I’ve been active on Medium now since 2023 and active on Substack for over a year. My trusty and much loved blog here on WordPress has been going since I started my writing and publishing journey back in 2012 or therearebouts! Since I published my debut novel The Mess Of Me in 2013 I have gone on to publish a total of 23 books, if you count The Dark Finds You which is out next month.
It was all a learning curve in the beginning and it’s true to say I actively hated a lot of it. I just wanted to be writing. Fast forward through the years and I started to get used to it and eventually, even enjoy it. And then of course the landscape shifted – again and again and again – and like all independent authors on a low budget, I’ve had to shift and adapt with it each time.
What I do now is try new things, give them some time and then assess what is working and what is not. After all, no one wants to spend their entire lives on social media and these books have got to be written somehow! With all that in mind I thought I’d do a little recap on what has been working for me, as well as what I am thinking of trying in the future!
The first thing to mention is that my sales are up. Reviews are still very hard to come by, but I get sales from Amazon and from Draft 2 Digital (who distribute both ebooks and paperbacks to everywhere else) every month and in the last year or so, those sales have improved. Now, I am nowhere near being able to pay the rent! Nowhere close! But I do get a nice surprise most months, a little ‘oh!’ moment when my royalties show up. Funnily enough, most of my royalties are coming from Draft 2 Digital distributors, not Amazon!
Let’s start with social media.
Facebook and Instagram: I am still not as active as I probably should be, but whatever I am doing there for free does seem to be fetching me sales. I have 424 followers on Instagram which is linked to my Facebook author page where I have around 1,500 followers. I post daily life pictures and videos such as dog walks in my favourite places, gardening and baking pictures and writing updates. I post review graphics of all my books as much as I can, and quote graphics too, all with buy links and blurbs attached with the relevant hashtags. What I’ve done differently this year is use music! I caught on late and who knows what difference it makes, but it is fun picking songs to go with your pictures and reels. I try to repost and share my Substack and Medium posts to Instagram and Facebook too but not as much as I should.
What I want to try in 2026: I want to try posting more videos of me talking. Scary, I know, but a lot of the time it would actually be quicker to record myself saying or doing something and post that to several places. I particularly want to try this with my Chasing Driftwood Writing Group social media platforms and blog. I work with young writers running clubs on Zoom and in schools, but I often worry about the young writers I can’t reach. There is only one me and I can’t run any more clubs than I already do. I already post a weekly round-up of what the kids have been up to on my Chasing Driftwood Writing Group blog and Facebook page, but I was thinking of changing that to a video where I could go into a bit more detail. It might be useful for writers who can’t access clubs and workshops, and I could cross post it to lots of places. I’m unsure at the moment, but it could potentially be more effective as well as a time-saver!
Medium: It’s been up and down over on Medium but I do try and publish pieces there at least once a week. Essays, poems and short stories mostly. I am still running my tiny little publication The Wild Writers Club but constantly wondering if it is worth it! I have been boosted a few times lately and while two of them didn’t earn as much as I would have liked, one did hit the sweet spot and earned me over £200 just in time for Christmas! I was thrilled. Funnily enough, although I was only responding to a writing prompt about revolution, it was the most political piece I have ever shared there, so maybe I should do that more often? Anyway, it continues to be worth it, so I will stick around for the forseeable future. One new thing I have been doing is sharing links to my Medium pieces to my Substack weekly round-up post. I share the Medium member link and the free friends link to cover everyone.
What I want to try in 2026: I need to remember to share my Medium pieces in more places, such as Instagram and Facebook as well as Substack. Chances are the same people are not following me in all these places, so it makes sense to cross post as much as possible. I also intend to keep up my once a week posting if I can and maybe even up it, but we will see. Maybe I will be brave and share more of my political and social opinions!
Substack: I am not earning anything on Substack, that is the most important thing to point out. I have zero paid subs and I don’t think I am likely to ever get any. I have thought about offering high value content to paid subscribers but it just feels a bit cheap. I’m not sure I have anything to offer that’s worth £5 a month. I just want people to read my books and that’s what I focus on there. Sales have been better this year, so perhaps it is working? I have 139 subscribers there. I post weekly round-ups on a Friday where I share the main news of the week, whether it is writing, work or just life related and I also share what I am reading, watching and listening to. I just enjoy it! It’s fun sharing books and music and TV I love! There is always writing related news too and as I already said, I also post links to my Medium pieces. I also post an end of the month author newsletter, which really just replaces the old useless MailChimp one I used to have. This is always 100% writing related. And up until recently I was serialising Black Hare Valley Book 1 on Substack as well as here.
What I want to try in 2026: I was thinking about adding writing tips and prompts to my weekly round-up but if I go ahead with my weekly video thing for Chasing Driftwood Writing Group, I wouldn’t need to do this. I would link to it. One thing I am definitely doing is adding character POV things to my author newsletter. There is endless content for this! I am going to be handing over a part of the newsletters to one of my characters each month. For example, Danny from The Boy With The Thorn In His Side will share his favourite sad songs, or Bill Robinson from The Holds End Trilogy will share his best ‘fuck you’ songs to sing at a gig. Chess and Reuben from The Day The Earth Turned series will share survival skills, and so on! There will be all sorts from playlists, reading recommendations to life hacks, recipes and philosophical thoughts! I am looking forward to this!
Well, I think that’s everything. As always there are probably a million more things I could be doing to sell books and improve visibility as an independent author, but at the moment I think it’s wise to stick to the things I know and keep building on them. Tweaking things and trying something new every now and then within these platforms also seems to be worth it!
How about you? If you are an author what is working and not working for you at the moment and d you plan to try anything different in 2026? If you are a reader, where are you finding your books at the moment?
The final book in an interconnected universe is finally here…
image owned by Luke Fielding Art
First of all, let me apologise for the lack of blog posts since I started sharing Black Hare Valley Book 1 with you a few months back! A huge thank you to those who read along and left me feedback. I really appreciate it and serialising was an overwhelmingly positive thing to do. I will be serialising something else soon but more on that next week!
This week the good news is I finally have a new book on the horizon. The Dark Finds You is a gritty crime thriller drama about a fractured community and a missing boy. It also contains characters from many of my previous books in a shared universe. However, it can very much be read as a standalone and you do not have to read any of the previous books to enjoy this one.
If you are interested in exploring the connected universe however, I’ve listed the order to read them in. If you start with The Boy With The Thorn In His Side series and work your way through, you will find that The Dark Finds You makes a satisfying conclusion to previous storylines in that world. The main characters in The Dark Finds You are: Danny Bryans (nightclub owner), Leon Lawrenson (drug dealer) Bill Robinson (lead singer in a band who play at Danny’s nightclub) Elliot Pie (Bill’s father is having a baby with Elliot’s mother so they are now almost brothers) Laura Pie, (Elliot’s mother) Leah Barratt (Elliot’s friend) and Finn Douglas (Elliot’s other friend and the catalyst for the storyline when he goes missing.)
And here are the order the characters appear in books I have already published. In other words, read in this order!
Best friend Elliot is desperate to find him, but why is mutual friend Leah strangely reluctant to help?
Elliot’s pregnant mother fears her agoraphobia has returned, while his almost-brother, Bill, agrees to help look for Finn but risks exposing his secret drug habit in the process.
Meanwhile, ex-con Danny knows his nightclub is being infiltrated by drug dealers who work for a gang from his past. And drug dealer Leon can’t have the fresh start he wants until he has repaid his debt to the same criminal gang.
A collection of characters with dark pasts find themselves linked by a common mystery that they all have a clue to solving – what has happened to Finn Douglas?
At the time of writing you can’t pre-order the paperback because I am currently waiting for the proof copies arrive for me to check over! I will let you know as soon as the order links are live.
NO AI TRAINING: Without in any way limiting the author’s [and publisher’s] exclusive rights under copyright, any use of this publication to “train” generative artificial intelligence (AI) technologies to generate text is expressly prohibited. The author reserves all rights to license uses of this work for generative AI training and development of machine learning language models.
1
The storm kicks in late afternoon. By that time, Ralph has made it safely back home. He threw stones at Willow’s bedroom window and left her a note by the back gate on his way.
Meet tomorrow at ruins. 8am. I’ll get others. From Ralph.
And he will. Because suddenly Ralph is less afraid. As he stands at the front window and stares out at the rain washed streets, he feels something else creeping steadily over him. He knows what they need to do and it all makes a horrible kind of sense.
2
Jaime also watches the rain as it lashes against the window panes in her bedroom. Downstairs, the pub is full of regulars and rain-soaked townsfolk who have rushed in to take shelter from the deluge. Someone is playing a ukelele and someone else, an old woman, she thinks, is singing along. Every now and then a loud crack of thunder makes her jump and her teeth, nibbling nervously at her lower lip, sink too far and draw blood.
She swears to herself and to her room which feels like a prison and she puts one hand gently against the side of her wounded face. There has been no sign of Ralph and she is terrified.
She supposes she will have to find Willow and together they will track him down, starting at his house and moving on from there. She is already feeling sick at the thought of trying to sneak out or explain this to Mark when she receives the phone call from Ralph.
‘Meet tomorrow at 8am,’ he says before hanging up.
That’s it. Nothing else. But she smiles in relief and almost sobs because it means he is okay. He got in and out and he knows something, something worth telling them. And then there is Willow, who went to see Jesse….
Jaime closes her eyes and sighs. They’ll meet tomorrow. She feels safer already knowing her friends will be with her.
3
Willow made it back home just as heavy rain began to pummel her head and shoulders. She went in the back way, not keen on seeing her parents or their dopey expressions – and ran up to her bedroom, discarding her sodden cloak on the floor. Something clattered against the window, drawing her over.
The skies were a deep purple black bruise, swollen storm clouds rolling fast. Ralph was out there, soaked to his skin, pointing to a piece of paper he had left by the gate. Willow rushed back outside but there was no sign of him.
Now she stands back in her bedroom, with the note clutched in one hand. The rain is heavier; pelting the shops and the roofs of the vehicles sailing by. It’s such a small world, she thinks, and a sudden bright fear grips her. She feels small and watched, like prey – she thinks, Paddy, where are you? Are you safe? She wonders what she would be if it happened to her; a bird? A mouse? Who decides?
She pictures Jesse’s pale haggard face and her heart aches for him, for all of them. She gazes out the window to see the clouds are ginormous, blanketing the town, swallowing it whole. It’s going to be one hell of a storm, she thinks.
4
Jesse is watching Margaret from his window. She’s heading to her car, waterproofs on, hood up, walking briskly as usual as if she is always off to see to the most important business. He feels a hot sick hatred for her that clutches at his guts and makes him want to spit.
His head still aches, but its duller. He still feels groggy – half-asleep almost, like all his thoughts could scatter at any moment and he will be left weak and floundering and unable to collect them back up.
Margaret gets into her Land Rover and turns on the engine. Yellow light spills across the driveway, and her wipers start sweeping frantically back and forth. He watches her reverse, and turn around before trundling steadily down the lane. He hopes she loses control, skids in floodwater and crashes into a tree.
But would that end her?
He doesn’t know. He sits on his bed and knows he will have to find the others tomorrow.
He has to end this.
5
Lightning ignites the sky as Margaret parks around the back of Station House and turns off the engine. She opens the door and steps straight into a huge puddle. Cursing under her breath Margaret slams the door and hurries towards the house. Angry rolls of thunder boom on the horizon and the rain is relentless as she raps urgently on the door.
‘It’s open!’ Aaron calls from inside and she tries the handle to discover that it is unlocked.
Margaret hurries inside, instantly peeling off her soaked raincoat and hanging it over the back of a kitchen chair. Small puddles begin to form around the chair as the rainwater runs off the coat.
‘Kettle’s hot!’ Aaron shouts from upstairs. ‘Unless you want something stronger?’
Margaret glances irritably at the silver kettle perched on the stove, before marching through to the small living room. ‘Something stronger!’ she replies.
She grabs a bottle of whiskey from the drinks cabinet and pours herself a double. Then she goes upstairs and finds Aaron in his special room. It makes her smile, a small cynical smile that flashes up and then fades away just as quickly. Like a little boy with his favourite toys, she thinks in amusement.
Aaron is sprawled casually in his comfy swivel chair, the one that rolls along on little wheels, so that he can glide effortlessly from screen to screen. His head rests in one hand while the other moves a mouse around on the desk before him,
‘Anything I need to know?’ she asks him.
He rolls forward slightly and points to a screen. ‘The Harrison girl just got home. The Maxwell boy was throwing stones at her window and left her a note in the rain.’
‘Oh? They must be planning to meet up. She came from mine. Hilda let her in. She gave Jesse a trinket of some kind. I think she has a thing for him.’
Aaron grunts. ‘They’re all at home.’
‘Nothing to report then?’
He shakes his head then shrugs and points to another screen. ‘Unless you want to watch the vicar and Sylvia eating each other’s faces off in the car park behind his church?’
Margaret chuckles. ‘Ew. No thanks. I’d rather not. Still at it then? Pair of idiots.’
‘Or,’ Mayfield rolls himself along to another screen. ‘The Cotton boy has just arrived at the community centre. Hewlett is there alone, locking up.’
Margaret sips her drink. ‘Doesn’t he run a group there on Saturdays?’
‘Some sort of book club,’ Aaron confirms. ‘Then, like clockwork, young Nathan Cotton turns up to help tidy up. How very sweet.’
‘He’s like that,’ nods Margaret. ‘Volunteers everywhere. Do you think there’s more to it?’
Aaron considers this for a moment, then sighs. ‘I don’t know. Obviously we know what him and Neville get up to, but the library? The church? He could just be bored or just helpful. Or it could be something else.’
‘Like a spy, maybe?’ sighs Margaret. ‘Digging around. He might be wondering about Iris.’
‘She despised him,’ growls Aaron. ‘And quite right too, snivelling little snake. It’s those other damn kids you’ve got to watch out for. The new girl was talking to Nathan just today. So, I’d keep an eye on that.’
‘Yes we will, of course, keep an eye on everything.’
Aaron looks at her for the first time. ‘Good,’ he says softly.
She drinks more whiskey. ‘I don’t think we need to worry about those kids.’ His bushy white eyebrows shoot up as he turns to stare at her. ‘It’s fizzling out. What can they even do, Aaron? That’s what you need to ask yourself. It’s really no different to last time.’
He regards her silently, his face doughy and craggy behind the facial hair. She feels small for a moment – as if he is looking down on her, seeing her as inferior, an idiot, even. Maybe he does, she thinks, probably he does.
They have always worked well together, the mayor and the policeman. Though opposite in many ways, they have always entertained the same ethos where Black Hare Valley is concerned; and that still binds them now, despite the rising animosity. The town must always come first. It is a special place, a sacred place and it must always come first, above all else, above everyone, even themselves.
When he rubs her the wrong way, Margaret reminds herself of this. They both love the town, they both live to serve and protect this town. She hopes this means they can get back on the same page. She hopes they can reconcile their obvious differences.
‘What can they even do?’ he repeats her question back to her in a slow, sarcastic tone.
Margaret stiffens and closes her eyes briefly, attempting to muster the patience she needs to deal with him.
‘What can they even do?’ Aaron says one more time as he swivels the chair around to fully face her. ‘You mean, except for what they have already done?’
She rolls her eyes. ‘Oh, come on. What have they actually done? Really?’
His eyebrows climb higher. ‘You mean apart from all the sneaking around, lying, breaking into my house, stealing, hiding, more lying, causing a power cut, trespassing and killing Iris?’
To this, Margaret laughs. ‘They didn’t kill Iris! What on earth are you talking about?’
Aaron drums his fingers against the padded arm of the chair. ‘Jesse Archer’s criminal brothers killed Iris.’
‘She shouldn’t have been out there!’ Margaret argues. ‘She shouldn’t have been form like that out there. It was an accident. Believe me, I’m keeping an eye on those two, but it was an accident, Aaron. They didn’t know, did they?’
‘Jesse did.’ He glares back at her.
‘No, not for sure. Not then.’
‘But now? How much does he know now, Margaret? How much trust are you placing in a feral and filthy outlaw like him? A boy who has been nothing but a stain on this town!’
Margaret finishes her drink and places the glass on the desk. She straightens up and smooths her damp hair away from her face. ‘It’s a two way thing, Aaron and it is not being rushed. It never is.’
‘He’s too young, too rebellious. It’s too risky and yet for some reason, you refuse to see it!’
‘Look.’ She breathes in and out slowly. ‘I trust him a bit, I give him a bit, then he trusts me a bit, and gives a bit. Slowly, slowly. He’s got a predator inside of him. Just like you. That’s half his trouble, plus he’s just like his mum. All that hunger can drive a boy crazy. You should know, Aaron. Maybe you and him are more alike than you realise.’ Aaron groans as if in pain and Margaret holds up her hands to placate him. ‘I’m just trying to help him and direct him, all right? He could actually be an asset and we’ve lost Bob and Iris along the way. We need to replace them at some point.’
‘Thought you were sniffing around Mark’s new woman,’ Aaron snorts. ‘Or was that just a waste of time?’
‘No, of course not! Again, Aaron, you know these things can’t be rushed. It always takes time. And time is something we really do have a lot of.’
He grunts, still drumming his fingers. ‘Those kids are still prying. You’re really not worried about that? They have parts of the book, the spells. That didn’t happen last time.’
‘No, but they don’t have enough,’ she laughs. ‘They’d need the whole book to cause a problem and even then, they wouldn’t have a clue…’
‘But Jesse,’ he insists. ‘If you bring him in, he’ll know more and he’ll tell them!’
‘He’ll be one of us by then. Loyal.’
‘Never.’ Aaron grits his teeth and shakes his head. ‘Never. And what about Rowan? Look how that went.’
‘He’s not a threat. Never has been. Just wants to be left alone and he’s been like that since it was his turn.’
‘Says it turns his stomach,’ replies Aaron, his tone snide and mocking. ‘Didn’t bother him so much in his day though, did it?’
‘He’s a hypocrite,’ agrees Margaret, ‘and I’ve no time for him, but as I said, he’s not a threat to us.
Aaron does not answer. He just stares at her through dull, sulky eyes.
Outside, a clash of deep thunder seems to rock the house. Margaret flinches and eyes the door. She has the urge to make this quick and get back to her farm.
‘What can they do?’ she says again. ‘Answer me that right now. Whatever they think they know, who would they tell? No one, or they would have already. And even if they told the whole town, who would believe them? And even if anyone did listen to them, what could they do? Where is the proof for anything? They have some scraps from a book that can do nothing. They have a hare that cannot talk or change form. And, by the way, Jesse’s predator is getting very hungry where that hare is concerned. What else, Aaron? What else do they actually have? They can’t stop us or even interfere. You know that deep inside, admit it.’
Aaron looks to the ceiling. ‘Of course I know that, Margaret. That’s not the point.’
‘What is then?’ she demands, angry now. ‘Your blood lust?’ He doesn’t answer and she knows that she has him. ‘That’s what this is really about, isn’t it, Aaron? Be honest for once. It’s about your blood lust – your need to feed!’
‘I am the biggest. The hungriest.’ He swivels back to face his screens, scratching at his beard.
‘Well, just keep it under control, that’s all I’m asking. Let me at least try with Jesse and stop worrying about those other kids. Okay?’
‘And if it doesn’t work? If Archer becomes a problem?’ He side-eyes her, one eyebrow cocked.
Margaret sighs and turns away. ‘Yes, Aaron, yes. Only then.’
6
The storm rages overnight. Thunder groans across the hilltops and flashes of lightning ignite the black night sky. Willow awakes the next day to a rain drenched town and the storm is not finished yet. It’s still raining heavily and gusts of vicious wind are whirling up and down the high street. Her alarm didn’t go off so Willow is in a hurry, dressing quickly as her parents are moving around in the kitchen, flicking on the kettle and opening the fridge to retrieve milk. She calls out a hurried hello and goodbye then trots quickly down the stairs.
She grabs another coat, slides her feet into wellies and leaves through the back door. Willow marches through the wet grass and disappears among the trees, keeping the valley hills in sight. The rain pummels her as she emerges on the other side and starts to climb. She bows her head, pushed back by the wind that powers down from the top.
When she finally reaches the ruins she feels exhausted. It has taken all her energy climbing that hill with the rain and wind hammering her the entire time. She stumbles breathlessly towards the ruins and scuttles behind the exterior walls to find Jaime, Ralph and Jesse there waiting for her.
Instantly, there is a fraught and frantic atmosphere – a stillness, frozen, icy with terror and anticipation. She swallows the cold air and braces herself. Jesse looks pale and jittery – he is hunched against the wall with his knees pulled up to his chin. He looks like he is barely holding on. She longs to go to him, her old enemy, a boy she has loathed and scorned for so long – but her eyes are drawn to Jaime. She is sat next to Jesse – probably about as close as she can get and does Willow feel a sudden stab of jealousy? Perturbed and disgusted with herself, she shakes it away.
She turns to Ralph. ‘Sorry I’m late – my alarm…’
‘It’s okay.’ He jumps to his feet, hands up, calming her. ‘I got my mum to pass the message to Jesse this morning, but we need to talk fast, so, just listen. We don’t know who else is listening but if I see any bloody bird or animal…’ He leaves the threat hanging in the air and they all glance about anxiously, determining that they are indeed, alone. ‘Okay,’ says Ralph, certain now that he has their full attention.
‘Paddy…’ Jesse suddenly bursts out, talking over Ralph. But his voice is thin, shocked.
‘What about him?’ asks Willow, crossing over to join him and Jaime against the wall.
He looks around nervously. ‘Will he be…?’
‘Joining us?’ prompts Willow and Jesse nods miserably. ‘No, I don’t think so,’ she tries to reassure him. ‘Why? What’s wrong?’
He shakes his head, his cheeks burning as he looks away. Ralph is standing over them all. Willow examines him and thinks the boy she sees now is a long way away from the eager to please, friendless boy she had seen around school. But of course, she didn’t know him then, just like she didn’t know Jesse or Jaime.
‘We’ve got to be quick,’ Ralph reminds them, his face intense. ‘I spoke to Bob Rowan.’ They all gasp at hearing this and he smiles, proud. ‘He was actually pretty reasonable in his human form. The raven form…’ Ralph rolls up his sleeves to reveal the scratches which are similar to the ones on Jaime’s face. ‘Not so much. But I fought him off and I convinced him to talk to me!’
Willow swaps an astonished look with the others – then they all turn back to Ralph, nodding to encourage him to continue. ‘He said what I think we’ve known all along, guys. Sergeant Mayfield is the problem. He’s the one we’re in danger from. Especially Paddy. We have to stop him. We have to kill Mayfield.’
‘What?’ Jaime utters a single whispered word. She looks at Willow and Willow stares back, open-mouthed. She turns to Jesse to gauge his rection but he’s frowning back at Ralph, a look of grim knowing in his eyes. Ralph stares back and a look passes between them before they nod; Jesse first, followed by Ralph.
Willow feels a flutter of panic in her chest. ‘Kill him?’ she sputters, barely able to believe the words escaping her lips. ‘Are you serious?’
‘Yes.’ Ralph nods grimly. ‘And I think we all know it – deep down inside. It feels… right, somehow. Inevitable.’
‘You’re talking about killing a person!’ says Jaime, as the colour drains from her face.
‘Not a person,’ Ralph corrects her gently. ‘A monster. A beast. We’re all in danger while he’s out there.’
‘And Bob Rowan said this?’ asks Jaime, incredulous. ‘He said we had to kill Sergeant Mayfield?’
Ralph nods regretfully. ‘He said Mayfield was a mistake. He said the mayor hates him. He said he’s the danger.’
‘So, what does that make the rest of the committee?’ demands Jaime. ‘Innocent? Are you saying they didn’t all somehow do this to Paddy? They didn’t hurt or kill anyone?’
‘We don’t know that for sure,’ Ralph reminds her, his eyes shifting to Jesse. ‘Jesse? Have you found anything out?’
‘No, not really,’ he says in a low, lost voice, his eyes on the stony ground. ‘But you’re right… Margaret does hate Mayfield, and Rowan, he must have been one of them once. I think they’re all old. Ancient, I mean. Whatever it is they do, whatever they do to people, it keeps them alive. I think it keeps them younger. I don’t know.’ He lifts a sluggish fist and rubs it into one eye. ‘I don’t know for sure. But if you put it all together…’
‘They can turns into animals,’ says Willow.
Jesse nods at her. ‘But they’re stronger, different to Paddy. He’s stuck, whereas they’re in control somehow. It must be some kind of… I don’t know… old magic? Maybe something connected to this place.’
‘She told you this?’ asks Jaime.
He shakes his head. ‘No. Not really. But that drink they gave me, I think…’ He screws his eyes shut for a moment, then shakes his head again. ‘I think it was blood. And…’ He pauses to look at them all. ‘I’ve felt different since then.’
‘Different how?’ wonders Ralph.
‘Like my senses are in overdrive… Like, I can hear and see and smell and taste a hundred times better than before. I have these weird dreams and I feel like I know stuff without them telling me, I mean.’
‘Willow thinks you should leave,’ says Jaime, nervously. ‘Because the other day at the church, with Paddy…’ She trails off, biting her nails.
Jesse glances at Willow with a shrug. ‘You’re right. I can’t be near him. The prey drive, it’s too strong.’
‘Guys, we’re getting off track,’ says Ralph. ‘What’re we gonna do about Mayfield?’
‘We can’t kill a person!’ Jaime cries. ‘We can’t kill a policeman!’
‘What about if he was in animal form?’ says Willow. ‘It would just be like when the dogs killed Iris.’
Ralph nods. ‘Exactly.’
‘But that was different,’ argues Jaime, tears of frustration shining in her eyes. ‘That was an accident. They were just dogs chasing a hare. They didn’t know it was Iris and neither did Jesse’s brothers. Even if we could find a way to kill whatever the hell Mayfield turns into, we’d be doing it on purpose! That’s murder, guys!’
‘He’s not a human,’ Jesse assures her. ‘Maybe once he was, but not now.’
Her eyes are wide and scared. ‘How would we even do it?’
No one answers. It hangs between them – silent, heavy and grim. Jaime wipes her eyes and gets hurriedly to her feet.
Above them thunder is rolling again and the wind has picked up and turned colder. Jaime clings to her woollen hat with both hands and shouts over the wind to be heard. ‘I’ve got to get back! Mum needs me! This…’ She stares around at them helplessly, barely able to meet their eyes. ‘This is crazy.’
Jesse gets up and steps closer to her. He takes her hands in his. ‘But if it comes to it,’ he says. ‘If we have to, if we have no choice, would you help us?’
She stares back at him, her lower lip trembling, her eyes miserable as she looks to the others, before giving the tiniest of nods. She pulls free and stalks quickly away.
Willow breathes out slowly and uses the wall to help her stand. The rain is powering down making her feel like the town is against them, like the very environment around them is trying to thwart their plans – stop them being together.
‘How?’ she asks Jesse.
He shoves his hands in his pockets and glares at the ground. ‘I don’t know. But I can find out.’
‘Anything in the stuff we got from the books?’ asks Ralph.
Willow shakes her head sadly. ‘Nothing. I’ve gone over and over it and so has Jaime. I think Iris did it on purpose, to lure Paddy in, or trick us, I don’t know. But she was certainly one of them, don’t you think so, Jesse?’
‘Yeah, I do and I think she liked to cause trouble.’
‘How do you mean?’
‘I mean, the amount of times Mayfield has said it should have been me, not Paddy. Right from the start, and he’s not the only one. I think it was meant to be me who disappeared but Iris, for some reason, gave Paddy the book.’ Jesse looks at Willow sadly and she nods.
‘She put a target on him. You think we can trust Bob Rowan?’ Willow turns to Ralph. ‘Out of all of them?’
‘I don’t know,’ he sighs. ‘I really hope so. I could go back and see him again? See if he knows how to do it?’
Willow and Jesse swap a look then both nod at Ralph. Willow expects his lip to tremble and his shoulders to drop but she is wrong. Ralph nods back firmly, proudly even, she thinks and then he too, is gone.
‘I still think you should get out of there,’ Willow says quickly to Jesse. ‘Go to the treehouse.’
‘I can’t,’ he snaps, his eyes suddenly dark. ‘Didn’t you hear what I said about Paddy? I can’t be near him.’
‘But if you left now,’ she tries arguing. ‘Before she gets her claws into you any deeper, before…’
He turns away. ‘I can’t. Not yet. We need her to trust me and I have to stay there for that to happen. I’ll find out what I can, all right? About Mayfield and how to kill him. About everything.’
‘You’re in danger!’ Willow cries after him but he leaves quickly, and the wind takes her words and scatter them across the hills. She is not sure if he ever heard them.
7
Jesse knows what he has to do, who he has to see and he feels in his heavy bones that he does not have much time. Whatever Margaret gave him in that drink is still affecting him – he knows that much – it’s in his system now, running through his veins. He knows he cannot ever be near Paddy again and his heart is breaking. But he can do something. He can make sure Paddy is safe from Mayfield. Ralph is right and Jesse knows it more than anyone.
He heads home – to what used to be home – and he trails his way sluggishly up the stairs to the flat. If anything it smells even stronger, or maybe his sense of smell has sharpened. Stale sweat and strong beer mixed with ingrained dirt, grease and decay. Not just his flat, but the whole building.
He still has his key so he lets himself inside and walks straight into Billy. Relief floods him; relief he’s home, relief it’s not his father or empty-eyed Wyatt who’s never liked him; relief so strong it makes his knees buckle. He reaches for Billy and grabs him by the arms.
Startled, confused, Billy allows a brief and clumsy hug before pushing him back again.
‘Jesus,’ he says, his voice no more than a whisper. He glances over his shoulder; Jesse can hear snoring and spluttering from within the flat.
Jesse pulls the door shut. ‘I need to talk to you,’ he hisses. ‘It’s urgent.’
Billy looks him up and down. ‘What’s wrong? You don’t look too good.’
‘I’m not good.’ He steps closer, leaning towards Billy’s ear. ‘I need a gun.’
Billy recoils. ‘Whoa, what?’
‘Can you get me one? Soon. Soon as you can.’
Billy stares at him for a long moment, frowning before narrowing his eyes in understanding. ‘Mayfield.’
Jesse nods. Billy’s eyes flit over his face, as if he’s trying to take in every detail. Then he opens the door, pushing him back out.
‘Don’t let Dad see you. He’s been awful. I’ll get you one. Meet me in the car park behind The Hare tomorrow?’
‘Thanks,’ Jesse breathes, wanting to hug him. ‘What time?’
Billy thinks for a moment, wrinkling his nose. ‘Seven.’
Jesse nods. ‘Thanks, Billy. I mean it.’
Billy does not reply. He close the door, looking at Jesse one last time with a long and sorrowful expression.
Jesse feels lighter as he heads back down the stairs. He knew he could rely on Billy, if only for this one thing. He knows his brother will fetch him a shotgun from one of his poaching buddies and he knows he’ll hand it over with very little fuss. He breathes out slowly. One step closer.
Then he sees the police car.
Like so many goddamn times before…
His heart seems to shudder its way up into his throat and a spiky coldness floods his veins. Mayfield – the car parked in Taylor Drive – leaning out the open window while the rain lashes down. He beckons Jesse.
‘Let me drop you back to Margaret?’ he calls out. ‘You’ll catch your death out here.’
Jesse gulps and stares briefly at the darkening skies. The wind and rain are howling around him and he wonders what the town is trying to tell him. He moves reluctantly and stiffly towards the car.
Jesse climbs in the passenger side as he has done on so many occasions, when this man has demanded it. How many years now, he thinks, how many years has he been haunting my life?
Mayfield grins and starts the engine. ‘Family reunion?’
Jesse keeps his gaze fixed ahead. ‘Just warning them not to poach on Margaret’s land again.’
‘Oh?’ Mayfield chuckles. ‘Well then, maybe she is right about you.’
‘What do you mean?’
‘Oh, you know, that you’re somehow worthy or special, or some such bullshit. Of course, Bishop and I don’t agree for a start and we’ve seen a lot more of you over the years, haven’t we?’
Jesse does not answer. He returns to staring ahead.
‘Well anyway, what Margaret wants, she usually gets,’ sighs Mayfield. ‘So, don’t go shitting your pants, Archer. I’ll take you back and deliver you safe and sound. Her new toy. Her new pet. It’s too late to escape her clutches, you know that, don’t you?’ He laughs.
Jesse grits his teeth and stares ahead.
‘What’s inside you already,’ Mayfield goes on in a playful wondering tone. ‘It’s taken hold and you can feel it. She’ll urge you to drink more and you’ll have to so she can trust you – because if she doesn’t trust you, well, where does that leave you?’ Mayfield laughs and when Jesse glances his way, he sees his tongue flick from one corner of his mouth to the other. ‘That leaves you to me,’ he says with certainty. ‘So, you don’t want to let her down or piss her off and you know it. You’ve worked it all out already, eh? See, that’s why I’m happy whatever happens, Archer, because you’re screwed either way. You’re trapped.’
Thanks for reading!
Please feel free to leave a comment letting me know what you thought of this latest chapter.
NOTE: Please remember this is NOT the finished version of Black Hare Valley Book 1. This book has not been to my editor yet or even my beta readers. There will be typos, grammatical mistakes, and sentences that need rewriting.
COMING NEXT THURSDAY: Chapter Twenty-Nine “The Hunt”
NO AI TRAINING: Without in any way limiting the author’s [and publisher’s] exclusive rights under copyright, any use of this publication to “train” generative artificial intelligence (AI) technologies to generate text is expressly prohibited. The author reserves all rights to license uses of this work for generative AI training and development of machine learning language models.
1
Jesse wakes up in confusion. He is lying on his back in the bed at Hill Fort farm. But he has no idea how he got back there. Groggy, he props himself up on one elbow and examines himself. He’s wearing the same clothes he had on when he got to the old church but he has no memory of returning. He presses a hand to his forehead where a nasty headache is brewing and a slideshow of images fills his mind.
Running. So much running. Suddenly, he can hear his heart beating in his ears again. He squints and groans. Running faster. Grass and hills. The church. What made him go there? Why were the others there? What were they doing?
The black hare…
Jesse springs upright, lowering his hand and gazing around in a panic. He saw it, the black hare. He chased it. He wanted it. The smell, the scent, the blood. Hunger. Running, running, running. Teeth. Escape. He shakes his head – after that, he has nothing.
A knock on the door alarms him. Margaret never knocks. Jesse moves to the end of the bed and lowers his feet to the floor. His throat is tight and dry and his stomach is rolling over in hunger.
‘Who is it?’ he asks, his voice a thin croak.
The door handle turns slowly and time seems to slow down as the door swings open, revealing Hilda in her wheelchair, Horatio at her side.
‘Horatio is not much of a dog,’ she states flatly, her eyes shooting around his room. She has a tray on her lap and what looks like a sandwich in the middle of it. Jesse swallows, licking his lips.
‘What?’
Hilda rolls herself slowly in. She ignores his question and gazes around the room. Seemingly satisfied, she holds out the tray and Jesse takes it nervously. His hands shake as he rests it on his knees. The sandwich looks divine. Thick white bread, corned beef, lettuce and tomato. He stares at it longingly.
‘Thanks.’
‘She said you’d be hungry.’ Hilda is turning her chair around. ‘She’s gone to town.’
‘What time is it?’
‘Lunchtime,’ says Hilda, glancing over her shoulder. ‘Saturday,’
Jesse’s jaw drops. Saturday? He leans forward. ‘Wait. Did you say Saturday? It’s Thursday.’
‘It was Thursday,’ yawns Hilda. ‘Then it was Friday. Now, it is Saturday. Come on, Horatio.’
‘No, wait! Please!’ Jesse places the tray behind him and gets up. He feels sick for a dizzying moment, light-headed as the room swims around him. He holds his head. ‘I’ve been asleep since Thursday? No way.’
‘Yes way,’ is Hilda’s terse reply. She still won’t look at him, he notices. But he looks at her. He sees a small woman in a child’s body – her clothes young, her face old. She’s supposed to be a decade younger than Margaret but as Jesse looks at her now, he thinks she looks older. Her wrinkles are deeper, the skin on her neck saggier. It’s almost impossible to tell what goes on behind those eyes but Jesse can’t help feeling that she’s been trying to tell him something.
‘How did I get here then?’ he demands. ‘Last I remember, I was in the old church with my friends.’
‘Yeah, they brought you,’ Hilda replies, her eyes on the dog. ‘They helped you back here.’
‘Why don’t I remember? What the hell was in that drink they gave me? It did something, didn’t it?’
Hilda releases a dramatic sigh. ‘Not supposed to ask questions.’
‘And you’re not supposed to tell me things, but you did. Didn’t you, Hilda?’ He steps closer and she glances up nervously. Is she afraid of him? He stops where he is and holds out his hands. ‘You told me that Horatio isn’t a dog and Margaret isn’t your sister. What the hell does that mean?’
Hilda arches her lip, her eyes now fixed on her lap. She rolls herself a little closer to the door. ‘You know about the boy. The hare,’ she says after a beat. Jesse nods. ‘Then you know about Horatio,’ she sighs, her gaze shifting to the Labrador’s dozy face. He’s sniffing around her lap trying to snuffle up sandwich crumbs.
Jesse steps closer again. ‘He’s not a dog. Shit.’ He presses both hands to his head. ‘Shit. Shit. Like Paddy. When? When did it happen?’
‘I don’t know,’ she grumbles, with another eye roll. ‘Don’t ask me.’
‘But I need to know. You have to tell me, Hilda. Horatio was a missing kid too? Is that what you’re saying?’ His mind is spinning when an awful thought occurs to him. ‘Jesus, he’s not my mum, is he? Or my aunt? They both went missing!’
A shrill and childish laugh escapes Hilda. ‘He’s a boy, stupid!’
‘Whose boy? Whose? Where did he come from?’ Jesse closes the distance between them and puts his hands on the arms of her chair, trapping her. ‘You have to tell me. You can’t just drop that and not expect me to ask more!’
‘It’s not important who he is,’ she mutters, eyes burning into the floor.
‘Yes, it is! If he was someone’s kid!’
‘He was never a puppy…’ she hisses. ‘He was… grown-up.’
‘Why can’t he change back? Like the committee? Like Mayfield? Hilda, please!’
‘I don’t know.’ She crosses her arms tightly and glances at the window, panicked by the sound of wheels on gravel. ‘She’s back. She’s never gone for long.’
‘Please tell me,’ he begs. ‘Please.’
‘I don’t know. They don’t tell me anything.’
‘Then how do you know about him?’
‘I listen. I wait. I pick stuff up.’ She unfolds her arms and grips the wheels. Jesse lets go and she rolls forward. They hear the front door open and he knows he has to let her go. She wheels away silently, head bowed, Horatio at her side.
Jesse closes the door and paces back to the bed. He sits down and devours the sandwich in seconds. It’s only when the plate is clear that he sees the folded note poking out from under it. Quickly, listening out for Margaret, he reads the note:
Jesse – you passed out. Sick! You made us take you to Margaret’s. You said you were close but we’re worried. You were not like you! We need to see you ASAP. Find a way, They are trying to change you – Willow, Ralph and Jaime.
2
Jaime watches Mark passing the first crate to the delivery driver, then creeps back up the stairs and closes her bedroom door behind her. She goes to the window and waves at Ralph who is lingering outside the shop opposite. He gives a wave to show that he has seen the signal. Then he starts to move. She watches breathlessly as Ralph crosses the road, walks past the pub and turns left into Lupin Lane. He is out of sight and Jaime has no knowing if his part of the plan worked or not.
3
Ralph arrives at Lupin Lane just in time to see the first crate being loaded into the waiting van. He ducks back and waits. Shaking and unable to believe he is actually doing this, Ralph watches until he is satisfied the van is loaded with enough crates for him to hide behind.
As the driver returns to the pub for more, Ralph hares down the road and flings himself into the back of the stationary van. He scuttles quickly behind the stacked crates. He’s clutching his bicycle helmet tightly in both hands and he curls himself over it, closing his eyes and holding his breath as footsteps approach.
The van dips as another heavy crate is loaded and then the doors slam shut and Ralph is in darkness. He opens his eyes and sits up, huddled against the back of the van. He’s breathing fast now, hands shaking slightly as he holds onto the helmet, his only protection.
Shit, he thinks, picturing Jaime’s face; I’m gonna need more.
The engine starts and music blares, making Ralph jump. It’s that Spaceman song he keeps hearing everywhere, one that gets in your head and won’t get out. He closes his eyes again, a small yelp escaping as the van starts to move. Ralph cannot believe he is doing this. Alone. Willow had offered to come but he’d refused. She needed to put her own plan into action.
Ralph folds his arms around his knees and tries to prepare himself.
4
‘You ought to take a break now,’ Willow’s mother says to her from the till where she is sipping a fresh cup of tea. ‘Before it gets busy again. It always gets busy after lunch.’
Willow turns the jewellery stand around another rotation, her eyes fixing firmly on the one she wants. A silver dagger on a black cord. She slips it from the hook then conceals it up the sleeve of her shirt.
‘Okay, I’ll go for a walk then,’ she tells her mother, slipping behind the till to retrieve her cloak. She nods at the pile of neatly wrapped gifts in a box beside the till. ‘Are these orders?’
‘Yes, waiting to be picked up.’
‘Could I deliver any? On my walk?’
Her mother eyes her curiously but nods. ‘Sure. Go for it. Take as many as you like, They’re all addressed.’
‘I will.’ Willow selects four gifts and drops them into a large gift bag. ‘I won’t be long.’
‘Thanks, love.’
Willow pauses at the door. ‘Mum?’
‘Yes, love?’ Her mother lowers her mug of tea.
‘I gave those photos to Jesse to show his dad, is that okay?’
Her mother looks uncertain; her lips parting then closing again as a troubled frown wrinkles her brow. Then she recovers with a nervous smile and pushes her hair behind her ears. ‘Yes, of course, that’s fine.’
‘And you still don’t remember hanging out with Nick Archer? Or Frankie Maxwell?’ Willow asks softly. ‘It’s okay if you don’t, Mum. Sometimes I think this town sort of sings people to sleep, you know.’ She laughs at herself, lowering her gaze. ‘I don’t know.’
‘I do know,’ her mother replies and when Willow looks up she is sure she can see tears in her eyes. ‘I think you might be right. It’s like I don’t want to remember, but I don’t even know why I don’t want to, or why I can’t. Does that make sense?’
Willow nods. It breaks her heart but she gets it.
‘I just know that it’s better that I don’t,’ her mother adds softly, looking down.
Willow nods before slipping out the back way. She starts to skirt swiftly around the outskirts of town. She delivers the packages one by one to four surprised and grateful customers. Willow saves the dagger necklace for Hill Fort Farm.
5
Jaime checks the library first. It’s empty except for two elderly ladies perusing the romance section in a wobbly manner. Eugenie Spires peers over the rim of her spectacles and raises her eyebrows.
‘Can I help you, dear?’
‘Just looking for my friend.’ Jaime fakes a smile and backs out again just as quickly.
Her heart racing, Jaime doesn’t really know what she is doing. This is not a plan; nothing they agreed upon anyway. But she couldn’t sit still and do nothing; not while Willow is on her way to Jesse and Ralph is risking life and limb trespassing on Bob Rowan’s land.
Her mother had complained of a headache so Jaime had offered to pop out and pick up her prescription. She hadn’t thought twice; it was just an opportunity to get out of the pub and away from Mark’s accusing gaze.
A quick trip around town, she’d thought, get away from Mark and help out Mum and get time to think, because it’s been increasingly hard to think inside the pub. Jaime is relieved the investigation is no longer stashed there. The pressure had been keeping her awake at night and she certainly doesn’t need any more reasons for Mark to distrust her. But even with it gone, the atmosphere there makes clear thought almost impossible. The pub, she has realised, is a focal point for the town. There is another, of course, the ill-reputed Old Fort, a place frequented by the likes of Jesse Archer’s father. But almost everyone else goes to the Hare and Hound at some point every week. Mark is proud of this. The heart of the community, he often says, while the church is the soul.
Jaime isn’t sure about any of that but she does know the pub is constantly rammed with people, morning to night. Everyone knows Mark and Mark knows everyone. It’s like that in small towns, he likes to remind her.
But out here, in the fresh air, where everything still smells like the earth after rain, Jaime can finally think clearly. She checks the library for Nathan Cotton who she knows frequents it as much as her but then outside, remembers the other place he can usually be found and quickly diverts to the chemist.
Of course; why didn’t she think of it sooner? Because thinking rationally is so hard in that damn pub. It’s a circus, day and night. But maybe somewhere at the back of her mind she had known.
She pushes open the door and there he is. Reading a magazine behind the counter; a magazine he quickly stuffs under the counter when she walks in, his cheeks reddening.
‘Hi!’ He looks pleased to see her, so she smiles back warmly.
‘Hi, Nathan, how are you?’
‘Pretty good thanks. How can I help you?’
‘I just need my mum’s prescription.’ Jaime rests her arms on the counter in a casual manner that she hopes indicates there is no need to rush. ‘It might not be ready though, she said.’
‘I’ll check for you. Catherine Aster, right?’
‘Yep, thanks.’
Nathan trots around the back and she can see the top of his head bent over a few shelves whilst murmuring to Mr Martin, the pharmacist. Nathan returns, shrugging apologetically.
‘You’re right, it’s not ready but Mr Martin is making it up for you now. Can you hang on a few minutes? It shouldn’t take long.’
‘No problem.’ Jaime flashes her sweetest grin. ‘I can wait.’
‘Cool.’ Nathan returns to his stool but does not retrieve his magazine from under the counter. He smiles guiltily instead.
‘So how are you?’ Jaime asks. ‘You and your family?’
He sighs and examines his hands. ‘Oh, you know. Okay, I suppose. Thank you for asking.’
‘There’s been no news, I suppose?’
‘Great-Grandma? No.’ He shakes his head. ‘Nothing. Mum says not to expect any. She says it was a long time coming.’
‘Really? That’s so sad.’
‘Yeah, but she was super, super old.’
Jaime nods in sympathy. ‘It must be hard not knowing for sure.’
‘She was always vanishing,’ says Nathan. ‘Mum says even when she was a kid. There one minute, gone the next. Never knew how long she’d be gone for.’
‘Where do you think she went?’
Nathan shrugs. ‘No clue. If she went off, you could never find her. Just had to wait for her to come back on her own.’
‘Wow. So, you never knew where she went or what she did?’
‘Nah. Just figured she went off into the woods, the hills, you know. She really liked it out there. Just needed to be alone, I guess.’
‘And what was the longest she’d be gone for?’ Jaime asks, then, seeing a slight frown on his face, she adds hastily, ‘I’m sorry. I’m so nosy. I should shut up. I want to be a journalist one day and once I get asking…’ She laughs at herself. ‘I’m sorry, Nathan.’
‘No, no, not at all.’ He reassures her with a smile, ‘The answer is, I don’t know. A few weeks maybe? Here and there.’
Jaime nods and decides she might as well brave one more question. She can see Mr Martin sealing the paper bag with her mother’s prescription in. ‘What was she like, Nathan? What sort of person was Iris?’
‘Hard to say.’ Nathan glances at the ceiling and rubs his chin as if thinking. ‘Eccentric mostly, I guess. Old-fashioned. In her own world, really. I’d have liked to get to know her better but my mum always said not to expect to.’
‘Really? Why not?’
‘Said she didn’t like children.’ He shrugs again.
Jaime lets a nervous laugh escape. ‘But she had a family, she had you..?’
‘Yeah I know. But I can vouch for it. She wasn’t mean or anything, but Mum was right. She really didn’t care for children.’
‘Was it your mum’s mum or dad…?’
‘Her dad,’ nods Nathan. ‘He didn’t stick around when my nan was expecting Mum though.’
‘Oh? He left town? Iris’s only child left Black Hare Valley?’
‘Never to be seen again,’ Nathan smiles and shrugs. ‘My nan brought my mum up on her own until she died of cancer when my mum was, I dunno, I think about eighteen? She didn’t have a lot to do with Iris, I don’t think.’
‘Oh, I see. I’m sorry, Nathan. Not exactly happy families then, hey?’
‘No, I guess not.’
‘Catherine Aster?’ Mr Martin shuffles into sight, squinting behind his thick glasses and holding out the paper bag.
Jaime wishes she had more time with Nathan but she knows it would be risky to keep questioning him. She takes the bag, thanks them both and leaves.
6
Ralph has been bumped about long enough to know they are now on Rowan land and he has the bruises to prove it. The van has finally come to a stop. Ralph freezes, listening. The music stops and a van door slams. He curls into a ball and holds his breath. He thinks to himself, what is the worst that can happen? The driver finds him, shouts a bit and then sends him on his way? But what if the driver is one of them? What if he is caught and handed over? Changed in some way? What if they hand him over to the police? What if he ends up alone with Mayfield?
Ralph’s mouth is paper dry and his pulse is roaring in his head when the doors are slid open and sunlight fills the van. He feels footsteps walking away, crunching on loose gravel. Ralph knows he has to move now. He can’t risk missing his chance or getting shut in the van again. Breathless, almost sick with nerves, he forces himself to move. He slides over to the doors and lowers his feet to the ground, before climbing slowly and cautiously out of the van.
When nothing happens he peers around the door and sees the Rowan farmhouse looming ahead at the end of a scruffy gravel drive, overgrown with weeds. It is surrounded by long grass, stinging nettles and unkempt hedges. Huge oak trees circle it and beyond them, nothing but deep dark woods.
Ralph shivers and looks around. Seeing no one, he starts to move, heading left to where a rusty red tractor is stationed. He slips behind it, hidden in cold shadows to wait.
7
Willow approaches the farm under a dark and turbulent sky. It looks like bruises spreading out across the horizon, slowly but surely creeping closer to Black Hare Valley. The clouds are blooming, she thinks, swollen and pregnant with the promise of yet more rain. Summer in Black Hare Valley is not a given, she thinks. Weather can, and will, go either way.
Willow wonders; how close will Margaret allow her to get? A cold wind whips viciously across the fields and Willow’s cloak drifts out to either side, briefly illuminating her slim dark frame, before she tugs it together and hurries on, eyes fixed ahead on Hill Fort House.
A large bird arrives, circling above her as she approaches the drive. Margaret’s car is there and Willow can see the light from the open front door. She curries on, casting a watchful eye on the hovering bird, then she sees that it is Hilda at the door. She wheels herself backwards to allow Willow an entrance, almost running over a drowsy Horatio as she does.
Willow stands there, blinking in silence for what feels like forever. She suddenly has no words, and barely any thoughts. A roll of thunder shatters the silence and Hilda wheels forward to swing the door shut with a bang,
‘Are you here to see stupid?’ she asks, wheeling around to face Willow, who nods instantly, mouth hanging open. ‘I gave him your note. He’s out the back.’ Hilda points to the conservatory attached to the library. ‘On the patio.’
‘I’ve got a delivery for him.’ Willow finally remembers her voice but Hilda is not interested. She looks away and wheels herself towards the kitchen with the dog in tow. Willow turns slowly, mystified, before marching stiffly into the library. There are no lights on and its dim and shadowy as she makes her way across to the French doors. One is ajar so she slips through and follows the small orange glow in the rose garden.
Willow clears her throat and walks quickly over to join Jesse. The clouds have thickened and the quality of light is poor. Jesse is perched on the edge of the patio, smoking a cigarette. He looks up as Willow joins him and she sees pure confusion in his eyes. He is pale and clammy, his fingers trembling as they tap ash from the cigarette onto the grass.
‘She lets you smoke?’ Willow can’t help smiling. His gaze shifts to the cigarette and his shoulders lift and drop in a small tight shrug. ‘I can’t believe she let me in. Hilda, I mean. Where’s Margaret?’
Jesse looks up. The large bird, a buzzard, Willow thinks, is still circling above them, slowly and lazily as if it has nowhere else to go.
‘You gave Hilda that note? Bit risky.’
Willow swallows and looks back at Jesse. She digs into her cloak and retrieves her last package. ‘I know. I hope she didn’t show anyone else. This was my cover,’ she tells him, pushing it onto his lap. ‘I was going to say you’d ordered it from the shop. You might as well have it.’
Jesse pulls on the cigarette one last time then flicks the butt away. He unwraps the package carefully, his eyes clearing suddenly, his face losing the tension. He lifts the necklace out by the cord and allows the silver dagger to dangle in front of his face. A small smile brightens his features.
‘This is cool.’
‘Yeah, it is. Jesse?’ Willow looks down at her hands clasped between her knees. She feels a drop of rain splatter onto her head. ‘Do you remember what happened that night at the church?’
He drops his hands between his legs and releases a juddering sigh. ‘No.’
Willow feels a surge of relief. Before she can stop herself she turns to him and takes one of his hands into her own.
‘It’s okay, Jesse,’ she tells him softly, leaning closer. ‘She wants you and she’s trying to change you. I think we need to get you out of here.’
He doesn’t nod or shake his head. He stares into her eyes, then licks his lips and says, ‘It was a drink they gave me.’ There is a slow shock building behind his eyes and Willow waits, giving a tiny nod to encourage him on. ‘It did something to me. But I should stay here… The more she trusts me, the more I can learn.’
‘It doesn’t matter.’ Willow squeezes his hands. ‘We can’t undo what they’ve done. We spoke to Paddy, to the hare, at the church before you ran in. He’s been saving us again and again but he’s not safe from them and he can’t ever be Paddy again.’
Willow waits while he tries to absorb this news. There is nothing but pain and confusion in his face. She glances up as the bird of prey cries out suddenly – a shrill, haunting call. She shudders and squeezes his hand again.
‘I had to see you.’
Jesse nods but does not answer. His eyes are fixed on the small silver dagger pendant.
‘We’ve got some plans,’ Willow hisses at him. ‘But I think we really need to get you out. You could go back to the treehouse. You’d be safe there.’ When he does not reply, Willow leans closer, until their heads are pressed together. ‘Jesse, if you can do it, please go to the treehouse. If you get the chance, okay? Paddy is there. You’ll both be safe while we figure it all out. Because there has to be an answer, Jesse, there just has to be.’
Jesse finally meets her eye, draws in his breath and gives a firm nod. Willow breathes out in relief and lets go of his hand. She tugs her cloak closer as the rain falls harder.
‘I better go. We’ll see you soon, okay?’
He nods. Willow forces herself to move when all she really wants to do is grab his hand and drag him with her. But the bird is circling and the lights are on in the house that looms behind them.
She walks quickly away against all her instincts, and does not look back.
8
Ralph doesn’t know how long he’s been hiding behind the tractor but it feels like forever. It’s raining steadily and the plumy low clouds have darkened considerably. Bob Rowan is there by the van with the delivery driver, a short burly man with a grey baseball cap on. They’re chatting – perhaps Bob Rowan is relaying his next order, or perhaps a dissatisfaction with this one – but he keeps looking over at the tractor.
The knowledge that he has been spotted or sensed somehow, drips through Ralph like cold cement until he starts to fear he is going to heave. But Ralph reminds himself sharply that he is here to speak to Mr Rowan. This is all going to plan. Despite how close to vomiting he is.
The van door slams and Ralph jumps dramatically and bites down a scream. He peers out long enough to see the van driving away and that Bob Rowan has disappeared from sight. Ralph allows himself to breathe out slowly, steadying himself and willing the nausea away.
Then suddenly he is surrounded by black feathers fluttering madly against his face, and a terrible dark scream fills the air. Ralph staggers backwards, yelping and gasping and batting with his hands. He trips and falls on his backside, looking up long enough to see a huge black raven flapping directly above his face. Ralph screams and scrambles back until his spine presses against the trunk of one of the huge gnarly oaks.
The bird dives in, black feet and talon like claws stretching towards Ralph’s face. He lowers his head, pulls up his knees and wraps himself into a tight ball. The claws strike the helmet again and again, soft black feathers filling the air as the raven’s wings bat rapidly up and down.
Ralph shrinks in on himself – safe in the knowledge that the helmet is protecting him – then he yelps in pain when the claws rake across his knees. He had thought to wear thick jeans and chunky walking boots along with a wool-lined duffel coat. It still hurts, despite the padding.
‘Stop it!’ he barks behind his arms. ‘Stop it! I know who you are! Just stop it!’
The raven squawks at him and continues to try to gouge his flesh. He feels a sharp slicing pain in his wrist when the bird’s beak finds exposed skin.
Ralph reaches out in desperation, lifting his head long enough to stare right into the demented white eyes of the bird – whilst his hands grab and slip and grab again, finally closing around the wing feathers.
Ralph cries out with the effort to contain it but he has it and he forces the bird down onto the damp ground. It twists and flaps and squawks furiously, but he’s on his knees leaning over it and putting his weight onto it.
‘Stop it!’ he shouts angrily. ‘Just stop it Bob Rowan! I just want to talk! And I’m not leaving until we do!’
Ralph feels a shift under his hands. The soft silky feathers seem to contract inwards as if shrinking away from his touch. He stares dumbly but darkness fills his vision, feathers beating and rustling and fluttering in his face. Ralph backs off, raising his arms and closing his eyes for the briefest moment.
When he opens them again he is staring at Bob Rowan. The dark-haired sturdy looking man is standing over him, breathless, his eyes burning with cold malice.
Ralph gulps and uses the tree to help him to his feet. He realises then that despite everything he still can’t fathom how any of this is possible. Rewind a few weeks and Ralph had no idea such sinister and impossible things happened in his town. He presses himself back into the thick rough bark and gulps cold air.
Bob Rowan examines him – looks him up and down then licks his lips. ‘You got a death wish?’ he snaps suddenly, stepping forward. ‘Is that it?’
‘No,’ Ralph shakes his head. ‘No, I haven’t.’
Rowan steps closer, his low round head jutting viciously forward. ‘You must have!’ he snarls, spittle flying from his thick lips and splattering Ralph’s face. ‘Sneaking on my land! Did you think I wouldn’t smell you or hear you the second that van arrived? I knew that van had a visitor in it, you stupid little shit. Do you think they don’t know too? Of course they do! They know every little move you miserable lot make!’
He steps back finally, glaring at Ralph, who lifts his hands warily and drags them across his face. ‘They,’ he manages to utter. ‘The committee? They? You’re not one of them, are you?’
Rowan’s eyes drift away. His face shuts down and he turns away abruptly, lifting and dropping his broad shoulders in a dramatically sulky shrug. He starts to move away, muttering to himself, ‘Get off my land…’
Ralph leaves the tree and follows.
‘Mr Rowan? You were happy Iris was killed. You pecked at her and the mayor, she shooed you away like she hated you. That must mean something. You’re like them but you’re not one of them.’
‘Oh, aren’t you a clever clogs?’ Rowan sneers at him sideways.
‘We’re right,’ Ralph asserts. ‘And they changed Paddy. Others too. But Paddy is stuck like that, isn’t he? It’s different for him and he’s in danger. We’re all in danger, Mr Rowan.’
‘Leave well alone then.’
‘We can’t do that.’
‘Why?’
‘Why? Because Paddy is our friend. We have to save him. And Jesse too – the mayor is trying to change him, isn’t she? We want our friends back. Safe.’
Rowan chuckles darkly. ‘No chance, lad. Too late.’
‘Was it you?’ Ralph asks suddenly. He stops walking. ‘Was it you that tried to warn Paddy?’
Bob Rowan growls again and turns to face him. He looks him up and down again. ‘You need to go, sunshine, right now. You, those others, they’re no match for what’s out there. You should know that by now.’
Ralph agrees but he can’t stop now, he can’t have gone through all this for nothing. He has to take something back. He has to. He steadies himself and stands tall.
‘You’re right,’ he nods. ‘We don’t understand any of this, not really, but we’re trying and we’re not afraid, Mr Rowan. We have to save our friends.’
‘Too late I told you,’ Rowan shakes his head solemnly. Ralph wonders if he can detect regret in the old man’s eyes. ‘They’re too strong,’ he adds. ‘Too old. Ancient, they are. You’re meddling with ancient… things, boy. Things you don’t understand.’
‘Help me understand,’ Ralph begs him. ‘Even if we don’t stand a chance. Please. Tell us it’s hopeless if it is, but please tell us so we can decide for ourselves.’
Bob Rowan stares back at Ralph, into Ralph, for what feels like a very long time. His eyes, though surrounded by wrinkles, are incredibly bright and sharp. Curious, even. Then, he wrinkles his nose and looks away.
‘Mayfield is the problem,’ he says in a low voice, almost a whisper. ‘He’s the danger.’
Ralph swallows thickly. He feels cold suddenly, drenched in a creeping icy panic.
‘Mayfield is her mistake,’ Rowan goes on. ‘He’s her regret. She hates him and Mayfield – along with being a bloodthirsty sadistic killer, is a spy. A blackmailer. A spy with power over every single person in this town, even if they don’t know it yet.’
Bob Rowan steps back. His head is low on his burly shoulders. He looks weary and old, the light in his eyes dimming.
Ralph stares at him, a deep and dark realisation pouring over him, suffocating him with its gruesome obviousness – He licks his dry lips and says to Bob Rowan,
‘We’ve got to kill Mayfield.’
The old man nods. Yes.
Thanks for reading!
Please feel free to leave a comment letting me know what you thought of this latest chapter.
NOTE: Please remember this is NOT the finished version of Black Hare Valley Book 1. This book has not been to my editor yet or even my beta readers. There will be typos, grammatical mistakes, and sentences that need rewriting.
COMING NEXT THURSDAY: Chapter Twenty-Eight “The Storm”