The Joys and the Perils of Working on Multiple Projects

It’s never my intention to have multiple projects on the go, but almost since the beginning of my publishing journey, this is the way it’s worked out. Currently, I’m juggling a few things at the same time. Elliot Pie’s Guide To Human Nature is finished, but I’ve sent it out to a small list of publishers. While waiting for rejection, I’m planning my self-publishing launch of this book. A Song For Bill Robinson was sent to beta readers for the first time and I just received the first piece of feedback from a reader. I am now responding to this with a 6th edit of the book. Meanwhile, I made a decision to reduce the planned trilogy to two books by moving the main event of book three to the end of book two. This is in progress. And then there is the four-book series I promised myself I would not start until all these other things were finished! But that’s proving difficult, and I have recently succumbed to writing five chapters and indulging in some research…

I never plan on working like this, and in fact, I’m not sure it’s a good idea at all! I often experience what I would describe as a nervous stomach throughout the day. Unless there is something specific I am worried about, I have no option but to blame it on the thought of my evening writing.

Have you ever juggled more than one writing project? Or would this be your worst nightmare? Here are 5 perils of working this way, followed by 5 joys, because in my opinion, it is fraught with both.

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Perils

  1. Not Finishing – This is a genuine concern. It is the reason I rarely finished anything when I was a kid. During the inevitable slump, my mind would be drawn to a new story and off I would go. This has also happened to me as an adult writer, hence the half-written sequels to The Mess Of Me and The Tree Of Rebels.
  2. Distraction – Working on more than one writing project can be hugely distracting. If your mind is being pulled in more than one direction, it can be really tough to sit down and actually get some words out. It’s not easy to concentrate or commit to one story when you have others calling for your attention. Sometimes I start the evening working on one book, and finish the evening on another, which can feel quite frustrating as if nothing is really getting done.
  3. Panic – This is a definite peril and one I experience regularly. I get a nervous feeling in my stomach like it is constantly turning over on itself. Sometimes it feels like I cannot breathe and I take an extra big breath just to be sure. I’m not exactly sure why I’m nervous about my writing, but I always feel better once I am sat down doing it. I can only imagine that the feeling of panic comes from my struggle to do too much.
  4. Spreading Too Thin – Working on multiple projects could potentially dilute the quality of your work. Lack of concentration, distraction, panic, self-doubt can all be heightened when attempting to do too much at once. This could lead to a reduced quality of your writing, which is something I worry about a lot.
  5. Burn Out – Worst case scenario, working on too many projects can lead to burn out and exhaustion. It could spark off writers’ block. You could become utterly stuck, afraid to move on. I’ve experienced this before, and the only good thing about it is that it does finally force me to slow the hell down.

But what about the joys? Are there any good points about working on multiple projects? Can it be beneficial despite all the above? I might be crazy, but I do think so…

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Joys

  1. Excitement – Writing is exciting. It should be. I know half the reason I get such butterflies in my stomach is that I am excited to get writing. It’s exhilarating to put words to paper, to create and evolve characters, to give them lives, to shape and control their existence, to create worlds and spark drama and emotion. A new project is undeniably more exciting than an old one, which may be wearing thin. I like to stay excited and working on multiple projects keeps it going.
  2. Not Losing Ideas/Words – Now I know the rule is to never assume you will remember a good idea if you do not write it down. How many writers have made that mistake? You must write it down! It’s entirely possible to save future ideas by jotting the gist of it down somewhere safe, then getting back to the project in hand. But what if more words start to come? What if vague characters start to evolve into solid ones? What if they start to present you with conversations and dialogue? There is no way you will remember it all if you don’t write it down! And then before you know it…
  3. Keeps Things Fresh – Editing and revising a novel can go on for years. Writing the rough first draft is fairly easy compared to all that is to come. All the editing, re-reading, rewriting, revising, cutting, rewording and killing of darlings. Editing can be a challenge but it can quickly become dull, and even a torture. Here’s where starting another project can be helpful. Writing something fresh and new! It helps to be disciplined though. I only allow myself a chapter of a new book if I have edited four chapters of the current book, for example. Don’t jump ship! Stay on board and then reward yourself with a little bit of something fresh and new…
  4. Fills In Time Between Beta Readers – If you are anything like me, you will send your novel out to beta readers at different times. I usually have three rounds of beta reads, and I will work on the book in between. But when it’s out, I can’t work on it. What am I going to do? Sit around and twiddle my thumbs? It could be months! So I get my teeth into another project. As soon as the other book comes back from a beta, I down tools and get right back to it, always treating the one further along as the priority.
  5. Increases Productivity – In the indie age, productivity and brand are key. The more books you write, the more brand you create, the more trust you build with readers. Working on multiple projects increased productivity, there is no doubt about that. Simply put, more books are written.

So, over to you guys! What do you think? Do you work on multiple projects? If so, how do you stay sane? How do you stay on track and get it all done? Do you only ever work on one book at a time? Please feel free to share and comment!

The Lane of a Thousand Stories

It’s not just a lane. To those who don’t know. But then nothing is ever just something. Everything is much, much more than that. To us, the lane is alive with a thousand stories. Millions of lives. Endless possibilities.

For me and you, hand in hand, it’s not just a lane, is it? It’s an adventure waiting to happen. It’s Doctor Who and Clara. It’s sticks turned into sonic screwdrivers. It’s the Tardis waiting for us back home. It’s mud monsters that will drag you down. It’s Cybermen and Daleks and Zygons. It’s a stretch of concrete that twists and turns, and it’s me watching your little legs running down it as fast as you can, yelling over your shoulder to run from the monsters. It’s me, forever tensed that a car will round the corner too fast.

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They are not just puddles in the lane. They are wonders to explore with stones and sticks and welly boots that never quite manage to keep the water out. They are covered with ice to crack and slip on. They are deep with mud to squelch and squerch through. We’re going on a bear hunt, we’re going on a bear hunt. They are not just puddles. They are portals to another world. Many worlds. Worlds with trees and telephone lines inside them. Worlds with a mystery face staring right back at yours.

They are not just bushes! Not just a hedgerow to hurl rubbish into. They are blackberries in the summer. Your little hands reaching in to pluck juicy berries from between the thorns. Your sleeve getting snagged on brambles. Your face smeared with red. They are alive, teeming with small unseen lives that run adjacent to ours, unknown. They are buzzing with bees and birds and butterflies, who go about their private lives without fuss or blunder. Who live never to question or worry. Me and you know they are there. And there is not a bush we don’t walk by without knowing or thinking.

Hello Mr Robin. Mr Blackbird. Mrs Blackbird. The shy Heron who takes off should you get too close. The noisy geese. The silent swans. The otters we have never seen. The rabbits in the fields and the buzzards on the telephone poles. The woodpecker drumming. Swifts and starlings and magpies and our favourite, the mighty crow. The crow rules the world, or so we secretly believe. With his knowing caaw and his murder of companions, they could take us all on, should they want to.

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It’s not just a bridge, is it? It’s poo sticks and science. It’s sygnets and ducklings. It’s where we collect conkers in the Autumn. And it’s not just a river, it’s a ford, a fork, an expanse of water fit for paddling. Your favourite place. Your tree dragon and the swing and sitting on the fallen tree, trying to catch tiddlers in a jar. Mucky feet and cold toes. Snacks in the pushchair. Summer. Shady spot, dragonflies and damselflies. Kicking the water. Us and the dogs and me lost in time, caught between now and us, this life and an old one. Me and my sister, stood in the river, captured in a moment that has lasted forever, the sunlight perfect, illuminating our small lives, fishing nets in hand, shadows dancing. At the river, I am full of a thousand memories and with you, I am making a thousand more.

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The lane seems so long when you walk so slow. It’s me saying hurry up, walk faster, come on, come on then, can you at least walk in the right direction? It’s you, picking up stones and sticks and conkers and leaves, staring at bugs, helping them cross the road, saying ‘that’s sad’ when you spot something dead because the lane is not just full of life, it’s full of death and we see it daily. Creatures too slow for the cars. It’s me in a hurry. Urging you on. Rolling my eyes. Come on, come on I’ve got stuff to do. Hurry up and I’ll get you a hot chocolate when we get in.

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It’s not just a lane. It’s songs and silliness and passing the time. It’s make-believe and storytelling and laughter and tears. Death and life and why? Why Mum? Why?

It’s not just a lane. It’s Nature, who was here first with the blackberries and the hawthorn and the Oaks and the Hazel and the dandelions, bluebells and daisies. It’s all the things that exist despite us and will go on after us. But for now, for a moment, it is our lane. Not just a lane, but our world and a thousand stories and lives.

Nothing is ever just something.

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New Feature; Indie Book of The Month!

Welcome to a new monthly feature for my blog. I read A LOT, and I read a good mix of indie and traditionally published books as well as a real mix of genres. I’m always looking for ways to repay the indie community who are so supportive of me, so I thought why not post a book of the month feature?

At the end of each month, I will post a blog promoting the best indie book I read that month. I will also be contacting the author for a follow-up interview. After highlighting the book of the month, I will also link to any other indie books that caught my eye, as well as the best traditionally published book I read this month and the best new author I discovered this month. But the main feature is the indie book!

So, please allow me to introduce you to the very best indie book I read in January 2018. The Minotaur Hunt by Miriam Hastings

This fantastic book about life inside a mental institution won the MIND book of the year award and was previously published by Harvester Press. Here is the blurb;

A winner of the MIND Book of the Year Award, this is a present-day story with a legendary model. To the people of Crete, the Minotaur was a creature of darkness and horror. Locked in a labyrinth where no-one could see him, he became the scapegoat for everyone’s worst imaginable nightmares and terrors.

Chrissie and Rachel are Minotaurs. They meet in Bradley, a rambling Victorian institution for the mentally ill. As the novel unfolds and their respective stories are gradually revealed, their growing relationship becomes a rich source of shared experience and a focus for their deepening knowledge of themselves.

The Minotaur Hunt is an arresting story of modern society which draws on some of the most evocative qualities of myth-making. In its fearless exploration into some of the darkest areas of human experience, it strikingly portrays the complexities and difficulties of human communication in a powerful and moving narrative which is both disturbing and honest, captivating and profound.

This is a revised edition of the novel with a new Afterword by the author.

And here is my Amazon/Goodreads review;

I was drawn into this book from the very first page. Rachel is a 16-year-old girl who has a habit of escaping from everyday life whenever she feels like it. She simply curls up on her bed and waits for the boat to come and take her to the world she has created in her mind. It’s a beautiful world, inhabited by elegant and sexless creatures who would like her to live with them permanently. Rachel cannot do this while she is still anchored to the real world, and her desire to do so results in her parents committing her to an institution for the mentally ill. At such a young age, Rachel is terrified and confused, but she gradually discovers true friendship among the other inmates, Chrissie, Rosie, Daniel and David. Rachel and Chrissie become particularly close, eventually realising that they have experienced similar trauma. This book is set in the 1980’s, a time when the mentally ill were still treated quite badly in such places. The relationship they all had with the ward doctor made for some interesting reading. I could never quite decide if he was on their side or not, or simply manipulating them. This is a beautifully written book which gave me characters I could truly care about and I thank the author for that. I felt like they were all real and I was part of their journey for the time I was immersed in their lives. There is a tragic ending for a few of the characters and hope and recovery for some of the others. I was desperate for things to turn out well for all of them! There are some fantastic characters in this book and some really thought-provoking issues dealt with. It really made me think all the way through. I also enjoyed the mythical element to it which at times provided a slight relief from the starkness of life inside the institution. A brave and wonderful book. I would love to read more from this author.

I highly recommend this book if you are looking for something to really get involved with. Not only does this book totally pull you into these characters lives and minds, this novel really invites you to think about mental health. Not a light read and contains some upsetting scenes, but in my view, an extremely important book by a fantastic indie writer, who I really hope has more books out soon!

The Minotaur Hunt by [Hastings, Miriam]

Other Indies I Enjoyed This Month;

Ghosts of London(book 3 in Mark Gillespie’sFuture of London Series)

The Oscillator by JK Neve

Best Traditionally Published Book of the Month;

Six Stories by Matt Wesolowski

Best Author I’ve Discovered This Month;

Matt De La Pena

My Bad Writing Habits

I’m currently editing the fifth draft of my YA drama A Song For Bill Robinson. The fourth draft was edited on my Kindle, with me making notes on typos, words, and phrases to cut. Overall, I thought it was pretty good when I went through it on my Kindle. Almost there. On this current draft, however, I have totally changed my mind, because I can now see how many bad habits I have! And it’s so weird, because I don’t seem to spot them until I get to about fifth draft stage. Interesting! Anyway, I thought I would share them with you. And then you can tell me yours!

  1. Over-explaining – I don’t realise I am doing this in a first draft. I don’t even spot it on a second or a third. But eventually, I see it. Usually about now, when I am trying to get the word count down. I over explain things. I do this in real life too. My husband has a habit of quoting Tim from Spaced when I speak; ‘skip to the end…’ I am forever saying, ‘yeah, I know, I said that already.’ This isn’t too bad when talking to people, but when writing books? This is very bad indeed! Here’s an example… ‘And it was he who had suggested she stay the night. It was he who had talked her out of cycling home or going back to her dads for the night.’ (See? Too much explaining. The second sentence is not needed!)
  2. Repetition – This is similar to over-explaining but much more repetitive and needless. Again, I only notice this when editing a later draft and trying to delete unnecessary words. Here’s one I just picked up and this is typical; ‘He didn’t know. He didn’t have a clue and it was driving him crazy.’ You see, I really didn’t need to repeat the fact he didn’t know!
  3. I write too much – My word counts are ridiculous. This is a very bad thing because publishers don’t want to look at manuscripts with excessive word counts, and a lot of readers are also put off by them. It’s also bad when it comes to editing, formatting and revising. And it’s because I do too much overexplaining and repeating myself. I really need to get better at writing shorter books.
  4. Swearing – I’m getting better at this. I’m trying to rein my foul-mouthed characters in and make sure any curse words are absolutely necessary. One day, when I have the time, I will go back over all my old books and delete some of the swear words.
  5. Making Characters Frown – Ugh, so annoying. Again, I don’t realise I am doing this when I first write the book. But on later edits, it is revealed to me in the most cringe-worthy fashion, that there is way too much frowning going on!
  6. Making Characters Raise Their Eyebrows – Very annoying when you read it. There are many, many other ways to imply expression on a character’s face. I cut tons of these out as I edit again and again.
  7. Sighing and eye-rolling – So embarrassing, but it’s true. You think I would have grown out of this by now. But no. For some reason, when I write a first draft, all my characters sigh and eye-roll constantly. I have to calm them all down on later edits. It’s okay to be silent and still!
  8. Trying Way Too Hard To Make The Reader See Exactly What The Character is Doing – eg; ‘I don’t think it’s a good idea,’ Andy was shaking his head and blowing air out through his nostrils.’ Wait? What? Why did I feel the need to mention the fact he is breathing? Of course he is breathing, and the reader is well aware of that because he is talking and shaking his head. Nothing else needed!
  9. Not Bothering To Research Vital Things Because I Am Too Impatient To Get the First Draft Written – I try to kid myself that this is a good tactic. I am writing! I am getting words down, getting the story out! I don’t want to break that precious flow by stopping to research something as small as how a person is actually signed out from hospital! No, I’ll do that much later. (And then find out that I have to rewrite the entire scene…)
  10. Adding Pointless Needless Words That Do Nothing – eg ‘Andy watched rather helplessly’. He’s not watching rather helplessly. He’s not feeling rather helpless or rather that. Rather is a really horrible word actually and I am never, ever using it again.

Well, there you have 10 of my bad writing habits. Of course, there are loads more, but I didn’t want to bore you by waffling on, which is another bad habit of mine! So, come on then. Be brave. Tell me your bad writing habits. We can cringe together!