SOUNDTRACK!! The Boy With The Thorn In His Side

I am about to relaunch my novel The Boy With The Thorn In His Side, which is a book about two complex characters and their attempts to control and escape each other. But it is also a book about music. About how songs can become the soundtrack to your life, filling your head and your heart through times of joy and darkness. I’m sure you all have your own soundtrack. Here is Danny’s;

The Stone Roses – Made of Stone

Guns ‘N’ Roses – November Rain

Guns ‘N’ Roses – Breakdown

The Stone Roses – I Wanna Be Adored

The Stone Roses – She Bangs The Drums

The Clash – Lost In The Supermarket

The Stone Roses – I Am The Resurrection

Nirvana – Breed

Nirvana – Smells Like Teen Spirit

The Smiths – How Soon Is Now

The Doors – Strange Days

The Doors – Riders On The Storm

The Smiths – Heaven Knows I’m Miserable Now

Neil Young – Only Love Can Break Your Heart

Tom Waits – I Don’t Wanna’ Grow Up

The Doors – Break On Through

The Clash – Guns Of Brixton

The Manic Street Preachers – Masses Against The Classes

Radiohead – Bones

Soul Asylum – Runaway Train

The Smiths – There Is A Light That Never Goes Out

Radiohead – Creep

Nirvana – About A Girl

Nirvana – Negative Creep

Primal Scream – Loaded

Primal Scream – Come Together

Nirvana – Lithium

Donovan – Catch The Wind

Bob Dylan – A Hard Rain’s A Gonna’ Fall

The Smiths – Please Let me Get What I Want

Nirvana – Radio Friendly Unit Shifter

Nirvana – All Apologies

Nirvana – Love Buzz

Nirvana – Pennyroyal Tea

Nirvana – Dumb

Beck – Loser

Oasis – Supersonic

Nirvana – Something In The Way

The Smiths – The Boy With The Thorn In His Side

The Stone Roses – Shoot You Down

The Doors – When The Music’s Over

Oasis – Cigarettes and Alcohol

Oasis – Rock And Roll Star

Oasis – Slide Away

The Smiths – That Joke Isn’t Funny Anymore

The Doors – Break On Through

Oasis – Up In The Sky

Sonic Youth – Sugar Cane

Blur – For Tomorrow

Nirvana – Come As You Are

Suede – Animal Nitrate

The Clash – Should I Stay or Should I Go?

Primal Scream – Movin’ On Up

The Smiths – Panic

Primal Scream – Cry Myself Blind

The Rolling Stones – Ruby Tuesday

Radiohead – Planet Telex

Ash – Girl From Mars

The Stone Roses – Breaking Into Heaven

The Charlatans – The Only One I Know

Radiohead – Bulletproof

Massive Attack – Safe From Harm

Leftfield – Original

The Stone Roses – Ten Storey Love Song

Marvin Gaye – What’s Going On

The Clash – The Call Up

Oasis – Live Forever

Oasis – Wonderwall

Oasis – Champagne Supernova

Oasis – Roll With It

Johnny Cash – Walk The Line

The Smiths – I Know It’s Over

The Stone Roses – Good Times

Nirvana frontman Kurt Cobain

The Story Of The Boy With The Thorn In His Side

The Boy With The Thorn In His Side – by Chantelle Atkins (that’s me.)

So, why the relaunch? Why have I updated this book again? Why go back to it again? What’s the big deal about this book? I’m sure that if I were signed to an agent or had a big publishing deal, they would tell me I was mad to pursue this book the way I am. It’s a non-starter, they would say, or something like that. True, it is my worst seller. The Mess of Me has taken far less time and stress out of my life, and yet is consistently the one people choose to read. This Is Nowhere has only been out a few months, but is proving popular so far. Reviewers say it is my most mature work to date, which always makes me want to laugh. Mature? Me?

The Boy With The Thorn In His Side is anything but mature. But then, it wouldn’t be. I first wrote it when I was twelve years old. So yeah, it’s been with me a long old time. For some reason, I just can’t shake it off. Hence the relaunch, new cover, etc. If you are still with me, I will try to explain why…

I was 12 years old in 1990. My parents had recently got divorced, and the thought of them attracting new partners was something that prayed constantly on my mind. I was a shy twelve year old, a bit strange, and fiercely proud of it. I never wanted to fit in, or be cool or popular. I was fine being me. I mostly wanted to be left alone to read and to write. I was attracted to horror, both in literature and in movies. Stephen King was my favourite author at this time, and The Lost Boys my favourite film. You can probably see where my head was at. And yes I dressed in black. A lot.

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So at some point in the year 1990, with my own family kind of disintegrating in the background, I read a lot of Stephen King and watched The Lost Boys about a hundred times. I can still recall the moment the idea for the book started to grow inside my head. You know the bit right at the end of the film, where the character of Sam realises that his mother is dating the head vampire? That was it. His mother was dating a monster. A real life monster. And all along he had known the guy was rotten, and no one had believed him. Except his friends. It got me thinking about my own situation; what if one of my parents was to start seeing someone I didn’t like? Someone I abhorred? Someone who was a monster? At the time we did not have a computer, but I did have my very own electric word processor which I had saved up for with my own money. I adored it and was nothing but a slave to it. Every day was the same; home from school, up to room, Guns N Roses on, banging at the keys until my fingers ached. It was the first time I found a story that I couldn’t let go. Up until then I had written stories about animals. Lost dogs and stray kittens. That kind of thing. I used to illustrate them myself, hole punch them and tie them with string. Very cute. But I was getting too old for all of that cute stuff. I was nearly thirteen for fucks sake, I liked heavy metal! I wore black and hated the cool kids at school. My dad didn’t want to know, and my mum talked about other men. Great. Fantastic. So I wrote about it. I poured everything into this one story, this one story I could not let go. I could not escape it. It followed me to bed and kept me awake. It possessed my waking hours and distracted me constantly from this other thing called ‘real life.’ I wrote it in pencil on lined paper. I tapped away at my word processor and printed it all off. It was huge. Magnificent. Glorious. I was totally and utterly addicted to it. I was fucked up in so many ways but did I care? No. I was a fucking writer!

So, anyway. At the time the book had no title. The lead character was called Sam, not Danny. (I changed it to Danny when I rewrote it in 2011 because my husband is called Sam!) But I wrote it. I was 12 years old, weirder than you can know, and I wrote it. I took it to school and showed my English teacher and I got a merit for it. This was a cool little certificate you had to go up in assembly to collect. Probably still have that somewhere!

I wrote it and I loved it. I lived and breathed it. Every night when I went to bed the characters were talking in my head, telling me things, forcing the story to grow and change. I even drew all of the characters. In my mind the main character of Danny was a cute cross between Corey Haim and Kurt Cobain. But then that was it. I had written my book, and now it was time to write more. But the important thing was, this book was the first proper book I ever wrote, and the first time I really believed I was a writer. I left it alone for a while. When I was 16 I picked it up again. Why? Because they were still there, damn it. All those characters, arguing and jostling inside my head, vying for my attention and my time. I was older now! I could make it better! In fact, I was hideously embarrassed when I read it through. Ooh the cliches! The showing rather than telling! Of course, at 16, I was a highly accomplished writer. Well, no, maybe not. At age 19 I attacked it again. Dragged it out and hit the old word processor once more. So you can see how it refused to leave me alone. During these later years I was obsessed with music in a big, big way. I was just like Danny in the  book. Veering between the current trend of grunge (I can still vividly recall where I was, what I was wearing, what I was drinking, doing, etc when I heard on the radio that Kurt Cobain had died) and old stuff like Bob Dylan, The Clash, The Smiths, The Beach Boys… Of course Danny would be a music fan just like me. And it is true that his journey through music is exactly mine. From Guns N Roses to Nirvana, to The Stone Roses, and through everything else that ever mattered and meant something, onwards and upwards to the inevitable spiralling and joyous salvation that was Britpop.

Britpop

Ahh it was a glorious thing. You see grunge was one thing, and britpop almost the opposite. Kurt Cobain died, and all seemed lost. And then the Gallaghers hit the scene growling and snarling and swaggering, telling us we had to be ourselves, telling us to shine. Apologies to anyone who may not be British. But it really was an important time to be a music fan, and a teenager.

I weaved music into the book throughout the years it took me to write. The more I rewrote this book, the more of me I poured into it. It was and is, essentially a horror story born of my Stephen King and Lost Boys obsession. It has graphic and uncomfortable scenes of violence and abuse. (In fact I cut some of the scenes from the version I wrote when I was 12 for being too gratutitous!) It has blood and guts and gore and fear. It has anger and hate and obsession and control. But I wanted it to be more than that, and that is where the musical soundtrack came in. There needed to be hope and there are three things that deliver it in the book.

Danny’s friends. Well, I mean Michael really. God, I love him! Wonderful doe eyed Michael. The bad boy in town with the jailbird brother and boozing parents. He and Danny were kindred spirits from the start. And from the start he knew that Danny was in trouble and wanted to help him. And then there is Anthony; Michael’s brother and in many ways Danny’s saviour. He and Michael never gave up, even when it seemed like all was lost.

Lucy. The love interest. Of course! Theirs is a hit and miss relationship for most of the book. He likes her but thinks she is above him. She adores him but he seems to push her away at every turn.

And then, the music. The music! Because music provides hope when the rest of life refuses to. When I was a teenager, when I was lost and confused, sad or angry, music was there for me. Like Danny, I used to lie on my bedroom floor with the speakers on either side of my head. I used to try to locate and pinpoint every drumbeat, every spiralling guitar riff, every change of note or vocal, every arrangement or chord, whatever it was, whatever the magical unknown thing was that made me shiver from my head to my toes. The spine tingle. You know it. How does music do that?? Just like Danny, I lived for it. That, and the lyrics. I used to write them on my bedroom wall and on my floorboards. I sometimes wonder if whoever has lived in that house since then, still comes across them sometimes when redecorating! I hope so. I wrote them all, all the words that touched and inspired or comforted me through those times. Music really can save you, you know.

So then followed what I think of as the lost years. The years of very little writing. The years of University degrees, moving out, jobs and children. But still, every night without fail, Danny and his friends came into my head at night. I would rewrite the story again and again, adding scenes, taking some away. I knew these people so well. They spoke to me and acted out their dramas before I fell asleep. I never thought I would get the time to write again, and I certainly never believed in myself enough to make the time. Until my youngest child was due to start school and I can’t explain what happened. I read a book, started reading more again, listening to music again, finding me  again. You never really notice how much of you gets lost while child rearing and working, but it happens. You forget what you loved. You forget what once made you you.

I picked up a pen and a pad of paper. I was too afraid to type anything into the computer, can you believe that? It was such a fragile and private thing. Me, the writer. No way. No chance. But no one would know, would they? It wouldn’t hurt just to see… So the pen hit the paper just like in the old days and somehow there it was, just like before. Danny’s story. The Boy… His gruesome step-father, his estranged mother, the best friends in the world ever and music….

Once I started writing in the summer of 2011, I could not stop. My pen flew over the pages. It was like a dirty secret to start with! I used to stuff the notepad under the bed or under the sofa if I was disturbed! I didn’t know why I was doing it you see. Why? After all these years? For what purpose? Then a good friend, in fact the only friend I had ever shared writing with asked me to show it to her. I switched to the laptop, started again, and sent her chapter after chapter.

And on it went. I wrote it all in third person. And then changed it all to first! I wrote it all from Danny’s point of view, and then changed it to both his and Howard’s. I started this wordpress blog and started posting chapters on here and sharing them to Facebook and Twitter. That was a brave move I can tell you. And for the longest time I was just talking to myself, my words lost and floating in cyberspace. And then a couple of Facebook friends started reading it, and asking for more. They said they had the story in their heads all of the time, and needed to know more!

Eventually I started sending it out to agents and publishers, along with The Mess Of Me which was written very quickly in this period of time. Obviously you know the rest. I put my books with an independent ebook publisher who were then called Autharium and are now called Indie. I have not looked back. When the story was over, it wasn’t over. I wrote a sequel called This Is The Day which is out now.

So, why the relaunch? After so much time, so much rewriting, why not leave it be? Well, it’s hard to say. Or rather, it would take me a long time, and hopefully this blog post has gone some way to explain it. I love this book and I felt like it deserved more time and attention. Another edit. A new front cover. The two parts merged back into the one long book it was originally intended to be. Yes, it is ridiculously long. I hold my hands up. I don’t deny it. I have broken all of the rules! Long, no obvious target market (fans of horror/drama who also like grunge and Britpop? Anyone??) I know it and I admit it and I am fine with it. Because I had to write this book. I had to write it and I had to rewrite it one last glorious time. I don’t care if no one reads it. Really, I don’t. This book is for me. It’s my indulgence. This is the book I wanted to read and couldn’t find. This is the book with all of my fears and hopes and dreams steamrollered into one gory blood thirsty tale. These are the characters I wished I knew in real life. They will be in my head forever. This is the book I would have always regretted not writing. So it is my worst seller and I have now spent way more money on it than I ever hope to get back! Fuck it. It was worth it.

This book, more than any of the others, this book, is me.

Help me choose the best blurb!!!

1) 13 year old Danny is new in town. It’s meant to be a new start, but for Danny and his mother the old problems remain. He’s a troublemaker and she has a habit of attracting the wrong men. With his new misfit friends in tow, Danny vows to scare men away from his mother. Enter Lee Howard. Local nightclub owner. Violent control freak. He is about to become a very painful thorn in Danny’s side… What do you do when your mother is dating a real life monster and no one can see it but you? Spanning the decade that brought us grunge and Britpop, Danny’s struggle is accompanied by an eclectic soundtrack. A powerful coming-of-age story of friendship, love and fighting back.

2) Having moved towns to escape his mother’s ex-boyfriend, Danny vows to keep his beautiful mother single and scare away any potential suitors. He soon makes friends with the local misfits and troublemakers and finds himself on a thrilling musical journey. Everything is as it should be for a teenager; good friends, good music and first love. However, things turn darker when his mother meets local nightclub owner Lee Howard. Howard is a dangerous control freak and there are very few adults who will believe a word Danny says. Who is Lee Howard and what does he ultimately want from Danny?

With his own personal soundtrack in his head, Danny explores the power of music in the decade of Grunge and Britpop. This is a story about music, dreams, first love, the friends who would risk anything to save you, and the choice between escaping or fighting back…

3) ‘Never go anywhere without music. I’m telling you. You never know when you are going to need it.’

England, 1993. Danny is 13 and falling in love with music in the decade of grunge and Britpop. New in town, life seems to be the up when he makes friends and feels the flush of first love. Added to that, is his determination to keep men away from his beautiful single mother. His plans backfire however when local nightclub owner Lee Howard enters his life and wins over his mother. Howard is a dangerous control freak who seems to be addicted to violence.

Told from both Howard and Danny’s point of view, The Boy With The Thorn In His Side is a powerful coming-of-age saga about friendship, music and the choice between escape or fighting back…

4) ‘I was always looking for music that made me shiver. You ever felt that? You know, when the words, or the chords, or the arrangement, something, at some point in a song makes you shiver, makes a tingle run down your spine, makes your hairs stand on end. I lived for that. I hunted it down. When it came it took my breath away and it felt like I was falling… I felt the music beating in my veins and I remembered that I was alive, and that this was a life.’

Set on a council estate in the south of England during the decade that brought us grunge followed by Britpop, The Boy With The Thorn In His Side is a gripping coming-of-age-story. Danny is on a journey of musical discovery and obsession, falling in love for the first time and having the best friends in the world. But he’s also got a problem…his mother is dating a real life monster and no one can see it but him. Lee Howard owns the local nightclub and is a control freak who seems to be addicted to violence. This intense and gritty novel follows the power struggle between Danny and Howard, as each tries to get what they want.

5) ‘I don’t have my headphones on yet, but the music is always in there. I have a constant walking soundtrack to my life you see. There is a song for everything. For every bit of pain, for every bit of joy, for every single moment I can see in bright clarity in my mind, for people’s faces and people’s words and for all the things left unsaid…’

In the decade of grunge and Britpop, 13 year old Danny is a music fan in the making. He is also on a mission to deter unsuitable men from his beautiful single mother. With his best friends behind him, a soundtrack in his head and first love on the horizon, things are looking good. Until local nightclub owner Lee Howard comes on the scene and sweeps Danny’s mother off her feet. Howard is a control freak who seems to be addicted to violence and Danny finds there are very few adults who will believe a word he says. A dark and gripping coming-of-age story about the power of music, first love, the friends who would do anything to save you and the choice between escaping and fighting back.

Stan

Stan was a man. Bigger than most. But not in a way that made you look up to him or fear him. Stan was a man who lived mostly in the background. No one knew what he thought or felt.

Like most men, he was a creature of habit. He never came downstairs in his dressing gown. He always arrived fully dressed in his trousers, shirt and cardigan. I never once saw him wear a t-shirt or jeans. While she made us hot buttered toast, Stan sat in his chair at the table by the window. He always sat one side, and she always sat the other. Every morning he had the same breakfast. Half a grapefruit and a cup of tea. He was a polite, neat eater. Though his hand shook as he lifted the spoon to his mouth, we tried not to look.

He always shaved before he ate. You’d see him in the kitchen at the mirror next to the door. I’m not sure why he didn’t shave in the bathroom. Sometimes he would remind me of a very tall Father Christmas. He was a bus driver in his day. A gentleman, they said. But children never believe that old people were ever anything but old. He walked with a stick he seemed proud of. It had badges stuck to it. He was always left behind. Did he mind? Or did he prefer it? I used to feel sorry for him because he walked so slowly with his stick, and she was always in a hurry and wouldn’t wait. She was busy with us. Busy with the life of a woman. But maybe Stan liked the background. Maybe he enjoyed being the scenery.

It was just the way it was and no one questioned it. Did we ever run back to him? Did we ever go to his side to walk and chat? I don’t think so. But I did look back once, when we had gone to see the deer…We hurried on, but I looked back and he was just smiling at the deer, taking his time.

His place was under the house. The cellar was his domain while hers was the kitchen, with the hot bubbling twin tub, and the smell of cakes and gossip. The door to the cellar was maroon, the paint flaking. You ducked your head to go inside, and then stepped down onto the cool dark earth. I want to go there now. I want to see the big chest freezer which was hers and ours – full of ice lollies in the summer and peas we had helped to shell. Is there still a ghost at the back called James?

To the left was another doorway. You were underground, tunneling. Low roof. The smell of earth and rust. Stan had a room. It was his place to go. You weren’t allowed there, but why would you want to? It was full of men’s things for fixing. Work bench and tools. Tin cans and glass jars full of screws and nails. In there, how many hours did he while away in the dark, tinkering? Stan was the fix it man. If something broke you took it to Stan. Bikes and toys. Punctures and dodgy chains. You took it and left it with Stan and it would come back fixed.

In the garden, we made up games and sat in the sun and he grew things. Tomato plants at the bottom against the fence. Peas and beans in the raised bed. Marrows on higher ground. Always marrows. He had a compost heap next to her rotary clothesline. He also had the lounge. He had his chair and she had hers. In between sat a coffee table and a lamp and his jar of boiled sweets.

Stan was a man. Quieter than most. I didn’t feel I could reach out to him or find a way in. I was a child and building my own shell. He was a man that towered above us all, with his Errol Flynn moustache and his neat white hair. She was a firecracker who bitched and moaned and criticized until we cringed for him. But he loved her more than words could tell and you could see it in his eyes and hear it in his words. She was small and fiery, didn’t suffer fools gladly. He was a gentleman who never raised a hand. Never raised his voice or answered back. They said that on the day he died she threw herself across his body and sobbed the words, no, no, no.

When he was gone it was too late to ask him what he thought or felt about things. It was too late to slip a small hand into his, or walk at his side and at his pace.

Stan was a man. Better than most.