The May Queen, Hill Forts, Fairy Circles, Leylines, Holloways and the Moongazing Hare

Research for my latest novel has sent me down some divine British folklore rabbit holes.

(This article was originally published on Medium.)

I’m not normally a huge fan of research. Most of my novels have been set in times and locations that don’t require me to do a lot, and even then, if I do need to research something, I tend to leave a question mark there to remind me to do it later, while I get on with writing the thing.

However, my attitude towards novel research has changed for the better with my current work-in-progress, a folk horror story set in 1996, which will have companion books set in 1966 and 2026. On the very first draft (where I didn’t really know what I was doing), I ended up with the bare bones of a story, and possibilities for more in-depth plot-lines and character development. I didn’t do any research for the first draft, but I knew for the subsequent drafts I’d have to. And it’s been so much fun! I’ve had to look up a real range of interesting things, from which telescopes and cameras were popular in 1996, to 90s fashions and music (not too much of a problem, as I was a teenager in the 90s) to what sort of CCTV systems existed back then.

 This was just the start. As my folk horror story developed, I found myself going down some delightful British rabbit holes as I researched things I wanted to include in my story. It’s essentially a story about a strange little town with an ancient evil under the surface, and the plot is kicked off when a local boy goes missing.

These are some of the things I’ve had the pleasure of researching so far:

The Hare — I’ve always been fascinated by hares. I’m quite literally obsessed with them. For years and years I dreamed of seeing a wild one and in my youth had to be satisfied with keeping rabbits as pets, which was almost as good. In recent years I’ve seen hares in the wild and every single time it is a breathless magical experience for me. My son’s school is rural and on the journey there and back, down twisty country lanes, we often stop to watch hares running in the fields. Recently we spotted one lying low, and we stopped the car to watch. It knew we were watching and eventually got slowly up and loped away. I savoured every second of watching that huge, strong, almost deer-like body hop away. Another time we had to stop the car as another huge one was plodding casually up the lane in front of us. My son rolled his eyes at my over-enthusiastic reaction, ‘Oh my God, it’s a hare! It’s a hare! It’s a bloody hare right there!’ The hares in that area are giants, I swear. One time I thought it was a dog I’d spotted in a field but when I slowed down to check if it was all right or lost, I realised it was lupine in nature and had the pure joy of watching it dash away.

When I first created my current WIP, Black Hare Valley, it was just a vague idea about a folk horror story, an ancient evil, a plucky group of misfit teens and a strange little town I wanted to be old-fashioned in the most British of ways. Me and my son created it together, rolling out a huge piece of paper to create the map of the town. A few years later I started writing the story and always knew the town would be called Black Hare Valley.

Image by Artur Pawlak from Pixabay

But back to hares. There is so much folklore surrounding them, it only adds to their beauty and mystique. The moongazing hare has been symbol of growth, rebirth and fertility, as well as being associated with madness and witchcraft. In many cultures seeing a hare is meant to be good luck and in just as many, it is seen to be bad luck. There was an old superstition that witches could shape shift into hares, as often hares were seen running from flames. In truth, they often waited until the very last minute to break free from the traditional burning of stubble in fields. In many cultures the hare is considered a sacred animal who symbolises our relationship with the land.

Iron Age Hill Forts — Badbury Rings and Maiden Castle in Dorset are two favourites of mine but there are many of these ancient monuments across the British Isles. What were once defended settlements set into sweeping hills and reinforced with earthworks, stone ramparts, defensive walls and external ditches, are now intriguing and mysterious places to visit. I always feel strangely connected to both the past and the earth itself in these places. I was inspired by a trip to Badbury Rings to make Black Hare Valley a town built out of an iron age hill fort. Hill fort settlements could see their enemies from a great distance and this is a theme weaved into my story, especially concerning the history and founding of the town.

Holloways —Holloways are just as fascinating!I’d been keen to visit the infamous Hell Lane in Dorset for years and a couple of summers ago we took the kids there. I absolutely loved it and again I felt so close to the past and the earth there. Holloways are ancient paths criss-crossing the country, possibly markers of old trade routes. The paths themselves have become so deeply trodden by millions of feet, hooves and wagon wheels over centuries, that they are now almost tunnel-like, with the roots of trees visible on either side. At Hell Lane in particular you feel like you are about to descend underground as the trees shade you from above and the path leads you ever deeper. There are a fascinating array of carvings and faces on the clay walls too. I knew Black Hare Valley had to have its own Holloway!

Hell Lane, in Dorset. Photo is mine.

Fairy Circles — I only researched these recently when I decided that Black Hare Valley will be set in 1996 and that it definitely needs a prequel set in 1966, which will see my group of teens parents go through an equally strange and dangerous ordeal in the town. One of the 1966 kids is described as being ‘away with the fairies’ and I decided to play into this a bit more in the 1996 story, as this character as an adult has been missing for a long time. I simply added a fairy circle to a scene and had one character stomp through it while another declares it to be bad luck, and he retorts that his mother used to believe in such rubbish. Fairy circles are naturally occurring circles of mushrooms, often found in forests and grassy areas. Across the world, fairy circles or rings were often associated with folklore and myth and seen as dangerous places. It was said to evoke a curse or bad luck if you crossed one.

Ley lines — ley lines are also mentioned in Black Hare Valley, as I needed a central spot in one of my locations that would provide an intense amount of energy and a feeling of being held in place. I researched ley lines, which I only vaguely understood, and it turns out some people believe in them and some don’t. Essentially, they are believed to be straight lines between prominent landmarks, prehistoric sites and historic structures. Believers assert that ‘earth energies’ run along these lines but there is no scientific evidence to support this, and instead it is a matter of faith.

The May Queen — May Day, The May Queen and other spring celebrations and traditions will be more fully explored in my prequel set in 1966, but as I lay the clues for this in the 1996 book, I’ve had to research them now. One of my 1996 characters discovers that his troubled mother who ran away, had a sister who went missing in 1966, much in the same way a friend of his has gone missing in 1996. In scouring old photos from their parents, the group of friends discover that the missing girl was crowned the May Queen in the spring of 1966. I had great fun researching this and looking at old photos. The May Day celebrations marked the beginning of summer and small towns and villages across Britain, and indeed Europe, would celebrate by choosing a young girl to be the May Queen. She would be decked out in white with a crown of wild flowers and would be given a throne to sit upon. Villagers would also dance around a Maypole, weave floral baskets and ‘bring in the May’ by gathering wild flowers and branches. Going back even further, it is reported that wild hares were often part of the tradition and would be released from cages as part of the celebration. 

Researching books can be a lot of fun and Black Hare Valley is providing me with unique opportunities to google things and learn more. I have now started writing a rough draft of the book set in 1966 and have already had fun researching the clothes, music, and food popular at the time!

How My Writing Habits Have Changed

I’ve never understood the type of people who refuse to change the way they do things. You know the type. Even if what they’re doing is not going so well, they’ll hang onto the adamant belief that it is the best way to do it, simply because it is the way they have always done it. It’s even worse when it comes to opinions and beliefs. I have strong beliefs and opinions, but I like to keep my mind open and accept that knowledge and understanding are open to interpretation and change. If some new piece of knowledge comes along, I am always happy to admit I was wrong and change my way of thinking. I think the refusal to ever change your mind or admit you were wrong, is actually very dangerous. Anyway, in that spirit, I’ve been thinking lately about how I write now, and how I used to write. You see, over the last few novels, things have changed. And with the WIP I am on right now, and the book I have planned after that, I feel they are changing even more. Here’s how, and why…

  • I edit as I go…Not word for word, not every paragraph, but I do now go back over what I wrote at the start of the session. And I always read what I wrote last before I start writing again. I used to do things quite differently. I would rush out this clunky, crazy first draft. It would be this desperate measure, this way of getting this thing out of my head once and for all. I’m not saying that’s wrong, and I think with some books it’s totally the right way to do it! But I have noticed lately that I’m slowing the process down. I’m going back over what I last wrote and editing out mistakes and typos. Previously I would not care about these in a first draft. I just wanted it done. Now I think I am probably saving myself some time later on, and it is also helping me get to know this story and its characters, to feel and breathe with them as they develop and take form. Reading over and checking what I just wrote is helping me to make sure everything stays on course.
  • I plan more…I used to plan as I wrote the book…so as ideas came to me, I would jot them down and the novel would often change course and follow twists and turns as I wrote it. I would start, not really knowing how to finish. Now, I try to plan the whole novel before I start writing, chapter by chapter if possible. Not in too much detail, and always allowing for change and development and the surprises which will inevitably pop up. But now I like to be able to see where I am going…I like to know the general destination of my journey.
  • I’m aware of my potential audience…This is not to say I am writing anything and aiming it at a certain audience. Doing this with The Tree Of Rebels caused me untold problems (see Did Choosing An Audience Ruin My Book?) so I won’t be making that mistake again. But I do have a better idea of the genre I am writing in before I start writing, an idea of the type of person who would pick this book up and want to read it. I never used to consider this at all, and had a very hard job picking genres and categories for my finished books because of it.
  • I write the log line and synopsis first…Now, to be honest I am only just getting to grip with loglines! They are actually quite hard to do. The idea is you should be able to write a one to two sentence paragraph which explains your book, and if you can’t, you may have a problem. The logline can then help you to shape your synopsis. With early novels, I always left the synopsis to last and found them nothing short of utter hell and torture. How to condense a massive novel down to a paragraph or two? What to cut out, what to leave in? How to lure people in without spoilers? How to pick the right key words? Hard, hard work. With the last two books I penned (The Tree Of Rebels and Elliot Pie’s Guide To Human Nature, both still not quite finished) I wrote the synopsis first. I’m not sure why. It just seemed like a good idea, and I had a general idea of what to say, so I went for it. Neither is perfect and both will need tinkering, but overall, I think they both say what they need to say. Lesson learned. From now on, I work on the synopsis first!
  • I research as I go…This is another thing I used to be quite lazy about. I was in a hurry. I just wanted to get the book written. So I would make up stuff as I went along, noting down that I needed to properly research it later.  Now if something comes up that needs looking into, I do it there and then before I write another word. Again, this saves me time and stress later, and if what I research ends up changing the story in some way, it’s much better to know this early on! Plus it’s fun. I used to put off research of any story because I thought it was boring. Just detail that needed throwing in to make it all sound better. But now I look at it differently. It’s important to the story and I’m also learning new things all the time!

So, over to you followers! Have you always done things the same or have your writing habits changed through trial and error? Does it all depend on the book you’re writing? Let me know!