My Next Book Is Out Next Month!

It’s Friday – usually my blog-posting day, so what better news to share than new book news!

This will be my twenty-second release but honestly, it never gets old. It is still just as much of a thrill!

First, what do you think of the cover? I used my son again – he did the amazing book covers for The Day The Earth Turned series and he also recently updated The Mess Of Me and The Tree Of Rebels for me. This one was so hard to get right though! We went through three other designs before we settled on this one and even then we kept changing our minds about colour schemes. In the end, I think we got it right. It is dark and moody but also quite beautiful and I hope that is what readers will think of the book itself.

At Night We Played In The Road is a spin-off book from The Boy With The Thorn In His Side series and I got the idea about four years ago. At the time I was revamping and adding to that series and in part five I had introduced two brothers called Tom and Alfie Lane. They have small but significant parts in that story and it was obvious that they had an interesting back story to tell. They are drawn into a life of crime, but how and why? I wanted to go back to the beginning and find out what led them to that place.

Here is the blurb:

When Tom Lane was born, he accidentally killed his mother and in the process, his father’s love.

Determined to protect Tom from their father’s criminal business, older brother Alfie must become Tom’s father, mother and protector. It’s the two of them against the world until the day Tom chooses a life of crime over Alfie’s dream of a normal life.

Ten years later the estranged brothers are reunited when a violent gang bring Tom to Alfie’s door with a gun to his head.

Tom’s partners in crime have turned on him and he needs his brother to save him one more time…

A darkly brooding story of brotherly love, belongings and the beginnings that shape who we become.

And here is the opening paragraph:

The first time Alfie Lane had to think fast to save his brother’s life, he was five years old. That moment haunted his childhood, yet, in the years that followed, Alfie somehow found a way to bury the terrible memory. In fact, he has not thought of it since he was a kid, and, as it comes to him now, this fact alone seems somehow more strange, frightening, and catastrophic than the gun being held to his brother’s head. How could he have forgotten?

The preorder link: https://amzn.eu/d/0czWhf1a

Stay tuned because next week I will be sharing the inspiration and ideas behind this book and its characters!

To Be A Boy Of 7…Part 2

A million years ago, but also, only yesterday, I wrote this piece for your big brother, Dylan. https://chantelleatkins.com/2015/04/08/to-be-a-boy-of-7/ A million years ago, but also, only yesterday, he was seven like you are now. When he was seven, you were just a tiny baby, so you didn’t know him then. He was all stick arms and legs and tons of white-blonde hair. In a tiny blink of an eye, he grew older, he grew up and now he is a gangly fourteen year old with a sweet, wry smile.

But you, what are you like at seven? What is being a boy of seven like, for you?

I think to be a boy of seven must still be a glorious thing. I think your heart is as full and free as his was.

Yet being seven, is not as easy for you as it was for him…You’re more intense, more sensitive, more questioning and less able to sleep. Your brain never lets you switch off…Night after night, no matter what effort I’ve put in to wear you out, you delay sleep, you fight sleep and your mind fills with worries. You tell them to the worry dolls, Sam, Shepherd and Raven and you write them down in letters for me. You tell me that bedtime is too long, that you have to lie there for hours, that you feel like crying, that your stomach hurts or your eyes are sore. I try to be patient. I talk you through it. You listen, and you try what I suggest, but it’s like your mind just keeps on spinning. I sometimes wish I knew what was going on inside there.

I wonder if I am too soft on you…but do I really want to make you hard? I say it sometimes when you are being too sensitive, when you have exclaimed ‘ow’ for the thousandth time that day, when you tell me you are getting your ‘cry feeling’. I say you need to get over it, it doesn’t hurt that much, you will be okay, stop worrying, stop making a big deal, please, please, just go to sleep. Toughen up. I tell you this sometimes because I worry that your worries will drag you down.

Know this. I wouldn’t change you though. I wouldn’t change a wiry strawberry blonde hair on your head. Your hair that always smells like the rain. I wouldn’t change a thing about you, because you are one in a million. Sometimes people describe you this way, a real character they say. If you were not real, I would want to invent you!

The little boy who stops to say hello to woodlice and bumblebees, the little boy who always takes one sock off at some point during the day, the little boy who always says please and thank you to everything and everyone, the little boy whose stomach hurts when he gets his ‘cry feeling’, the little boy who just cannot stand to be told off, the little boy who does not like to play alone, the little boy who always brings home ‘good sticks’ and ‘cool stones’.

I love watching you walking along with a good stone or stick in your hand. Sometimes they end up in my pockets, but mostly you hold on to them. The kitchen window sill is full of your finds. The garden is littered with important sticks and several of them have residence in your bedroom. And every time when you walk the dogs with me, you ask if we can pretend to be in a zombie apocalypse. You’ll give me a stick and tell me its a machine gun. You’ll have a sword or a shotgun or a bat. We’ll take down the zombies together whilst searching for supplies. We’ll look for a shelter, or a community to join. We’ll rescue each other, again and again and again.

You want to be a builder or a vet. I see both in you. You play with bricks and blocks every day, creating towns and communities and car parks. You are kindly to animals, to even the smallest spider or tiniest caterpillar. They all deserve a friendly hello and protection.

At the moment, I see you are changing fast. It feels like seven is the bridge between little boy and big boy, and there you are, perched and teetering. You are outgrowing all your clothes and shoes. Every time I look at you I am shocked. Your face is thinner but your hair even wilder. Your legs go on forever and your appetite is huge. I try to fill you up but you are never satisfied. You are a small, warm hand in mind but you are getting too pick to pick up. You like to snuggle. You ask if I have time to snuggle with you now or later. You ask for me to snuggle you up. You tell me you love me about a million times a day. You also tell me I am pretty and you tell me off if I get cross with myself. You are my biggest fan.

Today we walked the dogs together and as we approached the road I felt your hand reach out for mine. I felt its smallness and softness and I felt the belief from you that I will always take care of you. We had to pretend we were leaving our base to get supplies and when we came back you begged me to play real army with you, which meant I got some of your best sticks as swords and you got your toy guns. You laid out all your weapons on the sofa in your room and told me to upgrade mine when I had enough points. You showed me your upgrade pose – blowing the top of each gun and then pointing them while you tipped your audience a wink. You made me laugh. You always make me laugh. Every day, there is something you say or do that sets me off. You’re just happy that I’m playing with you and as you say, I’m ‘getting into it’. I keep reminding myself how little time we have left of you wanting to play like this. How I must grab it with both hands, even when I’m tired, or not in the mood.

Because it means so much to you. You hate to play alone. Unattended, you wander around and make noises and get told off for annoying people. It’s like you don’t know how to be alone, not at bedtime, nor play time. I tell you all the time to play with your toys but you hate to do it alone, even though you have the most amazing imagination. But it pleases me that you read alone at bedtime, because reading is how we learn to be okay with being alone. I tell you you are never really alone, because you are full of memories, and dreams, and hopes, and you are full of all the people who love and adore you. I hope one day you will believe me.

My noisy little boy who can’t sit still. Watching a movie with you is like being on a trampoline. You ask endless questions we can’t possibly know the answers to. You live for the details. You want to know everything about everything. A little frown creeps onto your forehead when I answer you as best I can. You are my last little one and not so little anymore. I guess in some ways you will always be my baby boy, no matter how tall you grow, and I am sure you are going to be taller than all of us. Lately I’ve seen the changes that seven brings. The self-consciousness when you realise you’re the oldest one in the park. Telling me a park is too busy for you to play in. You have always been obsessed by parks, but now you are put off easily. You tell me you don’t want to embarrass yourself. You seem too aware of what big kids and little kids can and can’t do.

But at home, you are you. Our little wild thing, with one sock missing and always with a smear of food on your shoulder from wiping your face. You get in the bath and turn the water brown and I laugh and say, that’s how you know you had a good day. You write me little notes asking me to play with you. Little wish lists of things I’ll try to fit into the day. Army men. Playmobil set-ups. Zombies. Lego. Bricks and cars.

I’ve tried to hold onto you from the start, knowing you were the last and sometimes the knowing is like being unable to catch a breath. My God, it goes so fast. A chubby baby fills your arms, gets down and toddles away, climbs a tree, runs down a hill and then finally, one day, pulls their hand from yours and leaves. Parenthood is always letting go. One small step at a time. Parenthood is always being left behind, waving, smiling, crying, watching them go. And it’s a privilege and a joy, my sweet, funny, complicated, non-sleeping little boy…You are a joy, my boy of seven, you are glorious.

The Seeds that Sow a Book…

As launch day for my next book, Elliot Pie’s Guide To Human Nature draws ever closer, (Friday 5th October!!) I thought I would write a post about the various things that inspired this particular novel. As always, it is never just one thing, but rather scattered seeds of ideas that take root and then somehow weave together as the process unfolds. And it was a particularly long process for this book. I worked on it, on and off, for over three years, which is the longest I have ever spent on one novel. I expect that’s another blog post for another day, but for now, here are some of the things that inspired Elliot Pie.

Current state of the world.

I wasn’t so much concerned with dissecting it, or even asking why it is the way it is. I was more interested in the question, is it getting worse? And of course, it’s human beings I’m really referring to, not the actual spinning ball of mud itself. Are people worse? Is human nature crueler and more destructive than it once was? When you look at the issues facing us today, it’s easy to consider that they must be. We have rising homelessness, poverty, increasing inequality, fascism on the rise, endless wars, plastic pollution, and climate change and environmental destruction on a devastating scale. It’s not hard to see why some people think we are simply doomed. That it has all gone too far. That there is no turning this around. End days are upon us. It’s Elliot’s mother Laura who feels this genuine fear in the book, and if I’m honest, I think her character’s fears are exaggerated versions of my own. Like most people, I have days when the fears consume me. It simply feels like the world has never been a more dangerous place. This is a question Elliot asks repeatedly throughout the book. Is this the worst things have ever been? Or have they always largely been the same? Or is it actually not as bad as we think? It was my constant pondering over these questions that inspired the journey Elliot would go on in the story.

Human Nature.

Human nature is something I think about a lot. What makes some people kind and good and gentle, and other cruel and destructive? This is something both Laura and Elliot consider throughout the story. Laura is a cynic. She’s been hurt too many times and has no faith left in people. She genuinely feels that the majority of people are cruel and selfish. She feels utter despair when she watches the news every evening, and can’t understand why other people do not seem to be as upset and depressed as she is by the horror stories. Elliot, on the other hand, is an optimist. Part of this is obviously his young age. At twelve, he has yet to see the worst of human nature, unless you count his increasingly disturbing altercations with Spencer Reeves at school. Elliot is curious about Spencer and wonders what makes him get up in the morning and decide to bully people. He wants to prove to his mother that most people are good and don’t want to hurt you.

Strangers. 

This may have been the seed that started it all. I’m an introvert but I’m endlessly fascinated by people. I always have been. Even as a child, I preferred standing on the edge, listening and observing. I was always watching people and wondering about their lives and their motivations. I didn’t want to talk to people or interact with them. Even now, I probably hold most people at arms length. But I am curious about them, and in particular, those people you never see again. Glimpses through car windows, strangers that pass you on the street. People you speak to in a shop, in the bank, at the park, and then never ever see again. I always wonder about their lives and in the absence of knowing, I make one up for them. It’s this curiosity about strangers and their lives that inspires Elliot’s plan to help his mother. If he can befriend strangers and prove to his mother that not everyone is bad, then maybe he can encourage her to leave the house and start to live her life again.

Family.

To be honest, I think all of my books are inspired by the complexities of family life. It’s another aspect of humanity I find compelling. In this particular book, Elliot is an only child born of a one night stand. His mother, who has never had any luck with men, has now sworn off them for good. She never planned to be a mother and has never found it easy. This is perhaps because she is haunted by the relationship she and her brother Liam had with their father Pat, a man who in death is glorified by their mother Diane, but was a far darker presence in their lives than she will admit. Families are complex structures, simmering with resentments, jealousies, guilt and longing. I often think that at the heart of every human’s insecurities and woes, is the desire to be accepted and valued by their family. If a person never felt either, they inevitably struggle in life one way or another. Laura’s family secrets begin to reveal themselves as the novel progresses, and her attempts to unravel the past and understand it, are part of her own healing process. In truth, she had her own plan to get better all along, but as this is kept from Elliot, he has no idea.

Mental health.

Again, I think all of my books deal with mental health issues one way or another. From eating disorders and self-harm to depression and suicidal thoughts, I think I’ve explored them all at some point. In this book, Laura suffers from agoraphobia, and we eventually discover that her brother Liam, who is missing, once attempted suicide. On the surface, an extrovert and a clown, Liam has his own hidden scars, and at the start of the book, we learn that he has disappeared after a series of tragic events, including the stillbirth of his child. This tragedy has obviously had a huge impact on his mental health and on those around him.

Hope.

This book explores some upsetting topics but Elliot is the optimist, carrying the light. He’s determined to help his mother, find his Uncle Liam, and learn something about human nature as well. He also feels that as a member of the younger generation, he will not give up on this world just yet.

Nature.

This was also a major theme in The Tree Of Rebels, and as these two books were written and worked on during the same time period, it’s no wonder that it crept into Elliot Pie as well. It’s mainly explored through the character of Frank, an elderly man who feels we have all become too far removed from nature. And as Laura locks herself away in her home for safety, Elliot begins to explore the great outdoors, riding on his bike from one area to the next, discovering new places and people. He begins to feel the opposite to his mother, and feels the urge to be outside as much as possible.

 

So, there you have it. The themes that weave a plot together. The interesting thing about themes and ideas is that you not always aware they’re there until after you’ve written the book. I know one of my earliest thoughts about this book was that I wanted to write a book about a boy who felt intrigued by strangers and wanted to follow them. This obviously led to questions. Why was he so intrigued? What was it about his own life that drew him to strangers? And the rest began to unfold as I wrote it. Funny how all those little seeds get planted along the way and grow into a book.

 

 

 

 

 

 

 

 

 

 

 

Indie Book of the Month; June “Smash All The Windows” by Jane Davis

How can it be July already? Seriously, I’m still getting used to May and suddenly we’ve whizzed right through June?

I’ve mostly been reading my own books lately, in terms of editing them on my Kindle, but I did manage to devour two gloriously long Stephen King novels and this gem of an indie book, Smash All The Windows by Jane Davis, which I have picked as my Indie book of the month for June.

smashwindows

Here is the blurb;

It has taken conviction to right the wrongs.

It will take courage to learn how to live again.

‘An all-round triumph.’ John Hudspith

For the families of the victims of the St Botolph and Old Billingsgate disaster, the undoing of a miscarriage of justice should be a cause for rejoicing. For more than thirteen years, the search for truth has eaten up everything. Marriages, families, health, careers and finances.

Finally, the coroner has ruled that the crowd did not contribute to their own deaths. Finally, now that lies have been unravelled and hypocrisies exposed, they can all get back to their lives.

If only it were that simple.

Tapping into the issues of the day, Davis delivers a highly charged work of fiction, a compelling testament to the human condition and the healing power of art. Written with immediacy, style and an overwhelming sense of empathy, Smash all the Windows will be enjoyed by readers of How to Paint a Dead Man by Sarah Hall and How to be Both by Ali Smith.

And here is my review;

This is the third book I have read by Jane Davis, and it’s safe to say I am a fan. I enjoy her writing style, and I feel I am in safe hands when it comes to her delivering memorable characters. This new novel does not disappoint. Smash All The Windows is a complex and ambitious novel spanning the lives of several characters who have been affected by the tragic deaths of 58 people on a London Underground escalator. Much in the same way the victims were blamed by the authorities and the press after the Hillsborough tragedy, the people involved have had to fight tooth and nail to get justice for their loved ones. The timeline jumps back and forth. Sometimes we are in the viewpoint of a character who died that day, and sometimes we are seeing the impact of their loss on a relative or friend. I grew to love all the characters, those living and deceased throughout this book and I can confess to shedding a tear or two as I progressed through the novel. It’s a sad yet beautiful story about the human spirit and families search for truth and justice in the aftermath of a tragedy that should never have happened. Brilliant writing, perfect characterisation and a particularly perfect and poignant ending. Highly recommended!

You can find out more about Jane and her books by following her on;

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