The Mess Of Us Is Out Today!

My debut novel The Mess Of Me finally has a follow-up…

Twelve years after my debut YA novel The Mess Of Me was released, it finally has a follow up book, and it’s out today! Thank you so much to anyone who has preordered the ebook while it’s been discounted. Here is the universal book link for anyone interested. This will take enable you to buy from multiple platforms and in paperback. https://books2read.com/u/4NNka6

Last week I gave you a bit of insight into what inspired the sequel and why it took so long to get around to. I also gave a few extracts from both books where we see Lou analysing Leon. Leon is the main protagonist in the first book but has a redemption arc in the sequel. This then led to me writing another book where he appears again as a character, and this time we get his POV for the first time.

I thought today I’d run through a list of my connected books that exist in the same universe. If you have read any of these, for example, you might like to know where you can see those characters again. Also, the list of books finds everyone’s stories tying up nicely in the final book, The Dark Finds You which I aim to release towards the end of 2025.

So, here we go. This is the suggested reading order of the books in the universe and details about how they connect!

  • The Boy With The Thorn In His Side 5-book series – these books introduce us to the character of Danny, who grows up in the 90s in a seaside town called Redchurch. His violent stepfather, a local hard man and criminal, owns a nightclub in the town and later purchases one, Chaos, in nearby Belfield Park, another location in the series.
  • The Mess Of Me – set years after the events of The Boy series, Lou and Joe also live in Redchurch and Danny and co went to the same school as them back in the 90s. They mention Danny once or twice as a sort of local legend whose name is found scratched on a park bench.
  • Elliot Pie’s Guide To Human Nature – set in Holds End, a fictional council estate which is located between Redchurch and Belfield Park, this is the story of 12 year-old Elliot Pie who attempts to befriend strangers in an attempt to convince his agoraphobic mother that the world is not all bad. He lives next door to a family called the Robinsons and mentions seeing the middle child, Bill, leaving his house with a guitar on his back.
  • The Holds End trilogy – also set in Holds End, this trilogy of books is made up of A Song For Bill Robinson, Emily’s Baby and The Search For Summer. There are several main characters but Bill Robinson who is sixteen in the first book, is the main protagonist. He’s a flawed and self-destructive singer who ends up trying to solve the murder of a local teenager. In the third book, The Search For Summer, Elliot Pie’s mother, Laura, appears briefly. Danny also appears briefly in the trilogy when Bill’s band play in his nightclub, Chaos and he becomes an early champion of their music.
  • At Night We Played In The Road – a spin-off from The Boy series, this is the story of brothers Alfie and Tom Lane, who appear in Part Five of The Boy With The Thorn In His Side, where they find themselves tangled up in drug-dealing and crime, with an adult Danny posed to help them. This is the story of how they got there and at the end of this book, Danny appears in the present day and is forced to save the brothers again by making a huge concession to one of his old enemies, Nick Groves, a man who served under his stepfather.
  • The Mess Of Us – set two years after the first, Lou and Joe are back and this time have an unplanned pregnancy to deal with on top of struggling to adjust to adulthood and come to terms with what Leon did two years earlier. Leon is now out of prison and wants to make amends. It is mentioned that he has returned to work as a drug-dealer for Nick Groves and co who own the nightclub in Redchurch that Danny’s stepfather once owned. Towards the end he tells his brother Joe that a band are holding drummer auditions at Chaos in Belfield Park. The band is Bill Robinson’s.
  • The Dark Finds You – coming next! This book picks up where The Mess Of Us ends… Leon is trying to make amends to Joe and trying to pay back the debt he owes Nick Groves and his violent crew. He works the Belfield Park area where he is ordered to hit Chaos, which is now Danny’s nightclub. Leon gives Joe a lift to the drummer auditions he mentioned in The Mess of Us and Joe joins Bill Robinson’s band. Meanwhile, things become awkward when Bill recognises Leon as one of his regular drug-dealers. Elliot’s mother Laura is having a baby with Bill’s dad, Andy, and the two dysfunctional but loving families have merged and all live in one house. Bill and Elliot are effectively step-brothers who have become very close, so Bill naturally wants to help when Elliot’s best friend Finn goes missing. Danny, who is friends with Bill due to the band playing at the club, finds himself drawn into the mystery, as does Leon, who is effectively working for both sides.

Phew! Well, hopefully that explains how they all tie in together and how the final book in the universe finishes everyone’s stories! I hope if you’ve read any of the above books you might now be tempted to try another!

See you next week!

The Mess Of Us Is Released Next Week!

Only a week to go until my 23rd book is released…

Exactly one week from now, my 23rd book, which just so happens to be the sequel to my first ever book, will be released! The Mess Of Us came out way back in 2013.

This is very exciting for several reasons. Of course, it is always exciting to release a new book and it never gets old holding that book in your hands and knowing that you did it!

It’s extra exciting because it’s taken me so long to get around to writing the sequel. I did have ideas for it years ago but didn’t do anything with them for a very long time. Then, a couple of years back I started to think about how the first book ended and that got me wondering exactly what the characters would have done next…

I decided to set the sequel two years after the events of the first book. A violent altercation between Joe and his oldest brother, Leon, led everyone in the book to an uncertain place, fraught with anger, fear, resentment and guilt.

I started thinking a lot about Leon. He is a villain through and through in the first book. Main character and narrator Lou describes him best:

“Leon scares me. I don’t like being in his presence. He makes me feel uncomfortable, but I am unable to really articulate why. He wants to be a hard man; he wants to not care about anyone or anything, as if somehow, he believes this to be the best way to go through life. It is what he seeks to achieve. Not giving a shit. Dealing drugs, if that is what he is doing, (and we can strongly suppose that it is), is just his latest ploy to try to achieve this. He is bizarrely determined to live as crooked and brutal a life as possible, and you can see it in every inch of him – his empty, hard eyes, his lack of remorse or empathy for anything or anyone; the way his body ripples and bristles, as if every muscle within it has been injected with pure blind rage. I wonder whom he is trying to impress, and I can only imagine that it is himself.”

But there are moments in The Mess Of Me where Lou concedes that Leon didn’t exactly have a kind or caring upbringing. As the oldest, he is the scapegoat in their dysfunctional and often violent family:

‘Yeah, he grabbed the frying pan and clocked Mick over the head with it. Jesus Christ there was blood everywhere. He had to have eight stitches.’
‘And the police turned up.’
‘And arrested Leon. Mum and Mick told them to.’
I turn my head and look at the side of Joe’s face. ‘Joe, I’ve never really thought about it much until now, but you do know that is really disgusting, don’t you?’ I watch as Joe nods back at me. ‘He was about fourteen then? He was just trying to protect his mum. I’ve never ever felt sorry for Leon before, but thinking about it now, that was pretty harsh on him.’
‘He’s hard to feel sorry for.’
‘Do you think your mum and Mick ever feel sorry about that? Letting him get taken away, when it was them fighting in the first place? I couldn’t live with myself.’
Joe snorts again. ‘They always think they’re right,’ he replies. ‘Doesn’t matter what you say or do. Doesn’t matter if you prove them wrong or whatever. Neither of them are ever fucking wrong, ever. So no, I don’t think they would ever feel guilty about that.’

It was moments like this one that made Lou wonder about Leon. In The Mess Of Me, she was disgusted by him and frightened of him, but she was also endlessly curious about him and his secret, shady life.

It made me think what had driven Leon to a life of crime. Lack of money and parental support at home are often factors that drive youngsters towards crime. Children from deprived areas are far more likely to be groomed into running drugs for gangs, for example, and in The Mess of Us, as both Lou and Joe attempt to get past what Leon did, she finally discovers how he got into crime:

‘Leon, how old were you were you first started doing it?’
‘Thirteen,’ he replies without hesitation. My eyes grow wider. I think back, trying to picture him at thirteen. He had longer hair back then. He was always bigger than us but he wasn’t huge, or muscled. He was just a kid. I’m still staring, feeling dazed as the realisation hits me. He frowns back at me. ‘What?’

‘I mean… How? How did…’
‘This older kid at school,’ he says. ‘He let us try a bit of grass for free. After school, walking home. Me and Travis, some others. Not long after that he wanted us to pay for it and not long after that he wanted us to, you know. Run errands.’

Shit. I slump back and stare ahead. I had never imagined it like this. I had only ever seen Leon as the aggressor, the bully, the criminal. I had never once imagined that someone else had done this to him, lured him in, made him promises, got him on side. At thirteen…

The Mess Of Us is about a lot of things. The main plot follows Lou and Joe grappling with an unplanned pregnancy alongside dealing with the fact Leon has just been released from prison. But it is also a story about forgiveness and redemption and about what happens to people to turn them hard and cold…

And what is even more exciting for me is that by the time I finished writing it, The Mess Of Us gave me an amazing and unexpected gift!

An idea for a brand new book! A book connecting all of my characters who lives inhabit and cross paths within the same universe. A book that would tie up all of their original stories, whilst dealing with the mystery of a missing child, and delving into Leon more fully as a character.

I had the best fun writing it. It was the easiest and fastest book I’ve ever written, probably because I already knew all the characters so well!

It’s called The Dark Finds You and I hope to release it towards the end of 2025, so stay tuned. I will be posting a lot about it and how it connects to my other books nearer the time!

Meanwhile, I’d really appreciate it if you grabbed a copy of The Mess Of Us whilst it’s still just 99p for the ebook! It does help if you have read the first book, but it can certainly be read as a standalone.

Thank you!

Here is the blurb:

“Dear World, so, obviously we made a mess of it. Inevitably. Otherwise I wouldn’t be writing to you again, would I?”

What do you do when the man who beat your boyfriend into a coma is about to be released from prison? What do you do when that man is your boyfriend’s older brother who wants to make amends?

Now a couple, Lou and Joe are struggling to get over the traumatic events of two years ago. When Joe’s brother Leon is released from prison, they must decide if either of them are able to forgive and forget what he did.
Meanwhile, an unexpected pregnancy throws their lives into chaos and when tragedy reawakens Lou’s self-destructive tendencies, she faces losing everything they have built. Can she fight her body image demons once again? Can either of them trust Leon? As Joe and Lou try to decide whether bad people can truly change, they are about to have one mess of a summer.

Indie Writers Are The Bravest Writers I Know

Image by Alexa from Pixabay

Last week I posted about how risk and courage go hand in hand with writing and I stand by that. It is incredibly brave to write at all and even braver to share that with the world. But in my view and in my experience, indie writers are perhaps the bravest of all.

Let’s look at what indie writers willingly put themselves through in order to get their stories out there for you to read and let’s also remind ourselves of what is involved in being an indie author these days.

  • First, the indie writer writes and finishes their book. This is in contrast to the 97% of people who start writing a book and never finish it.
  • Before becoming an indie, most but not all indie writers try the traditional route. They will have sent out to hundreds of agents and hundreds of small presses. They may have entered numerous competitions. Anything to try and get a foot in the trad door. But to no avail. They don’t give up there though. That’s how brave they are. They are not quitters.
  • They decide to go indie. This means different things to different people but ultimately it means the author is in control of their book, including the editing and proofreading, the blurb, the front cover and marketing it. Scary and brave, especially in the beginning!
  • If they haven’t already, they will start and build multiple social media pages with their blog or website at the forefront of their news and writing. This takes a lot of time and commitment and it is hard starting with 0 followers, yet they do it anyway, even if they are talking to themselves most of the time!
  • When it comes to their book, they will do multiple drafts if they care about the craft of writing and they will send it out to beta readers for honest feedback.
  • They’ll respond to this feedback and revise the book again. More edits may follow until they are happy enough to send it to an editor and/or proofreader.
  • Meanwhile, they’ll be battling with the blurb, sourcing possible front covers at reasonable prices or learning how to make their own.
  • They will start learning how to market their book. They will start trying to figure out where and who their audience is. This is both time consuming and scary. Writers are introverts at heart so it takes some guts to start shouting, look at me! Read my book!
  • Once the book is back from the editor they will do final edits and proofreads and then decide on a release date
  • They’ll also decide whether to go exclusive with Amazon and make sure their book is available on multiple platforms in multiple formats.
  • They will set up a pre-order for the book and start marketing as best they can!
  • In reality, most of them won’t make back the money they have spent getting it this far, but that won’t stop the indie author. They will already be writing the next one.
  • Sadly, the majority of the indie author’s close friends and family won’t buy, read, review or even respond to their exciting book news, so they will have to rely on the kindness of strangers and random readers on the internet.
  • The indie writer might be feeling quite demoralised by now, but they’ll keep going. Brave, you see.
  • The indie writer faces endless hurdles. In order to market their book they need money and if they don’t have money, they have to do whatever they can for free. This puts them at an instant disadvantage but it won’t stop them. No way. They are resilient and will find a way to keep going.
  • The hurdles never stop coming and they just seem to be getting worse. They now have to compete with AI as well as other authors, and traditionally published authors. A bit of a slap in the face, if you ask me, but the indie writer won’t give up or give in. Especially not to bots! No way. The indie author is here to stay.

I think I could go on for a while listing the hurdles indie writers face, and the very many ways in which they prove themselves to be the bravest of writers. They overcome rejection and keep going. They learn how to produce, format and market their own book, and don’t give up even if it fails. They are largely unsupported by family and friends, but don’t let that stop them and now they have AI coming for their jobs…

I mean, maybe we’re all just a bit mad, rather than brave!

What do you think?

For Writers, Risk and Courage Come Hand In Hand

It’s never been tougher than it is right now…

Image by Public Co from Pixabay

Being a creative person and sharing what you create is risky. While creating art, writing, dancing or acting are all very human things, all part of our desire to tell stories and express what is inside of us, sharing them with the world is something else. What starts as pure pleasure can easily morph into something that induces fear, self-doubt and regret, even horror.

Undoubtedly, when you put time, effort and money into creating something that might not be appreciated or even noticed, there is a high level of risk attached. You might regret what you’ve shared. You might hate it. You might feel embarrassed of your attempts. You might receive negative feedback that hurts so much you never want to write again. You might become swamped with imposter syndrome. In short, you might fail.

But time and again writers do it anyway and perhaps they are especially brave for this or perhaps they just don’t have a choice in the matter. I’m inclined to think compulsion and obsession have more to do with it than courage. But we can’t deny it’s both brave and risky to share a little piece of your soul with the world.

There is also courage in the act itself — in putting pen to paper. There is risk around every corner. Risk staring right back at you from the horror and the challenge of the empty page or blank screen. There is a world of words and ideas in your head but the courage it takes to attempt to put them into some sort of order, to allow yourself to open up and let them pour out of you, is something else.

It hurts, to make art, to write, to allow yourself to be open, raw and vulnerable. It’s uncomfortable at times, to be that in tune with your feelings and emotions. Writing involves looking inwards as much as looking outwards. Writing is scary because it has the potential to go so horribly wrong. Writing is risky because transferring it to page or screen can feel utterly impossible, yet we do it, again and again. Writing is like magic, like witchcraft. Writing is the one thing that can allow us to truly know ourselves and explore the entire world and all of history and space at the same time. Writing is the thing that makes us feel free. Writing is the thing that makes us human. (Or at least it used to be until AI came along.)

It’s not easy to write a story, a poem, a novel. It takes real guts to dig your own claws into your own weak skin in order to reveal what’s underneath. It’s having the audacity to believe little old nobody you actually has something to say. It’s feeling the never-ending itch to unleash ideas and characters and made-up worlds from inside of you. And for what reason? What purpose? A lot of the time, we don’t even know.

There is so much fear involved in writing that some writers never even put pen to paper. There is so much risk involved in writing that some writers never ever finish the book they’ve been working on. So much courage is needed that many writers give up entirely, often before they’ve ever really started.

And who can blame them?

It’s a tough world out there. Despite relying heavily on every area of the arts to survive this life, humans have never been particularly good at appreciating or valuing creative pursuits.

The arts are generally underfunded and undervalued and this often means adults and educators actively discourage young people from trying to make a living from the arts. Sometimes it feels like everything is stacked up against you from the very start. Actually, screw that. The truth is everything is stacked up against you from the very start.

I remember my friends, relatives and teachers applauding my stories when I was a kid. But that congratulations and encouragement only went so far. The arts were, after all, a hobby, something to do for fun, to pass the time and to entertain yourself. Not something to make a living out of. It took me a long time to claw my way back from that but these days I’m happy to say I earn my living from the arts and I encourage kids to as well.

You might even argue that we live in a society that actively discourages people from being creative. And hey, now we have AI taking over art, do we even really need creative people anymore?

That’s a depressing thought but it’s one that leads me back to courage and risk, because these days being creative and sharing it with the world is increasingly risky, and therefore increasingly brave. Creative people are going to have to fight even harder to be seen and heard thanks to AI.

Are publishing companies going to be even more reluctant to sign up new writers when they have AI at their disposal? Are we going to see an upwards trend in big companies replacing all kinds of writers with AI because of the amount of money it will save them? Is AI going to get so good that soon readers will be unable to tell the difference between it and human told stories? Will readers even care?

Querying agents and publishers is risky and scary and it always has been — wasting time you don’t have and knowing that the chances of ‘making it’ are very slim. It takes a huge amount of courage to send out queries only to get rejected again and again.

Independent publishing has given many talented writers a chance to go alone and bring in their own readers, but it carries its own risks. You need money to put out a professional product and you’ll often find that family and friends still don’t take you seriously because you don’t have a traditional publishing deal.

You risk everything when you decide to write and share it with the world. You risk humiliation, rejection, ridicule and dismissal. You risk losing money, losing faith, losing self-belief and determination. You risk being misunderstood and misinterpreted. You risk the door being slammed in your face. You risk bad reviews and low sales. You risk no one taking you seriously. You risk writing for no reason, for no money, no reward, no praise.

But if you are truly a writer, you do it anyway.

And you always will.

If you are a real writer, you won’t be dissuaded by any of that because who can realistically piss on your fireworks? No one. Because you know. You know how vital it is. If you truly love writing, you will do it anyway. Despite all of the above, and in spite of all of the above. If you love writing, you will do it anyway because there is never any other choice. Because to do it anyway is the biggest fuck you possible to all of the above and after all, what is it to be human, but to fall down and get back up again, again and again?

If you really mean it, you’ll do it. You’ll squash AI generated stories with your little finger. You’ll rise above it. You’ll keep doing it. You’ll listen to the voices in your head, you’ll drift off and zone out time and time again, you’ll create worlds you can disappear into whenever you like, you’ll laugh and sing and dance and write for the pure damn thrill of it. For the pure damn joy.

It won’t matter if you never get paid, never get noticed, never get seen, never get respected. It won’t matter and it won’t stop you. Because everything inside of you is exploding like fireworks and that makes you different from everyone else out there. That makes you special.

You’re a writer. It is insanely risky and unbelievably brave.

And that’s why you’ll do it anyway.