Peeling Back The Layers of Black Hare Valley

Writing the companion books is revealing secrets and aiding the development of my main book’s characters.

It is official.

I am in love with Black Hare Valley.

I have created a universe I am in awe of and addicted to. It has grown and evolved into something far more beautiful and complex than I ever expected, and I am enjoying myself as a writer immensely.

The story has grown from the map me and my son created for fun during lockdown, into what will be a three book series jumping backwards and forwards in time. When my son and I created Black Hare Valley’s physical form, I had no idea what characters would emerge from it, and at that point I had no plot either. I knew I wanted it to be a creepy little town with very dark secrets, and I knew I wanted my main characters to be teenage misfits forced together to try and solve the mystery of a missing boy. But that was it.

Four years later and I cannot believe how it has grown. It seems to have a life of its own right now and I am just along for the ride. Not a day goes by when I don’t come across a secret, a reveal, or an aspect of a character I had not been aware of before. There is a lot of work to do here, but I feel like I am building something very special.

So, what do I mean by peeling back the layers?

When you start to write a book, you usually start with a location, (I had that in great detail) characters, (they started to come to me one by one before I began writing) and a plot. It was the plot I was lacking, but one day I got the first chapter in my head. I knew how the book started. I knew which characters I could introduce by writing these scenes and I knew that as soon as I started writing them, it would take off by itself. And it did.

Once I had those first few chapters and had introduced the main characters, Jesse, Paddy, Jaime, Ralph and Willow, then everything else just flowed. I still didn’t know exactly what was going to happen or why. I knew one of them would go missing and the rest would team up to try and find out why. I knew they would come up against a sinister neighbourhood watch committee made up of the fearsome Sergeant Mayfield, Mayor Margaret Sumner, Vicar Greg Roberts, Head-teacher Edward Bishop, librarian Eugenie Spires and a few more. A few chapters later I knew that my committee of adults in power were very dangerous indeed.

More began to unravel as I wrote the first draft, but even at the end of it, I still didn’t have half of what I do today. I knew the committee were ancient and had been stealing and potentially killing children for centuries in order to preserve their immortality and the town’s, but I didn’t know why or how. That all came much, much later.

With the first, second and even third draft of the first book set in 1996, I had the bare bones. The characters were growing and evolving, the location was spot on, and the how’s and why’s were starting to come together.

Somewhere along the line I began to wonder if these characters own parents had experienced similar things when they were teenagers in the 1960s. At first, I just rewrote some of the scenes with the parents to try and hint that they had also investigated the committee and also grieved a missing child, but of course, once I had that in motion, more and more stories began to rise up. The layers were unpeeling one by one.

These revelations made the 1996 book much better but also set in motion ideas for a smaller, companion book set in 1966. That then made me wonder about 2026… Which of my 1996 characters would still be in the town? What would they remember? While things appear to be solved at the end of book one, are they really?

This was incredibly exciting and led me to where I am now.

Book one (1996) begins on May Day with a child going missing. A group of unlikely teens then band together to try to find the missing boy and in the process reveal dark and dangerous secrets about their beautiful town. They also discover that children have been going missing in Black Hare Valley for a long time. Every thirty years in fact… By the end of the book the group have figured almost everything out, found out what happened to missing Paddy and fought back, to some degree. Everything is calm. They’ve got what they wanted but they still don’t know everything…

Book two (1996) also begins on May Day with another child going missing, this time the May Queen. Her sister, Angie Radley, joins forces with some other teens to try and look for her and in the process they also discover some very strange and frightening things about their town. These teens are directly related to the teens in 1996. Angie Radley is the mother of main character Jesse Archer in 1996. Nicky Archer is Jesse’s father. Lizzie Wilkins is Willow’s mother. Frankie Maxwell is Ralph’s father. Some of these characters are still alive in 1996 but they are not much help to that group of teens… By the end of this book, we have had some reveals and the group have been split up and discouraged from investigating further. There is also a reveal in this book about the character who is the most to blame for the missing children…

Book three (2026) also starts on May Day, and we meet Lila Archer, Jesse Archer’s niece and Nicky Archer’s granddaughter. She’s up to no good and soon involves herself when another child goes missing. Some of our 1996 teens are still alive. Some are not. Some of them remember what happened in ’96 and some do not. But in order to solve the mystery once and for all and put a permanent stop to the committee, they must remember what happened in ’96 and ’66…

That’s where I am right now – with the whole of book three pretty much planned out and just waiting to be written. Once I have done the messy first draft of that I’ll return to editing the first book…

Exciting times!

I have now finished the rough first draft of 1996 and I am almost half way through 2026. I know where I am going and how to get there! It feels amazing…

It really does feel like one basic idea revealed itself to be simply one layer upon a multitude of connections. I am so excited about this series!

Tuesday, A Slow Walk With An Old Dog

I had a poem boosted on Medium!

I still can’t believe it. Getting boosted on Medium is a huge deal because it brings far more readers to your work which translates nicely to more earnings. I have been extremely lucky to have been boosted many times since I joined Medium over eighteen months ago, but I never, ever expected to get boosted for a poem! Poems and short form writing don’t do so well on Medium because they are so short, but it’s still a lot of fun to write them and in particular, I love responding to writing prompts.

I was thrilled to bits to have this poem boosted as it is my favourite one at the moment. It was written in response to a prompt from the Promptly Written publication which suggested keeping a gratitude journal and writing a poem a day from it.

I’ve been thinking about gratitude a lot lately so this was really timely for me and immediately caught my interest.

I wrote a poem for Monday which got a few reads and earned me a few pence, then posted the following poem for Tuesday, which was about walking my elderly dog Tinks down the lane. Getting boosted for this really means a lot as we all know she is on her last doddery legs and every moment with her is precious. For her poem to get boosted and seen by more people is just lovely.

Anyway, here it is, alongside a photo I took of her on the day in question.

image is mine

Just for while
we had the world to ourselves
in a moody silence
just the buzzard on the oak tree
looking over its shoulder
to follow our slow progress
just the fast flit of tiny birds
from one hedgerow to another
just the crows taking off lazily
and the pheasant on the fence post
just wandering alongside you
matching your feeble pace
and the age it takes
to get from here to there
and back again
is the time it takes
for everything to fall silent
for this beauty to breathe so slowly
that I can breathe with it
in, out, in, out
with the time to see, hear, taste and smell
the lonely land falling asleep
as winter creeps into
your old bones


The Hitchhiker

A creepy short story

Image by Nils from Pixabay

He walked alone on the road ahead.

Arthur wondered if they all spotted the man at the same time, because it seemed that way. His mother, sitting forward in the passenger seat beside his father, lifting a finger, pointing. His father’s head jutting forward and a single surprised word falling from his lips.

‘Oh.’

And Arthur, his eyes widening as the figure came into sight, emerging out of the darkness ahead. He sat forward too, his fingers curling around the edge of the seat, his breath shortening in his throat.

The figure was tall, broad in the shoulders and wore a long dark coat and a wide brimmed hat. It made a strange sight, thought Arthur, as the car drew closer. Almost looked like a walking scarecrow. The man was using a stick to walk, leaning on it heavily as he trudged along.

‘We should stop,’ his mother said sweetly, as the rain hammered against the windscreen. ‘It’s so awful out there, Frank.’

Arthur saw his father nod, agreeing that it was.

‘No!’ he said sharply from the back seat. ‘We shouldn’t stop!’

His mother looked back at him with a frown and pouting lips. ‘Darling, it’s all right. He probably just needs a lift into town. We’re passing through on the way home. We can just drop him off.’

Arthur felt his teeth clench together. He shook his head at her but no words would come out. Instead all he could do was stare ahead at the figure on the road, as his father slowed the car. His heart throbbed weakly under his winter clothes and his eyes strained in their sockets as his mouth gaped wordlessly. Arthur had no way to articulate the raw fear he felt coursing through his small body.

‘It’s the right thing to do on a night like this,’ his father agreed, as the car caught up with the figure in the road. He rolled his window down as they drew parallel. ‘Do you need a lift, young fella?’

The man stopped walking and looked back at them in surprise. Arthur’s father stopped the car and put it into neutral. The stranger leaned down to see them all better. His eye caught Arthur’s and a smile crept slowly across his narrow face. It was too dark to see well, but Arthur saw sharp cheekbones and large teeth revealed behind thin lips when the man smiled.

‘That would be amazing, how kind of you!’ the stranger enthused. ‘I missed the bus, didn’t I? Was meant to be up in the mountains by evening, but that’s not going to happen now.’

‘What’s in the mountains?’ Arthur’s mother asked, her tone friendly while Arthur’s guts churned and writhed inside him.

‘My sister and her family,’ the man replied. ‘I’m spending a few weeks with them.’

‘Come on, get in,’ Arthur’s father prompted. ‘It’s getting worse out there. There’s meant to be a storm coming, you know.’ He nodded to the trees at the side of the road whipping wildly back and forth as a cold wind screamed through them.

‘Thank you!’ The stranger opened the back door and slid in beside Arthur. Rainwater flew as he took off his hat. ‘You okay, son?’ he asked him, patting his leg in a friendly gesture. ‘Look like you’ve seen a ghost.’

‘Oh, he’s just shy!’ Arthur’s mother laughed. ‘That’s Arthur, I’m Clara and my husband is Frank. It’s a pleasure to meet you.’

‘You too,’ said the man, as the car started off again. ‘I’ve been hitchhiking across the country and rarely have I met a family as friendly and kind as yours.’

Clara beamed at him. ‘That’s just lovely. Thank you, sir.’

‘We only live on the other side of town,’ Frank said then. ‘We can drop you off there if you like?’

‘But everything will be closed,’ said Clara. ‘What with the storm coming in.’

They drove on in silence for a while. Arthur sat rigidly, his eyes fixed on the silent black road. He felt the man relax beside him, leaning back slightly, his legs spread, his hands loose in his lap and the walking stick between them. Outside, the rain grew harder and fiercer and strong winds began to rock the car.

‘This is nasty,’ grumbled Frank, slowing down. ‘But we should make it, all right.’

‘Perhaps you could stay at ours tonight?’ Clara said then, turning to smile at the hitchhiker.

‘He’s a stranger!’ Arthur burst out, his gaze flicking between his mother and the man beside him. He side-eyed the man with a frown, but the man just shrugged.

His mother’s mouth fell open. ‘Arthur, don’t be so rude! What has got into you?’

The man waved a hand. ‘No, no, he’s right. I am a stranger and I couldn’t possibly put you to any more trouble. Town will be fine. I’m sure I’ll find somewhere open.’

‘Have you called your sister?’ Arthur asked him then, his voice thin and strangled with fear. ‘Have you got a phone?’

The man slid his hand into the pocket of his thick dark coat and brought out a slim mobile phone. ‘It’s dead, I’m afraid. Battery died hours back. It’s fine, honestly. I’ll be there by morning, no doubt.’

Arthur nodded silently. The car rolled on. The rain and wind intensified and as they drove through town, it became harder and harder to see.

‘Perhaps we should pull over, Frank,’ said Clara, looking nervously ahead.

‘Everything’s closed, as expected,’ Frank replied, grimacing back at her. He looked in the wing-mirror to catch the stranger’s eye. ‘Sir, we can’t leave you here in this weather. Come back to ours until the worst of it passes. We’ll light a fire, cook food, get warm. Then I can drive you up to the mountains in the morning if you like?’

Arthur wanted to look at the stranger. He wanted to shake his head at his parents and beg them, no, no, no, please no, but he couldn’t move. His lips quivered around his gritted teeth and his fingers dug into the seat so tightly his knuckles ached. It seemed like he had forgotten how to breathe.

The strange laughed softly. ‘I don’t think I can turn down such a kind offer. Thank you so much. That would be amazing.’

With the decision made, Arthur’s father drove on, following the black road until the town was far behind them. The stranger started to talk, engaging his parents in a conversation that ranged from bad weather, to unreliable public services, to how annoying his sister could be sometimes. The three adults laughed and swapped jokes and by the time they turned off the main road and rumbled onto the bumpy track that led to home, they seemed to have relaxed with each other.

Arthur’s bad feeling, meanwhile, bloomed in his chest until he felt like he had been drenched in ice.

The car stopped outside the house. ‘It’s a beauty!’ the stranger declared, looking up at the three storey Victorian building.

‘It’s a work in progress!’ Clara replied, unclipping her seat-belt. ‘We’re gradually updating and modernising it. It’s been in Frank’s family for generations, you know!’

‘I can’t wait to see inside,’ replied the stranger.

One by one they hopped out of the car and dashed through the driving rain into the house. Frank quickly set to work lighting a fire in the living-room while Clara hoisted a large iron kettle onto the stove to boil water for hot drinks.

‘I’ll start a soup,’ she called from the kitchen as the two men and Arthur knelt in front of the fledgling fire. ‘Warm us all up!’

‘This is wonderful,’ the stranger smiled, flames flickering in his eyes as he turned his face to Arthur and winked.

Arthur stared back at him. It was too late now and he knew it. A cold feeling spread through him and the pit of his stomach filled with dread but there was nothing he could do. Not now. Something awful was about to happen to them all and there was nothing he could do to stop it.

Arthur moved backwards when his father picked up the fire poker and brought it down onto the back of the hitchhiker’s head. The stranger never saw it coming, which Arthur supposed was a blessing. Sometimes they knew. Sometimes they changed their minds in the car, panicked or got a bad feeling but even then, there was no escape. Sometimes they turned their head at the last second and saw the poker coming. Sometimes they fought and bit and scratched and screamed and thrashed on the floor, but it always ended the same.

Later that night, Arthur sat in front of the fire while his parents watched TV from the sofa behind him. Their bellies were full. Their teeth stained red. Leg and arm bones joined the logs glowing on the fire and Arthur’s small belly was full of vegetables and flesh.

The Thing In The Woods

Creepy flash fiction

Image by barnabasvormwald from Pixabay

It’s there in the woods.

Dark grey, almost black, hulking yet skeletal, hunched yet clinging.

What does it want? Why is it watching?

I see him every day, when my little car climbs the steep hill and the autumn sun is blinding me through the fragmenting canopies of dying leaves.

I see him hunched and waiting, always watching, dark holes for eyes and something bright and sharp that forms a mouth.

I just get glimpses, just fragments of seconds. I can’t take my eye of the road for too long. I can’t neglect to respect the vehicle in front of me.

Perhaps that is what it wants…

To distract and dismay, to terrify and intrigue. Look its way for too long and you’ll lose your way, get distracted and drawn in, get lost. Maybe that is what it waits for. For the screech of brakes and the smell of burning rubber. For the skid marks on the road, for your dying hand lifting and falling. For scattered glass and broken bones.

The thing in the woods is impossible to fathom or classify. Is it ragged or smooth? On different days, in different light, I see one thing then another. Is it bony or fleshy? Are they folded wings on its bony spine or something else? Some growth or protrusion?

Is it scaly skin it wears, crumpled and dry, or is it matted fur I spy when I glance its way? There is a flash of something in its eyes, sometimes red, sometimes yellow. I know I’ve seen the hole that forms its mouth yawn and gape. I’ve seen silver flashes inside that dark chasm. I’ve sensed movement, something wriggling.

Its hands curl around the trunk of a silver birch tree. Sometimes the thing in the woods is further back… a shape in the background, a glint from its eyes, and sometimes it is almost at the roadside. But always it is clinging to a silver birch tree. Always it is upright and watching.

Always it is waiting.