The Shallows – a creepy short story

This is a story originally posted in my Medium publication, The Wild Writers Club!

The Shallows

July tipped into August.

It did so lazily, like the slow sticky drips from a forgotten ice cream.

The hot weather had dulled and bloated us. Like fat lazy flies we could not move. And the days all had that endless quality, like every hour was twice the length and we had stopped being ruled by clocks, and time.

We existed in our own timeless purposeless bubble. The sun had moved and taken our shade from it. The trampoline where we had lounged all afternoon was now a sun trap.

It was the heat and the boredom that drove us to the river. Not the big river, where there would be chaos and kayaks and fishermen and teenagers dunking each other under the water. We headed to the little river, to the shallows.

We strolled down the hot lane, shaded intermittently by oaks and limes and sycamores. They provided blessed shadows as our bare feet burned on the road.

No cars. No noise save the drone of a gigantic dragonfly.

We dragged sticks behind us and thought about how hot it was. It was always too hot to speak, so Pippa and I had almost given it up. Sometimes all we could think to say was how hot it was. Sometimes summer seemed to go on forever and you started to forget how to live in the normal world.

We took the left at Twisty Corners and it was still too hot to talk, despite the darkness that suddenly enveloped us from the trees above and around. They created a tunnel and we ambled down it sluggishly. Pippa was a year younger than me but we were both on the brink of something else.

‘You’re like a pair of foals,’ our dad always said, ‘all legs.’

We were caught in that no man’s land between childhood and adolescence. Everything the adults said and did suddenly annoyed us, yet we still tucked a soft toy under our arms when we went to bed at night.

We traipsed over the stone bridge, pausing lethargically to throw a stick in and watch it float out on the other side. There was nothing to say. Nothing to think. We plodded down the muddy bank, wincing as the overgrown nettles swiped our skin. And there it was. The shallows.

The water flowed slowly from under the bridge, then veered left channeling through a narrow stretch, the banks too high to climb. That way lay madness, I thought, but didn’t know why.

In front of us a great expanse of shining water undulated with the gentle current and we stood and marveled at it, at the way the light came through the canopy of hazel trees and lit up the shallows like a sprinkling of fairy lights.

The shallows had its own light; a unique blend of red and gold as the dappled sunlight broke through the leaves and filtered through water to the red earth below. We stood side by side, our toes curling into the mud, staring at it as if in a trance. Time slowed and we breathed in unison. I was about to tell Pippa I was bored when she gripped my arm and pointed.

‘What’s that under the tree?’

I looked to the right where a fallen tree stretched from one bank to the other. It came down a few years back and was slowly rotting away as the river washed over it in the winter and under it in the summer. Sometimes we’d sit there with our feet in the water, watching the tiny fish swim by as the electric blue damselflies flitted under the bridge.

view of a river shaded by trees with a fallen log across it and a stone bridge just visible beyond
my own photo

Pippa’s grip tightened. I pulled away and started to wade through the water. There was something lodged under the tree. It looked like a pile of clothes, inflated by the water; dark blue material ballooning against the gentle tide.

‘Someone’s thrown rubbish in again,’ I muttered, reaching the fallen tree.

It was then that I got the prickling sensation on the back of my neck. I put a hand there, self-soothing, but the feeling persisted until I lifted my gaze and saw the man standing on the bridge. I looked back at Pippa and shrugged. She splashed towards me and we stood side by side again, a united force.

I still held a stick and poked at the bundle of clothes with it. I felt self-conscious doing it, as the man on the bridge looked on, but when I gazed up again to see if he was still watching us, he wasn’t there. I nudged my sister.

‘Where’d he go?’

She shrugged and used her own stick to help me with the bundle of clothes. We used the sticks like hooks, trying to free the bundle which had become wedged under the log. We did it lazily, carelessly, poking and jabbing at this thing that had jarred our peaceful vision of the shallows.

That was when we realised it was not just a bundle of clothes.

It suddenly sprung free and floated by. Pippa and I turned slowly to watch it go. We were weary from the heat, as if all our senses and brain functions had been slowed down by sticky sweat. We saw the blue material followed by dark legs. We saw bare feet. We didn’t see a head.

We stood in the shallows, frozen. Our arms hung by our sides, our knuckles skimming the cold water, our fingers still curled loosely around our poking sticks. We didn’t say a word as we watched it go.

It passed the deep spot, the bit that always fooled our terrier Binx when he was alive. He’d paddle out brashly before suddenly finding no land beneath his paws as it dipped away brutally, trying to drown him. He’d sputter and panic and swim back and then he’d make the same mistake again next time.

It moved faster there, the current stronger, but ultimately driving it to the left, towards the narrow channel that we knew eventually met with the huge monster of the river Stour. It was sinking too; the water and the debris were filling the materials, dragging it down.

Still, we watched, Pippa and I, not saying a word, barely breathing as if we were not really there, and I could almost believe that to be true if it weren’t for the tiny sticklebacks circling my toes. I could almost believe if I closed my eyes and then opened them again slowly, I would find myself spreadeagled on my bed with the sun slanting down on me, or face down on the trampoline, exhausted by the endless heat.

The body moved on with some speed, spinning just once as it knocked against the end of another fallen tree. That was the moment I told myself I should have moved. I should have splashed my way over to the other tree, climbed on and made my way to the end. I could have hooked it again then. I could have snagged it and stopped it and Pippa could have called the police.

But it was like I knew I never would.

None of it felt real.

It looked less like a body now, just some blue material still visible as the current drove it towards the narrow stretch. I knew if it went down there we would not be able to follow. The water was unknowable, dark depths promising no foot holds or forgiveness. The banks were steep and slippy and we could never see where it ended. There was a darkness to that place, where the shallows became the deep. We never ventured there.

I also knew if it went down there it would more than likely sink or get snagged on something again, and I knew that no one would ever find it. No one would ever know. And there was something dark and delicious about that knowing.

I thought Pippa might say something. I thought she might cry out, pull my hand or say something. But she didn’t. When I turned my head to look at her, her expression was slack and dull. There was no wonder in her eyes, only a blunted acceptance. Her forehead shone with sweat and I watched a bead of moisture form on her top lip.

When I looked back for the body, it had gone.

I heard a noise escape Pippa. A long, low exhalation of breath.

Then another noise behind us.

I looked over my shoulder and the man was there again. He was wearing a blue shirt and dark trousers. He was staring right at us, some kind of intent in his expression that told me he was about to open his mouth and speak to us, and for some inexplicable reason, this possibility filled me with dread.

I gripped my sister’s hand and yanked her until she moved. Together we splashed back to the flat sandy bank, still holding our sticks. We didn’t look at the man as we crept away, skirting the large clutch of nettles that surrounded the ash tree. On the other side, I peeked out like a rabbit checking the land from its burrow. The bridge was clear. The man was gone.

We started running, our bare wet feet slapping across the old stony bridge where the man had stood just moments before.

Still, we didn’t speak. To speak would be to give it a reality I knew instinctively to avoid. As I rushed us home, as Pippa and I ran hand in hand up the sun-baked lane, the sun punishing us every time there was a gap in the shade from the oaks, I felt a roaring dread that Pippa would open her mouth and speak. I thought perhaps I would punch her in the mouth if she tried to.

By the time we reached home and shoved open the wooden gate, we were drenched in sweat and feeling giddy. We closed it behind us and felt the dread drop away from us. We threw down our sticks and didn’t look at each other as we made our way around to the back garden.

The trampoline was still in full sun so we plodded over to the far right corner of the garden without speaking. There was always this unsaid thing between me and Pippa. We could go hours without talking and still be completely in tune with each other. She was the one who dragged a blanket from the washing line, bone dry and starched stiff from the sun. She threw it on the grass under the sycamore tree and we dropped down on our bellies, our feet kicking at the sky as we buried our faces in our sticky arms.

‘Everything all right?’ we heard a voice call from the house.

We raised our heads long enough to see that it was our father, home early from work, his glasses pushed up on his head as he squinted across the garden at us.

I met Pippa’s eye and knew just what she was thinking. It was so tempting not to answer him. It would be so easy just to smirk at each other, lie back down and ignore him. And we knew he would just accept it. Just shrug his shoulders as if it must be his own fault. Or worse, he would wander over, hands in pockets, hopeful expression on his face.

I decided to end it before it began. I didn’t know why he seemed scared of us lately but it was tiring to say the least. I didn’t want him to amble over to us and try to evoke conversation. It was always too hot and there was nothing to say.

I waved at him. ‘Fine, Dad! We’re just tired!’

‘Been out all day gallivanting, eh?’ he yelled back.

Pippa shot me a scowl. ‘Gallivanting?’ she hissed under her breath.

‘Yeah, something like that!’

Satisfied, he waved again then ducked back inside the house. We both knew he would reappear at some point, perhaps carrying cold drinks on a tray in an attempt to bribe us into words.

We dropped our heads, closed our eyes and breathed. I felt the relentless sun beating down on everything and knew it was too hot to talk of it, too hot to even think of it.

And more than anything, it was simply too late.

Spit Out and Churned Out By The Relentless March Of Time, I Keep Trying To Fight Back

How focusing on moments made Monday mornings a little sweeter..

(Originally posted on Medium)

Image by Bruno from Pixabay

I think our awareness of time really starts when we enter education. I remember sitting in a classroom and staring at the clock willing it to move. When finally it was home time I’d feel elated, but before I knew it, my mother would be saying it was time for bed. And then there was the Sunday night dread… School again tomorrow! Really, already?

Friday night was wonderful. Saturday was great but slightly marred by the knowing that Sunday quickly followed and Sunday kind of sucked because it was the day before Monday. Me and my son were talking about this the other day. He is ten and often expresses sentiments that echo my own relationship with time.

For instance, he often claims that the weekend went too fast, and he is starting to notice that in general, time moves too quickly. He said this about the summer holiday, for example. ‘Today went really quick, this week is over already? It’s nearly time to go back to school!’ His panic echoed my own. It’s not fair, we both wanted to say — slow it all down, please!

I often wish time as we know it had not been invented. We are slaves to the clock and the passing of time whether we like it or not. It’s like a big doom-filled timer hanging over us – reminding you that you are always one step closer to death. Your time is always running out. You are always fighting against time. You always wish you had more of it.

Lack of time causes much stress and resentment. As a writer I never feel I have enough time to write. I always grab what I can and make the most of it but would I like endless time to write? Yes, of course! But life and human made constraints get in the way.

We have invented a world that counts us down in seconds, minutes and hours. We cannot look away. We are glued to it.

As much as I want to ignore time and not be ruled by it I cannot. I have to set an alarm to make sure we get up in time to be ready for the school run. I have to keep an eye on the time when I walk my dogs so that I am back on the laptop in time for Zoom calls. I have to watch the time to know when to pick my son up, when to cook dinner, when it’s time for bed.

Time, time, time. It owns us.

We all want to slow it down, but why? Because of death and not knowing for sure what comes after that. We worry, what if this is the one and only life I get? I’ve got to live it, fill it, appreciate it, make the most of it, but what if I’m not? It panics us. We want to slow it down because ultimately we are not okay with dying.

I resent it and I’m constantly looking for ways to change it only to realise that it’s impossible. Or is it?

Is there a way to slow it down? I’m always wondering this. I have an urge to try an experiment. I want to exist in a timeless weekend. I want to turn off all devices and make sure I cannot check the time at all, not once. I want to eat only when I am hungry and move when I feel restless and write when I feel creative and rest when I am tired. I want to do it and see if it feels faster or slower as I have a sneaking suspicion that watching the clock all the time is one of the things that makes it go faster.

Perhaps loving and enjoying life makes it feel faster. We all know that time slows down when we are bored or unhappy. Those afternoons sat at school watching the clock for the home time bell used to go on forever

And why is it that as we grow older, time goes even faster? I sometimes feel I exist on a hamster wheel that just keeps me spinning around forever. I get churned out every Monday morning to the start of a new week, then suddenly it’s the end of the day, then suddenly it’s morning again, then suddenly it’s the end of the week.

It’s what everyone says all the time. Doesn’t it go fast? How is it nearly Christmas again? Didn’t the summer fly by?

Is there anything we can do to slow time down or make friends with it?

I think so. And being a writer really helps…

Let’s take Monday morning. No one wants it. No one loves it. It’s a very sad and unloved day of the week, but is it really so bad? Sometimes we have to embrace the unwanted and the unloved and look at it in a different way.

I am trying hard to make friends with Monday. I am trying to give it some love, after all, is Friday really the great fun pal it makes itself out to be? I think not when it all too suddenly spits you into Saturday with Sunday on the horizon!

This Monday morning I woke up in a good mood. Despite recent ups and downs, I surprised myself by waking up with a smile. The night before I tucked myself into my own dream world as usual and tried something new. I talked to myself in my head (I know I sound crazy…) about the niceness of tomorrow. I walked my way through the little bits of Monday that would be nice.

It started with my breakfast of oats with a swirl of chocolate spread mixed in. I smiled thinking about it. I know I am very easily pleased but I was looking forward to it. Other nice things were my time on my own before everyone wakes up and playing this little town building game I have on my iPad before reading a bit of news. The next niceness was waking my son up because one of our dogs always has to be involved and always makes it funny in some way. The next niceness was remembering that we bought the Blur Live At Wembley CD yesterday and me and my music mad son could enjoy listening to more of it on the drive to school.

I focused on these nice things more as they came up because I had tucked myself into sleep thinking about them. Then I started to notice more of them. It was Monday morning all right and there was something dark and menacing about it. Dark skies promised more rain and it felt like the sun had barely risen. The landscape looked haunted and beautiful. I smiled. There is beauty in darkness. There is beauty in a dark Monday morning.

I’m not sure if it slowed time down but it made me feel less of a slave to it and I carried it on for the rest of Monday. The niceness of my lovely Zoom group children, the niceness of eating the leftover focaccia bread we bought yesterday, the niceness of another dog walk under moody skies, the niceness of writing ideas filling my head, and eventually us all gathering back at home to eat dinner and talk about our days before another day ends.

And I feel lucky… I am alive. I had another Monday. I woke up. I lived and breathed and thought and felt and dreamed and noticed and experienced…. Yes time passed but that was because I lived. And one day I will be close to dying and I’ll look back and think well, that went fast but I did my best with it, I saw it for what it was and I tried to soak up and experience every moment, even the bad ones, and I didn’t wish it away and I paused as often as I could to think how amazing it was to have had a life.

Wow, if you think about it, it really is a beautiful thing to be alive…

As for now, I’ll end the day with the ultimate reward, writing. Then in bed once more, I’ll talk to myself about my stories, replay and plan scenes, listen to the characters talk and figure out plot holes and then I’ll think ahead about the niceness of Tuesdays…

In conclusion, I’ll let you know if I ever do my timeless experiment but I do wonder if living without time, having endless time would actually be some kind of hell?

The May Queen, Hill Forts, Fairy Circles, Leylines, Holloways and the Moongazing Hare

Research for my latest novel has sent me down some divine British folklore rabbit holes.

(This article was originally published on Medium.)

I’m not normally a huge fan of research. Most of my novels have been set in times and locations that don’t require me to do a lot, and even then, if I do need to research something, I tend to leave a question mark there to remind me to do it later, while I get on with writing the thing.

However, my attitude towards novel research has changed for the better with my current work-in-progress, a folk horror story set in 1996, which will have companion books set in 1966 and 2026. On the very first draft (where I didn’t really know what I was doing), I ended up with the bare bones of a story, and possibilities for more in-depth plot-lines and character development. I didn’t do any research for the first draft, but I knew for the subsequent drafts I’d have to. And it’s been so much fun! I’ve had to look up a real range of interesting things, from which telescopes and cameras were popular in 1996, to 90s fashions and music (not too much of a problem, as I was a teenager in the 90s) to what sort of CCTV systems existed back then.

 This was just the start. As my folk horror story developed, I found myself going down some delightful British rabbit holes as I researched things I wanted to include in my story. It’s essentially a story about a strange little town with an ancient evil under the surface, and the plot is kicked off when a local boy goes missing.

These are some of the things I’ve had the pleasure of researching so far:

The Hare — I’ve always been fascinated by hares. I’m quite literally obsessed with them. For years and years I dreamed of seeing a wild one and in my youth had to be satisfied with keeping rabbits as pets, which was almost as good. In recent years I’ve seen hares in the wild and every single time it is a breathless magical experience for me. My son’s school is rural and on the journey there and back, down twisty country lanes, we often stop to watch hares running in the fields. Recently we spotted one lying low, and we stopped the car to watch. It knew we were watching and eventually got slowly up and loped away. I savoured every second of watching that huge, strong, almost deer-like body hop away. Another time we had to stop the car as another huge one was plodding casually up the lane in front of us. My son rolled his eyes at my over-enthusiastic reaction, ‘Oh my God, it’s a hare! It’s a hare! It’s a bloody hare right there!’ The hares in that area are giants, I swear. One time I thought it was a dog I’d spotted in a field but when I slowed down to check if it was all right or lost, I realised it was lupine in nature and had the pure joy of watching it dash away.

When I first created my current WIP, Black Hare Valley, it was just a vague idea about a folk horror story, an ancient evil, a plucky group of misfit teens and a strange little town I wanted to be old-fashioned in the most British of ways. Me and my son created it together, rolling out a huge piece of paper to create the map of the town. A few years later I started writing the story and always knew the town would be called Black Hare Valley.

Image by Artur Pawlak from Pixabay

But back to hares. There is so much folklore surrounding them, it only adds to their beauty and mystique. The moongazing hare has been symbol of growth, rebirth and fertility, as well as being associated with madness and witchcraft. In many cultures seeing a hare is meant to be good luck and in just as many, it is seen to be bad luck. There was an old superstition that witches could shape shift into hares, as often hares were seen running from flames. In truth, they often waited until the very last minute to break free from the traditional burning of stubble in fields. In many cultures the hare is considered a sacred animal who symbolises our relationship with the land.

Iron Age Hill Forts — Badbury Rings and Maiden Castle in Dorset are two favourites of mine but there are many of these ancient monuments across the British Isles. What were once defended settlements set into sweeping hills and reinforced with earthworks, stone ramparts, defensive walls and external ditches, are now intriguing and mysterious places to visit. I always feel strangely connected to both the past and the earth itself in these places. I was inspired by a trip to Badbury Rings to make Black Hare Valley a town built out of an iron age hill fort. Hill fort settlements could see their enemies from a great distance and this is a theme weaved into my story, especially concerning the history and founding of the town.

Holloways —Holloways are just as fascinating!I’d been keen to visit the infamous Hell Lane in Dorset for years and a couple of summers ago we took the kids there. I absolutely loved it and again I felt so close to the past and the earth there. Holloways are ancient paths criss-crossing the country, possibly markers of old trade routes. The paths themselves have become so deeply trodden by millions of feet, hooves and wagon wheels over centuries, that they are now almost tunnel-like, with the roots of trees visible on either side. At Hell Lane in particular you feel like you are about to descend underground as the trees shade you from above and the path leads you ever deeper. There are a fascinating array of carvings and faces on the clay walls too. I knew Black Hare Valley had to have its own Holloway!

Hell Lane, in Dorset. Photo is mine.

Fairy Circles — I only researched these recently when I decided that Black Hare Valley will be set in 1996 and that it definitely needs a prequel set in 1966, which will see my group of teens parents go through an equally strange and dangerous ordeal in the town. One of the 1966 kids is described as being ‘away with the fairies’ and I decided to play into this a bit more in the 1996 story, as this character as an adult has been missing for a long time. I simply added a fairy circle to a scene and had one character stomp through it while another declares it to be bad luck, and he retorts that his mother used to believe in such rubbish. Fairy circles are naturally occurring circles of mushrooms, often found in forests and grassy areas. Across the world, fairy circles or rings were often associated with folklore and myth and seen as dangerous places. It was said to evoke a curse or bad luck if you crossed one.

Ley lines — ley lines are also mentioned in Black Hare Valley, as I needed a central spot in one of my locations that would provide an intense amount of energy and a feeling of being held in place. I researched ley lines, which I only vaguely understood, and it turns out some people believe in them and some don’t. Essentially, they are believed to be straight lines between prominent landmarks, prehistoric sites and historic structures. Believers assert that ‘earth energies’ run along these lines but there is no scientific evidence to support this, and instead it is a matter of faith.

The May Queen — May Day, The May Queen and other spring celebrations and traditions will be more fully explored in my prequel set in 1966, but as I lay the clues for this in the 1996 book, I’ve had to research them now. One of my 1996 characters discovers that his troubled mother who ran away, had a sister who went missing in 1966, much in the same way a friend of his has gone missing in 1996. In scouring old photos from their parents, the group of friends discover that the missing girl was crowned the May Queen in the spring of 1966. I had great fun researching this and looking at old photos. The May Day celebrations marked the beginning of summer and small towns and villages across Britain, and indeed Europe, would celebrate by choosing a young girl to be the May Queen. She would be decked out in white with a crown of wild flowers and would be given a throne to sit upon. Villagers would also dance around a Maypole, weave floral baskets and ‘bring in the May’ by gathering wild flowers and branches. Going back even further, it is reported that wild hares were often part of the tradition and would be released from cages as part of the celebration. 

Researching books can be a lot of fun and Black Hare Valley is providing me with unique opportunities to google things and learn more. I have now started writing a rough draft of the book set in 1966 and have already had fun researching the clothes, music, and food popular at the time!

Would It Be Okay To Watch The Last Sunset Alone? – poem

Hi folks! I have got so much content now on Medium – a lovely mix of essays, articles, poems and stories, so I thought for this week on the blog I would share a poem that recently did quite well for me there. I still can’t get my head around getting paid to write my poems!!

Image by Giani Pralea from Pixabay

Would it be okay
to not do anything
to leave today
and maybe tomorrow too
whatever, however long it takes
for the feeling to pass
of the world ending
of disaster
and death
and my decay
and the transition into bones
and dust
would it be okay
if I said not today?
I can’t do it today
my mind is a trap
a battlefield I can’t escape from
and your silence was too loud
when I tried to talk
if the world lets me
I’ll cancel today
bury myself in bed
find comfort in words instead
get lost and sad inside my own head
feel myself dissipate in the dark
embrace my bones
knowing it’s okay
to watch the last sunset alone

Thank you for reading! I am in the process of compiling all my Medium poems and pieces of fiction into a new book I’ll publish at some point. I’ll keep you posted on that but I already know it will be called Dirty Little Feet and Other Tales and Poems.

See you next week!