Stuck Inside A Story (For 28 years…)

That’s how it feels. That’s what it is. Stuck. Trapped. Held prisoner. I can’t get out. But do I really want to? Evidence would suggest not. Sometimes I wonder what exactly I have done. Created a world, created characters, used some magic and a lot of hard work, an imagination I can’t control, and there you have it, an alternative reality I can’t escape from.

I had no idea this would happen when I started writing as a child. My first attempts were hand-written stories about lost and abandoned animals, heavily influenced by my love of Watership Down and other similar books. I didn’t write my first story about real people living real lives until I was 12 years old. What happened to tear me away from my quaint tales of lost dogs and runaway bunnies? Well, weirdly, this.

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And this.

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Watching The Lost Boys gave me a few vital ingredients for the story that would go on to hold me prisoner for the next 28 years. It gave me the main idea, the main concept and it gave me some characters. Or at least, it inspired me to create characters who would turn out to be the kind of people I wished I knew in real life. As for Stephen King, it was around this time that I started my collection and was well on my way to becoming a truly obsessed fan. Add to that strange mix, the recent divorce of my parents, the usual teenage angst and rebellion, and I had me a story. Remember the bit in The Lost Boys when the younger brother realises his mother is dating the head vampire? That’s where the idea for The Boy With The Thorn In His Side came from. It wasn’t called that back then. It wasn’t called anything for ages. But I kept thinking…what if your mother was dating a monster? Only not the vampire kind, the real-life kind? And what if no one believed you? And what if you only had yourself and your best friends to try to battle this person? It was a weird mix of asking ‘what if’ questions, my parents’ recent divorce playing on my own fears, a dewy-eyed fascination with the actor Corey Haim, and a love of horror and fascination with the darker side of human nature that spawned this tale.

In my mind, my main character Danny, who is 13 at the start of Part 1, looked a lot like Corey Haim, who I was quite a bit in love with at that age. Once I had him in my head, his character started to grow and evolve, and I think I wrote that very early first draft pretty quickly. I remember it was my absolute obsession for a while. I hated to be away from that story. I’d rush home from school and up to my room to pick up my notebook and pen. I’d write endlessly and passionately. I suppose at the time I had no real idea of what I was doing. I was sort of trying to invent friends, I think. People I was intrigued by, people who had drama in their lives. I felt like I was a character in the book too. I was so proud when I finished it. I even started a sequel. I showed my English teacher and she read it and gave me a merit certificate I had to go up in assembly to collect. I remember being embarrassed but happy. The certificate said I had written a novel. At age 12! I don’t think I have the certificate anymore, but here’s the book.

 

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I started rewriting it after that. I had invested in an electronic word processor. It was the most exciting machine in the world to me! I could sit there and tap away and watch my words appear on this mini screen, before hitting print and then holding typed pages in my hands. What also happened to me at that age was that the story crept inside my brain. It kept me awake at night. It was company. I was never, ever bored. I’d look forward to bedtime because I knew I could lie there and think about my story before I fell asleep. I watched the scenes in my head like a movie. I heard them talking and arguing. Inevitably I came up with new ideas and extra bits, but mostly I just let them play it all out, and most of those imagined scenes have never made it into any of the books. It was just me, a fly on the wall of a made-up world, watching them live.

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Here’s one of the many pictures I drew of the characters. Only some of these made it into the final version.

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I rewrote that book again at aged 16. I’d started and not finished tons of other stories in that time. The book had opened a floodgate, forging a lifelong addiction to writing. But that one story, I couldn’t ever let it go. I rewrote it again at 19. I thought about it constantly during the non-writing years of balancing early motherhood with self-employment. The same story, the same characters always in my head, coming back to me night after night. I was 34 before I finally returned to it. I started writing in notebooks again, just like when I was a kid. Snatching spare moments, writing before bed, suddenly entirely addicted all over again, but this time it had to come out, it had to be finished.

I finally released it in 2013. The Mess Of Me snuck in and was released first because The Boy With The Thorn In His Side was so long and needed so much work. But finally, it was out. A real book I could hold in my hands! I’d done it. So now they would fall quiet, surely? I’d stop thinking about them. I’d stop playing out more scenes.

Well, no, not exactly. Before I knew it I’d penned a sequel, This Is The Day and released that too. That should have been the end of it it, but yet, it still wasn’t. The story itself was so enticing to me, and I was so invested in it, I couldn’t stop imagining other endings, and I guess, truth be told, in my head I did not want it to be over. So the stories went on. Every night, hi guys. What’s happening now?

I wrote an alternative ending in 2016 and included it in Bird People and Other Stories.That was supposed to draw a line under it, but it only made things worse. Now I couldn’t get the thought of other endings out of my head! What if this happened instead? What if? What if? For the fun of it, I started writing a screenplay in a notebook. Brand new material that led on from the original ending of book one, slotting in and delaying the ending, but finishing up before This Is The Day. This was only supposed to be for fun. To get it out of my system. To indulge myself even more than I already had. What the hell, what did it matter? It was for fun. I didn’t have to explain that to anyone!

Except now I do. Because that screenplay became a total obsession. I carried that notebook around with me everywhere. I grabbed every spare moment I had to write into it, getting this new story out. I absolutely loved it. I was so excited about it. I just couldn’t put it down. So eventually, after a lot of thinking and plotting, I came to a decision. I would do it. I would split the book back into two parts and this new material would be part three. Part Four would be This Is The day but it would need some reworking. Then suddenly, parts five and six emerged…

I’ve now accepted the truth. And that is that this story and these characters will never let me go. They are part of me and part of my life and I’m going to leave each book open, just in case I want to revisit it again.

There are new characters introduced in Parts Five and Six, and these also get their own spin-off book or possibly series with characters from both appearing in the others. So, as you can see… this thing could run and run.

So, if you are interested in reading this story, which began when I was 12, followed me through my life and has now evolved into at least a six-part series, you can start with The Boy With The Thorn In His Side Part One which is available for pre-order on Amazon now and is released on 9th November. This is a reworked, revised edition. The Boy With The Thorn In His Side Part Two is also available for pre-order now and is also released on 9th November. Both at the special introductory price of 99p.

I plan to release the brand new Part Three in January an Part Four in February. By then I hope to be into the second or third draft of Part Five…

And the weird thing about this story is that I wrote it purely for myself, I indulged myself entirely, became utterly lost and absorbed and have still been unable to climb free from it. So I don’t really expect anyone to buy it, and I don’t really mind if they don’t. It feels weird to even try to plug it if I’m honest. Like this one is just for me. Like this is my mind, my imagination, my daydreams and to imagine anyone else wandering around in there is almost unsettling. And if it holds me prisoner for another 28 years? I think I’m okay with that…

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RIP Kurt Cobain; Extract from The Boy With The Thorn In His Side

The Boy

“People always say they can remember exactly where they were when a big news story broke. You know, like Kennedy being shot, or Martin Luther King being assassinated, or Elvis being found dead on his toilet. I didn’t used to care, or pay much attention, until it happened to me. I will remember forever and ever where I was, what I was doing, even what I was fucking wearing the day I heard that Kurt Cobain was dead.

I was in The Record Shop again. I had only been in about five minutes, brimming with excitement, clutching the money to pay for the stack of singles and albums I had piled up behind the counter. Beck’s Loser, Oasis’ Supersonic, Talking Head’s Remain In Light and Pixies Surfer Rosa. See? Remember them all. I was wearing blue baggy jeans, and I had just been thinking that I must have lost a bit of weight because I had to keep hitching them up, and I was feeling pissed off about this. I wanted to be getting bigger for God’s sake, not smaller. I had on an old Clash t-shirt I had picked up in a charity shop, and my beloved baseball boots which were coming apart at the soles. I went around the counter, and clutched the records to my chest, inhaling the musty smell of them while Terry chucked my money into the till. He was drooped over his stool, mug of tea steaming in front of him, and a stack of dusty cassettes to one side, waiting to be shelved. 

You still don’t have a record player to play them on do you?’ he asked, struggling to disguise his own amusement.

Gonna’ ask for one for my next birthday.’

You’re weird, you know that? All the other kids are getting into the CD’s mate. That’s the new thing! You’re going bloody backwards!’

I like old things,’ I shrugged defensively. I stayed where I was behind the counter, stalling for time by gazing longingly at my records and wondering if he would allow me to turn off the radio and put one on. We heard the news announcement at the same time. We both lifted our heads instantly when we heard the words spoken. Nirvana front man Kurt Cobain has been found dead at his Washington home. It was a long, stretched out moment, dizzying and sick, and I felt like the bottom had fallen out of my world, just crashed on out under my feet. I was standing on nothing. The fat man was staring at me and I was staring back at him. My mouth fell open in slow motion, registering the horror. Terry’s face seemed to twist in shock, his eyes becoming loaded with despair and disbelief. I was rigid and could not speak.

Oh my God,’ Terry whispered as the news reporter rattled on.

I held my records to my chest and shook my head. ‘Can’t be true,’ I heard my voice croak. I walked stiffly then, around the counter and towards the door.

Oh shit,’ he was saying behind me. ‘Not another one. Jesus fucking Christ, it’s never fucking Michael Bolton or Phil Collins is it? Hey? Hey Danny, come on, you all right mate?’

Can’t be true,’ I said. I wrenched the door open and started running.

I ran all the way home. I stumbled up the driveway with my sweaty hair plastered to my face. I barely paid attention to the two cars parked in the drive as I dashed past them, still clutching my records, all my coherent thoughts commanding me to get to the television, to find out more. I ran into Howard and Freeman in the back garden. They had the barbecue going and were lounging in plastic garden chairs, smoking and drinking beers. There was an instant and undeniable light that leaped into Howard’s eyes when he saw me.

Whoa look who it is! Our number one man!’ Freeman greeted me as he often did, with just a silent nod of his head. ‘You heard the big news yet eh?’ I scowled at the snake like smile that crawled across his face, and the delight that shone in his beady eyes, and turned away from them, into the house. There was a roar of laughter behind me. Their footsteps echoed mine. ‘Don’t you love this about Danny?’ Howard was asking Freeman. ‘He’s so bloody talkative!’

I hurried into the lounge, placed my records on the sofa, turned the TV on and started to flick through the channels with the remote. They came into the room behind me, and ordinarily the fear would have started to crawl down my spine, but I was too absorbed, too desperate to hear it was all a joke, a mistake. 

Ah looks like he already knows,’ said Howard, drinking from his beer bottle. ‘Oh damn, I was looking forward to telling you. What a fucking loser eh Danny? That so called hero of yours, that idiot junkie? Worthless piece of shit, blowing his own head off when he has a wife and a baby daughter!’

I barely heard him, and I stopped flicking channels because I had found him. There he was, locked inside the TV set like so many times before, on Top Of The Pops and MTV. They were playing the video to Smells Like Teen Spirit, and there he was, in his striped top, peering through his blonde hair as he snarled the lyrics. He came up to the camera lens, shook his hair from his eyes, and I mouthed the words as he sung them.  My eyes tracked down to the information that was running along the bottom of the screen.  Kurt Cobain found dead in his Washington home. 

I felt like I had been punched in the stomach. My mouth fell open and I reached out with one hand, placing it shakily on top of the television to steady myself. I forced a deep breath of terrible, heart breaking shock. I listened in mounting sorrow, as the reporter relayed the information that he had probably been dead for a few days, that it appeared he had died from a shotgun wound to the head, and that a suicide note had been found at the scene. But at the same time, there he was, alive and kicking, killing his guitar, thrashing the hell out of it, while the cheerleaders bounced up and down in slow motion. They started playing shots from their other videos and from live performances, Kurt destroying his guitar and hurling himself into the drum set.

I wanted to reach into the TV. I wanted someone to speak out, to voice a doubt, to suggest it was someone else, not him. The footage then went on to show the thousands of distraught and weeping fans that had already gathered outside his home. Howard made a disgusted sound from behind me.

Oh Christ look at them all! Pissing and moaning! What a bunch of babies. Christ, they all look like you Danny, like they’re fucking homeless! It’s a bloody uniform, the way you all dress.’

Shut up,’ I growled the word from the very back of my constricted throat. It was all so wrong. All of it. He was just a young man, just twenty-seven years old, how could he be dead? How could it be over? I pressed one hand to my mouth and became slowly aware of the icy silence behind me.

You better not have told me to shut up.’

I didn’t reply. I chewed at my thumbnail and tried to take it all in. They were talking about drugs and depression now, showing clips of him looking ill, or sad, as if that was all it came down to. And it made me feel angry the flippant way they discussed the loss of this genius young man.

Don’t get it,’ Howard announced. ‘Do you Jack? Don’t get all the fuss. It’s not like when Elvis died for God’s sake. Just some drugged up scruff who made whiny depressing music. You wait now, bloody hoards of ‘em will start topping themselves! Come on, turn that off now. We’ve had enough of that shit.’

I want to listen,’ I protested, not looking at him.

Pathetic,’ he sneered, coming closer. I stood my ground, spreading my legs and holding onto the TV. ‘Turn it off I said.’

I gestured in frustration. ‘It’s not finished, I just want to listen!’

Don’t fucking argue with me, turn it off now, or I will!’

I gritted my teeth and stepped closer to the TV. ‘I just want to listen. You weren’t watching it.’

What else do you need to hear for fucks sake? Your hero is dead, little man. There you go. Who gives a flying fuck anyway?’

Shut up!’ I pushed the words through my tightly clenched teeth as my eyes bored into the TV screen, both my hands now balled into fists at my sides. The thick hand crashed into my skull from behind, knocking me into the TV which rocked back slightly on its stand. Then the hand was closing on my neck, wrenching me backwards and hurling me down to the floor.

Don’t you ever tell me to shut up you little prick!’ The hateful face was right there, breathing beer and juicy fruit chewing gum into mine. I shuffled backwards, back towards the sofa, holding onto my head and weeping. I pressed my eyes shut. I didn’t want to see any of it anymore, didn’t want to hear it or believe it was true. Howard straightened up and stalked arrogantly around the back of the TV where he ripped the plug right out of the wall socket. There was only watchful silence from Jack Freeman in the doorway, and I didn’t care anyway, because nothing mattered, because everything was shit. They’d killed him; they’d taken him from me… ‘You better watch yourself,’ Howard warned me softly before leaving the room.

I crossed my arms over my knees, buried my head in them and let the sobs wrack my body. I felt overwhelmed by this gutting grief as it ripped right through me, and it felt like it would never stop, would never end. I heard them laughing at me. In the kitchen, or outside, they were laughing about it, so I jumped angrily to my feet and stormed recklessly into the hallway. I rubbed my hands viciously into my eyes and thought well come on then, you might as well kill me you fucking bastard! 

That’s right laugh!’ I yelled at the kitchen.  A stunned silence followed. I moved back, positioning myself against the front door, ready to run. I used each palm in turn to rub at my wet cheeks. ‘Just laugh then!’

Howard appeared in the kitchen doorway, his head slung low on his shoulders, while a deep frown hooded his stone like eyes. His expression was stunned. He could not fathom why I had shouted at him. 

What did you just say?’ he asked me, stepping into the hallway, and I could read him like a book. He was pissed off and worried, doubting his power all over again, losing his good boy.

You wouldn’t understand anyway!’ I cried at him. ‘You don’t even like any music! You have to have a soul to love music and you don’t fucking have one!’

The phone rang then. It was so sudden, so shrill and loud and unexpected in the shrinking space of the hallway, that I jumped about a foot in the air and Howard visibly flinched. I snatched it up before he could even move, pressing the receiver to my face with trembling tear stained hands. I heard a snivelling in my ear, and I let the air flow freely from my sagging lips. 

Billy?’

The snivelling gave way to a hicuppy sob. ‘Danny…have you heard it?’

Yeah. I heard. I’ve just seen it.’

Howard backed off slowly, his expression wondering and pensive. He turned on his heel but paused to point one finger back at me.

Pathetic,’ he hissed and was gone. I immediately sank back against the door, my legs going weak on me, my spine folding in, as I dropped my head heavily into one hand.

I don’t want to believe it…’ Billy was saying, his voice small and dazed. ‘Why would he do that Danny?’

I don’t know Bill. Don’t know.’

Do you think it’s really true?’

I think it is. It looks like it Billy.’

I can’t believe it,’ he sighed hopelessly into my ear. ‘I can’t. I fucking love that band man. I fucking love them…’

I could only nod. I knew exactly what Billy meant, and exactly how he was feeling, and yet there were no fit words to explain it. Later I wrote in my diary that it felt like we had been cheated, and stolen from. Something had been taken from us, something we would never be able to get back, no matter how hard we tried, and no matter how much more music we fell in love with. It had been ours. We’d all loved it, all of us. It had united us like nothing ever would again. I lay on my bed for the rest of that heart-breaking day, with Nevermind on constantly. When Something In The Way played, the emotions got the better of me, floored me and battered me, and all I could do was cry.

My mother came up to see me when she arrived home. She viewed my swollen eyes from the safety of the doorway and sighed in sympathy. 

I just heard, and I’m so sorry love,’ she said. ‘I know how much you love that band.’ She sighed again and gazed around at the posters that adorned my walls. ‘I know he was like a hero to you. I just don’t understand,’ she said then, with a small and nervous shrug. ‘I don’t get it. I don’t get why they do it when they have all that money and success!’

Maybe he hated his life,’ I told her stonily from my bed. ‘Maybe he despised all that. Maybe he hated waking up every morning. Simple as that.’

I expect it has more to do with drugs and depression,’ she said knowingly, making me writhe with fury and contempt. ‘They all seem to go the same way. Janis Joplin, Jimi Hendrix, Jim Morrison. Such a pity. And with all that money and fame you’d think they’d be happy!’

For God’s sake,’ I spat at her then. ‘Money and fame don’t equal happiness mother, there is a lot more to it than that! Like maybe his parents did a really good job of fucking him up!’

Oh that’s nice! That’s lovely! Why do the parents always have to get the blame?’

Because you reap what you sow.’

She shook her head at me, edging away. ‘You what? What is that supposed to mean? You don’t half come up with some crap Danny!’

I think it’s true.’

Well I don’t know where you heard that nonsense, but one day you might be a parent and then you’ll find out how bloody hard it is young man!’

I rolled my eyes and laughed at her. ‘I’ll do a better job than mine!’

What is your problem?’ She made a stance that filled the doorway, hands on hips; head cocked to one side, staring at me as if I were some kind of alien, not the very child she had grown inside her own fucking womb. Her eyes flashed at me angrily, so I tore mine away, found Kurt’s poster above my bed, and fixed them there.

If I ever have kids,’ I said, ‘I won’t disappear and never see them again, and I won’t let psychotic bastards come into their lives and wreck everything!’

Oh,’ she snapped. ‘So now we’re back to Lee are we? Well I don’t have to stand here and listen to this thank you very much, I’ve heard it enough times by now. I came up here to offer you some sympathy!’

More like to gloat,’ I grunted at her. ‘Just like he did. Yeah, he couldn’t wait to laugh at me and rub it in!’

Danny, it’s called teasing, and it’s no surprise he’s not a fan of that music…’

He’s not a fan of anything except himself! He stood there laughing and gloating, the bastard!’

Danny, we are getting married next Sunday whether you like it or not…’

Yeah, and that’s what you’re marrying Mum,’ I said bitterly, not taking my eyes from the poster. ‘Someone who makes fun of me being upset about something that really, really matters to me. But then you already know that don’t you? You just don’t care. Now just leave me alone and close the fucking door behind you.’ I closed my eyes and dropped my arms across them so that I would not have to see whatever depressing look she gave me before she went away.” (Extract from The Boy With The Thorn In His Side by Chantelle Atkins) RIP Kurt Cobain xx

Nirvana frontman Kurt Cobain

Me and The Music

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Me and the music and the writing, we are linked, we are circular. Each feeds into the other. My mind is always full of both. I often feel that music should be constantly with me, and when I was a kid, I tried to make this so. Music in my bedroom, music in the kitchen where I used to sit next to the radio to write my stories, and music in my head. I still recall the agony of dying batteries in a Walkman. My favourite song whining slowly to a halt. Rummaging through the junk drawer in the hope that the loose batteries rolling around at the bottom would fit, and have enough juice left to keep the songs going.

When I look back at my writing, music has always been there too. Often without me knowing, it has shaped and influenced my writing, as well as who I am. When I was fourteen I wrote a book about a boy living in 1960’s America, during the Vietnam War. There is no doubt in my mind that my love of sixties music influenced me to write this particular story, and the songs and bands I had fallen in love with, are dotted throughout the manuscript. In my head, the book was in fact a movie, with an awesome soundtrack. Songs like All Along The Watchtower by Jimi Hendrix, White Rabbit by Jefferson Airplane and Ruby Tuesday by The Rolling Stones all had their place. I had songs for fight scenes. I had songs for when the gang were running from the cops. I had druggy songs, and hippy songs, and I had Thank You For The Days by The Kinks, In My Life by The Beatles, and Catch The Wind by Donavan. In my head I could see it all and hear it all and it was perfect.

When I look back, I see everything in terms of what music was there for me. I remember buying a Bob Dylan cassette from HMV when I was about twelve. I used to write the lyrics inside my diaries and my school books. I even used to scrawl lyrics that meant something to me onto the surface of my desk at school with a compass. I remember a friend I was slightly in awe of playing me Guns ‘N’ Roses, and watching the videos for Welcome To The Jungle and You Could Be Mine on MTV at her house. I felt like an outsider peering in. It was something; but it wasn’t mine.

When I first saw the video to Smells Like Teen Spirit I thought Kurt Cobain was the most beautiful person I had ever seen. It was something I did not really understand. I bought the single on 7 inch vinyl from my local supermarket and played it as loud as I dared in my room. When I was sixteen Britpop exploded and I found something all mine. When I rewrote The Boy With The Thorn In His Side twenty years after it was first penned, I went back and made Danny’s journey through music my own. From Guns ‘N’ Roses to Nirvana, from the sixties to the nineties, with The Smiths and The Clash in between. It was my soundtrack and I am still adding to it.

Whatever music I am into most at the time, seems to seep into my writing. I had written a significant first draft of This Is Nowhere whilst listening to a lot of Neil Young vinyl. It suddenly seemed to make perfect sense that Jake’s mysterious mother Kate would have loved his music too. At the moment I am listening to a lot of Frank Turner. I have not made my latest protagonist Elliot Pie, a mad music fan, but I am curious to know how this phase will influence his character and the book.

The music has always been with me. I can’t go long without it. I can’t bear the silence or the hollowness that sometimes creeps in. A tight stomach is alleviated by jangling guitars. A worried mind unburdened by pounding drums, building up and up and up and up. The right chords, the right words, the right order, tingling down my spine, making me smile even when I really don’t want to. Music makes you move, it makes you remember how to breathe. It lifts your mood, sets you free, makes you remember you are alive and that great and beautiful things can happen.

When I was a kid I used to lie on my bedroom floor with the speakers on either side of my head. I was trying to locate every part of the song. I was trying to take it apart, understand every piece of it. I was trying to distinguish which instruments came in where, and I could never really understand it, and I still can’t, but I am still listening.

I still insist on loud music in the car. I search the CD collection before I leave the house, seeking out whatever my mood demands. The radio is on all day. Old music brings back a thousand memories. New music opens up possibilities. Makes me feel jealous of the young. If I am down sometimes I want to wallow in it, I want Creep and Fake Plastic Trees and Motorcycle Emptiness, and if I am angry I might want to stay angry, I might want Postively 4th Street or Karma Police or anything by The Smiths. If I want to be lifted up, if I want to feel instantly positive, I turn to The Stone Roses and Oasis. She Bangs The Drums and I can’t stop smiling and drumming. I Am The Resurrection as loud as can be with no interruptions, otherwise I have to go back to the start and try it again. It can’t be messed up. Gotta hear it all. Live Forever is my favourite song in the world, quite possibly. It’s simple and it’s basic but it’s got everything I need. It gets me right there. It says it all. I just wanna’ fly…

Nearly all of my writing has music in it somewhere. The Boy With The Thorn In His Side is a dark and hard hitting story, but is lifted up by Danny’s love for music. He gets to do what I have always wanted; work in a record shop. In The Mess Of Me Joe runs drugs for his brothers in order to save up for a drum kit. In the sequel he will have formed his band and be trying to get noticed.

Music helps me write. It gets the juices flowing. Lyrics inspire stories and invoke characters inside my head. I imagine that all my characters have a soundtrack; music that defines their life and their story. Songs that are all theirs. Songs they sung when they were sad and lost, songs that gave them hope and guts when they needed it most, songs they fell in love to, songs they had their first kiss to…

Me and the music, tapping away. I remember when I was nineteen, and I hadn’t gone to University like I’d planned, and I had a shit job cleaning offices, and my mother had this terrible man living with her, and all my friends had left and gone to Uni, and everything was over, everything was standing still. I remember drinking every night, alone in my room, just me and the music and my trusty old word processor. All I needed was a constant supply of CD’s and paper. I wrote non-stop, all through the night. I wrote whatever came into my head, streams of consciousness and near unconsciousness. I felt like if the music ever stopped then I would die. The music kept the words coming, one after the other, rushing out of me, releasing me from anger and disgust and fear of the future and the whole world. I could make sense of it; or at least keep the worst fear at bay, if I just kept writing, just kept listening to guitars and drums and lyrics.

Now I walk around and I don’t often like the sound of the world. I want to tape a soundtrack over it all. Life is much cooler if you are constantly singing along. If there are constantly words inside your head.

Sometimes I get a nervous feeling in my stomach and for a moment or two, I don’t know why. I can’t work it out. There is nothing to be nervous about. I am not about to do anything scary or important. But the feeling is there nonetheless. It’s like a breath I cannot take. Like the next move has been prevented and I’m stuck. It’s not horrible, or terrible, but it is strange and comes at any time, following me about my life, sudden tightness, sudden urge to take a deep long breath and try again.The other day I finally worked out what it is. It’s my stomach nose-diving, lurching, crunching up small, and its because its wondering what song comes next. What part of life is about to unfold.

Songs are stories. Songs are full of people. Songs are full of love, and fear, and regret and confusion and pure, relentless joy. My writing needs them all. The desperate ones, the depressing ones, the uplifting ones, the soul destroying ones, the ones that shine… They all help me write.

“I’d hear a song, and it would cause this utterly jolting and physical reaction inside of me. It would take me over and it would take me somewhere else. Set all kinds of things off inside of me. Some songs, they drag you down with them, they take your hand very gently and ease you out of the sunshine. They want you to feel their pain, and they want the shivers to run through you as all your hairs stand on end.And then there are the songs that set your hair on fire, and I mean, they fill you up with indescribably joyous energy, the kind that makes you believe you will live forever. Primal Scream’s Movin’ On Up was one of those for me during that time. When I heard that, or sung along to that at Chaos, my heart was exploding with hope, let me tell you, my body felt like it had wings, my soul knew that nothing bad could ever happen to any of us, ever again. Music can do that you know.”  – Danny, “The Boy With The Thorn In His Side” http://www.amazon.co.uk/Boy-Thorn-His-Side-ebook/dp/B00W8DLGKA/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1431972783&sr=1-1&keywords=the+boy+with+the+thorn+in+his+side