Black Hare Valley Book One: Meet The Characters

Black Hare Valley Book One: 1996 was released on 25th June and the ebook is still just 99p across all platforms! I was due to publish this post on release day but we had an internet outage for a week and I had stupidly not scheduled it.

When I first came up with the idea for Black Hare Valley, all I had was the genre, (horror) and the town, which I created as a map on a long piece of roll-out paper. I knew I wanted a missing child to be central to the storyline and I knew I wanted an unlikely group of misfit teenagers to be the ones attempting to solve the mystery.

It was not until years later, in 2023, that I started creating and developing my characters. Now that the book has developed into a 5-book series, it feels odd to me that I ever had to sit down and work on these characters. They are so real to me now and I am very much in love with them all. That, I think, is one joyful benefit of writing a series – getting to know the characters so well and seeing them grow and develop over time. In this post I am only concentrating on the main characters in book one. I will probably do a follow up character post on additional characters when the next book is out…

So, here they are. The main characters, both heroes and villains, in the Black Hare Valley Book One: 1996:

The heroes:

Jesse Archer: Aged 15. Tall for his age. Shoulder length dark brown hair, dark eyes, high cheekbones. As one of the notorious and much-maligned Archers, his reputation precedes him and he is hated in Black Hare Valley. Known as a thug, a bully and a hooligan, he is not expected to amount to much. His mother supposedly went crazy and ran away when he was ten, and since then he’s been dragged up by his useless, drunken father, Nick and his two criminal older brothers, Billy and Wyatt. On the surface, Jesse appears to be a typical Archer but underneath he has a gentle side that few see. He is hiding dark secrets and lives his life in constant fear. When he starts a friendship with mild Paddy Finnis, most assume he is bullying the boy, but nothing could be further from the truth. Jesse has found someone who wants to know him for him for the first time in his life. So, when Paddy vanishes, Jesse is as determined as anyone to find him. Jesse is at heart a hero, selfless, courageous and loyal. His negative traits are keeping secrets and being reckless.

Paddy Finnis: Aged 14. Small, dark-haired, wears glasses, lives with his father in a flat about The Magic of Books, which his father owns. Studious, but not shy, Paddy is a thinker. He questions everything and anything and never gets bored of learning new things. He is particularly fascinated with space and has two telescopes to watch the night skies with. His best friend is Willow Harrison, though they are quite different, they have been friends since early childhood. Where Willow is cynical and negative, Paddy tries to see the best in everyone and always looks on the bright side of life. A cheerful optimist, he happily welcomes Jesse Archer into his life and his world, despite Willow’s warnings that the boy must have ulterior motives. Paddy reads constantly and devours information. Was his thirst for knowledge what got him into trouble and led to his disappearance?

Willow Harrison: Aged 14. Tall and thin, long black hair, often dresses in dark or black clothes. Mocked around town and called ‘witchy Willow’. Her parents own a gift shop in the town and she lives with them in the flat above. Like Paddy, she is often found helping out in the shop, and in her spare time her hobbies are writing and wandering the town with Paddy. Willow is sarcastic, cynical and usually assumes the worst of people. Her mother suffers from depression which fills her with a constant fear that she might lose her. Willow also fears she may suffer from depression herself. Willow both loves and hates Black Hare Valley. She often covers for her mother when the strange Vicar Roberts comes into the gift shop asking for her. For some reason her mother seems afraid of him. Willow is fiercely loyal to Paddy and at first jealous of his new friendship with Jesse Archer. She has no need for other friends, but when Paddy vanished without trace in the night, Willow realises she must let her walls down just a bit, and joins forces with Jesse, new girl Jaime, and Ralph Maxwell to uncover the truth. Willow is strong and independent, loyal and kind-hearted.

Ralph Maxwell: Aged 13. Brown curly hair, sturdy build. Outdoorsy. The youngest of the group, Ralph is a loner at the start of the book. He lives in the caravan park with his young single mother, Charlotte, a widow since his father died in a boating accident when he was just a toddler. Charlotte is a hard worker and loved by the town. The mayor, who employs her, is especially fond of her and Ralph. Ralph is an explorer at heart with a nose for mystery. He has been tracking and recording strange footprints in the town for a while now, and constantly wishes he had a best friend or reliable side-kick. He finds a whole gang of friends when he accidentally gets caught up in the mystery of missing Paddy Finnis. Ralph is sweet-natured, humble and hard-working. He is loyal and brave and develops a crush on Jaime.

Jaime Perry: Aged 14. Short and round with blonde hair and blue eyes, Jaime is the new kid in town. Her new step-father, Mark Aster, owns The Hare and Hound public house and her mother is now pregnant with his child. Mark seems thrilled with his read-made family and is keen for Jaime to explore his beloved town. He adores the valley and looks up to all of the committee members. This adoration puts him on a collision course with his step-daughter when she starts questioning things… Jaime wants to be a reporter and is known for being nosy. When she first arrives in town, she finds herself ridiculed and bullied by the local teen girls, but then spots Jesse being arrested by Sergeant Mayfield. Her curiosity in overdrive, she starts following and snapping photos. This leads her to Paddy and Jesse in the treehouse. Jaime is intelligent, determined. curious and level-headed. She tends to believe there is a rational answer for everything. There is a hell of a story in her new home-town and she is determined to crack it. She is sweet-natured, loyal and fun-loving but can be a bit shy and lacking in confidence.

The Committee:

Mayor Margaret Sumner: Aged, who knows? Tall and slim, athletic build, with silver hair and grey eyes, Margaret cuts an imposing and authoratative figure around town. No-nonsense, practical, single-minded, she always gets her way. She lives up on Hill Fort Farm where she has a perfect view of the town she created. Her roots are very deep and the town is her precious baby. She will do anything to protect it. As head of the committee and mayor of the town, what she says goes. She cannot understand anyone not appreciating the unique beauty and magic of Black Hare Valley. She is cold and manipulative, but occasionally develops a ‘soft spot’ for someone, and tends to like collecting ‘waifs and strays.’ At heart, she is controlling and not to be messed with.

Edward Bishop: Aged? Looks like he is in his late forties. Tall, thin, but with a pot-belly, greasy black hair, bad skin and a hooked nose. The head-master of the local secondary school, Edward Bishop is feared and loathed by the children of the town. He seems to actively enjoy terrorising and humiliating children and has a particular hatred for Jesse Archer. Edward is vain, bitter, vindictive and sly. He is good friends with Sergeant Mayfield but sometimes feels Margaret is too soft on the Archers. He is a proud and long-standing member of the committee and takes his duties very seriously. A dark and dangerous man.

Sergeant Aaron Mayfield: Aged? looks like he is in his late fifties, and built like a bear with white hair, full beard and moustache. Twinkling blue eyes that look full of mirth and joy but inside he is as cold as ice. Around town, he is loved and feared in equal measures. A sly and deceitful man, Mayfield has a penchant for blackmail. He blackmails Jesse Archer to do jobs for him, and camera by camera, he is spying on the entire town. Like Margaret, he enjoys power and control but is far less subtle about it and enjoys brute violence just as much. He has a lust for blood and violence that Edward Bishop sympathises with. It makes Margaret rather uneasy, however. He and Margaret work well together and share a close bond, often acting and feeling like ‘mother and father’ to the town. He loves the town and will do anything to protect it. A proud, calculating and vengeful man, he is capable of anything.

Bob Rowan: looks to be in his late sixties. Black, greying hair. Dresses like a scruffy farmer. A recluse, Bob Rowan is rarely seen around town. He owns almost half of the land and resides on the opposite side of the valley to Margaret, in a farmhouse surrounded by trees and barbed wire. He used to be on the committee but seems to have broken ranks and gone his own way. Is said to have a pathological hatred of children. He has a ancient Holloway, or sunken path on his land, which he refuses anyone access to. Bob lives like a grumpy secretive hermit, close to nature, with little need for human company.

Sylvia Gordon: looks to be in her early thirties. Small, petite, well-groomed and made-up. She has blonde hair styled like a 1950s Hollywood starlet. She dresses in an old-fashioned manner, but exudes sexuality. She teaches piano at the secondary school but despises children. She acts as the committee secretary. She is flirty with most men, but in particular with the vicar, Greg Roberts. She is sly and manipulative by nature and has a dark sense of humour. Not to be trusted, she will stab anyone in the back to get what she wants.

Vicar Gregory Roberts: Looks to be in early forties. Red hair, has a wife and twin daughters in book one, but they mysteriously disappear later on in the series…. Is conducting an extra-marital affair with Sylvia Gordon. Seems to have a strange and unhealthy interest in Willow Harrison’s mum, Lizzie, and can’t seem to keep away from their gift shop. Lizzie always hides when she sees him coming. Seen by most of the townsfolk as an upstanding and Godly man, our heroes soon realise this couldn’t be further from the truth. A proud, vain and petty man, who like most of the committee, is prepared to do anything to protect the town and conceal the truth.

Eugenie Spires: Looks to be in her late sixties. Small, trim, grey hair scraped into a bun, glasses, old-fashioned practical clothes. Eugenie is the town librarian and comes across as a dour, humourless and severe woman. She has a secret habit of stealing pointless items. She is a gossip at heart and is usually twitching the curtains of her home to spy on townsfolk. She is one of life’s great observers and nothing much gets past her. She is loyal to Margaret and the committee in general and thinks those that question them are ungrateful and selfish.

Neville Hewlett: Looks to be in late thirties. A smooth-faced pudgy man with a nervous vibe about him, Neville is the pastoral care worker at the school and also runs various groups at the town community centre. He comes across as friendly and affable, and will seemingly do anything for anyone. A weak-willed anxious man, Neville shies away from conflict and doesn’t like nastiness. He is loyal to Margaret and the committee, however, and as much as he dislikes confrontation, he knows he must always do as he is told. He has a girlfriend called Tahlia who is a barmaid at The Hare and Hound, but he enjoys a secret relationship with teenager, Nathan Cotton.

Iris: Looks to be in late seventies, early eighties. Iris is small but fierce with a halo of white fluffy hair. She dresses in whatever she picks up off the floor, but often it is dungarees, jeans, dresses and boots, woollen jumpers and woollen hats. Iris lives alone as a recluse in the oldest house in town, Black Hare cottage, on the outskirts of town. She is a long-standing member of the committee but seems to despise them all and doesn’t have much to do with them. It is believed that she hates children, even though she had a son who died, who produced a grandson, Nathan, with a local called Sarah-Jane. They try to keep an eye on Iris but she doesn’t think much of them and prefers to be alone. Often called a witch, townsfolk are naturally wary of Iris and tend to gossip about her behind her back. At one with nature and solitude, Iris often vanishes for weeks at a time without a word to anyone. Iris has a dark heart and is a lover of tricks and mischief.

Well, that’s the main characters from book one! Don’t forget to grab your ebook copy while it is still 99p!

Thank you!

The Which Book To Release Next Dilemma!

I think I’ve changed my mind again…

rough cover idea for Black Hare Valley – image is mine

If you’re a regular reader here on my blog you will already know that I tend to juggle multiple writing projects at the same time. I cannot seem to just focus on one book until it is published and then start the next one. Instead, I’ll have one ‘priority’ book which is closest to being ready for release, one that is written and going through various edits and drafts, and usually one I am writing fresh…

This often proves to be a huge headache and mildly stressful but I’ve accepted it. I think I am mostly driven by a haunting fear of dying before I write and release all the books in my head. I’m just trying to get the job done.

Anyway, my most recent release was The Dark Finds You – a gritty crime thriller connected to lots of my other books. It was supposed to be the final book in a shared universe, a crossover book which would pull together and tie up various character’s storylines with a brand new plot.

https://books2read.com/u/mKjewB

That was all great until I started reading the paperback proof just to check it and suddenly got a whole new idea for a part two! I could not resist and ended up penning that book over Christmas. It’s now awaiting its sixth draft, and of course, part two led me to part three… The Dark Finds You has become a trilogy. So much for tying up that universe! I guess I just love these characters too much.

That led me to a dilemma. The next book due to be released after The Dark Finds You was Black Hare Valley Book 1. I had planned to release it on May 1st 2026 and then spread the 5 book series out over a year or two. But it suddenly felt weird, interrupting one now unfinished universe to introduce a brand new, and very different, universe.

So, I decided to delay releasing Black Hare Valley for now and concentrate on getting The Dark Finds You trilogy done. Part Three has just been finished in the first draft and I figured within a six to nine month period I could get them up to scratch and publish directly after The Dark Finds You.

That seemed to make sense!

But last weekend I had another wobble and found myself doubting that decision. And I think I have changed my mind again…

The reasons for doubting the decision are as follows:

  • I’ve really been missing Black Hare Valley! I think this was acerbated by book one coming back from my editor with lovely comments and not too much work to do re editing my end. I just kind of want to get stuck in now and get it done. I’ve been thinking about these characters and missing them. I am genuinely looking forward to doing the edits.
  • I’ve had various doubts about The Dark Finds You parts 2 and 3… I think it’s just because they’re still quite new. I’ve 99% happy with part 2 and about 80% happy with part 3, but I’ve only just finished the first draft, so that’s to be expected. Usually I do the second draft and like the book much more than I expect to. This is probably just a little confidence crisis, but it makes me want to go back to Black Hare Valley until I can figure it out…
  • Towards the end of the first draft of The Dark Finds You part 3 I started to slow down. I just wasn’t feeling it the way I wanted to and I am still not sure why. A reluctance to write is unusual for me and normally means something is not quite right somewhere and I just need to figure out what it is.
  • I wonder if it really matters what order I release them in? Black Hare Valley is nearly ready to go, so why wait? The Dark Finds You trilogy might now be trickier than I imagined to get right and I don’t know how long that will take.

So, with all that in mind, I think I have decided to postpone release of the rest of The Dark Finds You trilogy and just get going with Black Hare Valley instead. I am not sure yet whether I will release all five books in the series and then go back to The Dark Finds You, or whether I will go back and forth between the two very different worlds!

I will, of course, keep you updated!

The Danger of Juggling Too Many Writing Projects

I wouldn’t advise anyone to do what I do…

Image by Theodor Moise from Pixabay

The other evening I was sitting at my laptop in my bedroom typing away when my youngest child wandered in to ask what I was up to. I assumed he wanted the short answer, ‘writing’, but he wanted the long one. He wanted to know what book I was working on. Sweet of him, but I instantly rolled my eyes and laughed. I held up my hand and warned him. I can’t answer that quickly, I told him, it’s always a long and complicated answer!

So, bless him, that’s what he got and to his credit, he did seem interested. He kept asking more questions so I assume he was legitimately intrigued! My answer went a bit like this, “I’m writing what might be part three to the book I just published… but I’m still not 100% sure if I am going to do it, but I just finished the fifth edit on part two, so I need a little break from editing, but really I should be editing the next Black Hare Valley book, but I’m probably delaying that series now while I get this one done which was always meant to be one book but now looks like it will be a trilogy…or I should be starting the rewrite for The 7th Child which is an unrelated book I wrote recently which really needs a big rewrite, but I’m just not in the mood to do it yet, probably because these books are too much in my mind. Plus, I did write a chapter or two of another unrelated book recently, but I’m gonna have to ignore that too…”

We also got into how the trilogy that wasn’t meant to be is related to and connected to lots of my other books.

He nodded and grinned. Probably wondered how unhinged his mother is. I felt suddenly exhausted by the work I have given myself. It isn’t easy juggling multiple projects and although I long ago accepted that this is just the way my mind works and there is no point resisting it, I do sometimes feel myself buckle under the weight of it.

In an ideal world I would get an idea, plan and plot and research, start writing, finish book, edit, edit, revise, edit and so on, publish, market and then start again with a new idea. I feel like that would be so peaceful, so organised, so chilled… I truly envy people who work like that.

It has never been like that for me. I have always found myself balancing multiple writing projects, editing something while writing something new, marketing old books while marketing new books, writing down ideas I didn’t want, feeling books push to the front and jump the queue, and books that were meant to be standalones evolving into trilogies…. Most evenings involve me splitting my time between editing one book and writing another.

Most of the time it’s fine and I just go with it. There is always one book that is the priority and that is usually the one closest to being published, but not always. I try to prioritise that one so my approach isn’t completely scattergun. The book that is furthest ahead will keep getting pushed towards that publication finish line. There is always another book, maybe two, being written at the same time though. I just can’t help it.

And sometimes it does stress me out. I think one of the hardest things is having my mind in several different books at the same time. The worlds might be very different, for example. I’ll be fully immersed in the world of one book and then have to switch vibes to work on another. This is hard when it comes to characters. Character is the most important element of story writing for me, and I’m always extremely happy when my reviews mention how much the reader loved the characters. But it would genuinely be better to just concentrate on one book at a time and be fully engaged with that set of characters. Instead, I am all over the place, and I am constantly worrying that it might dilute the characters or that I might confuse them.

To be fair, I don’t think that has ever happened but it is one of the reasons I wish I could concentrate on one project at a time.

The other thing that makes it hard is time. I wish I had more time. I wish every day was twice as long and then I could get everything done twice as fast and get on to the next waiting story. I think I live with the fear that I will die before I get all my books written. There is a tab on this site for my upcoming books – that should give you an idea of the amount of noise in my head all the time! Every time I get a book finished and published, I feel such an incredible sense of relief and letting go.

It’s also difficult from a stress point of view. A lot of the time it is fun working like this, jumping from one project to the next every day. It keeps things fresh and exciting. Sometimes though, it is stressful. It feels like I have given myself an unbearable load of homework and it often feels like something terrible will happen if I don’t complete it all!

I have my everyday to-do lists: plant seeds, change the beds, order dog food, water the plants, put the washing on, etc. Then I have my work-related to-do list: reply to that email, check online banking, prep the next weeks lessons, edit the children’s project and so on.

And then there is the endless writing to-do list I insist on giving myself. My on-going projects are on a piece of paper pinned to the wall beside me when I write. About twice a year I get the thrill of ticking one book off because I have published it! But the rest lays heavy on my shoulders. And I really, really don’t want to get any new ideas. Which is why I often avoid writing short stories…

Who knows what they could grow into?

How I Write A Book – In Pictures

This is my tried and tested process

The fastest I have ever written a first draft is four weeks, which broke my previous record of six weeks. Now, these are the easy books – the ones that burst into your head fully formed and simply require some dedication and slightly unhinged addictive typing to get written. My average time to write a first draft is three months. It’s also important to point out that I am not one of those writers who edits as I go. I don’t. I rarely even read over what I wrote the day before. I just let it tumble out in a gloriously clumsy, scruffy, and undoubtedly ugly splurge. The real hard work, the editing and rewriting comes after and that can take me a few years!

But here’s how I get that first draft out of my head and into a book form.

Step 1: you need a notebook! Image is mine

Step 1: Yep, it’s as simple and as old-fashioned as that. I get a notebook and allocate it to the book idea. The ideas are crowding my head now and need to be written down. It won’t be particularly organised. Other than pages for character bios and plot ideas, the initial writing will be an outpouring of what has been building in my head. I highly recommend the notebook approach. I know its tempting to do it all online or on Word, or whatever you use, but there is something scary and clinical about that crisp fresh new document blinking back at you and it can feel intimidating, even impossible to get started. A notebook is far friendlier and you can carry it about with you. No one has to see it. It’s private, just for you. It’s a way in. An open door. Now, anything can happen.

Step 2: First page of notebook: ideas explosion! Image is mine

Step 2: The next thing that happens is an ideas explosion. Mind-maps or brainstorms are good too, but I like to just list my ideas and then later when chapters are being written I have the satisfying job of going back and ticking off what I’ve done. These ideas won’t be in order, by the way. And a lot of them won’t make it into the book. New ideas and sub-plots will inevitably muscle their way in too.

Step 3: chapter outlines! Image is mine

Step 3: The next step is chapter outlines. This is easier if the whole book has leapt into your head the way this one did in mine, but it can be achieved with less as well. I often find that starting chapter outlines gets me really far into the book, and often ends with me plotting the entire thing. Outlining one chapter, for example, very often leads you into the next.

Step 4: Start writing the book on your laptop. I prefer Word for many reasons. The notebook of chaos runs alongside the writing. The notebook is indeed now very chaotic! New chapters have pushed themselves in between the original chapter outlines, and I end up with circles and crosses and arrows all over the place. No one else would be able to make sense of it, but I can, and that’s all that matters. Why still use the notebook? Why use one at all? I’ve already mentioned my own reasons for writing a book this way but there has also been a lot of research lately that concludes that all our brain is active when we handwrite, whereas only part of our brain is active when writing on screens. In other words, writing by hand makes us think more! I often wonder if my books would be different if I planned, plotted, outlined and wrote all of it on the screen.

Step 5: Using the notebook of chaos to guide you, ticking things off, circling ideas, crossing things out, now, you write the book! And how do you do this? It’s easy. YOU JUST DO IT. I can’t explain it any better. You just sit down at the keyboard and write. You make a habit and stick to it. Go for walks when you get stuck. Keep going. One word at a time until it is done. There is no secret formula, no magic spell. YOU JUST WRITE IT.

Step 6: 2nd draft is the timeline edit! Image is mine

Step 6. The book is now written in the first draft. I go back to the start and read through and at the same time I make note of a timeline in the notebook. I should do this when I am writing the first draft but I nearly always neglect to. For me, the purpose of a second draft is to read through what just happened, as I often don’t remember, and to apply the timeline so there are no date based plot holes or inconsistencies. I will also make changes and amend typos etc if I see them.

Step 7: the third draft is the first rewrite! Image is mine

Step 7. The third draft is the first rewrite! By rewrite I mean that I’ve found plot holes or changed my mind about sub-plots, or have decided to cut down some POVs, or change something fairly major. This involves more actual writing rather than editing typos. This is more time consuming than the second draft but much quicker than the first!

Step 8: The fourth draft is the Kindle edit! Image is mine

Step 8 is what I call the Kindle edit. I’ve written the book, applied the correct timeline and rewritten bits I didn’t think worked. Now I need to step back and read it as a reader. I send it to my Kindle and with a notebook on the go to pick up typos, repetitive words etc, I get going. I am mostly assessing how the book reads. Is it too fast or too slow? Are there parts that are in any way repetitive? Are my characters nodding or shrugging too much? (Yes, they always are.) Are my characters well written? Is the dialogue realistic? I am highly critical when doing this edit. Mostly I want to assess how much I enjoy reading the book!

my kindle edit – image is mine

Step 9: The fifth draft happens next. I go back to Word and fix anything the Kindle edit picked up. This might be quick if everything went well, or it might involve another rewrite if I wasn’t happy with the book!

Step 10: What happens next? The sixth draft. Another Kindle edit. Another draft. Then off to my editor. Do the editor’s edits. And so on….

So, there you have it. And to summarise, my top tips for writing a book?

  • a notebook
  • plan as much as possible before you start
  • THEN JUST WRITE THE BOOK