Giving Myself Permission to Draw Reminds Me Of When I Gave Myself Permission To Write

Reclaiming my love of drawing

When I was a child I’d lose hours alone with a notebook, writing stories about lost and neglected animals and illustrating them myself. If you’d asked me back then I would have told you I longed to be an author and I’d also have told you how much I loved drawing. I did go on to study GCSE Art but that was where my attempts to draw came to an end. I stuck with writing for longer – though it fizzled out when I became a mother and I lost an entire decade where I did not write at all.

As a teenager, I used to sketch the characters in the stories I was working on, including The Boy With The Thorn In His Side, but post aged sixteen, I barely drew again. That’s as far as I allowed my skills to develop.

It’s sad when we grow up and lose our creativity and it happens all the time and to most people. Children are naturally creative in everything they do. They are curious about materials, they like to dance, move around, play make believe, sing, make noise, scribble and paint and make up stories. They don’t worry about being ‘good’ at it and they certainly don’t entertain the idea of making a ‘career’ out of it.

Yet as adults it is those two concerns that inevitably lead to us distancing ourselves from the creative pursuits we used to enjoy.

I remember going through a phase as a teenager where I would write little poems onto notepaper then illustrate the edges and paint over with water colours. I remember being thrilled with the results! Years later, when I finally got back into writing, I told myself it was just novel writing and that poetry was not my thing. Even when reclaiming writing, I was still putting up barriers to my creativity.

My journey with writing will never be over and I’m happy to say that as the years passed I naturally found myself progressing to embrace all forms of writing. Novels, short stories, flash fiction, essays, articles and yes, poetry! I love them all and practice them all every week.

What stopped me writing for a decade was not thinking I was good enough and not believing I could earn money from it. I’m so relieved that the urge continued to persist inside of me and that eventually it grew too big to ignore. I finally gave in and the dam burst in spectacular fashion. I recently published my twenty-third book, and earn monthly from writing in various forms on Medium. I’ve also had essays and articles published by various magazines over the years.

I have confidence in my writing now, but I still embrace progression and experimentation with it.

Back to drawing. Recently I started to get a very strong urge to draw. It reminded me very much of those urges to write I eventually gave into. It’s like a little bit of the old you poking relentlessly at your brain demanding to be let in, remembered and nurtured.

I started feeling like I wanted to create a graphic novel version of Black Hare Valley for crying out loud, that’s how strong the urge was. I gave in, to some extent. I didn’t plan to. But I was buying some supplies for my kids writing clubs in The Range and spotted some nice sketchbooks and before I knew it I had tucked one under my arm. It felt like giving myself a treat. Giving myself permission.

I’ve started playing around with ideas of sketches for Black Hare Valley. I’ve had fun with a few art tutorials and workbooks and had some helpful tips from my son who is studying A-Level Art. I’ve been pleased with my efforts but do you know what instantly occurred to me when I examined them?

one of the hares I’ve drawn for Black Hare Valley – just practicing!

They are the same level as the character drawings I did as a teenager. I haven’t gotten any better or matured my skills because I did not keep it up. Imagine how much better I would be at drawing now if I had not pushed that side of me away for so long!

Now every time I feel a bit embarrassed about my artistic efforts, and every time I feel like I am wasting my time or shouldn’t be doing it, I remind myself of how and why writing came back to me. It came back to me by itself. It hammered at my mind until I let it back in and once it had me in its grip again it refused to ever let go.

the bookshop in Black Hare Valley – a major location!

And because I stuck with it and practiced it, and tried new things, and studied it, and learnt from others, and got feedback, and kept going…. I got better!

I need to remind myself that the same thing applies to art.

the white hare – a character in Black Hare Valley – needs work!

My challenge is this: I want to illustrate the entire Black Hare Valley series myself. To do this I need to discover, embrace and improve my own style, much like writers do with their voice. I feel excited. I feel motivated. Whatever happens, it is good to have a challenge and a new hobby!

the ruins in Black Hare Valley – a major location
The raven in Black Hare Valley – another character – just pencil so far, will be going over with pen.

This Week I Had Five WIPS Vying For Attention In My Head

I Need More Me’s!

Image by TyliJura from Pixabay

If you’ve followed my blog for a while you’ll probably know that I find it impossible to work on just one writing project at a time. Ideally, I would love to. One story idea, one plot, one set of characters, one job to do! I envy writers whose minds work like that. It must feel very in control.

It’s never that way with me. There is always the book ready to be published that needs quotes posting, cover sorting, final edits and so on. There is always the current priority work-in-progress and sometimes that’s a series, not a standalone. And there are always the future books, the ideas, all in various stages!

It’s been like that this week, and then some.

First, I am trying to draw attention to The Mess Of Us which came out on Valentines Day. That means promoting it as best I can and creating graphics of quotes from the book and reviews as they come in.

Second, I am preparing my next book for release at the end of the year. I need to sort out the cover, finalise the blurb and send it to my editor. Recently I read it through on my kindle to pick up any lingering typos or plot holes and found it to be a very clean read. But it still needs that professional edit and proofread. I hope to release The Dark Finds You towards the end of the year.

Third, I’ve been adding stories and poems to my next anthology Dirty Feet. I’ve no idea when I will release this, but every now and then I add new bits and pieces to it, so it’s always on the go.

Next, I’ve been working on my official work-in-progress, Black Hare Valley. It was never meant to be a series but book one inspired two more books and then I had the idea of a diary style companion book. That’s what I am writing at the moment, and once that is finished, I will be going through each book in the series with a fine toothed comb, ensuring there are no plot holes and a clear timeline that makes sense!

But as well as all this I started getting the urge to create a graphic novel style version of Black Hare Valley. Don’t ask me why. I can’t even draw very well! I haven’t done anything about this. But the urge is there and it’s very strong!

Plus, I’ve been thinking a lot about which book I will work on once Black Hare Valley is complete and decided it will be The Seventh Child, a family mystery thriller. This idea has been building for a while, and I already had the whole plot, the location and the character bios in a notebook. A while back I wrote the first chapter, because, why not? This week, this book has been screaming at me to get on with it! Please, someone tell it it has to wait!

On top of that another book idea keeps growing and swelling and this week I figured out exactly how I will tell it. Anya and Cody Start The Apocalypse is an idea that came to me in bits and pieces with the characters showing up first. I eventually started a notebook to keep track of things and soon had character bios and locations and a loose plot. That plot has since tightened up but I was still unsure of how to tell the story. Then I figured it out. Epistolary style! The book will be written by another narrator who is writing a dissertation project on Anya and Cody after their story is over. It will be told by the narrator compiling diaries, letters, news reports and social media posts in order to explain what happened. I’ve written diary style books before, (The Mess Of Me and The Mess Of Us, plus the companion diary for Black Hare Valley) but I’ve never tried anything like this so I am really, really excited! And I want to do it now!

But it has to wait! I will carry on adding bits to the notebook of course. But that doesn’t mean it will shut up.

My head is full of all these stories all the time. I wish I could create some extra me’s or some extra hands to get it all done. I think I will feel better once I finish the Black Hare Valley diary book. I can then fully concentrate on getting the whole series ready for publication in 2026. I would love to have the first book ready to go in January 2026, for example. The rest of the books will follow one by one throughout that year, and in that time I will be busy writing The Seventh Child.

Then it will be Anya and Cody’s turn…

What is wrong with me?

The Story Behind My Next Book

Last week I shared the news that my 22nd book will be released next month!

If you’d like to check it out, here is the preorder link! https://amzn.eu/d/0gSeWqen

At Night We Played In The Road was four years in the making and today I want to tell you the story and inspiration behind the novel.

Four years ago I was in the process of rewriting and revamping The Boy With The Thorn In His Side series. I still think having the power and control to change and revamp independently published books is one of the best things about being an indie author.

At the time, I was changing what was two books (The Boy With The Thorn In His Side and its sequel, This Is The Day) into a five book series. The original book was huge, and when I got the idea for new material and events that could be sandwiched between that story and the sequel, I knew I had to turn it all into a series. The original book was split into two, a third book with new events was written and made into book three, the sequel became book four, and just doing all of that gave me ideas for material for book five.

It felt like a crazy and risky thing to do at the time, especially considering I had lots of other books lined up to work on, but it felt like the right thing to do. And it was. I am hugely proud of that gritty 5-book series. I feel like it is a whole universe you can really dig deep into. The series, of course, links to other books I’ve written, where characters are mentioned or the same locations are used. This led to me creating a universe of inter-linked books and At Night We Played In The Road is one of them.

But back to where the idea came from…

At the time I had ideas for book 5 in The Boy… series, and one day I was watching the TV show Supernatural with my eldest child in her bedroom. She had been badgering me for years to watch it and when I finally gave in, I loved it. I’ve rewatched the entire thing many times since then! And one of the things that really hooked me about the show was the relationship between the brothers, Sam and Dean Winchester.

Some might argue it is an unhealthy and co-dependent relationship, and they might be right, but essentially it is a loving and protective one, with each brother prepared to kill and die for the other. The older brother, Dean, has brought Sam up and throughout the show, is also a father to him. This really interested me and their unusual relationship was one of my favourite things about Supernatural.

During that period I was also rewatching Breaking Bad. That is another show I have watched multiple times! With these two shows playing on my mind, I started to get ideas for two characters. Two brothers.

Inspired by the relationship in Supernatural, I created Alfie, four years older than Tom. When Tom was born, their mother died in childbirth and their father, Fred, has never forgiven Tom for it. Unable to bond with the baby that caused the death of his beloved wife, Fred all but abandons Tom. In fact, Fred is unable to even look at his younger son. Instead, he throws his attention and his dreams into Alfie.

Inspired somewhat by Breaking Bad, I decided that Fred would be in the drugs business, something he has taken over from his own father and hopes to pass down to Alfie. A family business growing and selling cannabis.

I then wrote these brothers into book five of The Boy With The Thorn In His Side and they became part of Danny’s story-line as he attempts to finally free himself from his criminal past. I had no intention of giving them their own book, but I fell so in love with them I started to get ideas about their back story.

As I wrote them into that series, the characters of Tom and Alfie just exploded to life in my head.

That’s the way it works and it feels like magic.

Suddenly, they had a back story, their own individual mannerisms and personality traits and their own dreams for the future. I still find creating characters one of the best aspects of writing! I absolutely love it.

I wanted Alfie to be the more serious of the brothers, the one with the weight of the world on his shoulders. He does not like what his father’s criminality has done to their family. His father seems oblivious to the harm he has caused his sons. ( He abandons the boys every time his own mental health declines.) A mixture of simply not being able to cope and occasionally being incarcerated, leads to the boys going in and out of foster care as children.

I gave Tom Tourette’s Syndrome as it was something I was researching a lot at the time. My youngest child was displaying a lot of verbal and physical tics and I spoke to a doctor about the possibility of it being TS, but eventually they calmed down, and though he still likes to make his noises, I don’t think an official diagnosis is needed. However, the research was not wasted when I gave these attributes to Tom.

Compared to Alfie, Tom is more sociable, friendly and reckless. He will do anything to get his father’s attention – including getting himself dragged into crime.

Alfie constantly feels like Tom is in danger and that he must protect him. He cannot let go of that feeling so he is unable to live or even develop independently as his own person. For this reason, he sometimes suffocates and stifles Tom, who eventually begins to rebel.

Tom adores his older brother though, and as he grows older, he realises that Alfie has given up everything for him.

The plot sees them eventually estranged as they take very different paths in life, and it alternates between the past so we can see how that led them to where they are now. And where they are now is a very dangerous place.

Alfie has not seen his brother in years but one day he is brought to his door with a gun to his head. Alfie must save his brother’s life one more time. And to do that, they must face the past they escaped from.

Here is the blurb!

When Tom Lane was born, he accidentally killed his mother and in the process, his father’s love.

Determined to protect Tom from their father’s criminal business, older brother Alfie must become Tom’s father, mother and protector. It’s the two of them against the world until the day Tom chooses a life of crime over Alfie’s dream of a normal life.
Ten years later the estranged brothers are reunited when a violent gang bring Tom to Alfie’s door with a gun to his head.

Tom’s partners in crime have turned on him and he needs his brother to save him one more time…


Thanks for reading!

See you next week!

How To Keep Going When Your Story Gets Stuck

When you first get a solid idea for a story, it feels exciting, like anything could happen. You write it down, start building on it and thinking about it. You start crafting character bios and researching locations. You put the work in and hope that when the time comes to start, the words will just be there, waiting to flow. Starting the story is sometimes the trickiest and scariest part of writing. There are so many things to figure out, for example. What point of view to tell it in, what tense to use, how to structure the plot, how to keep up the pace and so on. Once you get past the start, it feels easier. You have a great idea, you’ve put the work in and you’ve worked out how and where to start it. Then, you get stuck. Inevitably, you run out of steam, or get lost, or run out of energy or get some form of writer’s block…

Don’t worry if this happens to you – it’s very common! This is the really tricky part, you see, the part where the whole thing could get derailed and fade to nothing. This is the danger zone, potentially at least. So many stories never get past this point and so many writers of all ages and abilities give up when this happens and move on to something new. Because new is exciting right? And chances are, there is another great idea knocking around inside your head! I see this all the time with young writers and it was a trap I fell into too at that age. So, what can we do to avoid it? How can we get a stuck story unstuck? Here are a few ideas that have worked for me over the years.

  • talk it out – find a willing friend, family member or even a fellow writer to talk to about it. This has helped me numerous times over the years. As the writer, you are so connected to the story it can be hard to separate yourself enough to stand back and figure things out. Sometimes just talking to someone else about your story can be enough to get it going again. They might suggest a way out of a plot hole if you are lucky, but even so, sometimes just relaying the story to another person can be enough to get you inspired again.
  • go back to the start – You might not be sure why you are stuck but going back to the start can be really helpful. Read it through, edit, get invigorated by what you’ve already written and hopefully inspiration will hit you again
  • try to figure out what the problem is – It is important to try to figure out why are you stuck, because there are so many potential answers. Are you bored of the story, if so, why? Are the characters flat? Do you need to do more research? Has the plot unravelled? Or is your attention being stolen by a new idea?
  • be honest with yourself – it’s vital to be honest with yourself if you want to get this story going again. Does the story flow? Is the pace fast enough for the genre? Are your characters fully fleshed or do they need a bit more work? Being honest with yourself at this stage is difficult because acknowledging that something is wrong with the story means you are going to have to redo things! But it will be worth it.
  • experiment – If you have been honest with yourself, you may now have figured out what is wrong with the story, or what is stopping you from writing it. Perhaps you need to change something, for example, the narrative point of view or the tense it’s written in. This means more work but experimenting could be the answer to getting unstuck so it is worth exploring.
  • go for a long walk and try to figure it out – This always works well for me. Long walks alone or with my dogs tend to get my brain whirring again. It’s definitely preferable to sitting in front of a blank screen for too long. Go for a walk and see what happens.
  • have a break and write something else – If your story is stuck, rather than giving up and writing a new one, why not try tackling a different form of writing, like poetry or non-fiction? This way you are still writing, and it will feel fresh to try something new, but you won’t be fully abandoning your story. You will just be having a little break from it while you try something else creative.
  • remember why you started it in the first place – Ask yourself what made you start this story in the first place, why was it important to write? What were you trying to say and why? Sometimes reminding ourselves of why we started can give us the push to carry on.
  • write a bit each day – When writing gets tough we can either give up and walk away or we can keep battling through it. The best way to do this is just to write a little bit of it each day. Even if it is just a paragraph, even if it is just a sentence! Even if it doesn’t really move the story on and doesn’t solve why you are stuck – just try writing a tiny bit, a few words each day to move it forward. It is possible to write our way through a hump or a block.
  • remember it doesn’t have to be good yet – sometimes we get stuck because our first draft feels so clumsy and ugly. It doesn’t feel as if it is going well. But remind yourself that it is just a first draft! It can be messy and chaotic, it can have notes and bullet points and question marks all over it. It doesn’t matter. The first draft is just you telling the story to yourself. Getting it out of your head. Getting it done so that you can start to polish it up in the second draft.

These are all things that have helped me get unstuck in the past. I hope it keeps you going too! Feel free to leave a comment. What helps you when you are stuck with a story?