway, Aaron’s reasons for killing Carol-Anne were legitimate but not agreed on. The committee had not voted yet. It did, however, solve the problem. At least for a while. Your mother grieved – but then she picked up where she had left off, nosing around, making accusations. People laughed at her, of course. No one believed her. She was scorned and ridiculed. The town turned on her, Jesse, like it’s turned on you, until now. She was an outcast really.

‘Your father tried to look after her but she could not cope with motherhood, I’m sure you’ll remember. She did indeed run away. She intended on escaping town and raising her alarm somewhere else. Maybe she thought she would come back for you and your brothers. But she never made it out of town. At the border, Aaron caught up with her and killed her. He ate her and brought her bones here to share with us – to add to the ancient drink that’s coursing through your veins right now, Jesse.’

She lifts the knife and shows it to him. ‘Aaron killed your aunt and your mother because they were onto him. He acted alone. After that, the committee was uncertain, fragile and divided. Bob Rowan was appalled – he wanted Aaron cast out – they fought, then Bob left us. He hates us. Despises us all.

‘Iris was similar to Aaron, but in many ways it was all a sadistic game to her. And with Aaron and Bishop it’s all about survival and fulfilling the inner, primal need. With the rest of us it’s about the town, nothing else. Protecting and saving this town. Whatever that means. Whatever it takes.’

Margaret lifts his hands and presses the knife handle into his open palm. ‘Aaron has a taste now. He’s killed more since. Not sacrifices, not even people who are on to him, just anyone, strangers and passers-by. He will only get worse, more bloodthirsty and out of control. We need to stop him and the committee are in agreement, Jesse. You can do it with this knife. It’s almost as old as us. Take it and go and kill Aaron Mayfield.’

She closes his numb fingers around the handle and eases him gently from the centre of the room. He staggers, blinking, emerging from the spell but with just one more drop racing around inside of him, he knows it is too late for him. But he doesn’t have to be like them. He doesn’t have to join them. It’s horrible and terrible and wonderful that his mother is now a part of him.

He stumbles to the light surrounding the closed door then he pauses and looks back at the mayor. ‘Is that where you do it? That spot in the middle where it feels different.’

Margaret nods. ‘Yes. Generations of blood, bone, flesh and fear and sorrow have sunk into that earth. It ensnares you. It keeps you there. Then you drink from it.’

‘Not me,’ he says again, his voice a croak as he reaches weakly for the door. ‘Not again.’

‘For now, just worry about Aaron. Can you do it, Jesse? Because it’s you or him. You know that, don’t you? If you don’t kill him, he will kill you.’

‘Yeah. I know.’ Jesse pulls down the handle and warm light floods his eyes, making him feel dizzy. He lowers his head and moves sluggishly through it.

7

Willow scrambles her way out of the house. She is panicked beyond reason gripping the cloth bound book to her chest as she races down the stairs and flies at the still open door. She expects to run straight into him there but the coast is still clear. She feels something though. A shift in the atmosphere. A change around her. He knows.

She runs.

8

Ralph and Jaime finish the last crust of pizza and close up the cardboard boxes. Jaime wipes sauce from her chin and licks her fingers one by one. ‘Time to go?’ she asks Ralph.

He looks away, his chunky shoulders rising as he inhales slowly – then dropping as he breathes out – the weariest of sighs. ‘I think so.’

He stands and shoulders his backpack. He has checked it dozens of times and has added some food, more tools and spare clothes, just in case. Jaime doesn’t know why – she supposes he is preparing for any and every outcome. Before they head to the door, he passes her a baseball bat and she takes it silently, swallowing her horror and guilt.

She follows him to the door and they slip out silently, side by side. The town is dark and still and the air around them feels charged, like anything could happen. And something does almost instantly; a large brown owl swoops soundlessly down from the roof and startles them.

‘Shoo!’ Jaime cowers from it, recalling Bob Rowan’s relentless claws. She covers her head with her arms and looks up fearfully. The owl has flapped away but it is already turning around.

Ralph scowls at the house next door. ‘Eugenie,’ he mutters darkly and pulls the hammer from the side pocket of his bag. ‘Head for Paddy’s,’ he hisses at Jaime. ‘And be ready.’

Jaime grips the bat and nods grimly. The owl swoops again, but this time Jaime is ready for it. She swings the bat and feels the satisfying whomp as it collides with the feathered body. The bird spins in the air, wings flapping wildly, feathers spilling across the street.

‘Jaime Perry! Ralph Maxwell! What the hell do you think you’re doing?’

They spin around in shock.

‘Shit,’ Jaime whimpers.

‘Bishop,’ growls Ralph.

Their headteacher is stood at the end of the road, blocking the direction they need to go.

Ralph grabs Jaime by the arm and moves back. ‘Run,’ he says.

9

Jesse is running. Whatever was in that drink is setting his insides on fire. His muscles are exploding. He feels like is growing and changing – getting stronger and faster with every step, every breath.

He races from Hill Fort Farm and onto Hill Lane at top speed, hurtling through the pouring rain – untouched by the gusts of wind charging up and down the hillsides. He runs and does not think once about his brother waiting for him in a car park with a gun. He clutches the knife tightly and follows his instincts. He has to get to the treehouse. He has to kill Aaron Mayfield. Aaron Mayfield slaughtered his aunt and his mother and if he has his way, Jesse will be next.

He runs on towards town, past Black Woods where he swears he hears a low thin wail following his progress. He runs faster and outruns it. All of his senses are amplified. He can smell the coffee someone is drinking in the caravan park on Hill Lane and even the engine oil on their hands. He can hear the bins being scraped out in a kitchen on Town Road as he tears across the fields behind the town hall, towards Black Hare Lane.

10

Weighed down by the book, Willow staggers blindly through the back alley adjacent to Black Hare Lane. The grass is so long and whips and twists around her ankles, her knees buckling with almost every step – the book feeling heavier and heavier in her grasp.

She is almost at the gate when she hears the thud of great paws landing nimbly behind her and although she cannot stop, or look around, she knows it is him. Mayfield. He snarls and hot meaty breath coats her neck and pushes her forward. She scrambles on, tripping and falling and rising and running in a chaotic chain of movements. He bears down on her but in the moment she feels her breath snag in terror in her throat and the creature’s breath brushing her hair it suddenly falls back.

Willow keeps going, lengthening the distance between them and when she finally reaches Paddy’s open gate, she clings to it, her chest heaving in panic and she turns and looks back. She sees a large dark grey wolf slinking back the way it came, picking up speed steadily, then breaking into a run. Breath held in horror that prickles across her flesh, Willow watches it vanish into the shadows.

Thanks for reading!

Please feel free to leave a comment letting me know what you thought of this latest chapter.

NOTE: Please remember this is NOT the finished version of Black Hare Valley Book 1. This book has not been to my editor yet or even my beta readers. There will be typos, grammatical mistakes, and sentences that need rewriting.

COMING NEXT THURSDAY THE FINAL CHAPTER!: Chapter Thirty “The Fight”