The Only Writing Advice You Ever Need

Google the term ‘writing tips’ or ‘writing advice’ and you will soon find yourself drowning in things you should and should not do as a writer. Write every day. Write when you feel like it. Self-publish. Don’t self-publish. Know your audience. Write for yourself. Write what you know. Write what you like. Other writers will give you advice, and people who don’t write will give you advice. There are infinite amounts of websites and author services dedicated to giving you advice.

And of course, a lot of this advice is important and valuable. If you are new to writing, of course you should seek advice, ask for help, ask for feedback and be prepared to listen to those who have gone before you. The trouble is so much of the advice is contradictory, because what works for one writer will inevitably not work for another. The trick is forging your own, individual path through all that advice and all those tips.

Image by Pexels from Pixabay

Take what you need from the writing advice websites and articles, and ignore what you don’t. Because above all else, you have to remember that one size does not fit all. Some writers plan and plot to an excruciating degree before they ever start writing, and that’s okay. Some writers don’t plan or plot a thing, they just start writing and see what happens and that is also okay. Some writers get the concept first and have to create the characters to fit the idea, and some writers get the characters first and have to create the plot to fit them. Both are totally okay. Some writers write every day. Some writers only write when they feel like it. It doesn’t matter what type you are.

The only writing advice I personally think you ever really need is this.

Do what you want.

You can interpret that any way you like. Find your own path. Create your own journey. Do whatever makes you happy. Do whatever the hell you want.

Because above all else writing should make us happy and passionate. We should feel happy and excited and passionate about our writing. It should be, above all else, our happy place. The thing that makes us feel like ourselves. The thing that makes us feel free. And yes, further down the road, you might want to think about audiences, and readers, and markets and blurbs and selling…but before you ever get close to those things, you have to love what you write. You have to love to write. You have to be totally and utterly in love with the act of writing because quite simply, the act of writing is for you. It’s yours.

Its your escape. Your freedom. Your way of interpreting the world. Your way of figuring out how you feel and what you think. Your way of speaking up and being heard. Your way of leaving some kind of imprint on this world. Your way of being you. That’s how writing feels for me. And every time I try to please anyone else, it all gets messed up.

Writing is mine. And I do what I want.

I’ll leave you with this poem, one of many from Charles Bukowski that for me sums up how I feel about writing. Please note, this poem does not sum up how everyone feels about writing! Other writers may not relate to this at all, and that is okay! I just love this poem so much and I feel like Bukowski only ever did exactly what he wanted.

“So you want to be a writer


if it doesn’t come bursting out of you
in spite of everything,
don’t do it.

unless it comes unasked out of your
heart and your mind and your mouth
and your gut,
don’t do it.

if you have to sit for hours
staring at your computer screen
or hunched over your
typewriter
searching for words,
don’t do it.

if you’re doing it for money or
fame,
don’t do it.

if you’re doing it because you want
women in your bed,
don’t do it.

if you have to sit there and
rewrite it again and again,
don’t do it.

if it’s hard work just thinking about doing it,
don’t do it.

if you’re trying to write like somebody
else,
forget about it.

if you have to wait for it to roar out of
you,
then wait patiently.
if it never does roar out of you,
do something else.

if you first have to read it to your wife
or your girlfriend or your boyfriend
or your parents or to anybody at all,
you’re not ready.

don’t be like so many writers,
don’t be like so many thousands of
people who call themselves writers,
don’t be dull and boring and
pretentious, don’t be consumed with self-
love.
the libraries of the world have
yawned themselves to
sleep
over your kind.
don’t add to that.
don’t do it.

unless it comes out of
your soul like a rocket,
unless being still would
drive you to madness or
suicide or murder,
don’t do it.

unless the sun inside you is
burning your gut,
don’t do it.

when it is truly time,
and if you have been chosen,
it will do it by
itself and it will keep on doing it
until you die or it dies in you.

there is no other way.

and there never was.”

Writer’s Block is Really Your Friend (and you should listen to it)

Writer’s block is a horrible term I don’t even like to use. I think most writers hate the term and loathe the reality. We dread getting writer’s block but what does writer’s block even mean? How does it feel to be ‘blocked’ and what, if anything, is the ‘block’ trying to tell us?

I am very fortunate because writer’s block is not something I usually suffer from. I tend to have too many ideas, and too many projects on the go and my main problem is not enough time to do it all in! But recently the dreaded writer’s block struck and in fact I now realise it was with me for some time.

So, what is writer’s block? I think it can manifest itself in different ways. There is a block to ideas, when a writer quite simply can’t think of anything to write about. These writers tend to have big gaps between writing projects while they wait for the muse to show up again. There are blocks that happen mid-flow – one minute you are tapping away at the keyboard and then suddenly it all runs out. Your mind goes blank and you cannot conjure up the next words. There is also what I call plot blocks. Basically, you get stuck. You don’t know what to do next with the plot. Maybe you had it all planned out but now can’t figure out how to do it, or maybe you were winging it from the start and just ran out of steam. I’m not sure what type of block is the worst but I am more than familiar with the dread of sitting down and staring at a blank Word document.

Image by Steve Johnson from Pixabay

The block I’ve been suffering from was none of the above, not really. My current work in progress is a four book YA post-apocalyptic series. I had the idea a few years ago and it had to wait its turn. During that time I started a little notebook of themes, ideas and character bios. I always knew this one was going to be a challenge. I love the post-apocalyptic genre as you might already know from my post here: https://chantelleatkins.com/2021/07/02/post-apocalyptic-fascination/. From the start, I had this feeling that the series was a good idea but someone else would be able to do a better job with it than me. I don’t normally feel like that about my book ideas. I’m usually hugely protective and obsessed with them so I would never consider offering or suggesting the idea to someone else. But this one niggled from the start.

I started book one about a year ago but had to keep stopping to get other books finished and published. I was initially quite surprised with how well it went. The first chapters flew out of me effortlessly and were exactly what I wanted. I genuinely think the first few chapters of book one are excellent and I’m proud of them. It got harder after that. It became a slog!

And that’s the difference between these books and my others. Aside from my YA dystopian The Tree Of Rebels, all of my books follow a familiar pattern. I get the character first, they suggest the plot, back story, dilemma and so on. It builds in my head and everything flows from the characters until my head gets so noisy it feels like it will explode. By the time I get around to writing it it almost writes itself because I know it all so well. It’s not hard. It’s fun. It’s addictive and exciting. I normally cannot wait to sit down at my desk and tap away. Sure, I get stuck here and there and some parts are trickier than others, and first drafts are always a clumsy affair, but I still love it and believe in it.

With these books it has been hard work. I’ve forced myself to write a chapter a night most nights and with that work ethic I have managed to write the first two books and even get them to fourth draft stage. I am now nearing the end of the first draft of book three. I know what will happen in book four so it is all getting there. But it is so painful! When I say I force myself, I really do. I stare at the screen for ages. I nearly always get distracted by my phone, checking social media or emails or playing a game. Because it’s hard and I don’t like it being hard!

The trouble has been not understanding why it has been so hard and the other day I finally worked it out. As I mentioned earlier the only other book I had this trouble with was The Tree of Rebels. And there are similarities with this series – The Tree Of Rebels came from a concept first. I had the idea and then built the characters around it. The other similarity I only just realised was that I started writing that book and this series with an audience in mind. I knew The Tree Of Rebels would be a YA dystopian. It was great knowing that because then I’d know who to market it towards. Normally it’s a struggle to figure out what genre my books are! With this series, I knew it would be YA post-apocalyptic and with both The Tree Of Rebels and this series I wanted to aim them at 12-14 year olds. That’s the younger YA age bracket to my other books. I have some books aimed at adults and some aimed at 14 years and up. With The Tree Of Rebels I wanted to write a book my children could read at the time and with this current series I wanted to write a book the children who attend my writing clubs could maybe enjoy…

And that was the trouble! That was the block! When I realised it was like this light bulb eureka moment! Now I can’t believe it took me so long to figure it out!

Having the idea before the characters was a problem but the main problem was deciding who to aim it at before I even started writing. It’s like having someone watch over your shoulder the whole time and it totally changes the experience for me. I start thinking about what elements are expected in that genre and what things are suitable or appropriate for the age group. It ruins the process. I feel like I am writing a book to order, writing for someone else, and that just doesn’t work for me.

I realised that the age group was a real problem. There is a big difference between books aimed at ‘tweens’ and books aimed at older teenagers. I didn’t feel I could swear in this series and it’s just not as gritty or hard hitting as my other books. It’s just not me.

But all that is going to change. Once I figured out what was causing the writer’s block I made a decision. I’m now going to aim the series at the older YA audience and I am going to do what I normally do. Let rip, let them swear, go as dark and gritty and edgy as I like! I am going to write these books for me and no one else because that is the only way it works for me.

It’s amazing but since I realised all this, the chapters have started flowing again. It feels different. It feels exciting and a bit naughty! I have already wandered into darker territory. I am going to finish book three in this vein and carry on into book four. Of course, then I need to go back and rewrite everything I have done so far. I do think that was partly what prevented me from admitting what was wrong – knowing how much work I’d have to do to correct it! But I’m looking forward to it now. There will be more character development, some extra chapters and lots of rewriting in each book but I think it will all be worth it. And I will keep one thing in mind the entire time until these books are ready to publish – I am writing this series for ME. I am writing the books I want to read.

That should work!

And I suppose the moral of the story is always listen to writer’s block because it’s just trying to tell you something. For that reason, writer’s block is actually your friend. You just need to figure out what it’s telling you.

Do you ever suffer from writers’ block? If so, what kind? And what do you do to push through it?

The Soundtrack To My Life

‘I don’t have my headphones on yet, but the music is always there. I have a constant walking soundtrack to my life, you see. There is a song for everything.’ (Danny, The Boy With The Thorn In His Side series)

I’m currently reading and enjoying my own books – the entire The Boy With The Thorn In His Side series – which may sound weird and vain, but it’s for multiple reasons. I’ll probably talk about them in another blog post but it just felt apt to begin this post with a quote from Danny and his ‘soundtrack to his life.’

I’m at that stage in my life where I have lived through enough decades to have soaked up many musical phases and fads, for various artists and bands to have had profound effects on me, and for my nostalgia to go into overdrive every time I hear a certain song. Every Saturday when I am cooking dinner, I make a G&T, put on very loud music and dance around my kitchen. Sometimes I go back to the 80’s, sometimes the 90’s, sometimes I play new music! Anything goes!

And while I am dancing and singing and enjoying my drink, I go back in time. I revisit my own life in songs and moments and it’s a glorious and emotional thing. So, for fun, I thought I would break it down. My life in music, in sections, in moments, in songs.

Image by Free-Photos from Pixabay

Birth – 10 Alas, at this tender age I had no control over what music affronted my ears and my dominant memory from childhood is being forced to listen to Cliff Richard in my mother’s car. Every car journey, ever. I suspect at one point I thought Living Doll was quite funny, but only because The Young Ones covered it! The rest meant nothing to me, but I bet you if I heard any Cliff Richards song now I would know all the words to it… Other music I was introduced to at this age were also my mother’s favourites, Bobby Darin, Billy Fury, The Everley Brothers, Neil Sedaka… Significant songs: All I have To Do Is Dream by The Everley Brothers and Oh! Carol by Neil Sedaka

10-12 Around this age I fell in love with my first boy band, and boy was I embarrassed about it just a few years later! New Kids On The Block, remember them? Me and my sister were obsessed! We bought all the albums, and any magazine they graced the covers of! We even got to see them live at Wembley Stadium! I don’t think I could stand hearing one of their songs now though. It’s too cringey. They were too awful and the songs meant nothing, but I suppose it was fun at the time and at least it got me into music! Significant songs: Step By Step, Hangin’ Tough by The New Kids On The Block

12-14 Once I realised how awful modern pop music was, I went back in time. In many ways I was a peculiar kid! I don’t know how I discovered Bob Dylan, but it wasn’t from my parents. I remember buying one of his greatest hits cassettes when on a shopping trip aged 12. I absolutely loved every song on that tape. From there, I grew interested in any music from the sixties. The Beatles, The Rolling Stones, The Beach Boys and so on. We had a little radio in our kitchen and I would keep it tuned to Classic FM or something like that while I sat at the table and wrote stories. I wasn’t interested in pop music in the slightest. Significant songs: Ruby Tuesday by The Rolling Stones, Positively 4th Street and Blowin’ In The Wind by Bob Dylan and Catch The Wind by Donovan

14-16 It was a school friend who introduced me to Guns ‘N’ Roses and I devoured them for a year or two. I bought the albums and used to lay on my floor with my head between the speakers to listen to them scream! As with Bob Dylan, I was intrigued by the lyrics and started jotting them down in notebooks or on scraps of paper I was writing stories on. What really blew my mind though was moving from them to Nirvana. I was totally in love and soon forgot all about Guns ‘N’ Roses (though when I played them in the kitchen the other day, it as uncanny how well I remembered the words!!) I was genuinely devastated when Kurt Cobain took his own life. I remember hearing it over the radio when I was sat in my garden drinking strawberry milk. I wrote a similar scene in The Boy With The Thorn In His Side series. Significant songs: Breakdown and Coma by Guns ‘N’ Roses, Lithium, Dumb and Something In The Way by Nirvana

16-24 The Britpop era. Oh, what a wonderful time to be a teenager! Looking back now, we were so lucky! With the arrival of The Stone Roses, Blur, Oasis and Pulp, not to mention Supergrass, Manic Street Preachers, Super Furry Animals, The Bluetones, the Happy Mondays…. the mid to late 90’s Britpop era was an exciting time to be into music. Around this age I had started going to pubs and clubs with my friends, I met my boyfriend (now my husband) and our first conversation was about the bands we were into. Getting ready for a night out meant putting Oasis on really loud! At this time I was buying music regularly and religiously. Tapes and CD’s of all the bands I have mentioned plus many, many more. We would read Select magazine and NME and watch TFI Friday on the TV, plus Top Of The Pops, of course. I was lucky enough to see some of these bands live and at Glastonbury. Brilliant, happy, carefree times that come back to me every time I hear these songs. Significant songs: Slight Return by The Bluetones, Live Forever and Spersonic by Oasis, Misfits and Disco 2000 by Pulp, Motorcycle Emptiness by Manic Street Preachers, If You Don’t Want Me To Destroy You by Super Furry Animals, Beetlebum, This Is A Low, Tender, by Blur. Too many to mention!

24-34 The lost years. There was some good music about in the early 2000’s, but as I had my first child at age 24, I had less time and energy to seek it out. Top Of The Pops had ended. Many music magazines had died out. We had our own place, our daughter and bills to pay, so music slipped away from us. Kasabian, The Thrills, Black Rebel Motorcycle Club, Black Keys and Kings Of Leon all took our fancy during this time, but I increasingly found myself turning to the past for my musical fixes. John Lennon and Bob Dylan were the first songs I played my baby daughter. Significant songs: Imagine by John Lennon, Forever Young by Bob Dylan, Clubfoot by Kasabian, Whatever Happened to my Rock and Roll? Black Rebel Motorcycle Club

24-43 Finding new music is hard! I think I’ve got fussier as I’ve got older. Maybe that happens to us all. I was always so open-minded about music, enjoying what was new while appreciating what came before, but now I really struggle to find anything new to get excited about. Perhaps that is inevitable as you get older. New bands and new music tends to be geared towards the young and most of it does nothing for me at all. I think most radio stations play utter bile and most music magazines seemed to have died out or moved online. There is no Top of The Pops or music programmes to introduce you to the next exciting thing. I am lucky though that my 18-year-old daughter is very into music and has very open-minded and eclectic tastes. If I have found anything new to admire in the last decade it is because of her. I particularly love the Canadian band Mother Mother. Between us we have all their albums and we are going to see them live in March! Very, very exciting. They seem to be on my level, whatever that is, and so many of their songs feel like they are speaking directly to me. Significant songs: I’m Alright, I’m Okay, Bit By Bit, The Sticks, Ghosting, Body, Forgotten Souls, I’ve Got Love. Actually, all of them!!

So, what about you? Does your life have a soundtrack? If so, what songs and what bands would be on it? What memories do they bring back for you? Please feel free to share and comment!

New Book Babies

It might sound a bit odd when authors compare their books to babies, but I think it sort of makes sense. You spend years putting the work into a book, moulding it, shaping it, nurturing it and encouraging it to grow and evolve at the right pace. And then at some point, when it’s ready, you let go of it and release it into the world. It’s similar to child-rearing in that way. Plus, authors are so connected to their books and often so in love with their own characters, that it just feels right to call them your babies.

Just lately I’ve been releasing a lot of babies that were cooking for a long time, so it felt right to blog about it. My blog posts for a while now have been taken up by wonderful guest posts. More on that and where it’s heading next another time! But for now, it’s really nice to climb back behind the driving seat of The Glorious Outsiders to update you all on my new babies.

Over a year ago I released the first in a YA trilogy, A Song For Bill Robinson. Here is a post I wrote at that time about where the idea for the book originally came from and how it later grew into a trilogy. https://chantelleatkins.com/2019/11/08/10-fun-facts-about-my-new-book/ After releasing the first book, I continued working on the second and third books, but I was also finishing up The Boy With The Thorn In His Side series – another mammoth amount of babies! And because Emily’s Baby finishes with a cliff-hanger, I decided I would hold back its release until the third book, The Search For Summer was also ready. I planned to release the final two books within a month of each other and that’s exactly what I’ve done.

If you are interested in a dramatic, gritty YA series about an unsolved murder, a neighbourhood feud and a self-destructive teenage singer, then A Song For Bill Robinson and Emily’s Baby are available now in ebook and paperback and on multiple platforms and The Search For Summer is available to pre-order and will be released on Friday 30th April.

It feels really good to have another series completed and released. Obviously writing a series of books is a huge challenge and extremely time-consuming and there is always a massive feeling of relief when the final one is out there!

At the same time, you feel a bit strange and a bit bereft. The characters have been with you for so long by this point that you feel lost without them. The good news is I am already in the middle of another series of books, plus I am co-writing a series with author Sim Sansford. So that is more than enough to keep me busy!

My new book babies are a YA post-apocalyptic series of which I have just finished book two. There will be four books in this series. And the series I am co-writing is a YA supernatural series and there will be three books.

After all of that I will be looking forward to writing a standalone book! And funnily enough, I already have one on the go. I’ve written some chapter outlines, character bios and some very rough chapters for a standalone which is actually a spin-off book from The Boy With The Thorn In His Side series. Two brothers are introduced as secondary characters in the final book of the series and I enjoyed writing them so much, I decided to give them their own book. I can’t wait to share news of that with you in good time.

But for now, it’s back to the massive book babies and getting another two series complete and released!

I hope I did my job the best I could and I hope they do well out there!