Peeling Back The Layers of Black Hare Valley

Writing the companion books is revealing secrets and aiding the development of my main book’s characters.

It is official.

I am in love with Black Hare Valley.

I have created a universe I am in awe of and addicted to. It has grown and evolved into something far more beautiful and complex than I ever expected, and I am enjoying myself as a writer immensely.

The story has grown from the map me and my son created for fun during lockdown, into what will be a three book series jumping backwards and forwards in time. When my son and I created Black Hare Valley’s physical form, I had no idea what characters would emerge from it, and at that point I had no plot either. I knew I wanted it to be a creepy little town with very dark secrets, and I knew I wanted my main characters to be teenage misfits forced together to try and solve the mystery of a missing boy. But that was it.

Four years later and I cannot believe how it has grown. It seems to have a life of its own right now and I am just along for the ride. Not a day goes by when I don’t come across a secret, a reveal, or an aspect of a character I had not been aware of before. There is a lot of work to do here, but I feel like I am building something very special.

So, what do I mean by peeling back the layers?

When you start to write a book, you usually start with a location, (I had that in great detail) characters, (they started to come to me one by one before I began writing) and a plot. It was the plot I was lacking, but one day I got the first chapter in my head. I knew how the book started. I knew which characters I could introduce by writing these scenes and I knew that as soon as I started writing them, it would take off by itself. And it did.

Once I had those first few chapters and had introduced the main characters, Jesse, Paddy, Jaime, Ralph and Willow, then everything else just flowed. I still didn’t know exactly what was going to happen or why. I knew one of them would go missing and the rest would team up to try and find out why. I knew they would come up against a sinister neighbourhood watch committee made up of the fearsome Sergeant Mayfield, Mayor Margaret Sumner, Vicar Greg Roberts, Head-teacher Edward Bishop, librarian Eugenie Spires and a few more. A few chapters later I knew that my committee of adults in power were very dangerous indeed.

More began to unravel as I wrote the first draft, but even at the end of it, I still didn’t have half of what I do today. I knew the committee were ancient and had been stealing and potentially killing children for centuries in order to preserve their immortality and the town’s, but I didn’t know why or how. That all came much, much later.

With the first, second and even third draft of the first book set in 1996, I had the bare bones. The characters were growing and evolving, the location was spot on, and the how’s and why’s were starting to come together.

Somewhere along the line I began to wonder if these characters own parents had experienced similar things when they were teenagers in the 1960s. At first, I just rewrote some of the scenes with the parents to try and hint that they had also investigated the committee and also grieved a missing child, but of course, once I had that in motion, more and more stories began to rise up. The layers were unpeeling one by one.

These revelations made the 1996 book much better but also set in motion ideas for a smaller, companion book set in 1966. That then made me wonder about 2026… Which of my 1996 characters would still be in the town? What would they remember? While things appear to be solved at the end of book one, are they really?

This was incredibly exciting and led me to where I am now.

Book one (1996) begins on May Day with a child going missing. A group of unlikely teens then band together to try to find the missing boy and in the process reveal dark and dangerous secrets about their beautiful town. They also discover that children have been going missing in Black Hare Valley for a long time. Every thirty years in fact… By the end of the book the group have figured almost everything out, found out what happened to missing Paddy and fought back, to some degree. Everything is calm. They’ve got what they wanted but they still don’t know everything…

Book two (1996) also begins on May Day with another child going missing, this time the May Queen. Her sister, Angie Radley, joins forces with some other teens to try and look for her and in the process they also discover some very strange and frightening things about their town. These teens are directly related to the teens in 1996. Angie Radley is the mother of main character Jesse Archer in 1996. Nicky Archer is Jesse’s father. Lizzie Wilkins is Willow’s mother. Frankie Maxwell is Ralph’s father. Some of these characters are still alive in 1996 but they are not much help to that group of teens… By the end of this book, we have had some reveals and the group have been split up and discouraged from investigating further. There is also a reveal in this book about the character who is the most to blame for the missing children…

Book three (2026) also starts on May Day, and we meet Lila Archer, Jesse Archer’s niece and Nicky Archer’s granddaughter. She’s up to no good and soon involves herself when another child goes missing. Some of our 1996 teens are still alive. Some are not. Some of them remember what happened in ’96 and some do not. But in order to solve the mystery once and for all and put a permanent stop to the committee, they must remember what happened in ’96 and ’66…

That’s where I am right now – with the whole of book three pretty much planned out and just waiting to be written. Once I have done the messy first draft of that I’ll return to editing the first book…

Exciting times!

I have now finished the rough first draft of 1996 and I am almost half way through 2026. I know where I am going and how to get there! It feels amazing…

It really does feel like one basic idea revealed itself to be simply one layer upon a multitude of connections. I am so excited about this series!

The May Queen, Hill Forts, Fairy Circles, Leylines, Holloways and the Moongazing Hare

Research for my latest novel has sent me down some divine British folklore rabbit holes.

(This article was originally published on Medium.)

I’m not normally a huge fan of research. Most of my novels have been set in times and locations that don’t require me to do a lot, and even then, if I do need to research something, I tend to leave a question mark there to remind me to do it later, while I get on with writing the thing.

However, my attitude towards novel research has changed for the better with my current work-in-progress, a folk horror story set in 1996, which will have companion books set in 1966 and 2026. On the very first draft (where I didn’t really know what I was doing), I ended up with the bare bones of a story, and possibilities for more in-depth plot-lines and character development. I didn’t do any research for the first draft, but I knew for the subsequent drafts I’d have to. And it’s been so much fun! I’ve had to look up a real range of interesting things, from which telescopes and cameras were popular in 1996, to 90s fashions and music (not too much of a problem, as I was a teenager in the 90s) to what sort of CCTV systems existed back then.

 This was just the start. As my folk horror story developed, I found myself going down some delightful British rabbit holes as I researched things I wanted to include in my story. It’s essentially a story about a strange little town with an ancient evil under the surface, and the plot is kicked off when a local boy goes missing.

These are some of the things I’ve had the pleasure of researching so far:

The Hare — I’ve always been fascinated by hares. I’m quite literally obsessed with them. For years and years I dreamed of seeing a wild one and in my youth had to be satisfied with keeping rabbits as pets, which was almost as good. In recent years I’ve seen hares in the wild and every single time it is a breathless magical experience for me. My son’s school is rural and on the journey there and back, down twisty country lanes, we often stop to watch hares running in the fields. Recently we spotted one lying low, and we stopped the car to watch. It knew we were watching and eventually got slowly up and loped away. I savoured every second of watching that huge, strong, almost deer-like body hop away. Another time we had to stop the car as another huge one was plodding casually up the lane in front of us. My son rolled his eyes at my over-enthusiastic reaction, ‘Oh my God, it’s a hare! It’s a hare! It’s a bloody hare right there!’ The hares in that area are giants, I swear. One time I thought it was a dog I’d spotted in a field but when I slowed down to check if it was all right or lost, I realised it was lupine in nature and had the pure joy of watching it dash away.

When I first created my current WIP, Black Hare Valley, it was just a vague idea about a folk horror story, an ancient evil, a plucky group of misfit teens and a strange little town I wanted to be old-fashioned in the most British of ways. Me and my son created it together, rolling out a huge piece of paper to create the map of the town. A few years later I started writing the story and always knew the town would be called Black Hare Valley.

Image by Artur Pawlak from Pixabay

But back to hares. There is so much folklore surrounding them, it only adds to their beauty and mystique. The moongazing hare has been symbol of growth, rebirth and fertility, as well as being associated with madness and witchcraft. In many cultures seeing a hare is meant to be good luck and in just as many, it is seen to be bad luck. There was an old superstition that witches could shape shift into hares, as often hares were seen running from flames. In truth, they often waited until the very last minute to break free from the traditional burning of stubble in fields. In many cultures the hare is considered a sacred animal who symbolises our relationship with the land.

Iron Age Hill Forts — Badbury Rings and Maiden Castle in Dorset are two favourites of mine but there are many of these ancient monuments across the British Isles. What were once defended settlements set into sweeping hills and reinforced with earthworks, stone ramparts, defensive walls and external ditches, are now intriguing and mysterious places to visit. I always feel strangely connected to both the past and the earth itself in these places. I was inspired by a trip to Badbury Rings to make Black Hare Valley a town built out of an iron age hill fort. Hill fort settlements could see their enemies from a great distance and this is a theme weaved into my story, especially concerning the history and founding of the town.

Holloways —Holloways are just as fascinating!I’d been keen to visit the infamous Hell Lane in Dorset for years and a couple of summers ago we took the kids there. I absolutely loved it and again I felt so close to the past and the earth there. Holloways are ancient paths criss-crossing the country, possibly markers of old trade routes. The paths themselves have become so deeply trodden by millions of feet, hooves and wagon wheels over centuries, that they are now almost tunnel-like, with the roots of trees visible on either side. At Hell Lane in particular you feel like you are about to descend underground as the trees shade you from above and the path leads you ever deeper. There are a fascinating array of carvings and faces on the clay walls too. I knew Black Hare Valley had to have its own Holloway!

Hell Lane, in Dorset. Photo is mine.

Fairy Circles — I only researched these recently when I decided that Black Hare Valley will be set in 1996 and that it definitely needs a prequel set in 1966, which will see my group of teens parents go through an equally strange and dangerous ordeal in the town. One of the 1966 kids is described as being ‘away with the fairies’ and I decided to play into this a bit more in the 1996 story, as this character as an adult has been missing for a long time. I simply added a fairy circle to a scene and had one character stomp through it while another declares it to be bad luck, and he retorts that his mother used to believe in such rubbish. Fairy circles are naturally occurring circles of mushrooms, often found in forests and grassy areas. Across the world, fairy circles or rings were often associated with folklore and myth and seen as dangerous places. It was said to evoke a curse or bad luck if you crossed one.

Ley lines — ley lines are also mentioned in Black Hare Valley, as I needed a central spot in one of my locations that would provide an intense amount of energy and a feeling of being held in place. I researched ley lines, which I only vaguely understood, and it turns out some people believe in them and some don’t. Essentially, they are believed to be straight lines between prominent landmarks, prehistoric sites and historic structures. Believers assert that ‘earth energies’ run along these lines but there is no scientific evidence to support this, and instead it is a matter of faith.

The May Queen — May Day, The May Queen and other spring celebrations and traditions will be more fully explored in my prequel set in 1966, but as I lay the clues for this in the 1996 book, I’ve had to research them now. One of my 1996 characters discovers that his troubled mother who ran away, had a sister who went missing in 1966, much in the same way a friend of his has gone missing in 1996. In scouring old photos from their parents, the group of friends discover that the missing girl was crowned the May Queen in the spring of 1966. I had great fun researching this and looking at old photos. The May Day celebrations marked the beginning of summer and small towns and villages across Britain, and indeed Europe, would celebrate by choosing a young girl to be the May Queen. She would be decked out in white with a crown of wild flowers and would be given a throne to sit upon. Villagers would also dance around a Maypole, weave floral baskets and ‘bring in the May’ by gathering wild flowers and branches. Going back even further, it is reported that wild hares were often part of the tradition and would be released from cages as part of the celebration. 

Researching books can be a lot of fun and Black Hare Valley is providing me with unique opportunities to google things and learn more. I have now started writing a rough draft of the book set in 1966 and have already had fun researching the clothes, music, and food popular at the time!

Would It Be Okay To Watch The Last Sunset Alone? – poem

Hi folks! I have got so much content now on Medium – a lovely mix of essays, articles, poems and stories, so I thought for this week on the blog I would share a poem that recently did quite well for me there. I still can’t get my head around getting paid to write my poems!!

Image by Giani Pralea from Pixabay

Would it be okay
to not do anything
to leave today
and maybe tomorrow too
whatever, however long it takes
for the feeling to pass
of the world ending
of disaster
and death
and my decay
and the transition into bones
and dust
would it be okay
if I said not today?
I can’t do it today
my mind is a trap
a battlefield I can’t escape from
and your silence was too loud
when I tried to talk
if the world lets me
I’ll cancel today
bury myself in bed
find comfort in words instead
get lost and sad inside my own head
feel myself dissipate in the dark
embrace my bones
knowing it’s okay
to watch the last sunset alone

Thank you for reading! I am in the process of compiling all my Medium poems and pieces of fiction into a new book I’ll publish at some point. I’ll keep you posted on that but I already know it will be called Dirty Little Feet and Other Tales and Poems.

See you next week!

Interview With Chantelle Atkins On Her Latest Release: At Night We Played In The Road

Last week I was interviewed by author Sim Alec Sansford for the author news blog on the Chasing Driftwood Books website. Chasing Driftwood Books is an indie collective some like-minded indie authors have set up to help support and promote each other and I’m thrilled to be a part of it!

Here is the interview:

When Tom Lane was born, he accidentally killed his mother and in the process, his father’s love.

Determined to protect Tom from their father’s criminal business, older brother Alfie must become Tom’s father, mother and protector. It’s the two of them against the world until the day Tom chooses a life of crime over Alfie’s dream of a normal life.
Ten years later the estranged brothers are reunited when a violent gang bring Tom to Alfie’s door with a gun to his head.

Tom’s partners in crime have turned on him and he needs his brother to save him one more time…

A darkly brooding story of brotherly love, belonging and the beginnings that shape who we become.

Buy here: https://books2read.com/u/mBy7DZ

Your latest release is connected to your five-book series, The Boy With The Thorn In His Side. Can you tell us more about that?

Yes! The Boy With The Thorn In His Side Part 5 introduced two characters, Tom and Alfie Lane. They become unwittingly involved in Danny’s (the main character in The Boy…series) struggle to escape his crime ridden past. He helps them and they help him. As I wrote these scenes, I fell so in love with the characters I knew they had to have a story of their own. I was curious about their past, specifically their childhood and wondered what had happened to them to lead them to this point. For example, when Danny first meets Tom Lane, he is tied to a chair, about to be tortured by a violent thug Danny has tangled with before. But what led Tom to that chair? I saw a very troubled and co-dependent sibling relationship between Tom and Alfie and really wanted to explore that.

What is it about Tom and Alfie in particular that made you want to write their story, opposed to other side characters?

Good question! I have to be careful because I think all my side characters would like their own book one day! But these two did really catch my imagination. I think I was interested in the brotherly relationship and how Alfie had to be a father and brother to Tom. I was interested in that very specific dynamic too, one of co-dependency and how damaging that can be to both individuals. I wanted to examine it from both of their points of view, so I did. They love each other deeply and fiercely, which is incredibly beautiful, but they also hurt each other a lot over the years. Their family background was really interesting to me too. How sometimes you cannot escape your family, even if you don’t want to be like them. How some children hero worship abusive parents, while others see them for what they are and try to break free. Tom also has Tourette’s Syndrome which was something I was researching a lot at the time as my youngest child displays many of the symptoms. Tom is based on him, just a tiny bit. His energy, his optimism, his intelligence!

This book explores many dark themes as do your other stories. What is it about the genre that you particularly enjoy?

I think I am just drawn to the dark side of life and everything that means and entails. There are so many layers to humanity and being alive and it’s fun to pick them apart and see what flows out. I like gritty stories, topics you can get your teeth into. I like writing about outsiders and rebels, people who don’t fit in and don’t want to. I think there is so much to be explored there! I suppose it comes back to writing what I want to read. I want to read books with relatable flawed characters and dark themes, so that’s what I enjoy writing too.

You’re well known for your passion and dedication to writing, but what keeps you so inspired?

I suppose life itself and all it’s mysteries, all it’s ugliness and beauty, everything! I love the quote that reading is breathing in, and writing is breathing out. It feels like that for me. Writing is me exhaling everything I have learnt, felt, seen, observed and wondered about life and people and society and families… Writing to me is pure magic. It feels incredibly exciting, like a natural high. People inspire me, families inspire me, the endless possibilities for stories inspire me! I don’t know how to live and not write.

Are there more books coming for The Boy With The Thorn In His Side universe? What can we expect?

It certainly is a universe, full of inter-connected books. Characters pop up in each-others stories and the locations used are familiar. I have two more books to release in this universe and then that will be it. Those two books should tie up everyone’s stories. I am releasing the sequel to my debut novel, The Mess Of Me in January 2025. The Mess Of Us is set two years after the dramatic events of the first book and see the characters Lou and Joe trying to come to terms with what Joe’s criminal brother Leon did to them, as well as dealing with an unexpected pregnancy, among other things. In The Mess Of Us we get to explore Leon a bit more. He was very much the mysterious boogey man in The Mess Of Me, and the main character and narrator, Lou, absolutely despised him, and quite rightly. But she sees another side to him in the sequel, and then he reappears as a main character with his own storyline in the final book in this universe, The Dark Finds You. I aim to release this summer 2025. This will unite many of my characters from other books! Lots of them already know each other so it was not hard at all to draw them all together for one storyline, which also helps conclude their own personal ones. It involves Leon from The Mess Of Me and The Mess Of Us, as already mentioned, Joe also appears from those books. Elliot from Elliot Pie’s Guide To Human Nature, plus his mother Laura and friend Leah are also main characters in The Dark Finds You. Danny from The Boy With The Thorn In His Side is now in his 40s, so fans of that series might like to see how he’s doing now! And Bill Robinson from The Holds End trilogy is another main character. I wrote the first draft in six weeks – it was that addictive and exciting and I can’t wait to share it!

You tease a lot of your work on your social media. What can you tell us about Black Hare Valley?

Well, mainly that it’s another universe that has totally sucked me in and is currently holding me captive! I am seriously addicted to this at the moment! Black Hare Valley was first created during lockdown, 2020. I had just re-read my favourite Stephen King book, ‘IT’ and wanted to write something similar as a sort of homage, I guess. I envisioned a close-knit town with a dark secret and a band of misfit kids drawn together to solve a mystery. That was all I had. However, me and my son, who was 12 at the time, designed a huge map of the town just for fun. We created a valley town set between two Iron Age Hill Forts, with farmland, forests and rolling hills, rivers and streams. We added everything they would need from schools and theatres, to pet shops and garages! I also created some character bios. It was a lot of fun. I left it alone for a few years while I was working on other books. Two years ago we had a prolonged power cut and no WiFi so I ended up writing Black Hare Valley in long-hand into five notebooks. I didn’t really know what I was doing. It just happened. I just let it flow. As I wrote it, I had to ask myself more and more questions and the story slowly unraveled. I then typed it up and left it alone again. When I’d finished The Boy… universe books, I could finally turn my attention back to Black Hare Valley and it sucked me in and wouldn’t let go. Essentially it’s going to be a three book series with the first book set in 1996, the second in 1966 and the third in 2026. It’s a very dark folk horror story about this very strange town tightly controlled by a well-meaning Neighbourhood Watch Committee. They are not what they seem however, and children, in particular, have a habit of going missing, never to be seen again… That’s all I want to say but if you love folk horror, creepy towns, misfit kids, and quirky traditions such as May Day celebrations, fairy rings, leylines, hill forts and more, you might just want to visit!

Who are some writers that influence you and what books do you enjoy reading?

I’m a huge fan of Stephen King, Charles Bukowski and Chris Whittaker, to name a few quickly. But generally I love reading anything dark and gritty with wonderful memorable characters. It’s all about the characters for me. As a teenager I was very influenced by Stephen King, and SE Hinton.

What made you decide to create Chasing Driftwood Books?

I’ve been writing and independently publishing since 2013. I’ve published with indie collectives three times before, but each one eventually folded. They were all different, but essentially they were all allowing authors to self-publish for free and keep their royalties, but belong to a bigger community of authors who can support each other and help promote each other. I wanted to take all I had learnt from those platforms and create our own. We are very small at the moment but will open for submissions in due course! What I have realised since I started publishing was that it’s very, very difficult to land an agent and get a traditional deal these days, and also that the traditional deals are not always what they are cracked up to be. I’ve learnt that indie authors who do well are in the most enviable position of all. They have full creative control, retain full royalties and can very often earn enough to give up their day jobs. But to achieve that, they often have to pump a lot of money into their books. Paying for editing, proofreading and professional covers, goes without saying, but to really succeed they also need to be paying for advertising. Low income authors, disabled authors and other under-represented groups, are simply not in a position to do this. I’ve been an avid reader of indie books for some time and have read some truly extraordinary books by incredibly talented authors who should be selling far more and getting far more success and visibility. Money is so often the problem. What we are hoping to do here is draw quality authors together into a community that can help support and promote each other. That is just the start but the long-term aim is increased visibility for all our authors!

You have a prominent cast of male protagonists throughout your books. What is it about writing through their eyes that inspires you to do so?

I think I once sat down and worked out that by the time I have written and released all my works-in-progress plus all my vague ideas for books, I will have an equal amount of male and female protagonists! But I get what you are saying. With my published books at the moment, there are more male protagonists than female. I think partly this is pure accident, in as much as the characters just come to me and I can’t often control their gender. But also I think in the past at least I have been more curious about the male view and experience, simply because I am not one! So, that made it just a bit more interesting to explore.

Finally, what more can we expect from the world of Chantelle Atkins?

Two more books in the interconnected The Boy With The Thorn In His Side universe, as already mentioned, followed I expect a year later by the full Black Hare Valley trilogy. I have also started a fifth book in The Day The Earth Turned series, though that is taking a back seat at the moment! Works-in-progress involve a half-finished YA zombie apocalypse story told in a diary format, a family mystery called The 7th Child, and a story about two dysfunctional young adults who get bored of waiting for the apocalypse so decide to try and start one themselves… I am also planning to write a crime book with my oldest child, Daisy! She is about to start her Masters in creative writing and we have come up with an excellent serial killer plot set on a university campus! I have another YA post-apocalyptic story that has been planned with character bios done…. I think that’s it!

If you’d like to follow me and keep up to date with my books news, here are the links:

Website/blog: https://chantelleatkins.com/

Facebook page: https://www.facebook.com/chantelleatkinswriter

Instagram: https://www.instagram.com/chantelleatkinswriter/

Medium: https://medium.com/@chantelleatkins_17828