The Shallows – a creepy short story

This is a story originally posted in my Medium publication, The Wild Writers Club!

The Shallows

July tipped into August.

It did so lazily, like the slow sticky drips from a forgotten ice cream.

The hot weather had dulled and bloated us. Like fat lazy flies we could not move. And the days all had that endless quality, like every hour was twice the length and we had stopped being ruled by clocks, and time.

We existed in our own timeless purposeless bubble. The sun had moved and taken our shade from it. The trampoline where we had lounged all afternoon was now a sun trap.

It was the heat and the boredom that drove us to the river. Not the big river, where there would be chaos and kayaks and fishermen and teenagers dunking each other under the water. We headed to the little river, to the shallows.

We strolled down the hot lane, shaded intermittently by oaks and limes and sycamores. They provided blessed shadows as our bare feet burned on the road.

No cars. No noise save the drone of a gigantic dragonfly.

We dragged sticks behind us and thought about how hot it was. It was always too hot to speak, so Pippa and I had almost given it up. Sometimes all we could think to say was how hot it was. Sometimes summer seemed to go on forever and you started to forget how to live in the normal world.

We took the left at Twisty Corners and it was still too hot to talk, despite the darkness that suddenly enveloped us from the trees above and around. They created a tunnel and we ambled down it sluggishly. Pippa was a year younger than me but we were both on the brink of something else.

‘You’re like a pair of foals,’ our dad always said, ‘all legs.’

We were caught in that no man’s land between childhood and adolescence. Everything the adults said and did suddenly annoyed us, yet we still tucked a soft toy under our arms when we went to bed at night.

We traipsed over the stone bridge, pausing lethargically to throw a stick in and watch it float out on the other side. There was nothing to say. Nothing to think. We plodded down the muddy bank, wincing as the overgrown nettles swiped our skin. And there it was. The shallows.

The water flowed slowly from under the bridge, then veered left channeling through a narrow stretch, the banks too high to climb. That way lay madness, I thought, but didn’t know why.

In front of us a great expanse of shining water undulated with the gentle current and we stood and marveled at it, at the way the light came through the canopy of hazel trees and lit up the shallows like a sprinkling of fairy lights.

The shallows had its own light; a unique blend of red and gold as the dappled sunlight broke through the leaves and filtered through water to the red earth below. We stood side by side, our toes curling into the mud, staring at it as if in a trance. Time slowed and we breathed in unison. I was about to tell Pippa I was bored when she gripped my arm and pointed.

‘What’s that under the tree?’

I looked to the right where a fallen tree stretched from one bank to the other. It came down a few years back and was slowly rotting away as the river washed over it in the winter and under it in the summer. Sometimes we’d sit there with our feet in the water, watching the tiny fish swim by as the electric blue damselflies flitted under the bridge.

view of a river shaded by trees with a fallen log across it and a stone bridge just visible beyond
my own photo

Pippa’s grip tightened. I pulled away and started to wade through the water. There was something lodged under the tree. It looked like a pile of clothes, inflated by the water; dark blue material ballooning against the gentle tide.

‘Someone’s thrown rubbish in again,’ I muttered, reaching the fallen tree.

It was then that I got the prickling sensation on the back of my neck. I put a hand there, self-soothing, but the feeling persisted until I lifted my gaze and saw the man standing on the bridge. I looked back at Pippa and shrugged. She splashed towards me and we stood side by side again, a united force.

I still held a stick and poked at the bundle of clothes with it. I felt self-conscious doing it, as the man on the bridge looked on, but when I gazed up again to see if he was still watching us, he wasn’t there. I nudged my sister.

‘Where’d he go?’

She shrugged and used her own stick to help me with the bundle of clothes. We used the sticks like hooks, trying to free the bundle which had become wedged under the log. We did it lazily, carelessly, poking and jabbing at this thing that had jarred our peaceful vision of the shallows.

That was when we realised it was not just a bundle of clothes.

It suddenly sprung free and floated by. Pippa and I turned slowly to watch it go. We were weary from the heat, as if all our senses and brain functions had been slowed down by sticky sweat. We saw the blue material followed by dark legs. We saw bare feet. We didn’t see a head.

We stood in the shallows, frozen. Our arms hung by our sides, our knuckles skimming the cold water, our fingers still curled loosely around our poking sticks. We didn’t say a word as we watched it go.

It passed the deep spot, the bit that always fooled our terrier Binx when he was alive. He’d paddle out brashly before suddenly finding no land beneath his paws as it dipped away brutally, trying to drown him. He’d sputter and panic and swim back and then he’d make the same mistake again next time.

It moved faster there, the current stronger, but ultimately driving it to the left, towards the narrow channel that we knew eventually met with the huge monster of the river Stour. It was sinking too; the water and the debris were filling the materials, dragging it down.

Still, we watched, Pippa and I, not saying a word, barely breathing as if we were not really there, and I could almost believe that to be true if it weren’t for the tiny sticklebacks circling my toes. I could almost believe if I closed my eyes and then opened them again slowly, I would find myself spreadeagled on my bed with the sun slanting down on me, or face down on the trampoline, exhausted by the endless heat.

The body moved on with some speed, spinning just once as it knocked against the end of another fallen tree. That was the moment I told myself I should have moved. I should have splashed my way over to the other tree, climbed on and made my way to the end. I could have hooked it again then. I could have snagged it and stopped it and Pippa could have called the police.

But it was like I knew I never would.

None of it felt real.

It looked less like a body now, just some blue material still visible as the current drove it towards the narrow stretch. I knew if it went down there we would not be able to follow. The water was unknowable, dark depths promising no foot holds or forgiveness. The banks were steep and slippy and we could never see where it ended. There was a darkness to that place, where the shallows became the deep. We never ventured there.

I also knew if it went down there it would more than likely sink or get snagged on something again, and I knew that no one would ever find it. No one would ever know. And there was something dark and delicious about that knowing.

I thought Pippa might say something. I thought she might cry out, pull my hand or say something. But she didn’t. When I turned my head to look at her, her expression was slack and dull. There was no wonder in her eyes, only a blunted acceptance. Her forehead shone with sweat and I watched a bead of moisture form on her top lip.

When I looked back for the body, it had gone.

I heard a noise escape Pippa. A long, low exhalation of breath.

Then another noise behind us.

I looked over my shoulder and the man was there again. He was wearing a blue shirt and dark trousers. He was staring right at us, some kind of intent in his expression that told me he was about to open his mouth and speak to us, and for some inexplicable reason, this possibility filled me with dread.

I gripped my sister’s hand and yanked her until she moved. Together we splashed back to the flat sandy bank, still holding our sticks. We didn’t look at the man as we crept away, skirting the large clutch of nettles that surrounded the ash tree. On the other side, I peeked out like a rabbit checking the land from its burrow. The bridge was clear. The man was gone.

We started running, our bare wet feet slapping across the old stony bridge where the man had stood just moments before.

Still, we didn’t speak. To speak would be to give it a reality I knew instinctively to avoid. As I rushed us home, as Pippa and I ran hand in hand up the sun-baked lane, the sun punishing us every time there was a gap in the shade from the oaks, I felt a roaring dread that Pippa would open her mouth and speak. I thought perhaps I would punch her in the mouth if she tried to.

By the time we reached home and shoved open the wooden gate, we were drenched in sweat and feeling giddy. We closed it behind us and felt the dread drop away from us. We threw down our sticks and didn’t look at each other as we made our way around to the back garden.

The trampoline was still in full sun so we plodded over to the far right corner of the garden without speaking. There was always this unsaid thing between me and Pippa. We could go hours without talking and still be completely in tune with each other. She was the one who dragged a blanket from the washing line, bone dry and starched stiff from the sun. She threw it on the grass under the sycamore tree and we dropped down on our bellies, our feet kicking at the sky as we buried our faces in our sticky arms.

‘Everything all right?’ we heard a voice call from the house.

We raised our heads long enough to see that it was our father, home early from work, his glasses pushed up on his head as he squinted across the garden at us.

I met Pippa’s eye and knew just what she was thinking. It was so tempting not to answer him. It would be so easy just to smirk at each other, lie back down and ignore him. And we knew he would just accept it. Just shrug his shoulders as if it must be his own fault. Or worse, he would wander over, hands in pockets, hopeful expression on his face.

I decided to end it before it began. I didn’t know why he seemed scared of us lately but it was tiring to say the least. I didn’t want him to amble over to us and try to evoke conversation. It was always too hot and there was nothing to say.

I waved at him. ‘Fine, Dad! We’re just tired!’

‘Been out all day gallivanting, eh?’ he yelled back.

Pippa shot me a scowl. ‘Gallivanting?’ she hissed under her breath.

‘Yeah, something like that!’

Satisfied, he waved again then ducked back inside the house. We both knew he would reappear at some point, perhaps carrying cold drinks on a tray in an attempt to bribe us into words.

We dropped our heads, closed our eyes and breathed. I felt the relentless sun beating down on everything and knew it was too hot to talk of it, too hot to even think of it.

And more than anything, it was simply too late.

Spit Out and Churned Out By The Relentless March Of Time, I Keep Trying To Fight Back

How focusing on moments made Monday mornings a little sweeter..

(Originally posted on Medium)

Image by Bruno from Pixabay

I think our awareness of time really starts when we enter education. I remember sitting in a classroom and staring at the clock willing it to move. When finally it was home time I’d feel elated, but before I knew it, my mother would be saying it was time for bed. And then there was the Sunday night dread… School again tomorrow! Really, already?

Friday night was wonderful. Saturday was great but slightly marred by the knowing that Sunday quickly followed and Sunday kind of sucked because it was the day before Monday. Me and my son were talking about this the other day. He is ten and often expresses sentiments that echo my own relationship with time.

For instance, he often claims that the weekend went too fast, and he is starting to notice that in general, time moves too quickly. He said this about the summer holiday, for example. ‘Today went really quick, this week is over already? It’s nearly time to go back to school!’ His panic echoed my own. It’s not fair, we both wanted to say — slow it all down, please!

I often wish time as we know it had not been invented. We are slaves to the clock and the passing of time whether we like it or not. It’s like a big doom-filled timer hanging over us – reminding you that you are always one step closer to death. Your time is always running out. You are always fighting against time. You always wish you had more of it.

Lack of time causes much stress and resentment. As a writer I never feel I have enough time to write. I always grab what I can and make the most of it but would I like endless time to write? Yes, of course! But life and human made constraints get in the way.

We have invented a world that counts us down in seconds, minutes and hours. We cannot look away. We are glued to it.

As much as I want to ignore time and not be ruled by it I cannot. I have to set an alarm to make sure we get up in time to be ready for the school run. I have to keep an eye on the time when I walk my dogs so that I am back on the laptop in time for Zoom calls. I have to watch the time to know when to pick my son up, when to cook dinner, when it’s time for bed.

Time, time, time. It owns us.

We all want to slow it down, but why? Because of death and not knowing for sure what comes after that. We worry, what if this is the one and only life I get? I’ve got to live it, fill it, appreciate it, make the most of it, but what if I’m not? It panics us. We want to slow it down because ultimately we are not okay with dying.

I resent it and I’m constantly looking for ways to change it only to realise that it’s impossible. Or is it?

Is there a way to slow it down? I’m always wondering this. I have an urge to try an experiment. I want to exist in a timeless weekend. I want to turn off all devices and make sure I cannot check the time at all, not once. I want to eat only when I am hungry and move when I feel restless and write when I feel creative and rest when I am tired. I want to do it and see if it feels faster or slower as I have a sneaking suspicion that watching the clock all the time is one of the things that makes it go faster.

Perhaps loving and enjoying life makes it feel faster. We all know that time slows down when we are bored or unhappy. Those afternoons sat at school watching the clock for the home time bell used to go on forever

And why is it that as we grow older, time goes even faster? I sometimes feel I exist on a hamster wheel that just keeps me spinning around forever. I get churned out every Monday morning to the start of a new week, then suddenly it’s the end of the day, then suddenly it’s morning again, then suddenly it’s the end of the week.

It’s what everyone says all the time. Doesn’t it go fast? How is it nearly Christmas again? Didn’t the summer fly by?

Is there anything we can do to slow time down or make friends with it?

I think so. And being a writer really helps…

Let’s take Monday morning. No one wants it. No one loves it. It’s a very sad and unloved day of the week, but is it really so bad? Sometimes we have to embrace the unwanted and the unloved and look at it in a different way.

I am trying hard to make friends with Monday. I am trying to give it some love, after all, is Friday really the great fun pal it makes itself out to be? I think not when it all too suddenly spits you into Saturday with Sunday on the horizon!

This Monday morning I woke up in a good mood. Despite recent ups and downs, I surprised myself by waking up with a smile. The night before I tucked myself into my own dream world as usual and tried something new. I talked to myself in my head (I know I sound crazy…) about the niceness of tomorrow. I walked my way through the little bits of Monday that would be nice.

It started with my breakfast of oats with a swirl of chocolate spread mixed in. I smiled thinking about it. I know I am very easily pleased but I was looking forward to it. Other nice things were my time on my own before everyone wakes up and playing this little town building game I have on my iPad before reading a bit of news. The next niceness was waking my son up because one of our dogs always has to be involved and always makes it funny in some way. The next niceness was remembering that we bought the Blur Live At Wembley CD yesterday and me and my music mad son could enjoy listening to more of it on the drive to school.

I focused on these nice things more as they came up because I had tucked myself into sleep thinking about them. Then I started to notice more of them. It was Monday morning all right and there was something dark and menacing about it. Dark skies promised more rain and it felt like the sun had barely risen. The landscape looked haunted and beautiful. I smiled. There is beauty in darkness. There is beauty in a dark Monday morning.

I’m not sure if it slowed time down but it made me feel less of a slave to it and I carried it on for the rest of Monday. The niceness of my lovely Zoom group children, the niceness of eating the leftover focaccia bread we bought yesterday, the niceness of another dog walk under moody skies, the niceness of writing ideas filling my head, and eventually us all gathering back at home to eat dinner and talk about our days before another day ends.

And I feel lucky… I am alive. I had another Monday. I woke up. I lived and breathed and thought and felt and dreamed and noticed and experienced…. Yes time passed but that was because I lived. And one day I will be close to dying and I’ll look back and think well, that went fast but I did my best with it, I saw it for what it was and I tried to soak up and experience every moment, even the bad ones, and I didn’t wish it away and I paused as often as I could to think how amazing it was to have had a life.

Wow, if you think about it, it really is a beautiful thing to be alive…

As for now, I’ll end the day with the ultimate reward, writing. Then in bed once more, I’ll talk to myself about my stories, replay and plan scenes, listen to the characters talk and figure out plot holes and then I’ll think ahead about the niceness of Tuesdays…

In conclusion, I’ll let you know if I ever do my timeless experiment but I do wonder if living without time, having endless time would actually be some kind of hell?

Would It Be Okay To Watch The Last Sunset Alone? – poem

Hi folks! I have got so much content now on Medium – a lovely mix of essays, articles, poems and stories, so I thought for this week on the blog I would share a poem that recently did quite well for me there. I still can’t get my head around getting paid to write my poems!!

Image by Giani Pralea from Pixabay

Would it be okay
to not do anything
to leave today
and maybe tomorrow too
whatever, however long it takes
for the feeling to pass
of the world ending
of disaster
and death
and my decay
and the transition into bones
and dust
would it be okay
if I said not today?
I can’t do it today
my mind is a trap
a battlefield I can’t escape from
and your silence was too loud
when I tried to talk
if the world lets me
I’ll cancel today
bury myself in bed
find comfort in words instead
get lost and sad inside my own head
feel myself dissipate in the dark
embrace my bones
knowing it’s okay
to watch the last sunset alone

Thank you for reading! I am in the process of compiling all my Medium poems and pieces of fiction into a new book I’ll publish at some point. I’ll keep you posted on that but I already know it will be called Dirty Little Feet and Other Tales and Poems.

See you next week!

Interview With Chantelle Atkins On Her Latest Release: At Night We Played In The Road

Last week I was interviewed by author Sim Alec Sansford for the author news blog on the Chasing Driftwood Books website. Chasing Driftwood Books is an indie collective some like-minded indie authors have set up to help support and promote each other and I’m thrilled to be a part of it!

Here is the interview:

When Tom Lane was born, he accidentally killed his mother and in the process, his father’s love.

Determined to protect Tom from their father’s criminal business, older brother Alfie must become Tom’s father, mother and protector. It’s the two of them against the world until the day Tom chooses a life of crime over Alfie’s dream of a normal life.
Ten years later the estranged brothers are reunited when a violent gang bring Tom to Alfie’s door with a gun to his head.

Tom’s partners in crime have turned on him and he needs his brother to save him one more time…

A darkly brooding story of brotherly love, belonging and the beginnings that shape who we become.

Buy here: https://books2read.com/u/mBy7DZ

Your latest release is connected to your five-book series, The Boy With The Thorn In His Side. Can you tell us more about that?

Yes! The Boy With The Thorn In His Side Part 5 introduced two characters, Tom and Alfie Lane. They become unwittingly involved in Danny’s (the main character in The Boy…series) struggle to escape his crime ridden past. He helps them and they help him. As I wrote these scenes, I fell so in love with the characters I knew they had to have a story of their own. I was curious about their past, specifically their childhood and wondered what had happened to them to lead them to this point. For example, when Danny first meets Tom Lane, he is tied to a chair, about to be tortured by a violent thug Danny has tangled with before. But what led Tom to that chair? I saw a very troubled and co-dependent sibling relationship between Tom and Alfie and really wanted to explore that.

What is it about Tom and Alfie in particular that made you want to write their story, opposed to other side characters?

Good question! I have to be careful because I think all my side characters would like their own book one day! But these two did really catch my imagination. I think I was interested in the brotherly relationship and how Alfie had to be a father and brother to Tom. I was interested in that very specific dynamic too, one of co-dependency and how damaging that can be to both individuals. I wanted to examine it from both of their points of view, so I did. They love each other deeply and fiercely, which is incredibly beautiful, but they also hurt each other a lot over the years. Their family background was really interesting to me too. How sometimes you cannot escape your family, even if you don’t want to be like them. How some children hero worship abusive parents, while others see them for what they are and try to break free. Tom also has Tourette’s Syndrome which was something I was researching a lot at the time as my youngest child displays many of the symptoms. Tom is based on him, just a tiny bit. His energy, his optimism, his intelligence!

This book explores many dark themes as do your other stories. What is it about the genre that you particularly enjoy?

I think I am just drawn to the dark side of life and everything that means and entails. There are so many layers to humanity and being alive and it’s fun to pick them apart and see what flows out. I like gritty stories, topics you can get your teeth into. I like writing about outsiders and rebels, people who don’t fit in and don’t want to. I think there is so much to be explored there! I suppose it comes back to writing what I want to read. I want to read books with relatable flawed characters and dark themes, so that’s what I enjoy writing too.

You’re well known for your passion and dedication to writing, but what keeps you so inspired?

I suppose life itself and all it’s mysteries, all it’s ugliness and beauty, everything! I love the quote that reading is breathing in, and writing is breathing out. It feels like that for me. Writing is me exhaling everything I have learnt, felt, seen, observed and wondered about life and people and society and families… Writing to me is pure magic. It feels incredibly exciting, like a natural high. People inspire me, families inspire me, the endless possibilities for stories inspire me! I don’t know how to live and not write.

Are there more books coming for The Boy With The Thorn In His Side universe? What can we expect?

It certainly is a universe, full of inter-connected books. Characters pop up in each-others stories and the locations used are familiar. I have two more books to release in this universe and then that will be it. Those two books should tie up everyone’s stories. I am releasing the sequel to my debut novel, The Mess Of Me in January 2025. The Mess Of Us is set two years after the dramatic events of the first book and see the characters Lou and Joe trying to come to terms with what Joe’s criminal brother Leon did to them, as well as dealing with an unexpected pregnancy, among other things. In The Mess Of Us we get to explore Leon a bit more. He was very much the mysterious boogey man in The Mess Of Me, and the main character and narrator, Lou, absolutely despised him, and quite rightly. But she sees another side to him in the sequel, and then he reappears as a main character with his own storyline in the final book in this universe, The Dark Finds You. I aim to release this summer 2025. This will unite many of my characters from other books! Lots of them already know each other so it was not hard at all to draw them all together for one storyline, which also helps conclude their own personal ones. It involves Leon from The Mess Of Me and The Mess Of Us, as already mentioned, Joe also appears from those books. Elliot from Elliot Pie’s Guide To Human Nature, plus his mother Laura and friend Leah are also main characters in The Dark Finds You. Danny from The Boy With The Thorn In His Side is now in his 40s, so fans of that series might like to see how he’s doing now! And Bill Robinson from The Holds End trilogy is another main character. I wrote the first draft in six weeks – it was that addictive and exciting and I can’t wait to share it!

You tease a lot of your work on your social media. What can you tell us about Black Hare Valley?

Well, mainly that it’s another universe that has totally sucked me in and is currently holding me captive! I am seriously addicted to this at the moment! Black Hare Valley was first created during lockdown, 2020. I had just re-read my favourite Stephen King book, ‘IT’ and wanted to write something similar as a sort of homage, I guess. I envisioned a close-knit town with a dark secret and a band of misfit kids drawn together to solve a mystery. That was all I had. However, me and my son, who was 12 at the time, designed a huge map of the town just for fun. We created a valley town set between two Iron Age Hill Forts, with farmland, forests and rolling hills, rivers and streams. We added everything they would need from schools and theatres, to pet shops and garages! I also created some character bios. It was a lot of fun. I left it alone for a few years while I was working on other books. Two years ago we had a prolonged power cut and no WiFi so I ended up writing Black Hare Valley in long-hand into five notebooks. I didn’t really know what I was doing. It just happened. I just let it flow. As I wrote it, I had to ask myself more and more questions and the story slowly unraveled. I then typed it up and left it alone again. When I’d finished The Boy… universe books, I could finally turn my attention back to Black Hare Valley and it sucked me in and wouldn’t let go. Essentially it’s going to be a three book series with the first book set in 1996, the second in 1966 and the third in 2026. It’s a very dark folk horror story about this very strange town tightly controlled by a well-meaning Neighbourhood Watch Committee. They are not what they seem however, and children, in particular, have a habit of going missing, never to be seen again… That’s all I want to say but if you love folk horror, creepy towns, misfit kids, and quirky traditions such as May Day celebrations, fairy rings, leylines, hill forts and more, you might just want to visit!

Who are some writers that influence you and what books do you enjoy reading?

I’m a huge fan of Stephen King, Charles Bukowski and Chris Whittaker, to name a few quickly. But generally I love reading anything dark and gritty with wonderful memorable characters. It’s all about the characters for me. As a teenager I was very influenced by Stephen King, and SE Hinton.

What made you decide to create Chasing Driftwood Books?

I’ve been writing and independently publishing since 2013. I’ve published with indie collectives three times before, but each one eventually folded. They were all different, but essentially they were all allowing authors to self-publish for free and keep their royalties, but belong to a bigger community of authors who can support each other and help promote each other. I wanted to take all I had learnt from those platforms and create our own. We are very small at the moment but will open for submissions in due course! What I have realised since I started publishing was that it’s very, very difficult to land an agent and get a traditional deal these days, and also that the traditional deals are not always what they are cracked up to be. I’ve learnt that indie authors who do well are in the most enviable position of all. They have full creative control, retain full royalties and can very often earn enough to give up their day jobs. But to achieve that, they often have to pump a lot of money into their books. Paying for editing, proofreading and professional covers, goes without saying, but to really succeed they also need to be paying for advertising. Low income authors, disabled authors and other under-represented groups, are simply not in a position to do this. I’ve been an avid reader of indie books for some time and have read some truly extraordinary books by incredibly talented authors who should be selling far more and getting far more success and visibility. Money is so often the problem. What we are hoping to do here is draw quality authors together into a community that can help support and promote each other. That is just the start but the long-term aim is increased visibility for all our authors!

You have a prominent cast of male protagonists throughout your books. What is it about writing through their eyes that inspires you to do so?

I think I once sat down and worked out that by the time I have written and released all my works-in-progress plus all my vague ideas for books, I will have an equal amount of male and female protagonists! But I get what you are saying. With my published books at the moment, there are more male protagonists than female. I think partly this is pure accident, in as much as the characters just come to me and I can’t often control their gender. But also I think in the past at least I have been more curious about the male view and experience, simply because I am not one! So, that made it just a bit more interesting to explore.

Finally, what more can we expect from the world of Chantelle Atkins?

Two more books in the interconnected The Boy With The Thorn In His Side universe, as already mentioned, followed I expect a year later by the full Black Hare Valley trilogy. I have also started a fifth book in The Day The Earth Turned series, though that is taking a back seat at the moment! Works-in-progress involve a half-finished YA zombie apocalypse story told in a diary format, a family mystery called The 7th Child, and a story about two dysfunctional young adults who get bored of waiting for the apocalypse so decide to try and start one themselves… I am also planning to write a crime book with my oldest child, Daisy! She is about to start her Masters in creative writing and we have come up with an excellent serial killer plot set on a university campus! I have another YA post-apocalyptic story that has been planned with character bios done…. I think that’s it!

If you’d like to follow me and keep up to date with my books news, here are the links:

Website/blog: https://chantelleatkins.com/

Facebook page: https://www.facebook.com/chantelleatkinswriter

Instagram: https://www.instagram.com/chantelleatkinswriter/

Medium: https://medium.com/@chantelleatkins_17828