The Cassidy Newbold, Clairvoyant Tour and Giveaway!

Today I’m delighted to be part of the book tour and giveaway for The Cassie Newbold, Clairvoyant series by Karen J. Mossman (https://karenjmossman.com/) Karen is a prolific author and is hugely supportive of other indies like me, so it’s fantastic to be able to repay a favour or two and be part of this tour. I have read a few of the books in the series and will link to a review further down.

There is a giveaway attached to this tour and all you have to do to enter is leave a comment on any of the stops on the tour. For example, you can leave a comment here to be entered, or go directly to Karen’s post here to be entered: https://karenjmossman.com/2025/04/23/silver-dagger-book-tour-the-cassidy-newbold-clairvoyant-tour-and-giveawaysilver-dagger-tours/

Here is a bit more about the first book in the series, The Killer on The Heath, followed by my review.

Cassie uses her clairvoyant powers to help her detective
brother solve crime… but will she find the answers in time?

The blurb:

A woman is dead, and another is missing. The only person who
can save her is Cassie.

With no clues and time running out, her brother, Detective
Newbold, desperately needs her help. He is counting on Cassie’s clairvoyant and
empathic abilities to locate Chantelle.

When Chantelle’s brother, Pedro, seeks out a psychic for
help, he meets and falls for Cassie. Though he wants answers, neither Cassie
nor Detective Newbold can give any, which complicates their relationship. To
make matters worse, his overbearing mother adds further damage with her
meddling.

Meanwhile, the killer has been caught, but he refuses to
talk. Now, it’s up to Cassie to read the signs and rescue her lover’s sister.

Will she find the answers in time?

Get it for £1 here:

My review: I really enjoyed this story about Cassie, a clairvoyant who gets roped into solving a crime by her twin brother, Seb, a detective. Two women have gone missing locally and one body has been found. It was interesting to have both sides of the investigation: what Cassie senses or ‘sees’ vs what Seb discovers as a detective. I enjoyed the relationship between them -it had an interesting dynamic. The story focuses on Seb’s efforts to find missing Chantelle, and Cassie being distracted by an attraction to the missing woman’s brother. I was gripped until the end and my only complaint is how short the book is because I wanted more! But as it is part of a collection, I am looking forward to reading more about Cassie and Seb!

The Killer On The Heath is a fantastic introduction to the spooky world of clairvoyant, Cassie, and there are 5 books in the collection in total.

Don’t forget to leave a comment to enter the giveaway!

Peeling Back The Layers of Black Hare Valley

Writing the companion books is revealing secrets and aiding the development of my main book’s characters.

It is official.

I am in love with Black Hare Valley.

I have created a universe I am in awe of and addicted to. It has grown and evolved into something far more beautiful and complex than I ever expected, and I am enjoying myself as a writer immensely.

The story has grown from the map me and my son created for fun during lockdown, into what will be a three book series jumping backwards and forwards in time. When my son and I created Black Hare Valley’s physical form, I had no idea what characters would emerge from it, and at that point I had no plot either. I knew I wanted it to be a creepy little town with very dark secrets, and I knew I wanted my main characters to be teenage misfits forced together to try and solve the mystery of a missing boy. But that was it.

Four years later and I cannot believe how it has grown. It seems to have a life of its own right now and I am just along for the ride. Not a day goes by when I don’t come across a secret, a reveal, or an aspect of a character I had not been aware of before. There is a lot of work to do here, but I feel like I am building something very special.

So, what do I mean by peeling back the layers?

When you start to write a book, you usually start with a location, (I had that in great detail) characters, (they started to come to me one by one before I began writing) and a plot. It was the plot I was lacking, but one day I got the first chapter in my head. I knew how the book started. I knew which characters I could introduce by writing these scenes and I knew that as soon as I started writing them, it would take off by itself. And it did.

Once I had those first few chapters and had introduced the main characters, Jesse, Paddy, Jaime, Ralph and Willow, then everything else just flowed. I still didn’t know exactly what was going to happen or why. I knew one of them would go missing and the rest would team up to try and find out why. I knew they would come up against a sinister neighbourhood watch committee made up of the fearsome Sergeant Mayfield, Mayor Margaret Sumner, Vicar Greg Roberts, Head-teacher Edward Bishop, librarian Eugenie Spires and a few more. A few chapters later I knew that my committee of adults in power were very dangerous indeed.

More began to unravel as I wrote the first draft, but even at the end of it, I still didn’t have half of what I do today. I knew the committee were ancient and had been stealing and potentially killing children for centuries in order to preserve their immortality and the town’s, but I didn’t know why or how. That all came much, much later.

With the first, second and even third draft of the first book set in 1996, I had the bare bones. The characters were growing and evolving, the location was spot on, and the how’s and why’s were starting to come together.

Somewhere along the line I began to wonder if these characters own parents had experienced similar things when they were teenagers in the 1960s. At first, I just rewrote some of the scenes with the parents to try and hint that they had also investigated the committee and also grieved a missing child, but of course, once I had that in motion, more and more stories began to rise up. The layers were unpeeling one by one.

These revelations made the 1996 book much better but also set in motion ideas for a smaller, companion book set in 1966. That then made me wonder about 2026… Which of my 1996 characters would still be in the town? What would they remember? While things appear to be solved at the end of book one, are they really?

This was incredibly exciting and led me to where I am now.

Book one (1996) begins on May Day with a child going missing. A group of unlikely teens then band together to try to find the missing boy and in the process reveal dark and dangerous secrets about their beautiful town. They also discover that children have been going missing in Black Hare Valley for a long time. Every thirty years in fact… By the end of the book the group have figured almost everything out, found out what happened to missing Paddy and fought back, to some degree. Everything is calm. They’ve got what they wanted but they still don’t know everything…

Book two (1996) also begins on May Day with another child going missing, this time the May Queen. Her sister, Angie Radley, joins forces with some other teens to try and look for her and in the process they also discover some very strange and frightening things about their town. These teens are directly related to the teens in 1996. Angie Radley is the mother of main character Jesse Archer in 1996. Nicky Archer is Jesse’s father. Lizzie Wilkins is Willow’s mother. Frankie Maxwell is Ralph’s father. Some of these characters are still alive in 1996 but they are not much help to that group of teens… By the end of this book, we have had some reveals and the group have been split up and discouraged from investigating further. There is also a reveal in this book about the character who is the most to blame for the missing children…

Book three (2026) also starts on May Day, and we meet Lila Archer, Jesse Archer’s niece and Nicky Archer’s granddaughter. She’s up to no good and soon involves herself when another child goes missing. Some of our 1996 teens are still alive. Some are not. Some of them remember what happened in ’96 and some do not. But in order to solve the mystery once and for all and put a permanent stop to the committee, they must remember what happened in ’96 and ’66…

That’s where I am right now – with the whole of book three pretty much planned out and just waiting to be written. Once I have done the messy first draft of that I’ll return to editing the first book…

Exciting times!

I have now finished the rough first draft of 1996 and I am almost half way through 2026. I know where I am going and how to get there! It feels amazing…

It really does feel like one basic idea revealed itself to be simply one layer upon a multitude of connections. I am so excited about this series!

The Thing In The Woods

Creepy flash fiction

Image by barnabasvormwald from Pixabay

It’s there in the woods.

Dark grey, almost black, hulking yet skeletal, hunched yet clinging.

What does it want? Why is it watching?

I see him every day, when my little car climbs the steep hill and the autumn sun is blinding me through the fragmenting canopies of dying leaves.

I see him hunched and waiting, always watching, dark holes for eyes and something bright and sharp that forms a mouth.

I just get glimpses, just fragments of seconds. I can’t take my eye of the road for too long. I can’t neglect to respect the vehicle in front of me.

Perhaps that is what it wants…

To distract and dismay, to terrify and intrigue. Look its way for too long and you’ll lose your way, get distracted and drawn in, get lost. Maybe that is what it waits for. For the screech of brakes and the smell of burning rubber. For the skid marks on the road, for your dying hand lifting and falling. For scattered glass and broken bones.

The thing in the woods is impossible to fathom or classify. Is it ragged or smooth? On different days, in different light, I see one thing then another. Is it bony or fleshy? Are they folded wings on its bony spine or something else? Some growth or protrusion?

Is it scaly skin it wears, crumpled and dry, or is it matted fur I spy when I glance its way? There is a flash of something in its eyes, sometimes red, sometimes yellow. I know I’ve seen the hole that forms its mouth yawn and gape. I’ve seen silver flashes inside that dark chasm. I’ve sensed movement, something wriggling.

Its hands curl around the trunk of a silver birch tree. Sometimes the thing in the woods is further back… a shape in the background, a glint from its eyes, and sometimes it is almost at the roadside. But always it is clinging to a silver birch tree. Always it is upright and watching.

Always it is waiting.

The Shallows – a creepy short story

This is a story originally posted in my Medium publication, The Wild Writers Club!

The Shallows

July tipped into August.

It did so lazily, like the slow sticky drips from a forgotten ice cream.

The hot weather had dulled and bloated us. Like fat lazy flies we could not move. And the days all had that endless quality, like every hour was twice the length and we had stopped being ruled by clocks, and time.

We existed in our own timeless purposeless bubble. The sun had moved and taken our shade from it. The trampoline where we had lounged all afternoon was now a sun trap.

It was the heat and the boredom that drove us to the river. Not the big river, where there would be chaos and kayaks and fishermen and teenagers dunking each other under the water. We headed to the little river, to the shallows.

We strolled down the hot lane, shaded intermittently by oaks and limes and sycamores. They provided blessed shadows as our bare feet burned on the road.

No cars. No noise save the drone of a gigantic dragonfly.

We dragged sticks behind us and thought about how hot it was. It was always too hot to speak, so Pippa and I had almost given it up. Sometimes all we could think to say was how hot it was. Sometimes summer seemed to go on forever and you started to forget how to live in the normal world.

We took the left at Twisty Corners and it was still too hot to talk, despite the darkness that suddenly enveloped us from the trees above and around. They created a tunnel and we ambled down it sluggishly. Pippa was a year younger than me but we were both on the brink of something else.

‘You’re like a pair of foals,’ our dad always said, ‘all legs.’

We were caught in that no man’s land between childhood and adolescence. Everything the adults said and did suddenly annoyed us, yet we still tucked a soft toy under our arms when we went to bed at night.

We traipsed over the stone bridge, pausing lethargically to throw a stick in and watch it float out on the other side. There was nothing to say. Nothing to think. We plodded down the muddy bank, wincing as the overgrown nettles swiped our skin. And there it was. The shallows.

The water flowed slowly from under the bridge, then veered left channeling through a narrow stretch, the banks too high to climb. That way lay madness, I thought, but didn’t know why.

In front of us a great expanse of shining water undulated with the gentle current and we stood and marveled at it, at the way the light came through the canopy of hazel trees and lit up the shallows like a sprinkling of fairy lights.

The shallows had its own light; a unique blend of red and gold as the dappled sunlight broke through the leaves and filtered through water to the red earth below. We stood side by side, our toes curling into the mud, staring at it as if in a trance. Time slowed and we breathed in unison. I was about to tell Pippa I was bored when she gripped my arm and pointed.

‘What’s that under the tree?’

I looked to the right where a fallen tree stretched from one bank to the other. It came down a few years back and was slowly rotting away as the river washed over it in the winter and under it in the summer. Sometimes we’d sit there with our feet in the water, watching the tiny fish swim by as the electric blue damselflies flitted under the bridge.

view of a river shaded by trees with a fallen log across it and a stone bridge just visible beyond
my own photo

Pippa’s grip tightened. I pulled away and started to wade through the water. There was something lodged under the tree. It looked like a pile of clothes, inflated by the water; dark blue material ballooning against the gentle tide.

‘Someone’s thrown rubbish in again,’ I muttered, reaching the fallen tree.

It was then that I got the prickling sensation on the back of my neck. I put a hand there, self-soothing, but the feeling persisted until I lifted my gaze and saw the man standing on the bridge. I looked back at Pippa and shrugged. She splashed towards me and we stood side by side again, a united force.

I still held a stick and poked at the bundle of clothes with it. I felt self-conscious doing it, as the man on the bridge looked on, but when I gazed up again to see if he was still watching us, he wasn’t there. I nudged my sister.

‘Where’d he go?’

She shrugged and used her own stick to help me with the bundle of clothes. We used the sticks like hooks, trying to free the bundle which had become wedged under the log. We did it lazily, carelessly, poking and jabbing at this thing that had jarred our peaceful vision of the shallows.

That was when we realised it was not just a bundle of clothes.

It suddenly sprung free and floated by. Pippa and I turned slowly to watch it go. We were weary from the heat, as if all our senses and brain functions had been slowed down by sticky sweat. We saw the blue material followed by dark legs. We saw bare feet. We didn’t see a head.

We stood in the shallows, frozen. Our arms hung by our sides, our knuckles skimming the cold water, our fingers still curled loosely around our poking sticks. We didn’t say a word as we watched it go.

It passed the deep spot, the bit that always fooled our terrier Binx when he was alive. He’d paddle out brashly before suddenly finding no land beneath his paws as it dipped away brutally, trying to drown him. He’d sputter and panic and swim back and then he’d make the same mistake again next time.

It moved faster there, the current stronger, but ultimately driving it to the left, towards the narrow channel that we knew eventually met with the huge monster of the river Stour. It was sinking too; the water and the debris were filling the materials, dragging it down.

Still, we watched, Pippa and I, not saying a word, barely breathing as if we were not really there, and I could almost believe that to be true if it weren’t for the tiny sticklebacks circling my toes. I could almost believe if I closed my eyes and then opened them again slowly, I would find myself spreadeagled on my bed with the sun slanting down on me, or face down on the trampoline, exhausted by the endless heat.

The body moved on with some speed, spinning just once as it knocked against the end of another fallen tree. That was the moment I told myself I should have moved. I should have splashed my way over to the other tree, climbed on and made my way to the end. I could have hooked it again then. I could have snagged it and stopped it and Pippa could have called the police.

But it was like I knew I never would.

None of it felt real.

It looked less like a body now, just some blue material still visible as the current drove it towards the narrow stretch. I knew if it went down there we would not be able to follow. The water was unknowable, dark depths promising no foot holds or forgiveness. The banks were steep and slippy and we could never see where it ended. There was a darkness to that place, where the shallows became the deep. We never ventured there.

I also knew if it went down there it would more than likely sink or get snagged on something again, and I knew that no one would ever find it. No one would ever know. And there was something dark and delicious about that knowing.

I thought Pippa might say something. I thought she might cry out, pull my hand or say something. But she didn’t. When I turned my head to look at her, her expression was slack and dull. There was no wonder in her eyes, only a blunted acceptance. Her forehead shone with sweat and I watched a bead of moisture form on her top lip.

When I looked back for the body, it had gone.

I heard a noise escape Pippa. A long, low exhalation of breath.

Then another noise behind us.

I looked over my shoulder and the man was there again. He was wearing a blue shirt and dark trousers. He was staring right at us, some kind of intent in his expression that told me he was about to open his mouth and speak to us, and for some inexplicable reason, this possibility filled me with dread.

I gripped my sister’s hand and yanked her until she moved. Together we splashed back to the flat sandy bank, still holding our sticks. We didn’t look at the man as we crept away, skirting the large clutch of nettles that surrounded the ash tree. On the other side, I peeked out like a rabbit checking the land from its burrow. The bridge was clear. The man was gone.

We started running, our bare wet feet slapping across the old stony bridge where the man had stood just moments before.

Still, we didn’t speak. To speak would be to give it a reality I knew instinctively to avoid. As I rushed us home, as Pippa and I ran hand in hand up the sun-baked lane, the sun punishing us every time there was a gap in the shade from the oaks, I felt a roaring dread that Pippa would open her mouth and speak. I thought perhaps I would punch her in the mouth if she tried to.

By the time we reached home and shoved open the wooden gate, we were drenched in sweat and feeling giddy. We closed it behind us and felt the dread drop away from us. We threw down our sticks and didn’t look at each other as we made our way around to the back garden.

The trampoline was still in full sun so we plodded over to the far right corner of the garden without speaking. There was always this unsaid thing between me and Pippa. We could go hours without talking and still be completely in tune with each other. She was the one who dragged a blanket from the washing line, bone dry and starched stiff from the sun. She threw it on the grass under the sycamore tree and we dropped down on our bellies, our feet kicking at the sky as we buried our faces in our sticky arms.

‘Everything all right?’ we heard a voice call from the house.

We raised our heads long enough to see that it was our father, home early from work, his glasses pushed up on his head as he squinted across the garden at us.

I met Pippa’s eye and knew just what she was thinking. It was so tempting not to answer him. It would be so easy just to smirk at each other, lie back down and ignore him. And we knew he would just accept it. Just shrug his shoulders as if it must be his own fault. Or worse, he would wander over, hands in pockets, hopeful expression on his face.

I decided to end it before it began. I didn’t know why he seemed scared of us lately but it was tiring to say the least. I didn’t want him to amble over to us and try to evoke conversation. It was always too hot and there was nothing to say.

I waved at him. ‘Fine, Dad! We’re just tired!’

‘Been out all day gallivanting, eh?’ he yelled back.

Pippa shot me a scowl. ‘Gallivanting?’ she hissed under her breath.

‘Yeah, something like that!’

Satisfied, he waved again then ducked back inside the house. We both knew he would reappear at some point, perhaps carrying cold drinks on a tray in an attempt to bribe us into words.

We dropped our heads, closed our eyes and breathed. I felt the relentless sun beating down on everything and knew it was too hot to talk of it, too hot to even think of it.

And more than anything, it was simply too late.