My 2018 Goals Vs The Reality

So, this has become a bit of a tradition for me. Every New Year I set myself some writing-related goals and then at the end of the year I compare the goals with what actually happened. I find it helps to keep track of things and it can also be encouraging to realise how many I did achieve. So, here we go. The goals I set myself at the start of 2018 and what actually happened…

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  1. Release Elliot Pie’s Guide To Human Nature – This was a goal for 2016 and 2017 but finally, I achieved it in 2018! After attempting to find a publisher and getting pretty close a few times, Elliot pie found a home with the all-women indie collective Pict Publishing. Elliot Pie was released at the start of October 2018. Phew!!
  2. Continue To Work on My YA Trilogy – This time a year ago my YA novel A Song For Bill Robinson was at 4th draft stage and I had penned a sequel and started the third book. All did not go to plan, however. I ran out of steam on the third book and decided to change the ending of the second and blend the two, making it two books, not three. I have not had a chance to attempt this yet, but Bill Robinson, the first book, is basically ready. I need a bit more feedback from beta readers, and at least a few more edits and proofreads, and then I will try the publisher route again, whilst also looking at possible front covers. I hope to release a Song For Bill Robinson in 2019 and finish the sequel too.
  3. Kickstart My New Company Into Action – A year ago, I was feeling very nervous indeed. My writing business, Chasing Driftwood Writing Group had just become a Community Interest Company. I was full of fear about this! I have to admit, I still am. But 2018 did see some progress. I secured three separate grants for the company, and I kickstarted my community writing project, with so far, three free kids workshops, and two school visits. It doesn’t feel like enough. I have felt constantly torn between excitement and passion, and total regret for ever doing this. I have achieved the goal though. I’ve started the community project and applied for funding for the school project. I’ve not been successful yet but I keep trying. I also have a new idea in the planning stages for a long-term project. As scary as it is, I will keep going in 2019.
  4. Apply For Funding For a School Project – see above! I have done this several times and I’m waiting for the result of my most recent bid. I do have two lots of funding for the community project and a small amount in place for the school, so we have made progress and I have learned a lot !
  5. Apply For More Funding For Community Writing Project – Yes, I’ve achieved this, and fingers crossed, there will be a partnership happening in 2019 which will enable me to access more money, advertising and reputation. If this comes off, it will really make the project a success which I feel will have major positive outcomes for my CIC in the long-run.
  6. Get Wheels In Motion For Two More Projects – One, yes, which involves writing, children and nature. I have started planning this and looking at possible funding available. The other project, no. It’s something I’d like to do but will be kept on the back burner for now.
  7. Push Forward With Pop-Up Book Shop Idea – I’ve had this idea for ages, but alas, this did not gain any traction in 2018 and I’m not sure I will have time for it in 2019. I might look into it again and it’s certainly something I want to pursue.

All in all, then, I didn’t do too badly! Mind you, I only set myself 7 and most were related to my CIC! One thing that wasn’t on there was revising and re-releasing The Boy With The Thorn in His Side as a six book series, but somehow I managed to fit that into 2018 despite it not being on the goals list! It just sort of happened and has taken over quite a large chunk of 2018! More about that on next week’s blog, My Writing Goals For 2019!!

How about you? Did you set yourself any goals for 2018, and if so, how did you do? Please feel free to comment and share!

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Why I Love Writing #4; Nothing Is Ever Wasted

I suppose actors must feel like this too. I’m too introverted to have ever given acting a thought, but I can empathise with the urge to play around with emotions and reactions. To consider them, analyse them, practice them even. For this reason, writing offers up another reason to love it. Nothing is ever wasted. Nothing is ever meaningless. Everything I experience or observe in life can be used in writing.

This happened to me today, and then I started thinking about it, which led to me choosing it as the next reason on this series of posts.

I was out dog-walking when some recent worries suddenly caught up on me and I dissolved into unexpected tears. There was no one else around, so I guess my brain just seized upon the opportunity to let rip for a moment or two. My youngest child had a routine operation last week which all went well, but the recovery at home has been a lot tougher than we expected. To check all was okay, I’d called my surgery to request a phone call from the GP who had wanted to see my son as soon as possible. I knew in my gut and my heart that my son was going to be okay, but I guess a number of days holding it in and generally being exhausted had caught me up. I had a little cry about it, but then my mind did what it always does when I get emotional about something.

I started imagining I was one of my characters. I slotted instantly into a book I have not yet written, but have planned and plotted. A potential scene, a very upsetting one, started coming together very quickly in my head. My tears quickly dried up, but in my imagination, as my character, they carried on flowing. Before I knew it, I had walked further than I had intended, and my mind had shifted my worries from my real life into the fictional worlds I so often visit.

It’s fair to say, I used my genuine emotions to imagine how my character was feeling. As the anguish turned to anger for my character, I started to feel pissed off too. I snapped out of it at the appropriate time and felt a swell of excitement for the book I’m not yet ready to write.

I’m not sure if other writers will get this, or know what I mean, but I tend to feel that in my life, uncomfortable thoughts, emotions and experiences are quite welcome, because I can use them to improve my writing. The same goes for boredom, frustration, elation and excitement. Anything. Everything. Nothing is ever wasted or forgotten. The tiniest things, the most mundane of moments, the passing of time in a doctors surgery, the wind in my hair as I wander down a narrow country lane, the people in the distance, the cars passing on the road, the buzzard in the sky, the rain pelting down, the clutch of fear in my gut, the exhaustion pounding at my head, the hilarious thing a friend just said or did, the minor characters who all play their part in the story of my life, everything, anything, all of it is useful. All of it is observed, considered, anaylsed and absorbed. All of it is fuel. All of it is material. alone-2666433_1920.jpg

Why I Love Writing #3; I Get To Live More Than One Life

Did you ever watch movies when you were a kid, and think why doesn’t anything interesting ever happen to me? You know the kind of movies I’m talking about. The Goonies, The Lost Boys, Indiana Jones, Close Encounters, Stand By Me… Did you ever watch those films and then moan with your siblings that ‘nothing fun ever happens around here?’

More often than not, our lives are ordinary. Mostly, we are safe. If we want adventure, we have to go looking for it, right?

Not if you’re a writer. I think I figured this out at an early age. I fell in love with reading and became addicted to the feeling of snuggling up with a good book, shutting out the real world and allowing myself to become absorbed in a make-believe one, and then I discovered writing could offer the same joy and adventure.

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And it truly does.

My characters live tumultuous lives, with twists and turns, suspense, thrills, and plenty of drama. There is love and hate, obsession, adventure, pain and sorrow, unbelievable lows and amazing highs. I’ve put them through a lot and because of that I’ve been constantly excited, desperate to find out what happens next, eager to be part of the journey.

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It feels like I go through all these things with them. I mean, I have to, as much as possible. When writing a dramatic scene, when describing complex emotions, I have to put myself in the characters shoes as much as I possibly can. I have to think about how I would feel, what I would do, what I would say, and how I would react in the long term. Writing, therefore, makes my life feel like a rollercoaster of drama, events, revelations and reactions. When my characters are scared, I feel scared. And I get just as excited as them when things go right for a change!

Because of this, I often feel like I am living more than one life. And I could choose to live any kind of life I wanted. When writing, whether in first or third person, I’m creating a world I become a part of. I can be any age, any gender, any sexuality, any class, any culture I choose.

I sometimes wonder if this is why I like writing young characters so much. Because I’m reluctant to grow old and feel like my life is constantly passing me by, going far too fast. As a writer, I get to go back and be a kid again. I don’t have to say goodbye to my youth, I can relive it and recreate it however I wish. In real life, there are always things that prevent you from living out your dreams. Things get in the way and hold you back. There are financial restraints and responsibilities and so on. But if I’m curious about something or feel I missed out, I can write about it instead. I can create whatever world I want and live whatever kind of life I want.

 

 

 

Stuck Inside A Story (For 28 years…)

That’s how it feels. That’s what it is. Stuck. Trapped. Held prisoner. I can’t get out. But do I really want to? Evidence would suggest not. Sometimes I wonder what exactly I have done. Created a world, created characters, used some magic and a lot of hard work, an imagination I can’t control, and there you have it, an alternative reality I can’t escape from.

I had no idea this would happen when I started writing as a child. My first attempts were hand-written stories about lost and abandoned animals, heavily influenced by my love of Watership Down and other similar books. I didn’t write my first story about real people living real lives until I was 12 years old. What happened to tear me away from my quaint tales of lost dogs and runaway bunnies? Well, weirdly, this.

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And this.

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Watching The Lost Boys gave me a few vital ingredients for the story that would go on to hold me prisoner for the next 28 years. It gave me the main idea, the main concept and it gave me some characters. Or at least, it inspired me to create characters who would turn out to be the kind of people I wished I knew in real life. As for Stephen King, it was around this time that I started my collection and was well on my way to becoming a truly obsessed fan. Add to that strange mix, the recent divorce of my parents, the usual teenage angst and rebellion, and I had me a story. Remember the bit in The Lost Boys when the younger brother realises his mother is dating the head vampire? That’s where the idea for The Boy With The Thorn In His Side came from. It wasn’t called that back then. It wasn’t called anything for ages. But I kept thinking…what if your mother was dating a monster? Only not the vampire kind, the real-life kind? And what if no one believed you? And what if you only had yourself and your best friends to try to battle this person? It was a weird mix of asking ‘what if’ questions, my parents’ recent divorce playing on my own fears, a dewy-eyed fascination with the actor Corey Haim, and a love of horror and fascination with the darker side of human nature that spawned this tale.

In my mind, my main character Danny, who is 13 at the start of Part 1, looked a lot like Corey Haim, who I was quite a bit in love with at that age. Once I had him in my head, his character started to grow and evolve, and I think I wrote that very early first draft pretty quickly. I remember it was my absolute obsession for a while. I hated to be away from that story. I’d rush home from school and up to my room to pick up my notebook and pen. I’d write endlessly and passionately. I suppose at the time I had no real idea of what I was doing. I was sort of trying to invent friends, I think. People I was intrigued by, people who had drama in their lives. I felt like I was a character in the book too. I was so proud when I finished it. I even started a sequel. I showed my English teacher and she read it and gave me a merit certificate I had to go up in assembly to collect. I remember being embarrassed but happy. The certificate said I had written a novel. At age 12! I don’t think I have the certificate anymore, but here’s the book.

 

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I started rewriting it after that. I had invested in an electronic word processor. It was the most exciting machine in the world to me! I could sit there and tap away and watch my words appear on this mini screen, before hitting print and then holding typed pages in my hands. What also happened to me at that age was that the story crept inside my brain. It kept me awake at night. It was company. I was never, ever bored. I’d look forward to bedtime because I knew I could lie there and think about my story before I fell asleep. I watched the scenes in my head like a movie. I heard them talking and arguing. Inevitably I came up with new ideas and extra bits, but mostly I just let them play it all out, and most of those imagined scenes have never made it into any of the books. It was just me, a fly on the wall of a made-up world, watching them live.

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Here’s one of the many pictures I drew of the characters. Only some of these made it into the final version.

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I rewrote that book again at aged 16. I’d started and not finished tons of other stories in that time. The book had opened a floodgate, forging a lifelong addiction to writing. But that one story, I couldn’t ever let it go. I rewrote it again at 19. I thought about it constantly during the non-writing years of balancing early motherhood with self-employment. The same story, the same characters always in my head, coming back to me night after night. I was 34 before I finally returned to it. I started writing in notebooks again, just like when I was a kid. Snatching spare moments, writing before bed, suddenly entirely addicted all over again, but this time it had to come out, it had to be finished.

I finally released it in 2013. The Mess Of Me snuck in and was released first because The Boy With The Thorn In His Side was so long and needed so much work. But finally, it was out. A real book I could hold in my hands! I’d done it. So now they would fall quiet, surely? I’d stop thinking about them. I’d stop playing out more scenes.

Well, no, not exactly. Before I knew it I’d penned a sequel, This Is The Day and released that too. That should have been the end of it it, but yet, it still wasn’t. The story itself was so enticing to me, and I was so invested in it, I couldn’t stop imagining other endings, and I guess, truth be told, in my head I did not want it to be over. So the stories went on. Every night, hi guys. What’s happening now?

I wrote an alternative ending in 2016 and included it in Bird People and Other Stories.That was supposed to draw a line under it, but it only made things worse. Now I couldn’t get the thought of other endings out of my head! What if this happened instead? What if? What if? For the fun of it, I started writing a screenplay in a notebook. Brand new material that led on from the original ending of book one, slotting in and delaying the ending, but finishing up before This Is The Day. This was only supposed to be for fun. To get it out of my system. To indulge myself even more than I already had. What the hell, what did it matter? It was for fun. I didn’t have to explain that to anyone!

Except now I do. Because that screenplay became a total obsession. I carried that notebook around with me everywhere. I grabbed every spare moment I had to write into it, getting this new story out. I absolutely loved it. I was so excited about it. I just couldn’t put it down. So eventually, after a lot of thinking and plotting, I came to a decision. I would do it. I would split the book back into two parts and this new material would be part three. Part Four would be This Is The day but it would need some reworking. Then suddenly, parts five and six emerged…

I’ve now accepted the truth. And that is that this story and these characters will never let me go. They are part of me and part of my life and I’m going to leave each book open, just in case I want to revisit it again.

There are new characters introduced in Parts Five and Six, and these also get their own spin-off book or possibly series with characters from both appearing in the others. So, as you can see… this thing could run and run.

So, if you are interested in reading this story, which began when I was 12, followed me through my life and has now evolved into at least a six-part series, you can start with The Boy With The Thorn In His Side Part One which is available for pre-order on Amazon now and is released on 9th November. This is a reworked, revised edition. The Boy With The Thorn In His Side Part Two is also available for pre-order now and is also released on 9th November. Both at the special introductory price of 99p.

I plan to release the brand new Part Three in January an Part Four in February. By then I hope to be into the second or third draft of Part Five…

And the weird thing about this story is that I wrote it purely for myself, I indulged myself entirely, became utterly lost and absorbed and have still been unable to climb free from it. So I don’t really expect anyone to buy it, and I don’t really mind if they don’t. It feels weird to even try to plug it if I’m honest. Like this one is just for me. Like this is my mind, my imagination, my daydreams and to imagine anyone else wandering around in there is almost unsettling. And if it holds me prisoner for another 28 years? I think I’m okay with that…

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