How Self-Publishing Dragged Me From my Comfort Zone

When I started my indie journey back in 2013, I was full of optimism and excitement. I, of course, had no idea how much hard work was ahead of me. I had no clue about the amount of disappointment and frustration heading my way. I also had no way of knowing then, how far out of my comfort zone I would be pulled.

Writers are by nature, shy, introverted creatures. I’m no exception. I was a quiet, bookish child. I loved my own company and always preferred reading and writing to socialising with real people. I always thought becoming a writer would be the perfect vocation for someone like me. I was intrigued and fascinated by people. I wanted to watch them and learn about them, but all without actually getting involved. I’d build a little warm bubble of imagination around my life and spend my days tapping away at the laptop, dreaming up stories and inventing new friends. Lovely stuff.

But alas, being an indie writer is not quite like that. You can’t really get away with hiding. You certainly can’t get away with not promoting or marketing your books. This was horrifying to me, to begin with. I loathed the thought of creating social media profiles and drawing attention to myself. What the hell would I say? Who would care? What about Twitter? I’d just be ignored, wouldn’t I? How would I get my books noticed?

And yet, look at me now. I’m still me. But I’m a much braver me. And maybe I have self-publishing to thank for that after all. I’ve built a platform slowly. I’ve grown my pages and my blog. I’ve networked (God how that word used to terrify me!!) I’ve grown and matured and learned so much. I even pass things on to others now. I write articles about writing and get paid to do so! I stand up in front of new writers and deliver talks and workshops!

And last Saturday, I did my first author event.

I’d heard about these but never felt brave enough to put myself forward. The thought of sitting there with my books, hoping people would buy them chilled me to the bone. But last year I changed my mind about a lot of things and realised I had to break out of my comfort zone. I had conquered my online fears and now I needed to conquer my real life ones. I had to actually get out there and talk to people and physically sell my books. I had to reach out to my local community as well as the global one. Show my face. Be seen and be proud. I had to do the thing I had never been very good at, interacting with people.

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And it was fun. I only sold three books, but to be honest, I wasn’t expecting to sell much more. I didn’t really know what to expect from the event itself and was really pleased and excited to see how the library had set each author up with their own table, book shelves and a very visible name tag. I felt an unexpected surge of pride and importance! It was very quiet though, so us authors started chatting and networking. We swapped cards and advice and took photos of each other to upload to social media. We had a laugh and a moan about the life of an indie writer. I also got chatting to members of the public who wanted to know about my book or my writing group. It was fun! 

And that’s how I’m going to approach it if this chance comes again. Fun. An opportunity to network with other authors, to support each other, and to feel proud of how far we have come. No, we don’t sell a lot of books and maybe we never will. But we wrote them. We stuck with them. We finished them, edited them, proofread and revised them. We found front covers, devised blurbs and started to learn how to promote them and grow a following. If I went back now and told the introverted child version of me, I don’t think she would believe a word of it.

I’m smashing my comfort zones because of self-publishing. I’ve achieved my childhood goals because of self-publishing. I’ve met some amazing authors, read some life changing books and gained some true friends because of self-publishing. I’ve started a writing group, I put on workshops, I work for others, I write articles, I write reviews, all because of self-publishing. I was brave enough to go on local radio, because of self-publishing. I’ve made mistakes and picked myself back up. I’ve had bad days and sad days, and I know the ups and downs will never end. But I’m stronger, braver, happier, more knowledgable and experienced and positive than I ever knew was possible and it’s all because I self-published.

Don’t get me wrong, indie publishing is not the answer to all of my dreams. I still long to be traditionally published, because it still seems to me this is the best way to get visibility, sales and reviews. I made a decision very recently to submit each new book I write, to a suitable press. Just in case. You can read about my reasons for this here; Self-publishing; Good times, bad times and ugly truths

Whatever happens, I will always be proud of my self-publishing journey. Sometimes I do need to remind myself how far I have come. I think we all do, from time to time. I will always be thankful to self-publishing for allowing me to get my books out there, for enabling me to connect with readers and grow a small, loyal following. It’s opened up other doors for me too, and dragged me all the way out of the introverted little bubble I used to hide away in.

What about you? What’s your comfort zone? Have you done anything recently or in the past that has dragged you from it? I would love to hear from you, so please feel free to comment and share!

Changing Perspective

Last week I explained how my beta readers have shaped the direction of my next novel Elliot Pie’s Guide To Human Nature. (Beta Readers: How and Why? I mentioned how some of the issues that have been addressed thanks to my betas were pace, showing rather than telling and point of view. So today I thought I would talk a bit about point of view and perspective in storytelling.

It’s a subject that can prove quite divisive. I know I was shocked the first time I realised not everyone loves first person viewpoint! Apparently, some people really despise it! Obviously, it has its limitations. Here are some of the disadvantages of climbing entirely inside the head of just one character;

  • you only get the viewpoint and opinions of one character
  • this can limit the amount of information and back story the reader receives
  • other viewpoints are neglected, including the potential scenes between other characters when the narrator is not present
  • it gives the story one voice, the narrative voice of the character telling the story which can be a bit restrictive
  • if the reader dislikes or does not connect well to the first person viewpoint, it can really deter them from the book
  • it’s a very personal way to tell the story, and can impose biased and subjective viewpoints which may grate on the reader
  • it runs the risk of becoming boring and/or repetitive
  • there is a danger of relying too much on ‘telling’ rather than ‘showing’

Now I am not ashamed to admit that I LOVE first person. I think this may have something to do with how obsessed I get with characters. It’s character over plot for me all the way, hence why The Catcher In The Rye is still my favourite book ever. If I like a character, I don’t mind being inside their head one bit. Anyway, these are the reasons I think first person can be a really effective way to tell a story;

  • it allows the reader to fully connect with the protagonist/narrator
  • it’s much easier to gain sympathy and empathy from the reader
  • easier to construct a consistent style and voice
  • can make it easier to explain/justify a characters motivations and behaviour
  • can be much more emotional, drawing the reader in
  • it brings a vivid sense of immediacy to the story
  • done well, can be extremely powerful

But how do you know which is the best perspective for your story? There is also alternating points of view, which can be done in first or third person. Then there is the authorial third POV where the narrator is the all seeing eye of everything and everyone.

I think every author has their preferred perspective to use, but it is important to think about the story being told and what will best suit its needs. I know for a fact I am way too tempted to use first person. I did so with The Mess Of Me; a YA drama written in a tell-all, confessional diary style. We climb inside Lou’s head and never get to see through the eyes of any of the other characters. I could have explored third person, and jumped from character to character, but there was a reason I didn’t. As well as being about body issues, family drama and first love, The Mess Of Me is a story about those people we sometimes have in our lives, yet do not really know. eg Travis, Leon and Marrianne, for Lou are all deeply involved in her life and the drama of the story, yet are all as good as strangers. The story needed to revolve around her mind set and emotions in order to get this across. So it just had to be first person.

The Boy With The Thorn In His Side was a different matter. I originally wrote and rewrote this story in third person. Yep, you got every character’s viewpoints, and there are a lot of characters! The action jumped around all over the place. But it didn’t work. I didn’t feel close enough to my two main characters, protagonist Danny and antagonist Howard, and the more I rewrote it and got into their mindsets the more I realised that this was their story. Truly, this book is about their warped and dangerous relationship. So I changed it to first and boy did it work then. I must have worked with a constant smile on my face! You see I knew them both so well by this point that it was a piece of cake to climb into their heads and write from their POV. I used alternating POV from both characters in the first person. You get to examine their twisted relationship from both their views. This is a fantastic way to make first person narrative more interesting and varied.

With the sequel, This Is The Day, I wrote it in third person to begin with and then again switched it to first, but this time using alternating perspective from five characters. This was fun to do because I got to really explore the motivations of the characters who were introduced in the first book. And I think it worked; it was the best way to put the story together.

So, as you can see, there was a growing tendency and fondness to using first person narrative. I had found my comfort zone and made myself extremely comfortable! I forced myself to break out of this warm little zone with This Is Nowhere. (And I would strongly recommend forcing yourself to break away from the familiar every now and then.) Third person. It had to be. But with the chapters zipping back and forth from the past to the present. However, I still stuck to one point of view, Jake’s. This was not intentional at the time but now I can see why it makes sense. Jake’s story is the unpicking of two mysteries; what happened to his mother in 1996 and who he is. The other characters didn’t really need a say in this, although their behaviour and secrets helped pave the way for the climax where Jake discovers the truth about everything. I also think this was the best way to tell the story. Third person worked with jumping between time frames, as we got to see the young Jake and how his mind worked then, helping us to understand the person he was in the present. Other characters perspectives would have made this way too muddled and complicated.

Tree Of Rebels. Uh oh, I was back to the first person again. You see my problem? I really do like that comfort zone!! This book is still awaiting a final rewrite so I will not pass judgement on it yet as there is still work to be done and decisions to be made, but at the moment is feels right to leave it in first person.

Which brings us up to the two latest works. The unexpected rewriting of Elliot Pie, and the quickly thrashed out first draft of A Song For Bill Robinson.

Before I started writing Elliot Pie, I knew it would be written in the first person viewpoint. I think this was because he had been in my head for so long by that time, I knew him inside out, knew what he thought and felt, and how he looked upon the world. It was scarily easily to climb inside his mind and allow him to tell his story. But there are lots of other characters of importance in this story, and there was no way Elliot could know everything about them. I had to switch to third person whenever an adult character stepped into the plot. There was no real intention to do this; it just sort of happened. So, all of Elliot’s chapters were in first person, present tense. Very YA. Very Catcher In The Rye. And all of the adult’s were in third person, past tense. Which felt very grown up and evolved. It actually surprised me how smoothly writing that way became, especially as I had sunk so deeply into the first person comfort zone.

I was initially happy with this, and thought, that although different and challenging, it worked. I told myself it was good to try something a little bit different!A little bit brave.

While Elliot Pie was with another beta reader, I thrashed out a first draft of a YA drama called A Song For Bill Robinson. This is based on a book I wrote but never finished aged sixteen. It was written in third person back then, so it seemed apt to write it again this way. I was also feeling confident after the third person narrrative in Elliot Pie had gone so well and become so enjoyable. Third person, multiple viewpoints worked best for this latest book because again, there are so many characters and so much going on, it really would not work in first person. And also, a bit like with Jake in This Is Nowhere, I didn’t really want to climb into these people’s heads. I felt a bit of distance was needed.

When I received final feedback from betas on Elliot Pie, there were several issues, some of which I discussed in last week’s post and some of which I will probably mention another day. But what dawned on me more and more as I went through them, was how many of them could be solved by changing Elliot’s narrative to third person. Which is what I am currently doing. Just to see how it works.

So far, it’s working. It suddenly feels more adult (it is to be aimed at adults) and I do feel relieved to be out of his head. It gives me as an author a whole new perspective on the story, on his character, and on the best way to tell this story. I noticed there were many problems with writing his parts in first person. For instance, he was rambling too much, daydreaming, going off on tangents, all of which slowed the pace down, and may have proved dull for some readers. However, writing his parts in first person initially have helped me truly understand his character, which I really hope shines through when it is all completed.

The moral of the story today is this; sometimes as a writer you want to tell a story in a certain way, for whatever reason. But sometimes, you have to stand back, take a look and admit that it may not be the best way to tell it. This may concern other things, such as structure and pace, but if your story is not working out the way you hoped, maybe changing the narrative perspective is worth considering.

 

Author Interview: Q.L Pearce

Q. L Pearce is the author of over 120 books for middle grade and young adult readers, and I was lucky enough to receive a copy of her latest short story collection, Spinechillers to review. I enjoyed this book immensely and can’t wait to delve into more books by Q.L. Q.L also kindly agreed to be interview for my blog, and here she talks about her writing and publishing journey, what attracts her to scary stories, where her ideas come from and more! Enjoy!

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1) What attracts you to the spooky and the paranormal? What makes it your favourite genre?

As a reader I am drawn to plot-driven books. That doesn’t mean that the characters aren’t important, but the central story is what I love. I have found that paranormal tales often have a strong plot at the core. As a writer, middle grade to YA horror, sci-fi and mystery are my favorites. I enjoy the world building and the suspension of disbelief required in a ghost story. Things that go bump in the night are part of my British heritage and I enjoy researching creepy tales and urban legends.

2) Who are your favourite authors and why?

Ray Bradbury, George Orwell and Roald Dahl are among my favorite classic masters. I love Bradbury’s writing style and, of course, he was amazing when it came to short stories. The clarity and intelligence of Orwell’s work, and his focus on social injustice places him at the top of my list. Animal Farm is an all time favorite book for me. Roald Dahl’s books for children worked on so many levels and he wrote some of my favorite children’s books, like The Witches and The Twits. His work could be sweet and sentimental, whimsical or darkly humorous. Sometimes all in the same book.

Neil Gaiman, Holly Black and Ransom Riggs are some of my favorites modern authors. They are all so great at world building and creating unique characters. Coraline and The Graveyard Book are a couple of books that I wish I had written.

3) Can you tell us where you get your ideas from?

Ideas come from everywhere…magazines, newspapers, travel. An offbeat article about Scottish castles or crop circles might catch my eye. I might see a strangely shaped tree while on a hike and wonder what lurks at its roots. I enjoy prowling through antique stores for curious objects or photographs that might spark an idea, or hiking around in new environments to use as settings. My dear friend, author Tamara Thorne, and I sometimes take road trips. We visit haunted hotels, abandoned buildings and ghost towns, all for inspiration.

4) When did you first know you wanted to be a writer?

I’ve been writing since I could first scribble a story on paper. I won my first school writing contest in third grade and my first city sponsored contest at age eleven. I actually got into a little trouble when I was a kid for telling scary stories that frightened my friends.

 

5) Can you tell us a bit about your writing and publishing journey so far?

When I was in my twenties I decides to start sending short stories to magazines. Once I began seriously submitting I gathered an extensive collection of rejections. Over the course of ten years or so the rejections went from definite “no” to “no, but keep submitting.” My first contract with a major publisher was for an activity book about dinosaurs. It was with Price Stern Sloan. My first contract for fiction also came from Price Stern Sloan when they published Scary Stories for Sleep-Overs. It did very well and I wrote quite a few books in the series.

To date I have written more than 120 books for young readers including educational, nonfiction, biography, and fiction for all age ranges. Spinechillers is my latest. It is a collection of short stories that includes classic ghosts, a monster or two, urban legends and one tale that is an homage to The Twilight Zone. The stories are perfect for reading aloud at a sleep-over, or under the covers with a flashlight. The book is in the tradition of Scary Stories for Sleep-Overs. Spinechillers is for a new generation of tweens to teens.

6) What would you say have been the highs and the lows? What are you excited about?

I like all of the elements of the writing process. I enjoy the research, “meeting” my characters for the first time and getting to know them, sketching out the first draft, and shifting the elements like pieces of a puzzle.

Some of the best memories in my career are meeting young fans of my books. Red Bird Sings is a title that stands out for me. It is an adaptation of the autobiographical works of Zitkala Sa, an important Native American writer and activist. My co-author and illustrator, Gina Capaldi and I worked hard to honor her story. I’m very proud of the book and it received many awards including the Carter G. Woodson gold medal for picture books.

The down side of writing is rejection. I’ve had manuscripts turned down, books in work cancelled, and negative reviews. I try to find the lesson in each rejection that can make my work stronger. I’ve developed a thick skin over the years.

I think as writers we can learn from every review, good or bad as long as you don’t take it personally. You have to use what helps you to grow and leave the rest. I remember when Scary Stories for Sleep-Overs came out it received a “bad” review early on. The reviewer said that it seemed that before writing the collection I had downed a bottle of wine and watched a Twilight Zone marathon. I actually took that as a compliment since I loved Rod Serling. The series went on to sell in the millions.

7) What is the scariest story/book you have ever come across?

I can’t decide between two books. The Haunting of Hill House by Shirley Jackson is so dark and atmospheric. I think it’s one of the best haunted house stories ever written because it leaves so much to the reader. It has all the elements of a ghost story but there is an underlying question about the true nature of the haunting.

One of Stephen King’s early books, Salem’s Lot, terrified me! It’s a vampire novel and I was only able to read it during the day. For a while I also kept a nightlight on because I was so creeped out.

8) What is a normal writing day like for you? Tell us about the process

When I write I usually sit at my dining room table. I have an actual home office with a desk, but my dogs prefer the main room and I like to work with them close by. I begin my day with meditation even before my first cup of coffee. I start my reading and research mid-morning then spend two or three hours writing. My dogs take me out for walks a couple of times a day and I use that time to brainstorm. I usually write for another hour or so at the end of the day.

I hate an empty page so when I’m working on a first draft I just keep going. I write anything as long as words are going on the page. Once I have something to work with I can go back and edit and tweak the manuscript into shape. Sometimes that approach can take your work in surprising directions.

9) What are you working on right now?

I’m working on a few things including the next volume of Spinechillers. I have three fact-based fiction picturebooks in work with coauthor/illustrator Gina Capaldi, a middle grade mystery adventure with coauthor Francesca Rusackas, and a YA horror novel.

10) What advice would you give to other writers who enjoy writing creepy stories?

The advice I give to working writers is finish what you start. I have several manuscripts that are sitting in a file folder because I didn’t push through when I hit a weak spot. Once that happens I start second-guessing and lose momentum.

The advice I would give to those who enjoy writing horror is to let the readers do some of the work. The unknown is deeply emotional. Provide the story, the characters, atmosphere, the dread, but don’t fill in every detail. Leave some room for the reader’s imagination to personalize the fear.

11) What are your plans and dreams for the future?

My husband is a physiologist and a huge sci-fi fan. We have a plan to someday write a book together. I remember one night we went out to dinner and spent the evening coming up with an alien world and determining what sort of species would populate such a planet. We wrote notes on napkins. It was a fabulous evening!

Recently I was thrilled to be join Tamara Thorne and Alistair Cross as co-host for YA nights on Thorne and Cross Haunted Nights LIVE, part of the Authors on the Air: Radio Network. I’m looking forward to inviting some terrific authors to be the show!

12) Tell us three interesting things about yourself

Years ago I was an assistant SCUBA instructor. That’s how I met my husband.

I’m not happy about flying but I love to travel. In the past couple of years we’ve visited Florence, Vancouver, Shanghai, Lhasa, and Cambridge, England.

I’m currently completing my meditation teacher training. I would like to work with writers and other creative people who want to be able to find a calm inner space when faced with deadlines, rejections, blank pages and other stressors.

Thank you so much for agreeing to be interviewed, Q. L! 

You can find out more about Q.L Pearce below!

About Q.L Pearce

Q.L.Pearce is the author of more than 120 books for young readers, from picture books to YA, as well as film tie-in books for the Fox animated film Titan AE and the Universal animated series Land Before Time. Red Bird Sings: The Story of Zitkala Sa (Carolrhoda Books, with co-author and illustrator, Gina Capaldi), received several awards including a Carter G. Woodson Book Award gold medal from NCSS and a Moonbeam Children’s Book Award gold medal. Her fiction includes the popular middle grade series, Scary Stories for Sleep-Overs italisize (Price, Stern, Sloan). Q believes strongly in the value of scary books for young readers. When asked what credentials she has which qualify her as an expert in this area she replies, “I was a child once. That was very scary.”

Link to Goodreads: https://www.goodreads.com/RedBirdSings

Buy Links: Amazon: https://www.amazon.com/Spine-Chillers-Hair-Raising-Tales-Book-ebook/dp/B01M7U859N/ref=sr_1_1?ie=UTF8&qid=1477782518&sr=8-1&keywords=ql+pearce+spine+chillers

Author Info:

Author’s contact info: contact@bamliterature.com or http://www.qlpearce.com/contact

Author’s social media links:

Amazon Author Page: https://www.amazon.com/Q.-L.-Pearce/e/B001H9RTXO

YouTube: https://www.youtube.com/watch?v=db4aQLSyKMg&feature=youtu.be

Facebook: https://www.facebook.com/ql.pearce

LinkedIn: https://www.linkedin.com/in/q-l-pearce-7926604

My 16 Best Books of 2016

In order to compile my list of the best books I’ve read in 2016, I sat back and thought about the books that have had the biggest impact on me. I quickly wrote down all the ones that came to mind, and so here they all are. I have also included how I came across each book, ie was it recommended to me, was I sent it and so on. I thought this might be useful! I have read so many books this year, and it is simply impossible to list them all, so I have tried to pick books here that are the sort of thing I generally look for when reading.I have not listed them in order of preference, they are simply listed in the order they came to mind. However, there is one book that stood out above all the others for me personally, one book that I can safely say is the best book I have read in 2016 and this is listed as Number One. Enjoy.

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  1. The Improbable Wonders Of Moojie Littleman by Robin Gregory is an absolutely beautiful book and very unique. It had me smiling from start to finish, contains fabulously flawed and addictive characters and provides a great big splash of the hope and positivity we all so desperately need right now. I’ve actually lost track of the amount of awards this book has won, so I’ve added a link here . I’ve also got to mention that Robin provided me with a wonderful interview you can read here and she is a thoroughly lovely person!
  2. No Dogs Or Indians by Lisa Hare is  a book I read purely by accident. I’m one of the reviewers for Underground Book Reviews, where authors pick reviewers based on their reading preferences. I was sent this book by accident, as it was not on my list, but was advised to read it anyway as it’s been nominated as one of the books of the year. It sounded interesting so I dived right in and came out with tears running down my face. One of the best books I’ve read in ages, and again, very unique, beautiful in its themes and messages, and one that will stay with me for a very long time. Get it!!
  3. A Necessary Act by Tony Wirt is a book I did choose to read for Underground Book Reviews, and I nominated it for a top pick and book of the year, it was that good. The plot revolves around a really interesting question; if you were utterly convinced a fellow schoolmate was well on the way to becoming a serial killer, would you do anything to stop him? The book puts its teen characters in this predicament and ends with a twist I never saw coming. Tense, horrific, unputdownable!
  4. The Many by Wyl Menmuir is probably one of the most controversial books on my list. By that I mean, it has the most mixed reviews I’ve ever come across! From glowing five stars to downright grumpy one stars, it seems this is a love it or hate it or plain just don’t get it kind of book! I first heard about it on my Facebook timeline as it had been longlisted for the Booker prize which was quite an achievement for a debut novel signed to a small press. I then came across the author in a magazine I receive for being a NAWE member (National Association of Writers In Education) I was so inspired by his article about independent writing spaces in school I contacted Wyl and thanks to his advice, I will hopefully be diving into my first school project next year with my business Chasing Driftwood Writing Group. But anyway, back to the book! Haunting, surreal, dark and claustrophobic are just some of the words that spring to mind. Eerily silent and with an ending that quite literally punched me in the gut. If you are looking for something unique to read, something that has divided opinion quite wildly, then this is the book!
  5. L-2011 by Mark Gillespie is written by a fellow indie author I’ve followed for a while. I loved the idea of this speculative fiction novel; what if the London riots in 2011 had not ended? What if the riots had gone on and on? In this gritty coming of age drama, Mark introduces us to some memorable and believable characters in this book which is the first in the series. The second book Mr Apocalypse is not now and is on my to-read list as I can’t wait to find out what happens next.
  6. The Unwind dystology by Neal Shusterman will go down as the most disturbing series I have read this year. If you are at all into The Hunger Games, Divergent or The Maze Runner books, then you simply have to dive into this YA series, as it is so much better! It’s taken me all year to read the four books, partly because I have so many other things to read, and partly because they get under my skin too badly and I just need a break between reading them! This series takes us to a not too distant future after a civil war in America led to a new law being written where parents can retrospectively abort their children between the ages of 13 and 18. They are not technically killed though. Every single part of them is harvested (while they are fully conscious) to be donated to people who need them. Quite horrifically, troublesome teens body parts have become a very valuable commodity. The most genius part of book one is how the author makes you wait until nearly the end of the book to show you what actually happens during unwinding. All the way through you are thinking about it and trying not to think about it, and the tension becomes unbearable. Just finished book four today and I’m really excited to hear they’re being made into films. But read them first, please!
  7. Daydreams and Devils by the brilliant Robert Cowan is a book I selected to read for Underground Book Reviews. I was attracted by the storyline of gangsters and bands and was not let down in the slightest. It was another of my top picks of the year for UBR and I currently have another of Robert’s books on my to read list. This book ticked every box for me; great characters, believable dialogue, fast paced, edgy, coming of age and with an awesome musical soundtrack. I was one happy reader from start to finish and Robert is a terrific reader I am very happy I discovered in 2016
  8. The Leaving by Tara Altebrando is a book I noted down when it came up on a best YA books list. I bought it for my daughter and we both really enjoyed it. The plot revolves around six five year olds who went missing eleven years ago. Out of the blue five of them have now returned. What I liked about this mystery novel was how each chapter was from a different characters viewpoint but in the third person. Each chapter had a very different voice and was written differently, even set out and formatted differently to the others. Very spooky with plenty of twists and turns, I think anyone would enjoy this!
  9. Far Cry From The Turquoise Room by the amazing (and still my favourite indie author) Kate Rigby is a great example of Kate’s work, which is often edgy, gritty and retro. I love her style and her characters who you just want to take home. In this story a young Asian girl feels shunned by her charismatic father after the death of her sister and ends up running away. Kate covers so many hard hitting subjects in this book, and always in a tender, humorous and realistic manner. I’m working my way through her books and always relish getting my hands on the next one!
  10. Chance by Peter Dudgeon was recommended to me by a friend. It’s about a killer who picks his victims by random chance and 9-year-old Cassie who is able to see into the future when someone is about to be hurt. Being in close proximity to both the killer and some of his potential victims allows Cassie a disturbing glimpse into his warped mind and she soon realises the police are on the wrong track completely. Brilliantly written, tense and gripping, you won’t be able to put it down. There is also a sequel which is on my to-read list, and Peter Dudgeon is another author I’m very glad I discovered this year!
  11. Nightfall by Jake Halpern and Peter Kujawinski is another book I read after my teenager had her hands on it. She picked it up in the book shop one day and after reading the blurb I couldn’t wait for her to finish so I could start. It’s an eerie YA dystopian set on a mysterious island , where it is daylight for fourteen years followed by nightfall for fourteen years. During the nightfall the islanders pack up and leave the island and do not return until the next daylight. The main characters Marin and Kana are brother and sister and they miss their boat off the island when they go in search of their best friend Line, who is missing. When reunited, the three teens have to face the darkness as it begins to fall, knowing they are trapped on the island for fourteen years, but worse than that, they soon realise they are not alone. Loved this from start to finish! So well written, steadily paced, so much is held back until you need it, which makes you just keep turning the pages.
  12. The Recital by Kyle V. Hiller is another book I chose to read and review for Underground Book Reviews. I was intrigued by the storyline which promised contemporary issues wrapped up in magic realism. The story is told in the first person from the wonderful Edith, a 12 year old girl I quite quickly fell in love with. Edith has a few troubles on her plate. She hasn’t grown in a year, she is in love with a boy who is dating her arch enemy and her family life is about to be shattered. On top of all of that she has just found out she is a witch who needs to learn to control her powers (which, by the way, can have quite horrific results for anyone who is in the wrong place at the wrong time!) As Edith staggers awkwardly from one disaster to the next, an intriging and unique story unfolds, involving magic and spells, as well as coming of age, bullying and sexuality. Put a smile on my face from start to finish and I will definitely be reading more from this author!
  13. Those Who Wander (All That Glitters Book 1) by Shalaena Medford is a fast-paced steampunk YA novel which involves pirates, maps, and a stolen zeppelin. In many ways an action-packed steampunk adventure, but also a coming of age tale, in which main character Song has to let go of the past and construct a new, true version of herself, this book is a journey in many ways. I felt like I was on the journey with her, both the physical and the emotional one. Extremely visual, I could see this making an awesome movie! I was very impressed and will definitely be buying book two when it is released. Anyone who likes steampunk, action, adventure, fantasy or sci-fi will love this! I came across this book as I follow Shalaena on social media.
  14. The Soul Bazaar by Anthony Morgan Clark is a uniquely crafted and captivating collection of dark stories, which will have both a physical and emotional effect on the reader. From the title story The Soul Bazaar, which introduces a chilling trader of souls, who wears only red, to post-apocalyptic disease and violence in After The Disease Part One and Two, this is a rollercoaster ride of horror and uneasy feeling. Wake, the story of a man enduring a life-saving transplant, will stay with me for some time to come. As will Bes, a glimpse into the troubled mind of a dangerous individual and his imaginary friend. The author has the unique ability to make your stomach cramp with the tension he builds, and the language used to convey the horror his characters live through is just perfect. A disturbing and spine chilling read, highly recommended. I came across this book as I follow Anthony on social media.
  15. Spine Chillers: Hair-Raising Tales Book One by Q.L Pearce is a book fans of Goosebumps will really enjoy.  I was sent this book for free in return for an honest review. (Plus, look out for an exclusive interview with Q.L Pearce in the New Year here on my blog!) Each one is guaranteed to offer the reader a dark and bumpy ride into the unknown and leave you with your jaw hanging open. I enjoyed all of these stories but got a particular kick out of Hale Hallow Woods, a tale of ghostly revenge, Seaworthy, a creepy pirate themed adventure, and my firm favourite, The Healer. The twist in The Healer is one I did not see coming and have been unable to stop thinking about ever since. This is a flawless collection of spine chilling tales and I very much look forward to the next instalment.
  16. The Giver by Lois Lowry is a book I had been meaning to read for a very long time. When I finally got around to it, I was not disappointed in the slightest. I was enchanted, disturbed, touched and intrigued. You probably all know the plot, but for those who don’t, 12 year old Jonas lives in a seemingly perfect, pain free world where children are assigned to their parents, just as spouses are perfectly matched and employment is dealt out depending on personality and skills. The system works. no one feels pain and everyone is content. But when Jonas goes up to receive his position he is told he is to become the next Receiver of Memory. His training starts right away with an old man known as the Giver, and Jonas soon discovers the disturbing truth about his utopian world. A trail blazer in the genre of dystopian fiction, this book is simply breathtaking. I quickly ordered the entire quartet and read them one after the other. (My daughter is getting them all for Christmas and I really can’t wait for her to read them so we can talk about them lots and lots!)