Six Seriously Creepy Books For The Spooky Season

If you are looking for a creepy read for the spooky season, perhaps something slightly different to the usual witches, vampires, and ghosts, then look no further. These are six books I’ve read in 2022 that seriously creeped me out. Counting down from number six being the least creepy and number one the most, here are my top picks for the spooky season.

6. Fairy Tale by Stephen King

Blurb: Charlie Reade looks like a regular high school kid, great at baseball and football, a decent student. But he carries a heavy load. His mom was killed in a hit-and-run accident when he was seven, and grief drove his dad to drink. Charlie learned how to take care of himself – and his dad. Then, when Charlie is seventeen, he meets a dog named Radar and her ageing master, Howard Bowditch, a recluse in a big house at the top of a big hill, with a locked shed in the backyard. Sometimes strange sounds emerge from it.

Charlie starts doing jobs for Mr. Bowditch and loses his heart to Radar. Then, when Bowditch dies, he leaves Charlie a cassette tape telling a story no one would believe. What Bowditch knows, and has kept secret all his long life, is that inside the shed is a portal to another world.

King’s storytelling in Fairy Tale soars. This is a magnificent and terrifying tale about another world than ours, in which good is pitted against overwhelming evil, and a heroic boy – and his dog – must lead the battle.

My review: For me, this was classic King and for all the right reasons. A young protagonist, 17-year-old Charlie (not always your typical hero either, as he has a bit of a dark side) helps local grumpy old man Howard Bowditch when he falls and breaks his leg. After calling the ambulance, Charlie finds himself left with Radar, the man’s ageing German Shepherd to care for. The first chunk of the book is taken up with establishing these relationships and I really enjoyed this part. The unlikely pair become good friends as Charlie cares for the dog, the house, and eventually Mr Bowditch when he returns home. It soon becomes apparent, however, that Bowditch is hiding a dark secret in his padlocked shed. When he dies suddenly, he entrusts this secret to Charlie through some tapes he recorded and Charlie must then decide whether to go where Bowditch once went, essentially, in the shed and through a portal to another world. This part of the book actually slowed down a bit for me as we had so much detail on the other world for quite a long time. It really reminded me of The Talisman too, which is not a bad thing. Once Charlie runs into danger in the other world, it really picks up pace again and I found it hard to put down. The other world is slowly dying since a neglected son of the royal family discovered a well that gave him dark powers. He takes revenge on his family and the entire kingdom by killing, maiming and destroying and unleashing a disease that slowly turns people grey and seals up their eyes, noses and mouths. When Charlie is imprisoned by the creepy Night Soldiers who guard the new king, he finds himself in a horrific dungeon with other ‘wholes’ and will be forced to fight each one to the death. By this point I was truly hooked and I think the Night Soldiers in particular brought a truly creepy and eerie touch to the story. In many ways it is a classic good vs evil story, and also has many nods to familiar fairytales. A great read that (mostly) had me on the edge of my seat!

5. Sixteen Horses by Greg Buchanan

Blurb: Near the dying English seaside town of Ilmarsh, local police detective Alec Nichols discovers sixteen horses’ heads on a farm, each buried with a single eye facing the low winter sun. After forensic veterinarian Cooper Allen travels to the scene, the investigators soon uncover evidence of a chain of crimes in the community – disappearances, arson and mutilations – all culminating in the reveal of something deadly lurking in the ground itself.

In the dark days that follow, the town slips into panic and paranoia. Everything is not as it seems. Anyone could be a suspect. And as Cooper finds herself unable to leave town, Alec is stalked by an unseen threat. The two investigators race to uncover the truth behind these frightening and insidious mysteries – no matter the cost.

My review: Definitely not one for the faint-hearted and the depictions of animal cruelty are hard to read, but I truly enjoyed this unique and thrilling read. I don’t read psychological or crime thrillers too often because I often find while the plots are excellent, the characters are lacking, but I felt differently about this book. The two main characters, the detective investigating the horrific crime of sixteen dead horses heads placed in a circle on a rundown farm, and the forensic vet called in to assist him, were both really interesting in my opinion. They were both fairly unreliable and there were certainly parts of the book that made me suspect either of them of either being involved, or of knowing more than they were letting on. They were both dealing with past trauma in different ways and they were both a bit ‘odd’ and didn’t find it easy to fit in or get along with others. This made the whole thing quite interesting, I thought. As for the crime itself, it just gets darker and darker until you are peeling back the grimy layers of the rotting seaside town itself. The crime was far more complicated and the reasons behind it far more eerie and creepy than I had ever imagined. I just had to keep reading and digging. It definitely left me with a few questions and a lot to think about. I enjoyed the style of the writing too. I would definitely read more from this author. A thoroughly creepy, brooding read!

4. I’m Thinking Of Ending Things by Iain Reid

Blurb: Jake and his girlfriend are on a drive to visit his parents at their remote farm. After dinner at the family home, things begin to get worryingly strange. And when he leaves her stranded in a snowstorm at an abandoned high school later that night, what follows is a chilling exploration of psychological frailty and the limitations of reality.

Iain Reid’s intense, suspenseful debut novel will have readers’ nerves jangling. A series of tiny clues sprinkled through the relentlessly paced narrative culminate in a haunting twist on the final page.

Reminiscent of Michael Faber’s Under the Skin, Stephen King’s Misery and the novels of José Saramago, I’m Thinking of Ending Things is an astonishing and highly original literary thriller that grabs you from the start—and never lets go.

My review: I definitely advise reading the book first with this one! It’s a very strange and creepy read told from the point of view of a young woman on a road trip with her fairly new boyfriend, Jake. They are driving through heavy snow to meet his parents who still live on the farm he grew up on. On the drive, the narrator is thinking about ending their relationship. Once they arrive and meet the parents, things get very strange indeed. It’s hard to describe without giving away spoilers, but this book really keeps you reading as you just want to try and figure out what is going on. The narrator is somewhat unreliable – is she seeing and hearing things that are not there? Is something wrong with Jake? Or is it his parents? Altogether, what happens during and after their visit is increasingly odd, creepy and eventually, genuinely terrifying. I watched the Netflix movie after and thought they left loads out. The movie makes very little sense, whereas the book leaves you wondering, but explains a lot more! A truly creepy read from start to finish.

3. The Watchers by A.M. Shine

Blurb: This forest isn’t charted on any map. Every car breaks down at its treeline. Mina’s is no different. Left stranded, she is forced into the dark woodland only to find a woman shouting, urging Mina to run to a concrete bunker. As the door slams behind her, the building is besieged by screams.

Mina finds herself in a room with a wall of glass, and an electric light that activates at nightfall, when the Watchers come above ground. These creatures emerge to observe their captive humans and terrible things happen to anyone who doesn’t reach the bunker in time.

Afraid and trapped among strangers, Mina is desperate for answers. Who are the Watchers and why are these creatures keeping them imprisoned, keen to watch their every move?

My review: Genuinely one of the creepiest books I’ve read in a while. I was on edge the entire time reading this. From the broken down car in the middle of the woods, to the lady screaming to run to the house, to the mysterious and horrific ‘watchers’ who come out at night everything about this book stands your hairs on end. Mina is a great character too – I was rooting for the whole time. Inside the house she is surprised to meet three other people who all seem to have met a similar fate to her in these unmapped, unknown woods. Mina and the others are watched by the creatures on the outside, who seem keen on learning about them and also scream and scratch and claw to get in. In daylight, they are safe, but the forest is too vast to escape in the hours of light they have. It’s an impossible and claustrophobic situation, made even worse by the fraying, tense relationships between the people trapped together. This book is a beautiful read, expertly capturing the hopelessness of captivity, fear of the unknown, defeatism and heroism these people go through. The plot thickens the further you go and there are some breathtaking twists at the end. This was a 5 star read for me and I can’t wait to read more from this author.

2. Starve Acre by Andrew Michael Hurley

Blurb: The worst thing possible has happened. Richard and Juliette Willoughby’s son, Ewan, has died suddenly at the age of five. Starve Acre, their house by the moors, was to be full of life, but is now a haunted place.

Juliette, convinced Ewan still lives there in some form, seeks the help of the Beacons, a seemingly benevolent group of occultists. Richard, to try and keep the boy out of his mind, has turned his attention to the field opposite the house, where he patiently digs the barren dirt in search of a legendary oak tree.

Starve Acre is a devastating new novel by the author of the prize-winning bestseller The Loney. It is a novel about the way in which grief splits the world in two and how, in searching for hope, we can so easily unearth horror.

My review: I enjoyed The Loney so was quite sure I would enjoy this, and it was just as good. Again, the author expertly uses the environment and the weather to increase tension, foreboding and mystery in the prose, making the location almost as much a character as the people. This story follows a couple who have inherited a house and a bit of land known as Starve Acre, from his family. The village is a strange place they can’t quite fit into and their young son Ewan seems to make enemies everywhere he goes. His mother begins to get quite concerned about his behaviour and they even consult doctors to determine if something is psychologically wrong with their son. The story tells this past narrative adjacent to the present one, where Ewan is dead, and the couple are grieving in different ways. Ewan’s mother is sure Ewan is still around and invites local spiritualists known as the Beacons into her home to convince her husband Ewan is still with them. Meanwhile, he has been digging up the field to find the roots of an infamous old oak tree known to have been the village hanging tree. Instead, he finds the skeleton of a hare which he cleans up and lays out inside the house. What happens next is fascinating, magical, mysterious and disturbing all at once. The story gets darker and sadder as events unfold. We learn what happened to Ewan leading up to his death and we witness the gradual decline of his grieving parents. More than that, we soon learn that the earth itself has secrets in this place and something dark and chilling has been restored to life. I absolutely loved this book and could not put it down. It truly has one of the most disturbing last paragraphs you will ever read!
  1. Winterset Hollow by Jonathan Durham

Blurb: Everyone has wanted their favorite book to be real, if only for a moment. Everyone has wished to meet their favorite characters, if only for a day. But be careful in that wish, for even a history laid in ink can be repaid in flesh and blood, and reality is far deadlier than fiction . . . especially on Addington Isle.

Winterset Hollow follows a group of friends to the place that inspired their favorite book—a timeless tale about a tribe of animals preparing for their yearly end-of-summer festival. But after a series of shocking discoveries, they find that much of what the world believes to be fiction is actually fact, and that the truth behind their beloved story is darker and more dangerous than they ever imagined. It’s Barley Day . . . and you’re invited to the hunt.

Winterset Hollow is as thrilling as it is terrifying and as smart as it is surprising. A uniquely original story filled with properly unexpected twists and turns, Winterset Hollow delivers complex, indelible characters and pulse- pounding action as it storms toward an unforgettable climax that will leave you reeling. How do you celebrate Barley Day? You run, friend. You run.

My review: Wow, I absolutely loved this book, despite how much it scared me and put me on edge! I just could not put it down! Eamon, the main character had an unusual upbringing, brought up in a cabin in the woods with his strange/crazy father. When his dad went out and never came back, Eamon was eventually rescued and placed into foster care. While in care, he received a copy of a book called Winterset Hollow by an author called Edward Addington. He grew to love the book which relayed the adventures of a group of talking animals living in a place called Winterset Hollow. Years later, his best friend Caroline, who is also a huge fan of the book, and her boyfriend Mark are about to board a ferry to visit the island where the author lived in a mansion until his death. There is a whole group of excited fans on the boat, looking forward to taking photos and capturing the atmosphere of the book that means so much to them. However, once they arrive, strange things start happening. Its hard to write a review without giving too much away, but lets just say, the trio find themselves inside the mansion being entertained by the very characters they have grown up reading about. It seems like a dream come true. But they do say you should never meet your heroes, and it turns out, these particular animals are enraged and traumatised, and hellbent on revenge… This really is a case of the tables being turned on mankind, who have systematically hunted, chased and tortured animals for fun for many decades. There are some simply brilliant twists towards the end, and the author does a fantastic job of evoking sympathy and empathy for the murderous animals, as well as for the trio of friends who have found themselves in a truly nightmarish situation. This story will stay with me for a very long time. It’s haunting, thought-provoking, eerie and actually quite terrifying. It’s also very fast-paced when it gets going and I found it hard to take a break from. An excellent read for anyone who likes unusual horror stories!

And there you have it – six seriously creepy reads which are perfect for the spooky season!

What is the creepiest book you have ever read???

August Writing Challenge: Face In The Crowd

At the end of July I asked my Facebook page followers to give me some more random writing prompts to respond to and I had a great selection to choose from. I ended up blending two together for this weird little story. Author Paula Harmon suggested a story set within a crowd and author Sim Sansford posted a creepy picture of a faceless woman with faceless masks hanging on the wall behind her. I also played around with second person POV which was great fun! Please note, this is only a second draft and I will definitely be rewriting this story at some point, maybe even making it a bit longer.

Image by Keith Johnston from Pixabay

Face In The Crowd

You won’t see her coming.

Except maybe out of the corner of your eye…

And by then it will be too late anyway.

She seems to know who she wants; you see. She is a predator, stalking you, and you are the prey. Nothing more, nothing less.

Let me take you back to the last crowd you found yourself in. Heart already pounding faster than it should, prickles of cold sweat erupting on the back of your neck, while something tight and spiky curls into a hard ball inside your guts. You’ve felt it before. Bad things happen in crowded places. A human is never so alone as when lost in a crowd. You remember them all. Different types of crowds, none of them safe.

School assembly, remember that? Trapped on a hard varnished floor with your knees tucked up under your nose so that you don’t touch the people on either side of you. Not your friends. Never your friends. To the left, to the right, in front of you and close behind, surrounded, fenced in, unable to breathe. Always too hot. No way out. Panic beating its small wings inside your chest as your outward face insists that nothing is wrong here.

Supermarket queues… Not as hemmed in, but still, the heads bob too close before you and one glance over your shoulder reveals a horrifying snake of people behind you. You swallow fear and bite back the urge to run, because how weird would that be? Suddenly barging through, shoulders crashing into backs, pushing, shoving, running, running. You’d never be able to go back if you did that.

Christmas crowds: the hopeless horror of a shop wedged tight with angry, entitled bodies. You give up and go home and shop online. You don’t like crowds. Never have. Festival crowds. You gave those a go. Outside, fresh air, music thumping through your veins, alcohol and friendship spurring you on. You thought, I can do this! But then you made the mistake of looking behind you, seeing the impossible volume of human life, jumping, shoving, screaming, living, too fast, too hard, too close. You stumbled when they pushed and the pushing didn’t stop. You tried to pick yourself back up, breathless with fear, but they kept coming, trampling, not seeing you, because you had ceased to exist.

Remember, that was the first time you saw her?

Weaving her way through the herd with feline eyes, swivelling to take in every view; hunting someone down. She was tall, you remember that. Towering above the revellers yet hunched over to disguise it. Her neck swanlike, or snakelike. A small mouth, or no mouth. She pushed through them, not touching anyone, moving like oil, her pupils gliding eerily from side to side, until she reached out with a long hand, longer fingers, nails curled over and mottled grey. You saw her touch someone but you didn’t see what happened next because the crowd surged and you almost died.

That’s why I don’t like crowds, you tell anyone that will listen, I am not antisocial, just emotionally scarred from nearly dying. Broken ribs are nothing to laugh about you remind yourself when that chilly fear settles across your shoulders, telling you to turn around and go home.

Today the crowd bustle before you. They have taken over the entire square. It’s market day; you should have known. You shake your head at your own stupidity and lack of foresight. But you did the best you could – remember that – moving to a quiet seaside town, dead in the winter, smells faintly of salt and vinegar – humming with tourists in the summer but that’s when you stay home or go out on your boat. No risk of a crowd out on the water.

Today, market day, the crowd moves like a messy unified thing, a squirming mass of warm bodies and haircuts, small lives, red faces, sweat stains. You hate it. But you need to go to the post office, right on the other side. You sigh heavily, dramatically, your annoyance with these people’s existence out of proportion to their right to exist just like you. You’d fire a rocket launcher at them if you could. You still remember being trod into the mud. You shudder.

But you move. You have to. You can do this. They’re just people.

You step forward and before you are even ready, before you have taken the obligatory deep breath and shaken out your limbs, pulled your bag closer across your chest, the crowd sweep you up and take you.

This is what you resent.

This makes you wish you had a grenade in your coat pocket.

The inescapable claustrophobic nature of the crowd. Of people.

Just people, you tell yourself, but you know that’s not true. They’re not just people, not just this or that. Never underestimate them. Never expect the best. Instead, always prepare for the worst. For sickening body odour and hairstyles freeze dried into place, for sharp elbows and fat shoulders. For feet that trample your own. For bags that whack you out of your space. For bodies, thick and long and selfish and demanding, all moving, and moving you whether you want to be moved or not.

You grit your teeth put your head down and push through.

And then you see her.

Like you did when you were down in the mud.

Tall, hunched, otherworldly in her movements, she glides along, coming for something, someone. Lank pale hair hangs over her shoulders. She has her back to you, every bump in her elongated spine visible through the thin colourless dress she wears. Her arms are at her sides, the elbows jagged, the forearms raised and at the end of the wrists her long thin hands hang, fingers dripping, nails curled.

Your breath catches in your throat and you freeze, unable to breathe or move. Your scalp seems to contract and tighten under your hair and your entire body floods with ice cold fear. It feels like the world has stopped but it is just you, frozen while the crowd moves and circles around you. Unbelievably, they seem oblivious to the strange, hunched form who hunts among them. She doesn’t touch them as she glides between warm bodies and not one of them looks at her or senses her dark presence.

You want to scream out, do something. You open your mouth but nothing emerges except a cold puff of air. You stare in agony as the colours of ordinary life swirl around her and then slowly, you see her reaching out. For she has chosen someone, a woman. A small petite woman with bright red hair wearing a spotty blue and white raincoat.

The hunched woman reaches for her, claw like hand sinking into unwilling flesh and there is a small, awful moment when the woman with the red hair stops and turns and stares in haunting clarity up at the collector. But it is fleeting, a microsecond of agonizing helpless horror and then it is over.

The red-haired woman walks away unscathed, slouching through the crowd with her bag on her shoulder, none the worse. Until she passes you and you see that she no longer has a face.

But no, maybe you imagined it. You are seeing things. Panicking. It’s all this stupid claustrophobic fear that you have no control over. You find yourself moving, pushing through, determined to make it to the post office, determined to brush this off, brush it away.

But as you move through the crowd, you see her again. She is still hunting. Still collecting faces. She towers over the people, glassy eyes swivelling in hollow sockets until another catches her eye. Not you, not you, no, thank God. She does not look at you because if she did you know you would be helpless, unable to run.

This time she makes her way over to a young man chatting on his mobile phone. He is powering through the crowd in a hooded jacket and black jeans. He is smiling, laughing as he focuses only on his conversation. He is easy prey, too distracted to feel her sliding towards him. He freezes when she touches him and you see the same dull dawning horror explode behind his eyes before it’s over. His face is gone and he moves on, still talking.

You make it to the post office and shove your way, sweating, through the doors. You can’t get out of that crowd quick enough. You cower at the window, behind shelves of envelopes and pens. You peer out, determined to hide until the whole thing has dispersed. You won’t go out there again, not with that many people, not with her out there stealing faces.

‘Are you all right?’ a worried voice asks from your shoulder.

You glance at the little man who wears a tight expression on his weathered face. ‘Yes,’ you swallow hard and reply shakily. ‘I’m sorry but I’m not good with crowds. Do you mind if I wait in here for a bit until I feel a little better?’

He nods and smiles in sympathy and leaves you alone.

You peer back out at the ever moving, swirling, humming crowd of life. The shoulders and heads, the hats and coats, the faces and the faceless.

I will be needing more writing prompts for my September challenge so feel free to post any here!

Who Is My Reader?

One of the first pieces of advice I recall hearing when I started my indie publishing journey in 2013, was; ‘know your audience.’ It sounds so simple, doesn’t it? Know your audience, know who your reader is. Once you know who they are you can figure out how to find them, where they hang out on the internet, what social media they are likely to be on, what tags you can use to get their attention, who to market your books at and so on.

I remember struggling with this at the time though. And I’m still struggling now. Back then, I had written The Boy With The Thorn In His Side, Parts One and Two, but while it was with beta readers, I very quickly churned out The Mess Of Me. The two were written side by side for a while until eventually The Mess Of me won the race and was released first.

The Mess Of Me has a 16-year-old protagonist and is essentially a book about growing up and the many teenage issues that go with it. At the time though, I didn’t think of it as Young Adult or as being aimed at teenagers.  I just listened to the voices in my head, as I always do, and they were young.  I soon figured out that not categorising and marketing The Mess Of me as YA was foolish and ridiculous. I had to get my head around something then. Was I a YA author? Did I just write YA?

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I didn’t have a problem with this as I have never grown out of loving YA books, and although I read a lot of genres, I do frequently return to YA and always feel like I am coming home. The problem was the next book. Though also having a teenage protagonist, and dealing with teenage issues, it was far harder to classify. Partly because the teenage narrator grows up and becomes an adult, and partly because there are two narrators for Parts One and Two, and the second narrator is an adult. In my head, this book was never aimed at anyone. I just had it in my head and wrote it.

I’ve got to be honest, this has mostly been my approach since too. This Is Nowhere features a grown man, but every other chapter dives back into the past to when the character is a young boy and teenager. I always felt like this one was probably better suited to adults though, so I categorised it accordingly.

The Tree Of Rebels was the first and only book I wrote with a deliberate audience in mind, and I think I mentioned on here several times while writing it, that this made it the hardest book to write. It sort of altered how I felt about the book. It was like I was trying to write to please someone the whole time.

The Tree of Rebels

Since then, I returned to just writing what I wanted to write and not imagining the reader first. This is fine when writing, but presents all sorts of problems when the time comes to publish the book. What categories and keywords do I choose? How do I market it? What genre is it? How do I find the people who will like this book?

Elliot Pie’s Guide To Human Nature is a classic example of why I am still in such a muddle and still struggling to find my readers. It has a young narrator, but also an adult one. The adult themes, for me, make it more suitable for adults than teens, but Elliot’s day to day life and outlook are something that will more than likely resonate with young people. I still find it hard to describe the genre of this book. Definitely coming-of-age but also contemporary women’s fiction? Maybe even UpLit?

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With Parts One and Two of the new, revised The Boy With The Thorn In His Side series almost ready to be released, and Parts Three and Four being polished up in the background, my mind has once again returned to my elusive reader. 2019 will continue to be busy as I plan to release YA novel, A Song For Bill Robinson and possibly it’s almost finished sequel, Emily’s Baby. My list of novels is growing longer, but I still don’t know who my audience is. It’s tricky when you cross over so many genres. Most of my books cross into two or more, with psychological thriller, suspense, crime, coming-of-age, mystery and dystopian all regularly showing up.

So, who is my reader? What sort of person reads my books and likes them? I only have a small audience, so it’s hard to speculate. But I suppose really, my reader must be someone quite similar to me. I imagine them as slightly scruffy, or at least not terribly groomed and over bothered with appearances. They probably make an effort when they can, and they probably berate themselves fairly often about sorting out some kind of ‘look’, but it never really feels urgent to do so. They are probably young at heart. Stuck in the past, tinged with nostalgia, reluctant to admit and give in to adulthood. I think they are a music fan. They probably like all sorts. They’re not narrow-minded about it at all. They’ll listen to anything, but they have their favourite era of course, and their favourite songs. They see life in songs. Soundtracks are everywhere.

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What else? I imagine them as liking animals and nature. Not in a really obsessed, or professional way, just in that seeing a bird or a deer unexpectedly will really make them smile and have a better day. I think they enjoy being outside, all weathers too. Being outside makes them feel more alive.

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I think they are introverted but friendly and warm. A bit cynical and suspicious at times. Prone to the odd dark mood. Likely to panic about once a month about how the world is utterly doomed. But they always brighten up and soldier on. Despite being naturally shy, they are really interested in people, genuinely intrigued by them. They love a spot of people watching and love a character-driven book they can really get their teeth into. They are looking for stories about humans they can relate to and empathise with, and they are looking for characters to fall in love with, characters they wish were real.

They want to disappear inside a book and come out feeling different. They don’t want anything too formulaic or predictable. I think they are a bit of an eccentric at heart. They probably talk to themselves.

This is how I imagine my readers to be and I shall continue to do my best to try to find them. What about you? If you are a writer, do you know who your audience is? If you don’t know, does it make it harder to sell your books? If you’re sure of your audience, tell me about them. What are these people like? If you’re a reader, do you imagine yourself as part of a genre tribe, full of similar and like-minded people all connected by an appreciation of mysteries, or romance, or horror?

Please feel free to comment and share!

Stuck Inside A Story (For 28 years…)

That’s how it feels. That’s what it is. Stuck. Trapped. Held prisoner. I can’t get out. But do I really want to? Evidence would suggest not. Sometimes I wonder what exactly I have done. Created a world, created characters, used some magic and a lot of hard work, an imagination I can’t control, and there you have it, an alternative reality I can’t escape from.

I had no idea this would happen when I started writing as a child. My first attempts were hand-written stories about lost and abandoned animals, heavily influenced by my love of Watership Down and other similar books. I didn’t write my first story about real people living real lives until I was 12 years old. What happened to tear me away from my quaint tales of lost dogs and runaway bunnies? Well, weirdly, this.

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And this.

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Watching The Lost Boys gave me a few vital ingredients for the story that would go on to hold me prisoner for the next 28 years. It gave me the main idea, the main concept and it gave me some characters. Or at least, it inspired me to create characters who would turn out to be the kind of people I wished I knew in real life. As for Stephen King, it was around this time that I started my collection and was well on my way to becoming a truly obsessed fan. Add to that strange mix, the recent divorce of my parents, the usual teenage angst and rebellion, and I had me a story. Remember the bit in The Lost Boys when the younger brother realises his mother is dating the head vampire? That’s where the idea for The Boy With The Thorn In His Side came from. It wasn’t called that back then. It wasn’t called anything for ages. But I kept thinking…what if your mother was dating a monster? Only not the vampire kind, the real-life kind? And what if no one believed you? And what if you only had yourself and your best friends to try to battle this person? It was a weird mix of asking ‘what if’ questions, my parents’ recent divorce playing on my own fears, a dewy-eyed fascination with the actor Corey Haim, and a love of horror and fascination with the darker side of human nature that spawned this tale.

In my mind, my main character Danny, who is 13 at the start of Part 1, looked a lot like Corey Haim, who I was quite a bit in love with at that age. Once I had him in my head, his character started to grow and evolve, and I think I wrote that very early first draft pretty quickly. I remember it was my absolute obsession for a while. I hated to be away from that story. I’d rush home from school and up to my room to pick up my notebook and pen. I’d write endlessly and passionately. I suppose at the time I had no real idea of what I was doing. I was sort of trying to invent friends, I think. People I was intrigued by, people who had drama in their lives. I felt like I was a character in the book too. I was so proud when I finished it. I even started a sequel. I showed my English teacher and she read it and gave me a merit certificate I had to go up in assembly to collect. I remember being embarrassed but happy. The certificate said I had written a novel. At age 12! I don’t think I have the certificate anymore, but here’s the book.

 

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I started rewriting it after that. I had invested in an electronic word processor. It was the most exciting machine in the world to me! I could sit there and tap away and watch my words appear on this mini screen, before hitting print and then holding typed pages in my hands. What also happened to me at that age was that the story crept inside my brain. It kept me awake at night. It was company. I was never, ever bored. I’d look forward to bedtime because I knew I could lie there and think about my story before I fell asleep. I watched the scenes in my head like a movie. I heard them talking and arguing. Inevitably I came up with new ideas and extra bits, but mostly I just let them play it all out, and most of those imagined scenes have never made it into any of the books. It was just me, a fly on the wall of a made-up world, watching them live.

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Here’s one of the many pictures I drew of the characters. Only some of these made it into the final version.

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I rewrote that book again at aged 16. I’d started and not finished tons of other stories in that time. The book had opened a floodgate, forging a lifelong addiction to writing. But that one story, I couldn’t ever let it go. I rewrote it again at 19. I thought about it constantly during the non-writing years of balancing early motherhood with self-employment. The same story, the same characters always in my head, coming back to me night after night. I was 34 before I finally returned to it. I started writing in notebooks again, just like when I was a kid. Snatching spare moments, writing before bed, suddenly entirely addicted all over again, but this time it had to come out, it had to be finished.

I finally released it in 2013. The Mess Of Me snuck in and was released first because The Boy With The Thorn In His Side was so long and needed so much work. But finally, it was out. A real book I could hold in my hands! I’d done it. So now they would fall quiet, surely? I’d stop thinking about them. I’d stop playing out more scenes.

Well, no, not exactly. Before I knew it I’d penned a sequel, This Is The Day and released that too. That should have been the end of it it, but yet, it still wasn’t. The story itself was so enticing to me, and I was so invested in it, I couldn’t stop imagining other endings, and I guess, truth be told, in my head I did not want it to be over. So the stories went on. Every night, hi guys. What’s happening now?

I wrote an alternative ending in 2016 and included it in Bird People and Other Stories.That was supposed to draw a line under it, but it only made things worse. Now I couldn’t get the thought of other endings out of my head! What if this happened instead? What if? What if? For the fun of it, I started writing a screenplay in a notebook. Brand new material that led on from the original ending of book one, slotting in and delaying the ending, but finishing up before This Is The Day. This was only supposed to be for fun. To get it out of my system. To indulge myself even more than I already had. What the hell, what did it matter? It was for fun. I didn’t have to explain that to anyone!

Except now I do. Because that screenplay became a total obsession. I carried that notebook around with me everywhere. I grabbed every spare moment I had to write into it, getting this new story out. I absolutely loved it. I was so excited about it. I just couldn’t put it down. So eventually, after a lot of thinking and plotting, I came to a decision. I would do it. I would split the book back into two parts and this new material would be part three. Part Four would be This Is The day but it would need some reworking. Then suddenly, parts five and six emerged…

I’ve now accepted the truth. And that is that this story and these characters will never let me go. They are part of me and part of my life and I’m going to leave each book open, just in case I want to revisit it again.

There are new characters introduced in Parts Five and Six, and these also get their own spin-off book or possibly series with characters from both appearing in the others. So, as you can see… this thing could run and run.

So, if you are interested in reading this story, which began when I was 12, followed me through my life and has now evolved into at least a six-part series, you can start with The Boy With The Thorn In His Side Part One which is available for pre-order on Amazon now and is released on 9th November. This is a reworked, revised edition. The Boy With The Thorn In His Side Part Two is also available for pre-order now and is also released on 9th November. Both at the special introductory price of 99p.

I plan to release the brand new Part Three in January an Part Four in February. By then I hope to be into the second or third draft of Part Five…

And the weird thing about this story is that I wrote it purely for myself, I indulged myself entirely, became utterly lost and absorbed and have still been unable to climb free from it. So I don’t really expect anyone to buy it, and I don’t really mind if they don’t. It feels weird to even try to plug it if I’m honest. Like this one is just for me. Like this is my mind, my imagination, my daydreams and to imagine anyone else wandering around in there is almost unsettling. And if it holds me prisoner for another 28 years? I think I’m okay with that…

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