Dancing In The Dark Won’t Keep Us Alive – short story/future novel idea

Last week I responded to a prompt on Medium and wrote this short story using two characters I had already created for a potential future novel. The prompt was musical; you had to choose a song title and/or lyrics to respond to and I picked Dancing In The Dark by Bruce Springsteen. For some reason the characters of Cody and Anya popped into my head as I feel like their entire story is very much a dance through the dark… This is a very rough and shortened version of how I think they will first meet and put their dark plans into action. See what you think!

Image by DelilanVan from Pixabay

When the newsflash ended our eyes met across the cafe table. The coffee he had offered in apology for kicking my bag across the floor had been barely touched, and suddenly I had no appetite for it.

I didn’t know his name yet, but the great scrawny scarecrow of a man raised his eyebrows at me. ‘Don’t tell me that surprises you.’

I glanced back at the TV, which had moved onto commentary and coverage of the protests already building up outside parliament. I scanned the cafe and saw the other customers frozen in shock, their foreheads furrowed, their lips moving without speaking.

‘He really said that?’ the waitress behind the counter questioned, before dismay and anger filled her face. ‘Jesus Christ, I voted for that lot! He really bloody said that, didn’t he?’ She looked our way, shaking her head in fury.

I smiled and nodded. ‘He really did say that.’

The scarecrow cleared his throat, his eyes on me. ‘Cody,’ he said, with a wink. ‘And you are?’

‘Anya,’ I told him, ‘and no, it doesn’t surprise me. Nothing surprises me anymore. The better question is, what are we going to do about it?’

A huge grin lit up his face. ‘Now you’re talking. I knew you were my kind of girl.’

Maybe he was flirting, who knows? It was one of those moments for sure. Life-changing — and everyone in that cafe felt it. There was something heavy in the air, yet it was crackling with electricity and Cody was staring at me in pure hunger. It felt like we were standing on the edge of the universe and somehow, though I knew we wouldn’t survive, I was ready for it. Ready for something.

‘What did he say?’ one of the old women by the window asked, her voice cracked and trembling. ‘What did he say about us?’

‘Why are they surprised?’ Cody lowered his voice, leaning in closer. ‘It’s hardly a shock, is it? Extremely rich and powerful person doesn’t give a shit about the rest of us? Jesus, where the hell have these people been living?’

I nodded, still grinning. He was right. I was right. Suddenly, we were right. Everything was happening. There was a crash out the back and a frustrated scream from the waitress.

‘What’s the point in anything then?’ one of the other old women asked.

‘It’s all kicking off now,’ someone else commented.

Cody and I looked back at the TV. Sure enough there were violent protests breaking out all over the country. We saw police leaping out of vans, batons raised. We saw crowds charging down the streets of London. We saw windows being smashed.

‘I need to close up!’ the waitress yelled from somewhere. ‘We all need to go home!’

Cody held out his hand. ‘Care to dance?’

‘Dance?’ I took his hand. It was weathered and warm. He was a walking talking scarecrow with his straw-like blond hair sticking out from under his grey beanie. Under his black duffel coat I glimpsed a white t-shirt with The Clash emblazoned across it.

‘This could be the end,’ he said with another wink. He scooped up my bag and handed it to me and we left the cafe arm in arm, staring into each other’s eyes. ‘And if it is, I’d love to dance with you, Anya.’

‘Everyone always thinks it’s the end,’ I quipped, as we pushed through the doors and out into the rain. It soaked us in seconds but neither of us cared. We pulled our coats around us, linked arms again and started to walk along the side of the harbour.

‘True. There will be outrage and protests for a few days, then everyone will go back home and back to work like the good little sheep they are.’

‘Indeed they will. They’ll probably even vote for him again next time.’

‘His career won’t be over,’ Cody agreed. ‘He’ll find a way to milk it and monetize it. They always do. He’ll be on Celebrity Big Brother before you know it, winning the viewers over.’

‘You can almost predict it. Still,’ I caught his eye, ‘it was a hell of a thing to get caught saying.’

‘Yeah, but at the same time any reasonably intelligent person knew already, right? Yet somehow it’s a genuine shock to some people that the establishment don’t give a damn about them.’ Cody laughed and shrugged skinny shoulders under his heavy coat.

‘So, a dance?’ I reminded him.

‘Somewhere chaotic,’ he mused, looking around. ‘Somewhere we can watch the world end.’

‘Or plot its downfall?’

He flashed another dazzling smile. ‘Now you’re talking.’

‘Hilsborough Hill?’ I suggested, nodding to the rolling green hills that looked down on us and out to sea. ‘It’ll be beautiful up there this time of night.’

‘And just us, dancing in the rain.’

We set off, hand in hand, two perfectly dysfunctional strangers. While the small seaside town exploded in outrage behind us, we followed the harbour-side until we started to climb the majestic hills that looked down on it all. As we walked we heard glass shattering as windows were smashed in, cars screeching and crashing, people shouting, sirens blaring.

I agreed with Cody. It wouldn’t last long.

The Deputy Prime Minister’s cruel, cold words would be washed over in the days that followed. The media would brush them off and rewrite them. The truth would be painted over with another more digestible one. The tabloids would turn on the protesters and paint them as the true aggressors. Others would watch the violence from home and feel frightened and isolated. The excuses would begin.

He didn’t mean it. It was taken out of context. He’s only saying what we’re all thinking! I mean, come on, he’s not wrong, is he? He was only joking! No one can take a joke these days! He’s getting cancelled, that’s what it is. And anyway, he was right, wasn’t he?

The media would find a new story. They would wash it all away but I knew the truth wasn’t going anywhere. We knew. We had always known. He had confirmed our worst fears and he had, for the first time in a politician’s life, spoken the truth.

At the top of the hill the wind and rain swirled around us and Cody and I embraced.

‘It’s nice to meet you, Anya.’

‘You too. Feels like fate.’

‘It really does. What a day! And life is so short.’

‘It is. Just look at them.’

We looked. We saw the little town glittering back at us, small untidy lives and unfilled ambitions and dreams only glimpsed at night. We wouldn’t be like them, like slaves to the system. We would be free.

‘I’ve never felt so free,’ he said to me then. ‘I’m thankful to that twisted bastard for finally saying it.’

‘We were right all along,’ I replied and he nodded, pulling me into his chest. I could feel the bumps of his ribs and I watched the wind pulling at his hair, trying to free it from the woolen hat.

We held onto each other and danced. The darkness consumed us and the hill we stood on felt like nothing, like it wasn’t even there. The rain soaked us, the wind battered us and still we danced, out eyes closed, our bodies pressed together.

‘I’ve got an idea,’ he said then.

‘What is it?’

‘I’m getting sick of waiting,’ he said with a yawn. ‘Sick of waiting for the goddamn apocalypse. Even this won’t bring it you know. Not fast anyway, not fast enough for me. There will still be jobs and money and bills, right to the bitter end.’

‘You’re right,’ I said, looking up into his face. ‘Tomorrow they’ll all get in their cars and drive to work to make the money to pay the bills and then they’ll get old and die and never realise they were a slave to bastards like that. That he laughed at them all along.’

‘They’ll deny it,’ nodded Cody, ‘even to themselves. But I say, how about we wake them up?’

‘How do you mean?’

‘I’ve been thinking about starting a movement. Anya, you and me, and a few others. There’s nothing left to lose, you know? He said it himself. We heard him say it in his own words.’

Yes, we caused climate change and we knew it all along and we didn’t careand we still don’t care!’ I repeated the words Giles Forbes-Roberts had been caught on camera exclaiming with such arrogance, such gleeful light in his eyes.

They’re all going to die anyway,’ Cody continued, repeating the MP’s words and mocking his Eton bred accent. ‘That’s just the way it is. Jesus Christ, up here we all just wish it would hurry up, you know? Less of them would be better for us, that’s what we always say.’

Let them die,’ I grinned, ‘we’re quite happy to just let them die.’

Cody threw back his head and copied the raucous drunken laughter of the MP as he lounged against the bar with champagne in hand and no idea the young lady he was talking to was recording his every word.

Let them die!’ I shouted, spinning with Cody, dancing in the dark as if nothing could touch us. ‘Why don’t they just hurry up and die?’

‘Do you want to hear about my movement then?’ Cody asked, holding me close as we rocked and swayed to the music of the waves smashing the rugged cliffs below.

‘If it involves violence towards people like Giles, I’d love to.’

The Best Life Advice I Ever Had Came From A Character I Created: Prove Them Wrong, A Mantra For Misfits

This article was previously published on Medium!

It’s probably a bit weird to take life tips from a character you created yourself, but hey, I’m a writer, and we all know how weird they are. Besides, my characters are real to me. I talk to them every day, play their scenes like movies in my head at night, and yes, I take life advice from them. Why? Because they’re the best friends I never had and they’re right.  

Let’s jump back to the beginning.

Back to me, aged twelve: painfully shy, chubby; always the odd one out, at home, at school, or even just walking down the street. I was already addicted to writing and much preferred it to real life. Every day I’d run home from school, dash up to my bedroom, put on my favourite music and start writing.

At aged twelve, I had this one story I was totally obsessed with.

You know what it’s like when you’re a kid of that age and you really fall in love with a band? Or a song? Or an actor on TV? You obsess over them, paste their posters to your bedroom wall, watch everything they’re in or buy every album they release? They’re all you can think about?

Well, that was me and this story.

And I was kind of ashamed of it. My family and friends knew I loved writing and some of them vaguely knew what sort of stuff I was working on, but the gist of it, the details and, more importantly, the characters, were all mine. I felt very protective of them, like they were my guilty secret. The extent of my obsession was embarrassing to me.

I wrote the story aged twelve and it was the longest story I’d written so far. It was hand-written at the first, scribbled onto lined notepaper and held in a ring-binder folder. I showed it to my English teacher at school and got a merit certificate in assembly. I was very, very proud of it. When I saved up and bought my electric typewriter, I painstakingly rewrote it again and printed it out.

Oh boy, did I feel like a real author then!

I rewrote that book again and again. I just couldn’t leave it alone. I’d start other stories, sometimes very similar ones, but I’d always go back to that one. Every night I’d watch my characters in my head, listen to them talk and come up with more scenes. I did a big rewrite aged sixteen and another aged nineteen and finally, when I was in my thirties, I realised time was running out and I needed to get it done.

I rewrote it again, published it and before I knew it, it had grown into a five-book series which now has a spin-off book on the way. The series is also part of a bigger universe of inter-connected books.

So, you can probably see by now how obsessed I was with these characters and this story.

I guess, as a lonely, awkward, introverted weirdo of a kid, I found a way to belong. I built my own world and filled it with friends.

Anyway, on to the life advice.

There is a scene in the first book where my main character, Danny, is feeling defeated and negative. It’s partly because of his home-life and it’s partly because he and his friends have been stereotyped as bad kids and troublemakers in their town. Because of this, when he and best friend Michael try to secure lawn-mowing work to make their home-lives easier, they are refused by everyone they ask.

Both boys have a rough time at home. Both struggle at school. Both are obsessed with the music of the time. (Early nineties.) They are the best of friends and throughout the series they go through some incredibly difficult, scary and dark times together.

Through it all, Michael is always the positive one. The optimist. Danny suffers from darker thoughts and is drawn to self-destruction.

When complaining about his life, his family, and the posh people in town who won’t let them cut their lawns, Danny is at a very low ebb. He is feeling miserable and thwarted by everything.

Michael teases him, laughs at him and tells him to stop complaining.

‘Prove them wrong,’ he says.

Three simple words but they have stuck with me ever since. Three simple words that I wish someone had said to me when I was a confused and troubled teenager. Three simple words I put into the mouth of a fictional character created in my own mind. Three words I live by every day.

Prove them wrong.

In many ways, those three words form the main theme of the books. I didn’t know that at the time, aged twelve. They were just the type of words that Michael would say to cheer Danny up. But throughout the books, Michael stays true to his advice and refuses to give up on Danny until he believes it too. If they think you’re a troublemaker, he says to Danny, prove them wrong. If your mother thinks you are stupid, prove her wrong. If this town thinks you will never amount to anything, prove the whole damn place wrong. 

Prove them wrong. I think about those words all the time. Its not about revenge or holding grudges, it’s about holding your head up high and sticking to your values, your beliefs and your dreams.

When I was a kid, people tried to talk me out of being a writer. People laughed at me, ridiculed me and didn’t believe in me. I was an extremely sensitive child and by the time I entered my twenties, I had given up on writing. My dreams had been eroded by real life and the pressure to be sensible and get a real job.

I didn’t allow myself to think much about writing, but every time I did, I felt so sad and hollow inside, like a chunk of what made me who I was had been clawed out.

It took a while, but Michael’s words, his advice, eventually won me over. He was right all along, after all. When people think badly of you, look down on you, judge you or laugh at you, the very best thing you can do is prove them wrong.

Do it anyway.

Do it for you, so that you can smile when you think of the thing that you love, the thing that defines you, the thing you would always rather be doing, the thing that makes you, you.

Do it anyway and prove them wrong.

Throughout my life that has been the perfect mantra for a misfit like me.

Thanks for reading! If you are interested in Michael’s advice and the story behind it, here is a link to the first book in the series. Please note that I am currently revamping this series and adding fresh front matter to the books with a suggested reading order for the connected books in this universe. That should not impact your enjoyment should you read them now though!

https://amzn.eu/d/cYlh2AQ: The Best Life Advice I Ever Had Came From A Character I Created: Prove Them Wrong, A Mantra For Misfits

Character Interview: Josh Taylor from the Blackbirch Series by K.M Allan

Hi and welcome to another character interview here on The Glorious Outsiders. K.M Allan is a writer I’ve been following for some time on social media. I’ve read all the books in her YA paranormal series, Blackbirch and I’m just about to dive into an ARC of the fourth and final installment! So, please welcome the series protagonist Josh to out character interview for November!

How old are you?

I am seventeen years old.

Where do you come from?

I lived in the city with my parents until they were killed in a car accident 6 months ago.

Where do you live? Describe it to us

I currently live in a small town off a highway. It’s called Blackbirch, and it’s filled with black birch trees, which is the only tree that grows around here. Most say it’s because of dark magick, and only my friends and I know that is the truth.

Do you have a family, if so tell us about them.

After my parents died, I moved in with my guardian, Grace. She was my mom’s best friend, and I live with her and her daughter, Sarah.

Who is your best friend and why?

Sarah is. She knows all my secrets and helps me when I’m not sure what to do.

Who is your worst enemy and why?

Eve Thomas. She wants to know all my secrets and use them in the worst way possible.

What are your talents?

I can use magick to heal people, and strength to protect them.

What are your flaws?

Not asking for help.

What do you think people think of you?

I hope they think of me as someone who is just trying to look after them.

What do you wish people knew about you?

That I’m just trying to fix all of my mistakes.

What’s your biggest fear?

Losing more of the people that I love.

What’s your biggest hope?

That I can one day live a normal life again and not be chased for the magick in my veins.

What’s your biggest secret?

That I don’t feel worthy of the responsibility that I have.

What is the worst thing you have done to another person?

My actions and mistakes have resulted in deaths. Of both good and bad people.

What kind of friend are you?

I like to think I’m a good one, but I’ve also put my friends in danger, and I don’t enjoy being that type of friend.

Is there anything about your life you would change?

The death of my parents.

Where would you like to be in 5 years time?

Hopefully living a normal life, not running from danger or from others trying to steal my magick.

Do you have any regrets?

I wish I had known more about my power when I first became aware of it. Then I could have used it in a way that didn’t hurt others.

How would you like to be remembered?

As someone who did the best he could.

What are your hobbies/how do you relax?

Reading, and watching movies with my friends, Sarah, and Max.

If you would like to find out more about this intriguing series, here is the Amazon link to the author’s page:

https://www.amazon.co.uk/K-M-Allan/e/B0849WFZG9?ref=sr_ntt_srch_lnk_6&qid=1699006260&sr=8-6: Character Interview: Josh Taylor from the Blackbirch Series by K.M Allan

3 Weird And Wonderful Things About Writing

I noticed something weird about writing lately and this prompted me to think about how weird and wonderful writing it is. Am I just very weird or does anyone else relate to these?

Image by Jill Wellington from Pixabay
  1. When I read something I wrote, I can’t remember writing it – I’ve always been somewhat aware of this but just recently I really noticed it and it struck me as very weird. If I pick up any of my published books and read an extract, I am always more impressed than I was at the time of writing it. It feels like someone else, someone better than me, wrote it. I can’t really remember writing those exact words, even though the plot and the characters are utterly mine and will live on in my head forever. Just last week I started typing up my Black Hare Valley story. This was the one I’d had in my head and in planning for a few years but ended up writing in longhand about a year and a half ago when a prolonged power cut meant I couldn’t carry on with stories I had on my laptop. I remember writing Black Hare Valley mainly because all the plot ideas came to me while walking. At the time petrol prices had gone through the roof and I was trying to walk more than drive. It was during this long walks to work that this book wrote itself chapter by chapter in my head. Then once it was done, I put the notebooks aside and had to forget about it. Now I’m typing it up and reading what I wrote it genuinely feels very strange; like someone else wrote it. I know the words are mine (when I can decipher the handwriting!) but I have no memory of writing them, or the thought process behind putting each sentence together. Typing it up feels like I am discovering this story for the first time even though it has been in my head for so long.
  2. When a world becomes so real, I can’t wait to get there – I’ve not had this experience for a while because I’ve been editing various books for so long, so it was a lovely but weird surprise when this started to happen with Black Hare Valley. It took a long time to build this world; starting with the drawing of a large map of the fictional town. It’s a valley town, surrounded by iron age hill forts and it has everything from a school, post office, vets, cafes and pubs, library, theatre, police station, church and so on. It was a lot of fun to create and after the map came the character bios. As I created each character I could then add where they lived to the map and this in turn sparked of plot ideas and scenes. This made writing it so much fun as every time a character moved from one place to another I could check on the map which way they would go. It really made the whole place come alive and now that I’m typing it up, I am right back there again. Every night when I go up to write, I feel excited to be returning to Black Hare Valley, this strange, beautiful and terrifying place I created. For me right now, it is entirely real.
  3. When a book writes itself – I love it when this happens but it’s not always the way it works for me when I write books. Sometimes characters will arrive, presenting drama and plot and I’ll have to figure out how to start it, where to start it and how to divide the story up into chapters. I’ll normally do a certain amount of planning before I start, but then once writing commences, the writing and planning run alongside each other, usually with me knowing at least the next few scenes and then working it out again as I go along. But sometimes, something really weird and wonderful happens. It happened recently with a book that will be ready for publication next year and it happened when I was writing Black Hare Valley for the first time. It’s like once I pick up the pen, something else takes over. The pen moves faster than my mind; I feel a bit like I’m in a trance, being controlled by something else. The next words are spilling out before I’ve even had a moment to consider them or hesitate. It’s like the story wants to be written so much it just writes itself. I feel almost disconnected at times, like I’m the reader waiting on the sidelines to enjoy the result.

There are a lot more things about writing I’d consider both weird and wonderful but these three really struck me lately. How about you? Have you experienced any of these things? Or are there other things you find weird and wonderful about writing? Feel free to let me know in the comments.