How Do You Know When It’s Time To Quit?

It’s a genuine question. I really don’t know.

I have been close to quitting a lot lately. It’s probably a weekly thing at the moment. I don’t mean writing, by the way, I could never quit writing.

I’m referring to the process of editing and rewriting and revising a book again and again and again in the faint hope of a publisher accepting it, versus making the decision to quit editing, rewriting and self-publish it. I am also referring to my writing company, Chasing Driftwood, which I constantly think about quitting. I am torn all the time. Do I give up on all these childish dreams and get myself a proper job? I am increasingly tempted.

Failure is a horrible thing. We all face it at various times in life, and it’s never, ever nice. We actively work to avoid it. Sometimes that means we never even try in the first place because we are scared of failing. We are scared of that feeling and don’t want to see ourselves as failures.

I think I can safely say that I have at least tried. Very, very hard. And a big part of me wants to keep trying. Despite the mixed feedback from two rounds of beta readers, I still love Elliot Pie and I feel like I have worked on it and worked on it, and made it a much, much better book that it was over two years ago when I started it. I’ve listened to feedback and I’ve acted on it. I submitted to a list of small press publishers and had three of them fairly interested in it, which is pretty positive really. I’ve never had that response to any of the other books I’ve put out. I keep reminding myself of this whenever I feel down. They may still be rejections, but they are positive rejections, which all say positive things about Elliot Pie. I have confidence that at the very least, my synopsis, my concept and my first few chapters are enough to entice people in!

Good stuff. But that leads me on to the reasons it was still rejected. Too long. I did go through it again and deleted another character, but I honestly could not see where else to cut. I know, I know, hire an editor you say. But I can’t afford that right now. Not in the slightest. Another reason for rejection was more specific. They loved the concept and my writing and absolutely adored Elliot, all of which is fantastic news. But they would have preferred the book to be written from the POV of Elliot and his mum. Just to explain, the book is mostly from Elliot’s POV, but also from his mum’s and the three strangers he makes friends with.

Now I can’t stop thinking about this suggestion. It would mean yet another entire and potentially very tricky rewrite. Losing the POV of three characters would also get the word count down…

But I just don’t know. I personally like the other characters POV being there because it means the reader gets to know or assume stuff about them which Elliot does not. His mother never meets these people. Do you see how tricky it could be to rewrite? I would have to write Elliot into scenes he was never meant to be in, or find other ways to suggest elements of their characters to the reader, through Elliot’s perceptions and reactions.

A lot of work. And I have two more finished but unpublished books to tidy up and start doing something with! Plus The Boy With The Thorn In His Side series which I am working on…

Life is short, right? The way I see it right now, I have two options with this book and with my writing company. I keep trying, keep battling, keep working until I get it right, whatever ‘right’ is, or I learn to know when to quit.

These are two separate issues really. I know I won’t quit my company yet. I just desperately need more time to make it all work and I know I will get that in September when my youngest starts school. I have decided to give it my all that year, give it everything I’ve got, and if I can’t do it, admit defeat at the end of that year and get a proper job, knowing at least I tried.

With Elliot Pie…I just can’t decide whether to keep rewriting in the hope of getting a publisher for it…or admit it’s the best I can do, it’s the book I wanted it to be, self-publish and hope for the best.

Funnily enough, when searching for images to post with this, I came across the quote ‘when you feel like quitting, think about why you started’ and it’s now changed the way I am looking at this. I’ve been thinking about what the story I originally wanted to tell and I’ve been thinking about the reason I started my writing company…

But it’s tricky, isn’ it? How do you know when to quit? How do you know when you’ve done the best and you’ve nothing left to give?

Answers on a postcard please! Or alternatively, leave a comment and let me know your thoughts! Have you ever felt like quitting a project? Was there a point when you just realised you’d done the best you could, and it was time to stop?

May Indie Book Of The Month;

It’s the end of the May (already!!) so that must mean it’s time for me to pick my Indie book of the month. Lately, I’ve been trying to stray out of my comfort zone with reading, and I’ve dived into a fantasy and a comedy, which are not normally genres I would pick. My pick for this month therefore is the epic Heirs Of Power by Kay Macleod. You can read the blurb and my review below. This book is the first in a very original and well-written series, so if you enjoy fantasy, I highly recommend you check it out.

Here is the blurb;

“After stumbling upon an otherworldly ritual, Kitty Fairlow discovers that her own incredible hunting skills are not merely due to a lifetime of training. She’s been gifted powers from an ancient spirit, passed down by her father. She is a Constellation. And she’s not the only one. A new generation of heroes have each inherited unique abilities to prevent the corruption of their world by the Tenebri, a race that thrives on life energy. Kitty, along with a high-born dancer and a snarky juggler, must find their allies before the Tenebri army picks them off. With the powerful enemy emerging, can the Constellations gather in time to put an end to the threat for good, or will their foe succeed and wreak the same destruction they have unleashed on their own world?”

And here is my review;

An original and riveting read which had me hooked from the first page. I thoroughly enjoyed and highly recommend this fast-paced and well written fantasy, which is the first in a saga. I don’t often read fantasy, but this reminded me just how wonderful it can be to truly immerse yourself in a fantastical world of magic and wonder. What really shone through for me in this novel, is how much I could tell the author enjoyed writing it. It just shines on every page and regularly made me smile. I could also tell how much the author knows about and cares about her characters. From Kitty, the tough but kindly girl who finds out she is a Constellation, to the snarky yet vulnerable Asher, I truly believed in them and was rooting for them the entire time. This book is packed tight with action, drama, intrigue and revelations and an epic journey which tests friendships to the limit. Fans of fantasy will adore this book and for people who don’t often give fantasy a go, I urge you to start here!

You can find out more about Kay and her books by following her on;

Facebook and Twitter

Kay has kindly agreed to an interview with me, so look out for that early next month!

 

Interview With Emily Williams, Author of Rafferty Lincoln Loves…

Last month I picked Emily Williams‘ wonderful young adult book, Rafferty Lincoln Loves… as my Indie Book of The Month. Emily kindly agreed to an interview, so here she is answering questions about the inspiration behind the book, how it was researched and what to expect next from her!

1. Can you tell us where the idea for Rafferty Lincoln Loves…came from?

The idea for the novel came from wanting to write a novel about horses but one that appealed to an older audience. The main plotline involved the missing racehorse Profits Red Ridge, however, the character of Rafferty took over. I let the story lead me along as I was writing but had the overarching plotline drawn out beforehand. The character subplots led in all sorts of exciting directions!

The themes developed as I was writing. I knew high-school-years were always going to be difficult to write about and Rafferty Lincoln Loves… delves into some sensitive topics. I wanted to capture high school from the perspective of one student, Rafferty, but then him discovering what it would be like to experience high school from other circles.

2- Did you enjoy reading books about horses when you were a teenager?

I loved them! Although, I found it difficult to find many aimed at the older teen and so I read books for younger children. I wanted to fill that gap in the market by writing my own horsey novel aimed at older teens.

3-Did you have to do much research for this book and if so how did you do it?

There were parts of the novel that needed research and other parts that I used my own knowledge.

I had some input from a police officer friend and from a friend working in social services. I used quite a lot of my own horsey knowledge but had limited knowledge of racing, so these parts were researched. School life in the novel was based on my own experiences coupled with more modern day experiences with the invention of social media etc and how that affects children. I asked teenagers for their opinions on these aspects!

4- What do you hope young readers get from this book?

I hope they get a more modern day feel to the traditional horsey novel; more current and relevant to their lives. I hope the ending of the novel leaves them empowered about issues at school and how to resolve them and not let them fester.

5- Can you tell us what you are working on next?

I started a psychological thriller last year. It follows a high school girl revising for her exams and watching the house opposite whilst she studies, as new neighbours move in. It’s more an adult book than young adult despite the age of the characters. There are more mature and dark themes running through the novel. I am still trying to add my lighter element of humour too to break it up.

I am really enjoying writing the novel, but put it aside for a couple of months whilst I concentrated on the publication of Rafferty Lincoln Loves… I hope it’ll be released next year, along with another I have developing in the pipeline!

6- Were there any particular challenges in writing a YA book?

I hadn’t written a Young Adult novel before and was worried I’d find it very challenging. However, once the character of Rafferty was established, he took over and the book pretty much wrote itself. There were some tricky themes covered and I worried about covering these sensitively but with the frank openness of a teenager. I hope I managed that! I loved writing a novel involving horses and was very excited about the whole novel from start to finish.

7- What has been your approach to marketing Rafferty Lincoln Loves…?

Marketing is always tricky. I planned the marketing for the novel well in advance and gave out advance review copies early to get reader opinions. The novel has appeared in a couple of magazines and local papers. I hope to spread the message about the novel far and wide to support the charity.

All proceeds from the novel are being donated to, The British Thoroughbred Retraining Centre. The charities ambassador, Frankie Dettori MBE, has supported the book by writing the foreword and the charity themselves have been supportive in sharing the novel

8- What is your favourite YA book and why?

There are several that I love but my favourite is, The Perks Of Being A Wallflower. It captures adolescence in a lighthearted manner but with gritty underlying themes.

9- Did you always know the ending for the book or did it change as you wrote it?

I had the ending in mind, however, one of the characters really came alive as I was writing so he had a larger part in the ending than I planned. It came together even better than I hoped it would and more emotional.

10-How did you write this book? What was the process like?

I start with a plot and then find suitable characters. The plot is always easier than finding unique characters that fit the story. The characters do lead the plot totally astray from what I originally planned but I’m okay with that. I sometimes gently bring them back to the main plot but let them have their own time. Often other themes I hadn’t anticipated arrive and make the novel better, deeper and more interesting. Themes of high school bullying and rumour spreading surfaces in Rafferty Lincoln Loves… which I hadn’t originally planned for.

I love the writing process and once I’m fully into a story, I whizz along really enjoying the writing. The early stages I find difficult like I am with the novel I am currently writing, but with Rafferty Lincoln Loves… I was submerged in the storyline very quickly.

Thank you so much for agreeing to an interview, Emily! Good luck with Rafferty Lincoln Loves… and I’m very much looking forward to your next novel!

Interview with Mark Gillespie; Author Of Black Storm

Last month I picked Black Storm by Mark Gillespie as my indie book of the month. Mark is an extremely proficient author, with a terriific work ethic. He kindly agreed to an interview and here it is!

  1. For those who are not familiar with your work, how would you best describe your genre?

I call it Apocalyptic Pulp Fiction. But Post-Apocalyptic fiction is the most recognisable term for my kind of thing. There’s dystopian and horror elements in there too. I’ve dabbled previously with other genres (Alternate History) but if someone were to pin me to the wall, brandish a knife in my face and demand a straightforward answer (it could happen!), I’d look them in the eye and tell them that post-apocalyptic fiction is what I do.

  1. When did you first know you wanted to be a writer?

I’ve always enjoyed writing but it was very much a background thing until I reached my early thirties. Stories and song – that’s been my thing in this life. Between the ages of 15 and about 30, I dedicated my life to song and to working as a musician in the UK and Ireland. I had a great time but the music thing fizzled out for me about 2010/2011. Work dried up. I fell out of love with the business of being a musician.

It was time for a change.

Later on, I went to uni as a mature student, studying English and History. When I picked up a book called The Heath Introduction to Fiction and read some of the short stories in there, a light bulb went on in my head. I felt the buzz again.

Real job? Forget it…I was going to be a writer!

  1. Can you tell us about your publishing experiences and journey so far?

I’m indie published. I’ve never submitted a manuscript to an agent or publisher because by the time I was ready to do so (2015), I felt that indie publishing was the best model for me. I wanted to make a living from my writing and I felt that indie was my best chance of doing so.

I’m not interested in sitting in anyone’s electronic slush pile.

Having said that, I accept that indie publishing isn’t for everyone. It’s so much work! I would encourage new authors to research their publishing options and figure out what’s the best model for them. Knowledge is power. Know what you’re getting into and why. If it’s indie, be prepared for a very steep learning curve and always remember to bring your creative and business hats to the table. And make sure it’s you’re A-game.

I’ve made a lot of mistakes along the way but I think I’m getting better at this.

  1. Tell us about Black Storm, what inspired this book?

The initial trigger for Black Storm was something I read online a couple of years ago. I can’t quite remember if it was in a news article or on a forum or whatever – but I read something about a woman in America who’d been spotted walking through a town or a suburb dressed in old-fashioned mourning clothes. It sounded like she was doing an epic solo trek or something like that.

It was just so random and it struck me as noteworthy. I wonder sometimes if I imagined this because I can’t find any trace of it online (Yep, I just Googled it again!)

Whatever it was, that was the seed for the character of the Black Widow. I took note and it stuck. That was the beginning of Black Storm – it all began with the Black Widow.

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  1. You are a remarkably proficient indie writer, can you tell us how you manage to publish books so quickly? What is your process?

I’m lucky that I have the time to dedicate to writing. But I also make good use of that time. A regular working day is between 10-15 hours, which includes both creative and business stuff (creative early, business later).

I get up at 5.30am most mornings and go to bed about 11ish on average. Apart from walking the dog, exercising (super important for authors!) and eating, the work takes up most of my time.

I always have an A project (a book in the later stages of editing) and a B project (ideas, brainstorming) on the go. That’s important for moving onto the next thing. I would hate to finish a book and have nothing but a blank page waiting. That would probably floor me.

In order to be prolific, you have to make sacrifices. What’s eating up your writing time? What can you give up? Nobody said it was all fun and games.

Working long hours is a habit for me now. That’s probably how I get the books out so fast – I try to release something every two months. I also write shorter books at about 50,000 words average. I know that I can’t keep that pace up for the rest of my life however. And I wouldn’t want to. There’s more to life than just work. Much more!

  1. What usually comes first for you? The character or the plot?

I start with a situation that intrigues me. More often than not, it revolves around a ‘what if?’ question.

With Black Storm, that question is what if human beings had been targeted for extermination by an unknown power? We exterminate other species all the time, but what if the tables were turned. What if it happened to us?

With the Future of London books, it’s what if the London riots hadn’t stopped?

Answering the questions is fun.

Character and plot come later. But it’s that initial idea, that question that hopefully will get the juices flowing. If I’m excited there’s a good chance that someone else will be too.

  1. Do you write your books with a particular theme or message in mind and if so, what is it?

I never start with a message or theme. It’s only somewhere within the writing process that it becomes clear to me what that message might be. And there always is one, at least from my perspective. From another person’s point of view, there might be a different message altogether. That’s the joy of individual interpretation. We take the text, soak it up with all our baggage and find a meaning that’s unique to us.

I discover what I’m writing about by writing about it. But it always starts from an entertainment perspective. Is this fun? Is this worth reading about? Can I stay with this from start to finish?

Themes, messages, and the deep stuff – they come from the unconscious. They take care of themselves and appear when they’re good and ready.

  1. Do you have a day job and if so does it help your writing in any way?

My day job is writing.

I’ve done a few jobs now (worked in hardware, written freelance sports articles, been a bouncer). But I’ve never worked so hard in all my life as I do now. Music was tough. Writing is tough. Anything creative is brutal and yet some people look in from the outside and assume it’s a breeze because it’s a passion and it’s associated with leisure/entertainment.

A few years back I was amused to see that the readers of a major newspaper had voted being an author as their ideal job. No doubt they had visions of sitting in a log cabin surrounded by gorgeous scenery. They saw themselves sitting in front of a typewriter, a turtleneck sweater on, a pipe hanging out of their mouths, and a Che Guevara beret on their heads. And the words would pour out of their minds fast and easy. And that’s all there is to it – another masterpiece in the bag.

They haven’t got a clue.

  1. Tell us about your next release

Black Fever is the next release. It’s the second of the Black Storm books, which follows the fortunes of father and daughter, Cody and Rachel MacLeod, as they try to navigate their way through a mysterious apocalyptic event, the Black Storm, which has plunged the world into darkness and despair.

Fingers crossed, Black Fever will be out on May 15th.

  1. What is the most valuable thing you have learned as an indie writer so far?

The number one lesson is perseverance.

It’s so hard at times being an indie author and you’ll feel like giving up a thousand times. And that’s just in one morning! Too often, it feels like a mountain of work with only a crumb of reward in return.

But keep going. If you truly believe you’re on the right path, keep grinding it out. Work hard, but work smart. Learn from others. Join Facebook groups like 20Books to 50K. Read books on indie publishing, writing and story craft, marketing etc…

Absorb the wisdom of others. You’ll find it if you look for it. And if you have any to share, then share it. The indie author community is a friendly one and we’re willing to help those in need. This is how we all grow.

You can find out more about Mark and his books here;

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