Draft 2 Digital Have Partnered With Bookshop.org!

All my titles are now being published to Bookshop.org

my books in a connected universe! Image is mine

Just a quick one this week folks! I thought I would let you know the exciting news that Draft 2 Digital have partnered with Bookshop.org which is fantastic news for indie authors like myself.

Bookshop.org launched in 2020 as an Amazon alternative and champion of independent book shops and indie authors. As an indie author I could have added my books to it back then but I never got around to it. However, I recently had an email from the team at Draft 2 Digital announcing their new partnership with Bookshop.

The good news is all I had to do was check a box and now all of my titles will be published and available on Bookshop.org in ebook and paperback. Draft 2 Digital is fast becoming a far more enticing place to be for indie authors and the link with Bookshop.org means our readers have even more places to find our books and avoid supporting Amazon if they wish to.

The whole process of uploading ebooks and formatting paperbacks on Draft 2 Digital is far preferable to the Amazon experience. I also much prefer their paperbacks to Amazon’s.

These days, perhaps because I largely only share the universal book links Draft 2 Digital generate for me, I get most of my sales through platforms other than Amazon. It makes me wonder if we even need Amazon anymore, which is something I never thought I would say.

I’m going to wait and see what happens with Bookshop.org. My books are not on there yet but it says ‘publishing’ on my Draft 2 Digital dashboard. It may be that in the future I ditch the evil ‘Zon for good.

That would feel good, to be honest! Amazon are famously terrible for indie authors, appalling at sorting out problems and communicating and we all know they are not an ethical company whatsoever.

I’ll see what happens but personally I would love to dump them.

What do you think?

Social Media, Medium, Substack and Writing! An update on spinning all those plates!

Image by Gerd Altmann from Pixabay

Hi everyone!

I’ve been active on Medium now since 2023 and active on Substack for over a year. My trusty and much loved blog here on WordPress has been going since I started my writing and publishing journey back in 2012 or therearebouts! Since I published my debut novel The Mess Of Me in 2013 I have gone on to publish a total of 23 books, if you count The Dark Finds You which is out next month.

It was all a learning curve in the beginning and it’s true to say I actively hated a lot of it. I just wanted to be writing. Fast forward through the years and I started to get used to it and eventually, even enjoy it. And then of course the landscape shifted – again and again and again – and like all independent authors on a low budget, I’ve had to shift and adapt with it each time.

What I do now is try new things, give them some time and then assess what is working and what is not. After all, no one wants to spend their entire lives on social media and these books have got to be written somehow! With all that in mind I thought I’d do a little recap on what has been working for me, as well as what I am thinking of trying in the future!

The first thing to mention is that my sales are up. Reviews are still very hard to come by, but I get sales from Amazon and from Draft 2 Digital (who distribute both ebooks and paperbacks to everywhere else) every month and in the last year or so, those sales have improved. Now, I am nowhere near being able to pay the rent! Nowhere close! But I do get a nice surprise most months, a little ‘oh!’ moment when my royalties show up. Funnily enough, most of my royalties are coming from Draft 2 Digital distributors, not Amazon!

Let’s start with social media.

Facebook and Instagram: I am still not as active as I probably should be, but whatever I am doing there for free does seem to be fetching me sales. I have 424 followers on Instagram which is linked to my Facebook author page where I have around 1,500 followers. I post daily life pictures and videos such as dog walks in my favourite places, gardening and baking pictures and writing updates. I post review graphics of all my books as much as I can, and quote graphics too, all with buy links and blurbs attached with the relevant hashtags. What I’ve done differently this year is use music! I caught on late and who knows what difference it makes, but it is fun picking songs to go with your pictures and reels. I try to repost and share my Substack and Medium posts to Instagram and Facebook too but not as much as I should.

What I want to try in 2026: I want to try posting more videos of me talking. Scary, I know, but a lot of the time it would actually be quicker to record myself saying or doing something and post that to several places. I particularly want to try this with my Chasing Driftwood Writing Group social media platforms and blog. I work with young writers running clubs on Zoom and in schools, but I often worry about the young writers I can’t reach. There is only one me and I can’t run any more clubs than I already do. I already post a weekly round-up of what the kids have been up to on my Chasing Driftwood Writing Group blog and Facebook page, but I was thinking of changing that to a video where I could go into a bit more detail. It might be useful for writers who can’t access clubs and workshops, and I could cross post it to lots of places. I’m unsure at the moment, but it could potentially be more effective as well as a time-saver!

Medium: It’s been up and down over on Medium but I do try and publish pieces there at least once a week. Essays, poems and short stories mostly. I am still running my tiny little publication The Wild Writers Club but constantly wondering if it is worth it! I have been boosted a few times lately and while two of them didn’t earn as much as I would have liked, one did hit the sweet spot and earned me over £200 just in time for Christmas! I was thrilled. Funnily enough, although I was only responding to a writing prompt about revolution, it was the most political piece I have ever shared there, so maybe I should do that more often? Anyway, it continues to be worth it, so I will stick around for the forseeable future. One new thing I have been doing is sharing links to my Medium pieces to my Substack weekly round-up post. I share the Medium member link and the free friends link to cover everyone.

What I want to try in 2026: I need to remember to share my Medium pieces in more places, such as Instagram and Facebook as well as Substack. Chances are the same people are not following me in all these places, so it makes sense to cross post as much as possible. I also intend to keep up my once a week posting if I can and maybe even up it, but we will see. Maybe I will be brave and share more of my political and social opinions!

Substack: I am not earning anything on Substack, that is the most important thing to point out. I have zero paid subs and I don’t think I am likely to ever get any. I have thought about offering high value content to paid subscribers but it just feels a bit cheap. I’m not sure I have anything to offer that’s worth £5 a month. I just want people to read my books and that’s what I focus on there. Sales have been better this year, so perhaps it is working? I have 139 subscribers there. I post weekly round-ups on a Friday where I share the main news of the week, whether it is writing, work or just life related and I also share what I am reading, watching and listening to. I just enjoy it! It’s fun sharing books and music and TV I love! There is always writing related news too and as I already said, I also post links to my Medium pieces. I also post an end of the month author newsletter, which really just replaces the old useless MailChimp one I used to have. This is always 100% writing related. And up until recently I was serialising Black Hare Valley Book 1 on Substack as well as here.

What I want to try in 2026: I was thinking about adding writing tips and prompts to my weekly round-up but if I go ahead with my weekly video thing for Chasing Driftwood Writing Group, I wouldn’t need to do this. I would link to it. One thing I am definitely doing is adding character POV things to my author newsletter. There is endless content for this! I am going to be handing over a part of the newsletters to one of my characters each month. For example, Danny from The Boy With The Thorn In His Side will share his favourite sad songs, or Bill Robinson from The Holds End Trilogy will share his best ‘fuck you’ songs to sing at a gig. Chess and Reuben from The Day The Earth Turned series will share survival skills, and so on! There will be all sorts from playlists, reading recommendations to life hacks, recipes and philosophical thoughts! I am looking forward to this!

Well, I think that’s everything. As always there are probably a million more things I could be doing to sell books and improve visibility as an independent author, but at the moment I think it’s wise to stick to the things I know and keep building on them. Tweaking things and trying something new every now and then within these platforms also seems to be worth it!

How about you? If you are an author what is working and not working for you at the moment and d you plan to try anything different in 2026? If you are a reader, where are you finding your books at the moment?

See you next time!

The View From Here Is A Good One

Freewriting from prompt…

oak that watches over our house – image is mine

I only need to look up to see greenery, trees, shielding me. The view from here is my favourite oak, taller than the house and so grand it hurts. How many hundreds of years has it stood on this lane watching over this place? My place. Our place. The view from here is the sycamore and the poplar. I got worried when its leaves didn’t come back as fast as the others, but maybe poplars just take their time. The view from here is the bridge over the river, where the willows weep beside ash and elm and alder. The view from here reminds me how lucky I am, though none of this is truly mine, it is. It is. 

I only need to wander to the back windows to look out on something close to glory. Something close to perfect. Something that feeds my soul in a way that nothing else can. The view from here is a garden full of trees and shrubs and flowers, where chickens peck and the dogs bury bones, and the old tire swings from the fir tree, still going strong after fifteen years. Where the horses in the field snort and graze, where the deer trot furtively from the woods as the sunlight fades. The view from here is sunsets and early morning mist. The view from here is lapwings and buzzards and red kites and badgers and foxes. The view from here is safe, for now.

The view from here makes me dizzy, when the memories rush in, one here, one there, a little boy with socks on his hands pulling a funny face, being rolled down the hill in a tire, being buried in a hole, little baby jabbing at a mud hole with a stick, little girl firing arrows to be like Katniss, little girl and her little chicks cupped in her little hands, and bbqs and trampolining and drinking cider while the sun goes down on us all, and firepits and marshmallows and games of football and tennis and tag and when it was lockdown we made the garden our outdoor gym, and jumped from log to log, twirled and spun and laughed at our own rules, and threw eggs out of the window in a parachute that didn’t work and looked out of the windows at the still silent world.

And that was then. And this is now. And we are still here.

The view from here grounds me. Reminds me: who I am, who we are, what we did, who we loved, how we lived. The view from here changes with the seasons, and in the autumn the garden is covered in leaves, and in the winter the ground is crunchy with frost, and in the spring the green is creeping back to shield us, and in the summer the grass dries out and the sun never seems to go to bed…

The view from here is good.

The view from here is us.

Black Hare Valley: Chapter Four “Willow Watches”

Rough sketch of Willow – image is mine

© 2025 Chantelle Atkins. All rights reserved. This work may not be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law.

NO AI TRAINING: Without in any way limiting the author’s [and publisher’s] exclusive rights under copyright, any use of this publication to “train” generative artificial intelligence (AI) technologies to generate text is expressly prohibited. The author reserves all rights to license uses of this work for generative AI training and development of machine learning language models.

1

Willow Harrison knows exactly who the strange girl at the window is. In a small town like Black Hare Valley, any news is big news and her parents have told her all about Mark Aster returning to Black Hare Valley to reclaim the Hare and Hound pub after his father, Clive, passed away.

It was no secret that they never got along and that Clive Aster never forgave his only son for not marrying or reproducing. Who had the last laugh, Willow wonders now, staring at the girl’s moonbeam face. Mark Aster now has a wife, a step-daughter and a baby of his own on the way. Nice work, she concedes, and just look at that poor soul. Not a clue…

The girl seems frozen. Her face is a mask of panic, embarrassment and possibly hope. If she thinks Willow is going to move from her cosy spot behind the counter, she has another thing coming. Willow glares at her, wishing her away.

Suddenly, the girl turns, her attention averted by the clatter and chatter of two girls leaving Milly’s Café next door. Now Willow’s mood shifts. When she sees it’s the abhorrent Alexa Bradley and Bryony Duggan, she feels a surge of pity for the new girl. The inanely grinning, chubby-faced, mud-splattered new girl. A long sigh escapes her lips and she pushes back her hair before slinking out from behind the till and approaching the window in wonder.

It’s a bit like watching a rabbit caught in the headlights of an oncoming car. The perfect teenage girls versus the inadequate and desperate to please new specimen, who Willow can tell from even such a brief view, is not the kind of girl Alexa and Bryony would give the time of day to in a million years.

She watches in absolute horror as the new girl offers them her hand to shake…

Oh God, no.

The perfect girls titter and giggle. They say something that causes the new girl’s smile to wither and fade. Then they skirt around her like they are avoiding dog shit on the pavement. Willow watches. The girl sags, then makes a snap decision to bundle hurriedly across the road and divert almost blindly down School Lane.

‘Where they will return to eat you alive…’ Willow murmurs to herself. ‘Leaving only bones,’ she adds as she turns away.

The door opens and the bell jingles and Willow half-expects the girl to be back, but no, it’s the vicar, Gregory Roberts.

Oh, Christ.

Won’t he ever give up?

‘Good afternoon, Miss Harrison!’ he declares in the same booming and authoritative voice he uses with his congregation at Saint Marks church.

‘Afternoon, Vicar,’ she returns evenly, her face expressionless.

‘Wet out there,’ he says rather pointlessly as he aims his folded umbrella at the floor and gives it a vigorous shake. Willow watches the rainwater spraying across the shop, peppering the books and gifts with droplets. ‘But don’t you worry, the May Queen will still be crowned!’ He flashes her a toothy smile. ‘It will just be inside a rather large tent.’

‘I wasn’t worried.’

He ignores the comment as he takes off his glasses to rub them dry on the inside of his coat. His red hair is thinning on top so he keeps it very short and neat. He is always clean shaven and is remarkably unwrinkled for a man of forty-eight. His skin has a loose, smooth quality to it. He is a portly man with a chin that blends into his neck and he is rarely seen without a sheen of perspiration on his smooth forehead.

‘What a shame you have to work!’ he goes on. ‘Mind you, I suspect it will be a smaller crowd than usual, what with the weather and everything. It really is blowing up a storm out there!’

‘Yes,’ Willow agrees, her voice soft as she glances at the window and the soaked town beyond it. ‘It is. How can I help you?’ She heads back to the counter, the new girl entirely forgotten.

Vicar Roberts looks around the gift shop and laughs out loud. Evidently, he has no idea how offensive he can be at times. Willow rolls her eyes, plonks herself down on the stool and picks up her book.

‘Oh no, no no,’ he says, not moving from the door. He rarely comes in any further, as if slightly afraid of the place. ‘I was just passing.’

Of course you were, she thinks.

‘Popping next door for a cream tea, actually,’ he goes on. ‘Plus I’m spreading the word about the marquees they’ve been erecting in the park. We don’t want people missing out on the celebrations just because of the rain. Oh, it was lovely this morning though!’ he tells her. ‘Isn’t it funny how it can change like that?’ He laughs as if it is all a great joke and Willow stares down at the pages of her book, wishing he would just leave. ‘Are your parents in? I was hoping to talk to them again about the neighbourhood watch committee.’

‘They’re a bit busy right now,’ Willow sighs, ‘but I’ll pass on the message.’

‘Oh. Okay. Right then.’ The vicar frowns and for a moment his lower lip protrudes like a sulky child. ‘And your mum is all right?’ he adds as an afterthought, although it can’t be, not really. He asks every time he comes in and Willows mother nearly always hides from him.

‘Yes, she’s fine.’ It’s always the same, Willow thinks in frustration, he just never gives up. He shifts slightly towards the door, umbrella in hand, but she can tell he hates to leave without getting what he wanted.

Go, please, just go.

‘Oh,’ he says then. ‘You will tell them about the marquees, won’t you? I really don’t want the weather putting people off. May Day is such an important event in the calendar.’

Willow releases the tiniest of sighs.

‘Oh, and you could pass on another message if you like.’

She raises her eyebrows and waits.

‘The new people arrived.’

‘Oh yeah.’ She looks back at her book. ‘I know.’

The vicar steps forward again. ‘Oh, you’ve seen them?’

‘Yeah, the girl was out there earlier.’

‘Oh, how lovely! I know the mayor was going to visit them and see if the mother would be interested in joining the committee. I do hope she was successful. Then of course for the girl there’s Sunday School, the Youth Choir…’

‘I’ll tell them,’ Willow cuts him off with a tight smile.

The vicar Roberts looks at her for a moment and Willow stares back at him. She keeps her expression as blank as possible. His smile is still there but its weaker now, his congregation cheer frozen. Willow waits.

He opens the door. ‘As you were.’

‘Goodbye, Vicar.’

He leaves. She watches him outside, putting the umbrella back up, flicking up the collar of his raincoat. He waits for a moment, as if gathering himself together. Then finally he strides away and out of sight.

‘Fuck you,’ Willow says, putting down her book. ‘Mum?’

‘Is he gone?’

‘He’s gone.’

Her mother’s pale face appears around the door to the stock room. She wears her dark hair long like her daughter’s and her slim frame is enveloped in a paint-splattered old shirt. She gently twists the ring through her nose and sighs wearily.

‘Well, thank goodness. D’you know, some things never change? I used to hide from him as a kid. Now all these years later I’m doing it again.’

Willow opens her mouth to ask what her mother means, but promptly changes her mind. She does not need to know. As much as she loves and appreciates her parents, Willow is not particularly interested in what they were like at her age, what they did, where they went. It might be the same town, she often wants to tell them, but it’s the 90s now, not the 60s. It’s different.

She checks her mother’s expression and demeanour though; she can’t not. Willow has learnt to spot the signs. Sometimes she thinks her mother’s depression is like a sleepless monster that lives inside of her. It claws her away from time to time, making her bleed. But she seems okay at the moment. So there is hope.

Her mother waves a hand at her. ‘Darling, you can go. I’ll take over. Not that we’ll get much custom in this weather.’

Willow does not need to be told twice. She grabs her own raincoat from the hook next to the door and zips it up over her black clothes.

‘I’m going to Paddy’s.’

‘Thought so.’

2

Willow slips out. The coast is clear. She can hear roars of laughter from the cafe as the vicar’s repertoire is eagerly received by Milly and all the other old women.

Willow crosses the road, holding onto her hood. The streets are deserted. As she cuts down School Lane, she sees someone up ahead. A bright blue anorak and duck yellow wellington boots. It’s the new girl. Willow slows, reluctant to bump into her. The rain is harder now but if she walks too fast she will easily catch up with the girl.

Part of her thinks, well, so what? Maybe I’ll say hi. Maybe I’ll tell her not to give a fuck about Alexa and Bryony. But part of her doesn’t want to be anywhere near this new girl. Her desperation was just too tragic. Willow is not good at sympathy and struggles with empathy too. She knows she won’t be any good for the new girl, so what would the point be?

She thinks about Paddy and their ongoing story and her mind is made up. The Tale of Dirty Feet and Esme is a story they have been writing together for almost a year now and the lure of another chapter is too important. The idea was born on a lazy July afternoon last summer when they were lying behind the old ruins that overlook Bob Rowan’s land. They were watching hares, she remembers, when fascinated and amused by their antics, they started to give them all names. Dirty Feet was the biggest boy and Esme was the smallest girl and together they got up to the most mischief. Before they knew it they had planned a story where the hares could talk and dream and plan just like humans.

Willow is normally a private writer. She doesn’t even hand her best work in at school. She thinks writing is a way to both make sense of life and endure it. In her darkest moments, she scrawls angry poems in notebooks she keeps stuffed under her mattress. In her darkest moments, Willow feels a bright hungry fear that she is turning into her mother.

Their story took them over last summer, Willow remembers now, with each of them injecting ideas and dreaming up adventures for the two hares. They had started to take turns to write it down and it had been a surprise to Willow to realise she could share both her writing and her ideas. It had never been just her story. It had always been Paddy’s too, and it still was. Paddy’s father had promised he would lend them his typewriter to type it up when it was finished. He would place it in the bookshop, he said, pride of place. The last time they’d worked on it, Paddy had been adamant he wanted to find a way to send the hares to space and Willow had hated the idea. It’s not a sci-fi story, she had insisted and he had winked at her.

The girl is suddenly moving faster. She’s almost running, which seems stranger. She goes out of sight, onto Black Hare Road. Maybe she’s really upset, Willow considers, picking her pace up a little. But if she is, why not just go home?

And if the girl is upset, so what? What can Willow do about it? Absolutely fuck all.

Unlike Jesse Archer, Willow has a healthy respect and even a grouchy sort of love for Black Hare Valley. It’s never quite turned on her the way it has Jesse. As she scuttles along its rain washed streets she feels a sense of it cleansing itself when it has to. She catches glimpses of the hills on either side of the valley – a vibration of their foreboding, patience and longevity fills the town and as always, she pictures Dirty Feet and Esme dancing across the hills.

Willow, along with Paddy, has mastered the art of courteous exploration – spending their childhoods playing in the woods, paddling in streams and rolling down hills. They’ve pretended to be kings and queens, cops and robbers, witches and dragons and everything else in between for years. They’ve even snuck into the Holloway, made dens in it, clambered up its earthy claggy walls and left their footprints in the clay and mud. The Holloway, of course, is where Dirty Feet and Esme live.

The town has been their playground and as Mayor Sumner likes to say so often, it really does have everything they need. Willow supposes it depends to some degree what you need, but her and Paddy have been well provided for: hours of dipping feet in dappled water, resting on smooth pebbles while frogspawn floats, dragonflies hover and newts bask in the sun; day long games in the woods, hiding from the world, just them and their make-believe worlds; weeks of tracking and recording the natural world as it is permitted to thrive boastfully in Black Hare Valley; promising themselves that they’ll be able to finally see a legendary black hare but feeling equally satisfied and entranced with the brown hares they glimpse from time to time.

Willow and Paddy have been watched and watched over by deer, foxes, badgers, rabbits, buzzards, sparrowhawks … And if she feels watched over by anyone its by Vicar Gregory Roberts – but that’s because he is one of those religious types who thinks it’s his life’s duty to convert everyone else.

3

Willow passes the school. The clouds are moving fast, swollen with black rain. It feels suddenly much later, almost evening. There’s a chill around her legs and a cold wind blasts around the corner, forcing her to recoil.

She bows her head and moves faster. She stops at Black Hare Road and scans the area. There is no sign of the new girl. Maybe she ducked into a shop to escape the downpour. Willow shrugs to herself. She crosses over, still checking around just in case.

The Hardware and Pets store is closed. The bookshop is open – maybe she went in there? She looks like the bookish type… Willow pulls open the door and goes insides, immediately soothed by the familiar and comforting smell of dusty warmth and the residue of hazy sunshine. The bookshop shields her from the brewing storm.

It’s like a separate entity frozen in time. The pace is lighter here, slower, calmer. In here, you lose time. She can see quietly bowed heads wandering in every aisle and she can hear the delicate rustle of old pages being turned. She focuses on the threadbare carpet and imagines Dirty Feet and Esme padding gently across it to hide behind bookshelves.

She drifts through, calmer now, inhaling the smell of a million stories. Paddy’s dad is at the counter, and looks up from a book to smile warmly at Willow. Paddy’s father looks exactly how she imagines Paddy will when he’s a man. Marvin Finnis is thin and tall and wears glasses like his son. He gives off a gentle, old-fashioned vibe, she thinks, in his knitted cardigans and soft corduroy trousers. She cannot imagine him in jeans and a t-shirt.

‘Oh Willow, go on through. They’re in the treehouse.’

They?’

So, the new girl did come in here then? Did Paddy see her, maybe? It would be just like him to spot a girl in distress and offer her shelter and comfort. Willow can see how that would have happened. She feels a stab of jealousy and hopes he is not telling the new girl about their story.

‘Yes, Jesse came in again.’

Willow’s mouth snaps shut. Her hands clench. She swallows and moves stiffly away.

‘Okay, thanks Mr Finnis.’

Fucking Jesse Archer! The absolute shit. Willow storms through to the conservatory, while the rain drums relentlessly on the thin glass and outside the sky is almost black. What the hell is the malignant creep playing at? Did he really feel so humiliated by that bloody stupid assembly that he’s still taking his rage out on Paddy, who, he obviously fails to realise, was equally as humiliated?

‘God’s sake,’ she huffs, yanking open the door. Jesse Archer is a manipulative, lying, thieving little shit. He’s taking the piss out of you; she has tried to warn Paddy over the last six weeks. She has warned him more than once that he cannot trust an Archer.

But he doesn’t seem to get it. His soft, sweet heart malleable like putty. His intention to see the same honesty and integrity in others as he strives for in himself. It’s partly his dad’s fault, she concedes, the man is obsessed with giving people second chances. He seems to think Jesse’s father Nick had a bad time as a kid and as a result has passed that on to his own son. Not entirely sure what he means, Willow also doesn’t care. In her opinion, having a shit dad is not an excuse to be shitty to everyone else.

Willow scurries through the rain to the treehouse. Lightning flashes across the sky and thunder cracks as she clings to the ladder and makes her way up. She clambers into the shelter and for a moment is lost for words. Just then another roll of thunder crashes above them and the four teenagers all cringe at the same time.

Willow eyes the new girl distrustfully but it does make sense that she ran in here to shelter from the rain and Paddy welcomed her into his treehouse, because that’s how he is.  Mr Finnis loves a stray and no doubt rounded her up and made sure Paddy looked after her.

It’s Jesse Archer that Willow really glares at. Why is he sat there like that, like he owns the place? It instantly enrages her. He walks around school and town like he owns the world; can’t they at least have one place that is sacred and safe? And why is he sat between Paddy and the new girl like he’s some kind of leader, just because he’s older and taller? Why were they having such an animated conversation without her? And why do Jesse’s eyes keep tracking to a spot in the pallet roof?

She scowls as Paddy helps her in. ‘This is my best friend, Willow,’ he tells the new girl.

New girl does that hand thing again – almost taking Willow’s eyes out. She jerks away from it, still scowling.

‘Jaime.’

‘Okay.’ Willow looks at Paddy. ‘What the hell, Paddy?’

He shrugs but he’s smiling. Of course, he’s happy to have these strange intruders in their treehouse, invading their hideout. He’s always enjoyed teasing Willow about how unsociable she is. She supposes he thinks this is funny.

‘Everything happened at once!’ he tells her.

Jaime lowers her hand, her bottom lip pulled in by her teeth. ‘I saw you in the gift shop.’

‘Yeah, I work there.’

‘Her parents own it,’ Paddy adds.

‘Oh cool!’ Jaime brightens again. She doesn’t seem to stay down for long… ‘It’s so cool that all our parents own businesses here!’

Willow frowns – is this kid simple? She really does look delighted with this pointless fact.

‘My mum is married to Mark and we’ve just taken over the Hare and Hound,’ she goes on, as if they didn’t all know that already. ‘And obviously Paddy lives above the bookshop. How cool is that? What about you, Jesse? Where do you live? What do your parents do?’

All eyes turn to Jesse and Willow smirks, enjoying his obvious discomfort.

‘Yeah,’ she says. ‘Tell her where you live, Jesse. Tell her about your parents.’

His jaw tightens and his expression sours under their persistent gaze. His arms are wrapped tightly around his wet jeans and Willow watches his fingers clasp together tightly, as if holding on.

‘Why all the questions?’ he mutters.

‘Here’s another one for you,’ says Willow. ‘Why are you even here and why won’t you leave Paddy alone and stop whatever this long-winded plot to humiliate him is?’

‘What?’ Jesse blinks at her.

‘You know what I’m talking about!’

‘No, I fucking don’t!’

‘Willow -’

‘No Paddy, I’m serious. Ever since that stupid assembly he keeps showing up here latching onto you. What for? He can’t really want to be friends. He’s up to something!’

‘Willow, come on…’ Paddy lays a hand on her arm but she shakes it off.

Her penetrating glare remains on Jesse. He tries to meet her gaze and hold it, but he can’t. His eyes are shooting all over the place. Guilty conscience, she thinks.

‘Maybe I do want to be friends…’ he says, his eyes meeting Paddy’s.

Paddy smiles while Willow growls.

‘You’re his fucking bully! Bully!’

‘Willow,’ Paddy tries again. ‘Seriously, you can’t be so cynical your whole life. He hasn’t done anything to me, I swear.’

Willow looks at Paddy in disgust. ‘Yeah, and you can’t be so trusting… I know he’s up to something. He’s always up to something!’

‘He just tried to blow up the school!’ Jaime pipes up excitedly.

They all look at her. Her blue eyes are wide, her small thin lips pulled into a huge smile. Willow can’t work her out. She looks like someone who just won the jackpot.

‘That’s what we were just talking about.’ Paddy turns to Willow. ‘See? Jesse tried to avenge us. Tried to get back at Bishop.’

Willow shakes her head; she can barely believe what she is hearing. ‘Are you actually serious?’

They all nod. Jaime is grinning like a loon, while Paddy’s eyebrows are arched as if suggesting this act of insanity proves his point somehow, and Jesse is just glaring back at her like; yeah, so what?

‘You tried to blow up our school? Are you fucking stupid?’ She holds up a hand. ‘No, don’t answer that. I know you are.’

‘The policeman caught him in the act,’ Jaime witters on. ‘I got photos and everything.’

Jesse looks away – his lips are moving but nothing is coming out.

Willow leans forward. ‘What do you mean, you got photos? Of what?’

Jaime looks hesitant but then unzips her anorak to reveal the camera. ‘I got this for my last birthday,’ she says. ‘Do you know anywhere I can develop the film?’

Willow throws up her hands aggressively. ‘Why are you wandering around taking goddamn photos of people? That’s not gonna make you any friends, you know!’

Jaime zips it back up. ‘I’m a reporter.’

‘She wants to be…’ Jesse murmurs.

‘She’s just curious,’ Paddy says, helping her out. ‘I think it’s an admirable quality.’

Willow elbows him. ‘You would.’

Jaime looks at her lap. ‘It’s my ambition, that’s all. I get a bit carried away sometimes.’ Her gaze shifts to Jesse, and Willow, watching, sees her eyes glaze over a little, her lower lip droop. Oh God, no. ‘I won’t do anything with them,’ she tells him quietly. ‘I promise.’

‘You’re not gonna blackmail him?’ Willow asks. ‘Well, that is disappointing.’

‘I’m not gonna do anything,’ Jaime says, her eyes still on Jesse, who is doing the shifty eye thing again, trying like hell not to make eye contact with any of them. What is he up to?

‘You’re not gonna write a story or anything?’ he finally asks, glancing just briefly at Jaime.

She beams back at him. ‘No! Of course not. Not now I’ve met you.’

‘You should probably give him the photos when you develop them,’ Paddy suggests, ever the voice of reason and fairness. ‘That’d be the right thing to do. He won’t want his dad seeing anything like that.’

‘My dad won’t care,’ Jesse snorts, his top lip raising.

Willow snorts back in agreement. ‘His dad is a bigger criminal than he is.’

‘But what about the policeman?’ Jaime looks bewildered, staring at them each in turn. ‘Won’t he tell someone? Won’t he tell your dad?’

Suddenly, all eyes are back on Jesse and Willow can tell that he hates it. He opens his mouth then thinks twice and closes it again. He shifts his backside and glances at the door. Willow can sense his desire to escape. More than anything right now she can feel how much he wants to just run. He gulps. His panic reeks. For the first time, Willow is genuinely curious about this boy. What is he so panicked about? What is he hiding?

‘Maybe he let you off with a warning?’ Jaime suggests for him. ‘Police can be like that sometimes. Like, maybe he wanted to give you a second chance.’

‘Yeah, right,’ Jesse sighs, eyes down. He pulls at a strip of rubber coming loose from the soles of his fake Nike trainers.

‘Well, what then?’ Willow demands. ‘Truth time. Who was it, Mayfield? I bet it was Mayfield.’ Jesse nods reluctantly, not meeting her eye. ‘What, he just catches you trying to burn down the school and lets you off with a warning? No way. I’m not buying that.’

‘Does seem kind of strange,’ admits Paddy.

‘Very strange,’ Willow goes on. ‘Tell us what you saw, Jaime. Did Mayfield even take Jesse home?’

‘I don’t know where he lives, but no. He just drove him here and let him out.’

‘He lives in the scuzzy flats on Taylor Drive,’ Willow says, not taking her eyes off Jesse. ‘So, what else?’

‘He was in handcuffs.’

Jesse’s face burns.

Handcuffs?’ Willow inhales, her eyes stern. ‘Well, well, well. You better start talking, Jesse Archer. What the hell is going on between you and Sergeant Mayfield?

Thanks for reading!

Please feel free to leave a comment letting me know what you thought of this latest chapter. Who is your favourite character so far? What are your thoughts on the town?

NOTE: Please remember this is NOT the finished version of Black Hare Valley Book 1. This book has not been to my editor yet or even my beta readers. There will be typos, grammatical mistakes, and sentences that need rewriting.

COMING NEXT THURSDAY: Chapter Five “Ralph – Monster Hunter”