An Extract From A Song For Bill Robinson

Release day is fast approaching! I am just putting the final touches to everything and double checking everything is okay before I set up the Amazon pre-order link. I hope to have that done in the next few days.

But to keep you entertained, I hope you enjoy this sample chapter from the novel!

12

Bill was lying to both Pete and Summer when he said he knew what he was going to sing on Saturday. He didn’t know, and it was driving him insane. It wasn’t as easy as people imagined. He couldn’t just get up there and sing what he wanted to sing. There was so much more to it than that. There was the audience for one thing. They came expecting entertainment. They didn’t want to be subjected to anything too new, too obscure or too noisy. More than anything, he knew they wanted something to sing along to.

He spent the rest of the week trying to figure it out. He didn’t want to get on the stage and sing karaoke songs like all the others. He wanted to sing. He wanted to perform.

Last time he had been showing off. He’d picked a song from the machine a week in advance, probably the hardest one on there. It was never about emulating the original version. He just listened to the lyrics and thought about what they meant to him. He’d spent hours like that, lying on his bed with the music in his ears and his eyes closed.

He’d mouthed it in silence to begin with, getting to grips with the feel of the words in his mouth. Bill smiled about it now, as he paced his room, picking up records and putting them down again, running through his playlists again and again, thumbing through Spotify and YouTube. What did he want to sing? What did he want to say?

Dog Days Are Over, by Florence and The Machine. He’d picked it because it was shouty and loud. Because he could lose himself in it. Because he liked the words and he thought about Summer when he sang it, and he didn’t even know why, except you had to think about something, someone?

But now? What now?

That had been before. Dog Days Are Over. He’d felt like that…like he could forget about his mother and the horrible aching betrayal of it all, and he could sing anyway. He didn’t sound like her. He didn’t sing or move like her either. He could just be himself and still blow their minds. He could walk around this cesspit with his head held high.

This was after. Now he had to pick a song knowing that the entire estate knew a gang of masked youths had kicked the shit out of him. He had to pick a song after that? And sing it in front of all of them? Including McDonnal? No, it wasn’t easy.

Bill thought about drink warming his belly, fingers of comfort snaking through his veins, bringing him up tall, and what would he sing when he felt like that? Something old and warm and comfortable. He could sing one of his mum’s favourite songs. His voice smooth and silky yet strong and growling when he needed it to be. Something by The Foundations or The Four Tops. The audience would like that. Everyone knew those old soul songs.

He could sing something new he was getting into, but he didn’t know how that would go down. He was into some dark stuff lately which wouldn’t suit the community centre atmosphere. People went there for a good time, or for some company, some support. They went there for hope. He couldn’t take that away from them for the sake of showing off.

Then there was his bloody dad.

They’d always clashed, Bill thought, as he opened the window and felt the cold night air on his cheeks. People said they were too similar; short tempered and impatient, but Bill didn’t buy that. They were nothing alike. He liked to be left alone, whereas Andy craved company. Bill liked to keep his thoughts to himself, but his father liked the sound of his own voice too much. Like now. Bill could hear him downstairs, his voice rising and falling, laughter, punctuated by angry exclamations. He could have been arguing with someone or shouting at the TV or just talking to himself. He could never be still or silent.

His dad was one of those short, angry men, he mused, gazing out of the half open window. He had a chip on his shoulder and a point to prove. He was so annoying most of the time, so over the top, especially lately with all the overprotective crap. He was embarrassing.

But those bastards had made him cry.

Bill didn’t think he would ever forget it. His father leaning over him, touching his hair with tears on his cheeks. It was the first time he had considered what his dad had been through. Until that moment Bill had only viewed the attack through his own eyes. He had not stopped to think about how his father must have felt that night.

And it pissed him off.

Maybe blood was thicker than water after all. Maybe he owed him a good night. He leaned out of the window, pushing it further open. A stroll in the dark was what he needed. A chance to think about it. Something would come to him then. The Clash, maybe. The Buzzcocks. His dad loved all that stuff. A grin pulled at his lips as he pictured himself getting up on the stage to sing something by The Sex Pistols. Then there was Tom Waits. Andy had always been a fan.

Something pulled at his mind then. Guitar intro. Low and dark and thrumming, giving the suggestion that something was about to happen. The drums building up with the guitars. And then when it kicked in it was gentler and sadder than expected. He could have jumped up and down in excitement when it finally came to him. He recalled the first verse, something about flirting with death and not caring about it. And it all fell into place, the rest of the words, and the music that spiralled between the two short choruses. It would be blinding. It was exactly what he wanted to say.

He decided to sneak out anyway. He could find it on his phone and wander around having a quiet sing. Bill turned at the exact second the brick came flying towards his head. He felt it spin past his cheekbone and ducked away instinctively covering his head with his arms. It rolled across the bedroom floor and sat there ominously. He rushed to the window, leaned out and looked around.

‘That all you got?’ he roared without thinking. ‘Come on then!’

He regretted his outburst when his father came pounding up the stairs and into his room. Perhaps Bill could have made up an excuse, if Andy had not stubbed his toe on the brick lying in the middle of the carpet.

‘What the bleeding-hell?’

Bill pulled the window shut and whipped the curtains together. He faced his father and watched him pick up the brick and turn it over in his hands. He held it out to Bill, his eyes bright and accusing.

‘This just come through the window?’ Bill paused, and his father reddened. ‘Eh? Did it?’

‘Looks like it, doesn’t it?’ he responded sulkily, pushing past him.

Andy rushed to the window where he yanked back the curtains and stared out. ‘Just like that?’

‘Yes!’

‘Right, that’s it then,’ Andy stormed from the room, taking the brick with him. ‘I’m calling Collins over.’

Bill followed him from the room. ‘Oh, for God’s sake, what’s the point? I didn’t see anyone!’

Andy stopped and faced him on the stairs. ‘That’s all I ever bloody hear from you! I didn’t see anything, I didn’t see anyone! What are you, bloody blind?’

Andy trotted down the rest of the stairs and picked up the phone. He pointed the brick at his son. ‘I’m not sitting here and taking that!’ he told him. ‘This is our home!’

Bill made a noise of disgust and walked through to the kitchen. ‘Go on then!’ he yelled back over his shoulder. ‘You’re wasting your time!’

Bill stalked around the kitchen, shaking his head and feeling penned in. Minutes later his father stormed into the kitchen and stood in the doorway, hands on hips, legs spread.

‘He’s coming over. You’re gonna sit in here and talk to him.’

Bill threw up his hands. ‘About what?’

‘About everything!’ Andy growled in return. ‘Now, I’m not bloody stupid, Billy-boy. I wasn’t born yesterday! I know there’s something you’re not telling me about all of this. Why is someone targeting you?’

Bill slumped into a chair, folded his arms and shook his head. ‘How do you even know the same person threw the brick? Probably just kids mucking about. You’re gonna look a right dick when Collins turns up!’

‘You’re gonna look like a dick when whatever you’re hiding catches up with you!’

‘What?’

‘I’m not stupid,’ Andy warned him again, his breathing finally slowing down. ‘You’re seriously expecting me to believe you was just minding your own business one night, and a whole gang decided to target you? No. There’s more, and I know it. Sit there! And don’t even think about moving a muscle until Collins gets here!’

Andy spun around and marched back into the lounge, where Bill heard him collapse onto the sofa and swear at the dog. Bill rested his elbows on the table and dropped his head into his hands. Suddenly Saturday night seemed a very long way off. He exhaled frustration through his fingers, then dropped his hands and sat back in the chair. A brief glance at the door, considering escape, but Andy must have been a mind reader too.

‘Don’t even think about it, Billy-boy,’ his voice came from the other room. ‘I’m a lot faster than you right now!’

PC Collins knocked on the door twenty minutes later. He came through to the kitchen, his hat in his hands and his cheeks flushed red from the cold night air.

‘Thanks Andy,’ Bill heard him saying, before he glanced at Bill, and then gestured to a chair. ‘Mind if I sit here?’

Bill sighed, slumping forward again. ‘Look, he’s totally wasting your time. It was just a stupid brick! Could have been anyone!’

Collins flipped open his notebook and started writing. ‘Well,’ he said, sounding weary. ‘The thing is, you might be right, but we have to consider what’s already gone on, don’t we? Now obviously in the eyes of the law, a brick is not much to go on and no damage was done, but we can’t help connect the dots to other things, eh?’

Bill breathed out and in again, willing his frustration to lay low. ‘Connecting dots is just useless though,’ he tried to point out. ‘That won’t stand up in a court of law, will it?’

‘No, course not, but that’s not the point right now.’

‘What is then?’

‘The point is keeping an eye on the situation,’ Collins explained calmly. ‘Making sure things don’t escalate. Your father did the right thing calling me, and he also did the right thing when he called us about the video. Sometimes lots of small parts add up to the whole, you see?’

Bill shook his head and glowered. ‘Not really.’

Collins laughed softly. ‘Well, you will. Okay, so you were in your room? At the window? The window was open?’

‘Yes,’ he growled. ‘Then I turned away and the brick came through. And no, I didn’t see or hear anything or anyone.’

‘Okay,’ sighed Collins. ‘And you’ve not had any altercations with anyone in the last few days?’

Bill thought briefly about punching Logan in the community centre. ‘No.’

‘Okay-‘

‘Look, can I ask you something?’

Collins lowered his notebook. ‘Of course.’

Bill scratched his head, then pushed his hair back from his face and bit his lip. ‘Just saying…I mean, if I thought I knew who attacked me, but I couldn’t prove it? That still wouldn’t help me, would it?’

Collins closed the notebook, folded his hands on the table top and looked at Bill very seriously. ‘If you have any idea who attacked you, Bill, you need to tell me now.’

‘But what I’m saying is, it won’t help, will it? I can’t prove anything.’

‘Well, let’s say you thought you had an idea, it would depend on why. So, let’s say, hypothetically speaking that you did have an idea? Why that person?’

Bill shrugged. ‘Instinct.’

Collins nodded. ‘Nothing else? No recognition? Of shape or form or voice? Stature?’

Bill shook his head. ‘Nothing obvious. Nothing that can be proven in court. That’s what I’m getting at. You need actual proof, don’t you?’

Collins nodded slowly. ‘Yes, you do. But imagine if I had a name? Then depending on who that might be, and what their reputation and record showed up, I might be able to get a warrant to search their home. You see? I might be able to question them, and you know, sometimes that’s all you need, because they don’t have an alibi for that night, or they’ve got some incriminating evidence in their home.’

Bill smiled softly. ‘No one would be that stupid.’

‘You’d be surprised, Bill.’

Bill shook his head. If there had been any evidence, it would have been destroyed that night. And the gang would provide alibis for each other.

‘There were four of them, you say,’ Collins said to him then. Bill nodded. ‘A chain is only as strong as its weakest link.’

‘What does that mean?’

‘It means not all of those four will be as strong as the others. Someone will crack.’

‘They might,’ Bill corrected him. ‘That’s what I’m saying. Might and maybe are no good for me, are they? You can’t promise me anything.’

‘I can protect you.’

Bill laughed out loud. ‘No, you can’t. No one can do that for anyone. Can I ask you something else?’

Collins slipped his notebook into the breast pocket of his uniform. ‘Go for it.’

‘Has there been any progress on the Lewis Matthews murder?’

‘Well, I’m not obviously meant to discuss that case with anyone.’

‘I’m not just anyone. It might affect me. Have they got any idea who it was? Or why?’

Why is the biggest problem,’ Collins sighed, getting up from the chair. ‘Lewis was a nice kid. Worked hard at school and kept himself to himself.’

‘So, why’d someone stab him then?’

Collins shrugged. ‘The only angle we’ve got to go on is his father’s colourful background, but that’s about all I can say about it to you right now, okay?’

Bill nodded, knowing the officer had already said more than he was supposed to. It was enough anyway, he reasoned. Enough for Summer.

Thoughts and Fears as Release Day Approaches…

Release day for my next book A Song For Bill Robinson is creeping ever closer. I am not ready, not at all, but as I mentioned in my last post, I have a blog tour organised this time, so I do feel like there is less pressure on me to promote! I need to check my launch plan though and see what else I can achieve between now and then. All in all, I am just trying not to get stressed about it. My work life has increased a fair bit lately, with my company getting busier and in more demand, and this is wonderful. But it has meant less time for writing and promoting my own books. I think I have totally fallen out of the promo habit!! Eek, need to get back into that quick sharp.

Oh, and if you haven’t seen it yet, here is the front cover!!

So, this blog is really all about the thoughts and feelings that dominate when approaching the launch of a new novel. A Song For Bill Robinson will be my tenth release, which is a lovely round number and something I am incredibly proud of. But like all creative types, I have my moments of self-doubt and panic. Here are some of the thoughts and feelings rushing around in my head as launch day approaches!

  • The book is not ready! I think this is one of the biggest thoughts and most dominant fears. Despite spending three years writing and revising and editing this book, which is about what I spend on all of my novels, I still wonder if it could be better? If I left it a year and read it again, would I change things? Cut more words? I don’t think this thought ever really goes away and I often have the urge to go back over my other novels and double check them all. Again.
  • I’ve left promo too late! Another panicky thought and fear. My promo for releasing a novel has been a bit different with each one, and looking back, it really all depends on what’s going on in my life. It comes down to time and energy I guess. I wrote a very detailed launch plan for this one, but I think it was a bit ambitious considering how busy life is at the moment! I have to remember that promoting a book never ends. If you’re lacking around launch day, the game is not over. You can keep promoting it forever.
  • There might still be typos! Another fear that never goes. At the moment I have a very kind and wonderful reader going over it again for me before I hit publish, and so far I’m pleased to report they have not found any typos or spelling mistakes, just a few misplaced commas and some opportunities for cutting the word count down. I hate the thought of readers finding typos, even though I understand how hard it is to weed them all out.
  • No one will buy it! Ahh, the most common fear and not without good reason. As an indie author doing it all alone without much money to help with promo, I do struggle for sales, though I have never had a month without a sale. The most common fear a writer has with a book launch is that the readers will hate the book. I really don’t know how people will feel about this one and I won’t know until that first review comes in. It’s a scary feeling!
  • Now there’s room in my head for more books… Well, to be honest, as soon as a rough first draft of a book is done, that story gets shuffled to the side of my brain and the next one in line barges in. But it feels even better when the book is finally released, because it’s over, you’ve done it, you can let it go and move onto the next one. That’s a really good feeling and a great relief.
  • It’s a load of rubbish… What if all the reviews are critical? Okay you know you are going to get some people that love it and some that just like it and some that don’t get it, or whatever. That’s expected. But what if all the reviews are bad? What if I’ve really mucked it up this time? What if it makes no sense, is slow or boring or unrealistic? Beta readers have told me otherwise, but what if they’re biased or wrong??

And if I’m really honest, I’m so tired right now, my most dominant thought is; I can’t be arsed, why can’t someone else do all this for me? I’m sure that will change though. If my other book launches are anything to go by, I normally end up really enjoying it. It is an accomplishment and with this particular book, I’m really pleased it finally escaped that dusty old suitcase and the unfinished book I wrote as a 16 year-old is something bigger, brighter and better than I had attempted back then. Well done, teenage me for putting the wheels in motion and not throwing it away! And well done forty-plus me, for finally getting it done. I’m happy with that.

Author Interview; Rae Stoltenkamp

Welcome to my latest indie author interview, this time with author Rae Stoltenkamp. I first came across Rae when we were both authors on the now defunct indie publishing platform Autharium. I read her excellent  crime thriller  Six Dead Men and will soon be diving into her new venture, the first in a young adult series, Where Rainbows Hide. In this interview Rae talks about her writing and publishing journey so far, tells us about her writing process and offers her advice to writers about to embark on the indie route!

Q1 Tell us about your writing and publishing journey so far;

In 2006 I made the firm decision to leave teaching and write on a more full time basis. When I told my dad of my decision he didn’t blink an eye and supported me without a moment’s hesitation. In 2012 my dad died and my rebellious streak asserted itself in a desire to do something to honour his passing. I had a completed novel (Six Dead Men) which I was editing whilst sending letters and emails to agents and publishers – getting the usual rejection mail as expected. His death prompted me to do SOMETHING more concrete with my novel. Unbelievably, an opportunity arose to publish in e-book format without any expenditure on my part at all (Autharium). At that time e-publishing was a much debated topic and people were convinced it would have no place in the world. I thought, “Well, what the heck – it’s not costing me a penny.” Tons of no risk no gain sayings crossed my mind: Nothing ventured nothing gained If you’re not willing to risk the unusual you’ll have to settle for ordinary For who that dare not undertake, by right he shall no profit take So I forged ahead. I didn’t have the slightest clue what I was doing but the e-book went into the world and I told my friends and family all about it. I made the sum total of £12 in royalties and could not have been prouder.

Q2 When did the writing bug first grip hold of you?
I first got the writing bug around age 12 but started with incredibly soppy poetry that always rhymed. From 13 onwards wrote angst ridden teenage poetry which is so embarrassing I probably shouldn’t even mention the existence of it. Then ventured into short stories around age 14 and started on my first novel called Panthra.
Q3 Tell is a bit about Six Dead Men. Where did the idea for the story come from?
It’s quite sad really. I’d been to a neighbour’s party and met a rather nice guy. We ended up snogging for quite some time. Afterwards he asked for my number and I was certain he’d call but then he didn’t. I just put it down to the way things go sometimes. But a few weeks later my neighbour called me in, sat me down, made me a cup of tea and was generally acting very anxious. He then told me that the lovely man had been killed in a tragic accident. It may have been the shock but I found myself thinking it was probably my kisses which cursed him. And so was born the premise for Six Dead Men.
Q4 How would you describe your genre and your style?
My preferred genre is Magic Realism. I’m intrigued by how much in life can seem totally inexplicable. This genre allows me to explore this and helps me to delve into characters’ minds to look at how they may think or behave or be affected by circumstances and influences. My style is influenced by writers like Toni Morrison and the poet Maya Angelou. I love how these writers use the rhythm, feel and sound of words to get a message across in a dramatic way. I also equally love the element of melodrama you get in work by Austen and the Brontes. My YA books are all Science Fiction as they have a strong eco message which lends itself to this genre. It was also one of my mother’s favourite genres so I have a great soft spot for it. I guess my YA books are mostly a tribute to her.
Q5 You write in adult and YA genres, can you explain to us how this works? Does the character come first, or it is usually the plot?
As I’ve already said, Six Dead Men was born out of a personal experience so the character was built around this. I thought long and hard about the names as I wanted them to be significant. With my WIP; the prequel to Six Dead Men, the character came first. In fact I woke one morning with her words in my mind. Her voice was strong and clear and I had to race to scribble them all down. My YA novels always seem to be story led but I’ve recently found that characters are beginning to demand I tell their story in greater detail. As this is a series of books on the same topic I don’t have to think about the plot so much – it is almost a foregone conclusion. So it seems natural that I can now focus more on characters and what they feel, think and ultimately do.
Q6 Can you tell us about your writing process? What is an average writing day like for you?
I teach at a local charity 3 days a week so only have 2 dedicated writing days a week. I also volunteer one evening a week and tutor in the evenings the rest of the week. So I usually get up around 6:30am. After a coffee I get stuck right in. I have to set the timer on my phone as I often forget to have breakfast. After breakfast I get straight back into it and work until about 2pm. The afternoons are reserved for meetings or any marketing which needs doing. If I have no meetings scheduled I write until about 3 or 4pm then call it quits for the day. I’m currently thinking of moving all my marketing activities to a Saturday as this will free up more writing time as I want to crack on with several projects.
Q7 What are you working on at the moment?
My current WIPs are: 1. The prequel to Six Dead Men 2. A series of short stories based around characters in Six Dead Men and its prequel 3. The sequel to Where Rainbows Hide 4. The sequel to The Lonely Dragon.
Q8 What would you say have been the best and the worst parts of being an indie author?
The best part is writing about things that matter to me and seeing them in print. There is no worst part as it allows me to do something which makes me feel incredibly fulfilled. Sometimes the precariousness of the financial side can cause sleepless nights but when I’m deep into a project and the words are flowing on the page, I get such a sense of rightness that the worry simply falls away.
Q9 What advice would you give to anyone about to embark on the indie publishing route?
Only go down this route if you have great support from friends or family or both. Trying to do it all alone is a very hard road. Be prepared to put the hours in. No-one will be standing over you to make it happen – you’ll have to do that all on your own. Join a body like the Alliance of Independent Authors as they have a wealth of information which is invaluable. And finally – know your product and your audience then market accordingly.
Q10 What are your hopes and dreams for the future with regards to your writing? What would you like to achieve?
My hope is that within 5 years I will be able to earn a living from my writing and give up tutoring in the evenings so I can spend more time with friends and family. I would then wish to publish any writing for children for free.
Q11 Who are your favourite authors and why?
My favourite authors make up a very long list so I’ll just do my top 10: Jane Austen, The Brontes, George Eliot, Toni Morrison, Louis de Bernieres, John Steinbeck, Terry Pratchett, Joanne Harris, Neil Gaiman and Jacqueline Wilson The Brontes, Austen and Eliot because of the element of melodrama they bring to a cracking good story. de Bernieres because he opens up unexpected worlds in my mind. Pratchett and Gaiman because they tackle serious topics but also make me laugh out loud. Morrison, Harris and Steinbeck for their beautiful use of language. Finally, Wilson as she tackles issues so very relevant to children in this day and age and does it with great sensitivity.
Q12 Tell us three interesting facts about yourself
Not sure these are particularly interesting but here goes: 1. I absolutely loath white trainers – don’t know why, just do 2. I don’t like being given cut flowers as a present as they only serve to remind me that they are already dead and only good for the compost heap now. 3. I love watching garden make-over programmes even though I am the worst gardener on the planet and never even go into my own.
Thanks so much Rae!

Rae Stoltenkamp was born in South Africa and came to England in 1987 to visit family. She liked the weather so much she stayed. After a writing holiday in Greece she had an epiphany and realised she should be writing on a more full time basis. It was probably heat stroke since she hadn’t had sun in a while. She then studied writing at City Lit with the poet Caroline Natzler and is now a writer, blogger and former English teacher living in South London.

Currently Rae also works with www.inkhead.co.uk , teaching creative writing courses to children. This has inspired her to work on a children’s book called The Lonely Dragon. She is writing and editing several projects simultaneously, including a series of YA Science Fiction novels and the sequel to The Lonely Dragon.

Rae has a passion for Argentine Tango and when she is not chained to her desk and laptop, can often be seen tripping the light fantastic with her tango friends. She has also recently discovered the delights of Lindy Hop and is laughing her way through this style of dance.

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