The Boy Who Flew Away – short story

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The Boy Who Flew Away

 

            I am a mixture of all things. Broken body. Broken mind. Weakened and conquered. Destroyed. Yet somehow still railing wildly against it, fighting back, resisting, no, no, no, no. I won’t go quietly. I won’t give in. I won’t let you win.

I drive him home in the car. I am fresh and awake, steely in my resolve to finally show him the way. My wayward son. The prodigal son. I am bringing him home. I am showing him the way. Progress has been made. I can breathe again now. Big, deep, long breaths, filling up my lungs. In, out, in, out. Calming, soothing, winning. Guiding him home.

He swings the car into the drive. A light goes on above the double garage doors.  I blink up at his house. His castle and his kingdom. He has delivered me back to his lair. I look sideways and glimpse his face, and it is meaty and it sweats and gloats, and his small eyes shine. The door is rising up slowly and cleanly, and the car glides in. Sleek, slow and smug.

            ‘Home,’ he tells me simply. ‘Last chance saloon. Your new life starts now Danny. What do you say?’

            I stare out of the window with dead eyes. I can see a work bench with shining metal tools hanging above it. I need to come to terms with something. If we go inside that house one of us will have to die. I look back at him and say; ‘thank you.’ He likes these kinds of words. He pats my leg and gets out his side of the car.

He gets out the other side and we look at each other across the roof. Like so many times before, the moment stretches out and we are both immobilised, lost within it. I feel like he is staring into my soul, seeing every inch of me, and I am doing the same to him. His face is pale. His hair is full of blood. He stands hunched, in pain, as his body starts to shake. I feel the rushing urge to be tender now. To lead us both out of the darkness.

            ‘Come on,’ I tell him brightly. ‘I’ll show you your room.’

            I feel a tremble of excitement, at the thought of showing him his bedroom. We enter the house through the door inside the garage, and we come out into the utility room. I put my hand on his shoulder and walk him forward into the kitchen. The lights are off. The tiles smooth. I can feel him vibrating under my hand. ‘Time to start again,’ I am telling him, and my voice is husky and tight. I am brimming over with so many things. I just hope he can understand. I just hope this is really it. I squeeze his shoulder and reach for the light. There is suddenly something I feel the urge to do. ‘Just a minute.’

I wait, knowing, dreading. Sick yellow light spills into the room, and my eyes react by screwing up. Everything is too bright in here. The floor tiles, the kitchen cabinets and worktops. Everything shines and burns. I lift my hands and press them to my eyes. I cannot really believe I am here. I cannot really believe he let me live, and I cannot really believe this will continue much longer. I’m not the only one who is broken. We both are. Clinging onto a life which is doomed. He is pulling open a drawer, his fingers grappling, while metal implements bang against each other. My skin crawls and time stands absolutely still. I think, we are both finished, but I am the only one who can admit it. He thinks he has won. I know neither of us ever will. Now we are both dying, rotting on the inside. The stench of us turns my stomach.

I turn back to him with the scissors. He is this crushed and staring thing. Silent. His face still. His eyes blank. I stand behind him and press my hands down onto his shoulders. He is stiff, like a little doll, but he is also weak, and his knees buckle easily. He makes a little sound and then nothing. ‘Shh,’ I tell him, lifting his hair away from his neck. ‘We don’t want to wake your mum. You know, I’m looking forward to seeing her face in the morning. She’ll be chuffed to bits, won’t she eh? Us all back together again? Like a proper family.’ I chuckle softly and open the scissors. ‘Just need to sort you out a bit, eh? Start afresh properly. Out with the old. In with the new. ’

I kneel there in silence while the scissors open and close. He is careful and methodical, changing me. What he wanted all along. My lips are pressed together. I breathe in and out through my nose while my arms hang at my sides. There is tightness in my throat. Tears blurring my vision. I am putty in his hands. He thinks this is enough. He thinks this ends it. But he doesn’t understand. He doesn’t know that it will never be enough for him or for me. There will always be more, there will always be another day, another fight, another rebellion, another crushing. On and on and on. He must know this, somewhere deep inside of him. Last chance, he keeps saying. Last time. How many times has he promised this? Why does he keep going back on his word?

When the cutting is over, I help him up, turn off the light and urge him forward through the tufts of blood stained hair. He says nothing. ‘So much better,’ I am telling him. ‘You’ll feel a lot better for it. Cleaner and smarter. That’s the way forward now. Family business eh?’ We go through the hall and up the stairs to his room.  At the end of the landing, overlooking the back garden, is his room. I open the door slowly and proudly, guiding him in, and reaching for the light. ‘Ta da!’ I say, as he gazes around. It was one of the first rooms I decorated, but I don’t tell him that. Midnight blue. Matching curtains and wooden shutters. Double bed. Matching wardrobe, desk and bedside table. En suite bathroom. ‘Lucky boy eh?’ I close the door behind us and he looks at me briefly and nods his head. I walk around, strutting, checking the window and shutters are locked. I beckon him into the bathroom and he follows slowly, painfully. ‘So much nicer than where you’ve been hiding out,’ I say, pulling the light switch. He stands out though. Pale and shrunken down. Blood on his t-shirt. Sand in what is left of his hair. His jeans are stuck to his legs with sand and rain. I pull open the shower door and give him a nod. ‘Come on. In you go. You can’t go to bed like that.’

There is no point arguing with him. There is no point in me thinking, feeling or reacting. I have to be what he wants me to be for now. I have to be a robot. A nothing, a no one, a shell, a puppet, a doll. While he lets me live, I have to take that and nothing more. So I kick off my wet trainers and I hold onto the wall while I pull off my wet socks. I undo my jeans and let them drop. I pull my t-shirt over my head and my messed up body screams in protest. I cry out, just a little, but then I stop, biting it down, returning to nothing, no one. He steps out of the bathroom while I remove my boxer shorts, and while I am showering off the blood he took from me, he steps back in to gather up my soiled clothes. I am under the water, remembering a scene just like this that was played out three years ago.

I lay his clothes out on the bed. T-shirt and pyjama trousers. He has a whole new wardrobe of clothes and shoes. Tiredness is hitting now. I blow out my breath, and think of my bed and my woman, and tomorrow. Danny comes out of the bathroom with a towel around him and he does not look at me. He looks at the clothes, and then he goes to them and starts putting them, on. ‘Do you want something to help you sleep?’ I ask him. He stops.

            ‘What?’

            ‘Something to help you sleep? I can sort that out for you. Wait.’ I go back into the bathroom, open the cabinet and take out a bottle of pills. He is sat on the bed, hands between his legs. He looks like a ragdoll now. Lifeless and lolling. Collapsing in on himself. His lower lip hanging and swollen. His eyes on the floor. I feel sorry for him then. That always happens, I remember. I yield and soften. He does that to me. I go to him, opening the pot, making him an offer, and he takes it, like a good boy, like a good son taking his medicine, with his new haircut and his new clothes. And then I tell him to go to sleep, I say goodnight and I lock the door behind me. I stand outside for a moment, my eyes closed and my smile soft. I did it.

Why not take the pills? Why fight, why cry out, why question, beg, or scream? Maybe I am in shock. I feel cold all over. I feel like I am floating outside of my body. I lie back on the bed, locked in, broken down, infiltrated. My hands claw at the bedding, holding on, while my body floats. I close my eyes and welcome darkness. Just like before when I was in the car, whilst my mind was drifting on the ocean listening to The Smiths…music is coming back to me now but it’s a different song…where did you go? When things went wrong for you…I whisper to myself in the darkness, like I used to do, mouthing along to the words, comforting myself. I’m coming home…I’m coming home…just for a short while…

In the morning I tell her to wait in the kitchen because I have a surprise for her. Cautious, she does as I ask and I go to his room to collect him. I unlock the door and breathe him in like I used to do, and then I clap my hands together, and this is it, this is how it starts, our new life, our real family, our last and final chance to make this work. I feel new. Without me even asking, he slides out of the bed and heads for the door. I smile, wondering what is in his mind. He is locked up, closed down.

            ‘Come and have breakfast with your mum,’ I tell him. ‘She’s gonna’ be so surprised to see you. Can’t wait to see the look on her face!’

            Shuffling, wincing, but holding it all in, he comes down with me to the kitchen. I notice that his eyes are wrong. Probably the pills wearing off. He is off kilter. A shadow. Her eyes though, her eyes explode when she sees him. She slaps her hand to her mouth. Cries out. Reaches out and then stops herself, looking at me, terrified, disbelieving, overjoyed. They both look to me, waiting for instruction. ‘Give her a hug then!’ I tell him, pushing him forward. ‘She’s been going out of her mind you know!’

Pretending, make believe, a game, a lie. She knows it and I know it, and Lee, knows it too. How long can he keep it up? Smiling and chuckling, with gentle hands. Not for long. We all know that. She wraps her arms around me and whispers into my ear; ‘what happened? Are you all right?’

            ‘What do you think of the hair?’ I ask her, ignoring the question, pulling back to take up the stool he has pulled out for me. My voice sounds strange when it comes out. Thick and slow. My head is fuzzed. Everything is blurred. Her hand shakes as she reaches out to touch it. Tears are falling down her trembling cheeks.

            ‘Very nice,’ she says, because she knows this is what she must say. ‘Very nice indeed. It’s so good to see you…’

            ‘Coffee is on,’ he announces to his bright shining room and his dulled and fading prisoners. ‘Oh, that’ll be the newspaper.’

            He goes to get it, and her eyes widen and her head jerks towards the French doors leading out to the garden. I laugh softly and look away from her. She still doesn’t get it like I do. This is going to end, one way or another. One of us will have to die. But not yet. Not today.

            Today is a good day. Today is the best day. Today is the day we all get another chance, another shot. We are all reborn and new today. We enjoy a quiet, lazy morning. Coffee and toast. TV and newspapers. Danny and his mother sit together on the sofa, and she strokes his limp hand and when she looks at me, I can see how grateful she is. He doesn’t say much, but then he never did, not really. Not unless he was losing the plot and screaming at me. But there will be none of that now, not this time. He is home.

            Days pass like this. Me and him, playing the game. Mum on the outside looking in. Her white face and her bruised cheeks and her mouth hanging open, never knowing what to do or say. Days and nights. I don’t have my music here, but it’s okay, because it is in my head. I sing all the songs inside my head. I keep them all going. Days when we march like tin soldiers, and nights when I am dead, because he gives me the pills. Oh the temptation of the pills…To not feel, to not think, to not care or wonder or wish or dream. To not exist. All night long I do not exist. I am gone. Until morning, when it wears off sluggishly and I feel more weighed down than ever. The police come and go, but he has not seen me, no one has. My friends come and go, but the same story applies. No one has seen me. I have gone.

He never leaves us alone. He keeps the doors and windows locked. He tells me that there is a cellar below the house and he will take me down there if any of that old defiance comes back into my eyes. So it is good to have the pills. It is safer to be blank, and dead, and shut up. But I still know one thing. I know and he knows, that it doesn’t really matter how well I play the game, it doesn’t really matter how good I am, or how short my hair is, or how neat my clothes, or how silent my life. He can’t keep this up forever, because he needs it. He needs to release the beast inside of him every now and again, like a werewolf on a full moon, like a vampire that needs a taste of human blood, he can’t survive without it.

Days pass, and all is good. All is well. We all feel like we are on holiday, but holidays always have to end. I feel a great sense of achievement though. I go back to work on the fifth night, leaving them together, and while I am working, a hollowness opens up inside my chest. It fills with ice and I am cold from top to bottom. I resist calling them. I have to trust them. Or am I an utter fool? I rush home early, my shirt sleeves rolled up, spilled beer down my front and sweat across my forehead. But I needn’t have worried. She is asleep on the sofa with the lights off and the TV on. I run up the stairs two at a time, but he is in his bed, snoring softly. The little bottle of pills is on the bedside table. I check it, a brief stab of paranoia lurching me forward, but it is fine. It’s fine. He just took one. He just took it early and now he is asleep. I let out my breath and my shoulders roll down and I close my eyes and smile and inhale. No need to panic.

On day six his personality cracks open and splits right down the middle. The devil is set free, for a brief and predictable two minutes. He is spitting rage and eyeballs rolling. He is muscles tight and huge and hard and he is tiny teeth bared like a wild animal. If I wasn’t so spaced out on pills I would probably laugh right in his face before reaching for a knife and going for it. My movements are thick and sluggish because of the pills and in passing my mother the strawberry jam, my elbow makes a grand error and nudges his coffee mug just as he reaches for it. He knocks it more than I do, but that does not matter. Truth never matters. The next thing I know he has my face down in the coffee, my stubby hair soaking up the hot brown puddle, while my mother sucks in her terror with hands over mouth and huge moon eyes. Afterwards I feel gratified and amused. And that night I take the pill and hide it under my mattress. The time is coming.

He’s still a good boy though, he’s still a good boy. He says sorry and he does whatever I tell him, and he keeps his room clean and tidy, and he has his nice short hair and new neat clothes, and no music up there in his room, and takes his showers, and eats his food and does his chores without a word. And his friends stay away, they all stay away. And the cellar is a threat, and the puddle of coffee is just a warning. And it’s just a twitch, the way I am, the way I feel, it’s just a twitch inside of me, a little explosion that takes place sometimes. And the truth I try to bury is that I really quite enjoy it. I don’t like fights. But I do like beating flesh.

I don’t have much time. Not much time left in this house with the monster. Not much time left in this world, or this life. I don’t feel sad about this. I am still numbed and silent, except for the music inside my head. The music is always there. The music is my only friend now. It washes in and out, takes my hand and holds it tight. I curl my fingers in response and remember to breathe. The spiralling guitars jangle through my ear canals, warming up my brain, pulsing inside my heart. It’s time, they say, it’s time to go, it’s time to move, it’s time to act.

He’s humming in his room. I can hear him from the hallway. Humming and murmuring. Singing along to nothing. Why does it make my fists clench? Why does it make my jaw tight? Why does the sound of it grate on my nerves like finger nails down a blackboard?

He comes up to see me, and I can see it there on his face. His jaw is twitching. His eyes are restless. His chin quivers as he points his finger at me and demands to know what I am singing about. ‘Nothing, sorry,’ I tell him and I try to tell him something else with my eyes, because we are almost telepathic, me and him. We don’t need to speak, or argue, or beat around the bush. He can feel it trembling to life within him, and I can feel it vibrating inside of me. We stare at each other and I feel like fireworks are going off in my brain.

I’d like to…I want to…I don’t though, I don’t. We’ve moved on. We’re doing better now. I back off, I back out of the room and move quickly down the stairs. I want my heart to slow down.

I wait until I hear the garage door rising up to release his beast. I go out onto the landing and into their bedroom. It’s all shiny black silk and mirrors. The doors to the balcony are open and the cream curtains are blowing in the wind. I go to the doors and watch his car leaving. It purrs away down the road and he is gone. All I need is a ten pence piece.

I don’t need to be in work for long. I am thinking this as I drive. The hairs on my arms are all on end. I shake my head, try to rip free of the tingles down my spine. Why did he stare at me like that? What was he saying? I don’t need to be long. I’ll leave the manager in charge. I’ll just tie up a few things in the office and hurry back.

I don’t take anything but the ten pence piece. I find it in my mother’s purse which is on her dressing table. She is downstairs, swishing the mop around the wet look tiles. I won’t speak to her. I won’t go near her. I can’t. It’s life or death, you see. His or mine. I know exactly what I am going to do. I take nothing. I don’t need a thing. I climb over the balcony, and ease my legs down one by one. It’s about a ten foot drop to the soft lush grass beneath. I let go and land neatly and silently under the kitchen window. For a brief moment I think of her in there, swirling circles on the floor. I wonder if she can see her face in them yet. I wonder if it will kill her that I never said goodbye. But I can’t hang about. The look that passed between him and I meant too much, and he will be back. I turn around and run. There is a phone box at the end of the road, and I have one number in my head. It’s the only phone number I know off by heart, and it is the only number I need to call.

In my office, on the phone, behind the bar, checking stock, and the feeling grows and grows and swells and consumes me. It’s like I can’t breathe properly. I have to keep opening my mouth to swallow more air, and it doesn’t work, it’s never enough. My chest is getting tighter, as are all my muscles until I feel like I am too stiff to move. My head is pounding, pain rippling at the temples. My throat is dry, my lips are trembling. That look. That look he gave me. That humming and singing and mumbling. I need to go back and check on things. We’ve come so far now…I can’t relax too quickly and let it all go wrong again…I just can’t.

As I run I wonder if anyone can see me. I wonder if anyone is upstairs in their house, looking out of the window, or standing on the balcony. It doesn’t matter anyway. I am running so fast I am nearly gone already. No one could catch me now. No one could stop me. I am running so fast, and soon enough I will take off and fly.

My hands are shaking as I stick the key in the ignition. My palms greasy with sweat. I try calling home, just to check, but no one picks up the phone, which enrages me further. He gave me a look. It was the way he used to look at me, back then. Even after I’d pounded him, even after I’d smashed him into the ground, even after I’d made him vomit and bleed. He’d look at me in the same way. It was always the same, always the same. Fuck you. It was fuck you. Again and again and again, until I wanted to kill him. I will kill you. I will end it. I’ve warned him a million times. This was the last chance, the last, I am not going through this again, and again and again!

I run along the cliff-top. I am so close to the edge now. I can see over, I can see down. I can see the water crashing against the rocks. I keep running until I am back where he put me. Beyond the red and white tape, to the spot where the land caved in. I stop here, as close to the edge as I can get. The tips of my shoes teasing the land, daring it to crumble. I lean forward, smiling down at the water, wondering if it wants me.

Traffic all the way home. And the bad feeling rises and expands inside of me. I finally get through to Kay on the phone. She sounds confused and far away. ‘Where’s Danny?’ I ask her. ‘What’s he doing?’ She takes the phone around the house with her to check. I hear doors opening and closing. I hear her breath getting shorter, more panicked.

‘He’s not in his room. I don’t know where he is!’

‘Fucks sake!’ I spit at her and hang up the phone.

On the edge of the cliff I am standing and falling at the same time. I close my eyes and the air on my face is cold and pure and I think about flying and soaring and I think about finally being free. I think about living without fear and hatred. I think about one of us living and one of us dying. I’ve got so much music in my head that I think it will explode and become me. Just me and the music. All that remains.

Finally I swerve the car into the drive, get out and start running. She follows me around the house, breathing and sobbing, ducking from my punches, as I scream and shout and tear the place apart. He’s not anywhere, he’s not hiding, he’s gone! I search his room and nothing is missing. Nothing is missing from anywhere. He has left in the clothes and shoes he was wearing this morning. Little bastard. Fucking little bastard! I push her away to escape her mewling and I am back out of the door, looking right and left, thinking, my head hurting too much to think right! Where would he go? Who would he go to?

It’s cold here. I have a heaviness inside my gut when I think about leaving them all behind. So I try not to. Instead, I just think about being free. Weightless.

It’s too late by the time I get there. I wasted all that time driving around looking for his friends. They were useless, they knew nothing or are very good liars. Nothing. Nowhere. Until I remembered that night on the cliff top. Something made me go there. I went on foot, my shoulders hanging, my head low. My feet like concrete. As I make my way towards the cliff, the rain starts to fall. I can see something sat there, right on the edge, waiting for me. When I get closer I see that it is his shoes. He has left his shoes on the edge of the cliff and he has gone. I am on my knees, my hands clutching his shoes, and down below, the waves are giants pounding the cliff, breaking and rolling and screaming over the jagged rocks.

We’re in the car, Jaime and me. The only number I knew by heart. He came as fast as he could, and I ran to his car as fast as I could. So fast and light I was flying. Leapt in and slammed the door on myself before the pull of the fall became too much for me to resist.

‘Where we going?’ he wants to know, as we hit the motorway and the speed climbs towards seventy. ‘Where are your shoes?’

I want to say a lot of things to him, but only one thing is important right now.

‘I’m dead Jaime, okay? I want you to remember that. I’m dead.’

Author’s note; This short story is actually an alternative ending to my novel The Boy With The Thorn In His Side. If you would like to know more about these characters and how they ended up in this situation, you can get the book here; http://www.amazon.co.uk/Boy-Thorn-His-Side-ebook/dp/B00W8DLGKA/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1431972783&sr=1-1&keywords=the+boy+with+the+thorn+in+his+side

The Boy With The Headphones (short story)

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The Boy With The Headphones

For the first few days, I didn’t even know his name. The boy with the headphones. He wore them all the time. Over his ears, or in class, around his neck. I can still remember the very first time I saw him, because I am certain that my heart stopped. Or if it didn’t, then time did. Everything slowed down. I think there was suddenly music in my head too, the way there always was in his. It was like we were in a film, not ordinary, muddy real life. It was just me and him. The rest of the school corridor blurred out, sounded out. He slowed down, and so did I.

The boy with the headphones. Eyes down, moving fast. Moving through the crowd as if he did not even see them. His hair was long, and I saw this first. Perhaps it was the first thing that drew my eye. Because all of the other boys back then looked like boy band material. Curtains and short back and sides. Not the boy with the headphones, who marched through them like they were nothing to him. His hair was a dirty shade of blonde and my heart skipped a thousand beats. His hair was touching his shoulders, curled and tousled around his ears. It flopped over his face, shielding one eye, until he flicked it back, and that was when our eyes met across the corridor.

That was the first time. When I did not know his name. When he was just the boy with the headphones. The new boy. Ear to the ground, I listened for gossip, soaking it up when it came my way, tucking my hair behind my ear to listen in. I was quiet back then, but popular. Of course, all the kids like me were popular. We had it easy, and I never really understood this until I met the boy with the headphones.

‘From the estate,’ they said. ‘New in town.’

‘In trouble already,’ they said, as the days passed by. ‘Fighting in the boys toilets!’

The rumour mill went into overdrive that week. The new boy was a troublemaker. He came from the estate, just like the boy he fought in the toilet. His mother was a single parent, and looked like a model. He had long hair and angry blue eyes and he always had his headphones on.

By the end of the week I knew his name, and the boy with the headphones had made friends with the boys from the toilet. Eyebrows raised and people smirked. I was an outsider then, thirsty for more information. All I could see when I closed my eyes at night was his face, and his dark blue eyes staring back at me accusingly. He always looked angry, like he was about to punch someone. I could stare at him all day, when he wasn’t looking. Those beautiful blue eyes with the thick black lashes. His face was hard angles and defiance. His lower lip was fuller than his top. I thought he looked like he belonged in a film, not here in my life, not in this place where everybody looked the same.

I didn’t want to know about him, or think about him, but I couldn’t stop. I couldn’t stop looking at him. I kept him in the corner of my eye during class. I could feel him behind me sometimes. I could feel his eyes burning into my back. I wanted to turn around and smile at him, say hello, I’m Lucy. But I didn’t, because I couldn’t. I couldn’t open my mouth when he was near me.

Looking back, those first few weeks were the easiest. Although at the time they felt like utter torture. Every night I pulled out my diary, lay on my bed in my house that overlooked the sea, and wrote about him. He brushed past me after Maths. His elbow bumped me as he walked past my desk. I was hot cheeked and mortified about a hundred times a day. I tried to avoid him, because that seemed safer. How could I be around a boy like that? A boy who made my heart skip and my mouth dry? Our eyes met in Science today. So embarrassing. I looked up, so did he. I looked down, then up and it happened again. But he has no idea who I am.

            The boy with the headphones was lost in music and life on the gritty side of town. He didn’t have time to make friends with people like me. We were from different walks of life. All I could do was watch him from afar and hear the things that were said.

‘Arrested at school! Broke someone’s nose!’

‘His mum goes out with that guy from the garage?’

‘Him and those other boys are always in trouble.’

‘Yeah, dirty skanks.’

He wasn’t a dirty skank to me. He was a mystery that I wanted to unravel. But looking back, I needn’t have worried. In truth, we were always going to cross paths, again and again, until something happened. We were always going to dance this way and that, coming together and then breaking apart.

The first few times we spoke, it was stuttering and shy. He gave me the first tiny glimpse that maybe, just maybe, he had been watching me too, waiting for me to speak to him. He called my name one day as I passed his house on the way to meet Zoe. Oh Zoe. So much of it was down to her!

My best friend Zoe. The prettiest girl in school. She came from the other estate near school. Long blonde hair that looked dyed but wasn’t. Her lips pouted when she spoke. Her hips jutted to one side and then the other. Her backside swung when she walked tall in her white slingbacks with the cork wedges. The men who whistled didn’t care that she was thirteen, or fourteen years old. All they could see was who she would become. She was like something from a movie. And she was madly in love with Michael, and Michael was best friends with the boy with the headphones.

We chatted briefly that day in front of his house. He wore his shirt around his waist and his small hard body glared back at me as I blinked in the sunshine. His was a dirtied tan, and his hands were oily. His ribs were bruised from his latest scuffle. He was cleaning cars to make things up to his mother’s boyfriend.

That was the first time I had hope. Me and the boy with the headphones. Maybe one day I would get to hear the music too.

What came next was our awkward, teenage dance. One step forward, then two steps back. I will never forget the day he took me on a proper date. My dad grilled him on the doorstep. It was mortifying. I could have killed him. But after that he took my hand, and we walked in silence.

That was the thing about us. Our comfortable silence. He didn’t always want to speak, and neither did I. But one night at a party, I hugged him and told him I would marry him one day, and I meant it. I can still hear the music from that night. He was alive when the music played. He was the music. Nirvana on the makeshift dance floor. Four teenage boys going crazy. Flinging their hair about, headbanging and yelling the words that meant so much to them. After that, I watched his face when the music played, and saw the way his lips moved with the words. He always knew all of the words.

Those were good times, but good times never last. Summer turns to winter, and everything changes. I tried to be his girlfriend, but it never seemed to happen. I couldn’t get close. I couldn’t break through. His mum had a new boyfriend and he hated this one more than ever. That was all I really knew, and it wasn’t enough. The rumours followed us back to school, and I saw the way that everyone looked at him, even the teachers. Especially the teachers. With pity and concern and suspicion.

That term he changed so much. The boy with the headphones became a ghost. A fading figure we barely saw. I looked out for him every day. I would grab the window seat and train my eyes on the school gates. But he rarely came, and when he did, he was just as absent. His eyes guarded, his head even lower, but still with the headphones, still with the music that none of us could hear.

Our story seemed to be over before it had even begun, until the day I saw him walking on the beach. I was sat there revising, my text books spread out on the sand. I saw him walking, and I called out to him and then wished I hadn’t. For a moment he just stared back at me, his hands in his pockets, and for the longest time I thought he was going to ignore me and walk on. He was wearing a suit, which looked so odd on him with his messy tangled hair.

In the end he came and sat with me. He didn’t have his headphones that day, which made him seem sadder than ever. I leant into him, and wondered if that was too much, too soon. But he let me stay. And we watched the sea, and talked about where we wanted to go, what we wanted to see.

Our story faltered, but it winded on in a ragged, haphazard fashion. I went to the beach the next week, and he did too. And the next week, and the next. We didn’t talk much, because he didn’t have much to say. Sometimes he let me listen to the music with him. Sometimes his headphones were broken and his neck was covered in bruises.

Side by side on the beach, or lying on his bed in his room, I watched his face and listened to him breathe. He talked to me about music and songs. He was into everything. He listened to it all. He wrote the lyrics down if they meant something to him. We wrote love letters and I still have them all now. We used to write lyrics and circle them, circle the bits that meant the most.

Ten Storey Love Song…I built this thing for you…

When the boy with headphones went away, the music died down. It all went quiet and none of us could listen to it in the same way again. I remember I went out that day and got his name tattooed on my hip, so that he would always be with me, always be part of me, whether he knew about it or not. Whenever I heard a certain song, out of the blue, on the radio, or in a pub, or a shop, I would stop and so would my heart, just for a moment, like that day in the corridor, like the first time our eyes met. I would have to fight hard to take a breath and carry on, with the music fading out behind me. Every song, every guitar riff, every drum beat brought him back to me with a crash. There was no escaping it, because the music was everywhere. It followed us about like a haunting. Although he was gone, he was with us every single time we heard a song. It was a punch in the gut, a knife to the heart, but it was also beautiful and wonderful. Every time we heard the right song, one of his, the boy with the headphones was with us again.

This short story is written from the point of view of Lucy, one of the characters in my novel The Boy With The Thorn In His Side – if you are interested to find out more about Lucy and the boy with the headphones, you can download the novel here;

He Is A Storm

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He Is A Storm

There is a storm in his head.

It is black and violent and consuming and becomes him.

It has been there for so long, ebbing and flowing, dimming and glowing. It burns from the inside of his brain, begging release. His heart is on fire. Pain explodes in his guts and suddenly he is not human anymore.

Because a fine line snaps.

Because it pulls taut, tighter than normal, tighter than anyone can stand, vibrating like guitar strings. And on this day, and in this moment, it snaps. The line snaps and it sets him free.

He is no longer tethered, or loosely, marginally restrained. He is no longer held back, warned off, given the look, or contained. There is nothing between them now. Nothing except the black storm inside his head and the ping of the line as it snaps inside of him, and sets him free, sets him reeling forwards.

He moves soundlessly in his head, yet somehow he knows his open mouth is bellowing years of pent up rage. He feels his bulk multiplying in size and force. He is like a building rising up before exploding and falling down. And he does fall down.

Set free, he gives himself totally to violence. It’s blind and raging and delicious and addictive. He falls down upon the smaller body, and they clash, bones jarring, muscles screaming, eyes popping. Game on. And sounds rise into the air around them and above them, as they entwine and entangle, as they smash and crash and dance into the wall.

His own soul bellowing while it dies.

The cries of shock and pain. They make primal sounds, the two of them, dancing. And the girl is in the background but she is insignificant to the fight. A fly in the air buzzing. A bug on his neck scratching. He swats her away like she is nothing.

And the more he punishes the body he has seized, the more free he becomes. An ugly wound stuffed tight now breaks open, and the foul gush runs free, rumbling and turning within the fire that burns. And the more he hates and the more he punishes, the better he feels, the best ever, and he wants to cling onto that feeling for longer. And so the rage screams from his lips, and the fists go in and out, in and out, until the blood smothers them, thick and warm like crimson gloves.

It spatters his face like paint. Droplets in his hair and eyes and mouth. He is eating him alive. Blood brothers. The bug is on his back again, fighting and clawing, her screams mixed with the bellow in his own brain, until he throws her aside and lands on top of her.

And now the storms starts to subside, starts to ease off, like a deep breath taken and held, and everything stops, and he sees his bloody fists and he feels the ache of his knuckles and he sees the terror in her face, and he sees the body lying still against the wall.

But he asked for it. He went too far. Wrong moment. Wrong time. Wrong person. Wrong place. Wrong life. He couldn’t stop. Because he didn’t want to stop. But now he has stopped. The storm betrays him and skies start to clear.

She stares back at him and suddenly there is someone else, coming towards them, shocked and crying out. And this breaks whatever is left of the spell, and the hold the storm had on him is gone, over, broken.

The line tries to find its way back, tries to reattach, but it can’t find its way. He gives up. He gives himself up to everything. He runs from their terror and from the blood on the wall and from the figure on the floor. Like a beast, like a creature, like a monster, he charges bull-like, monstrous, inhuman, thick and hard and powering through everything as he explodes from the inside, and he runs from them all.

Blood in his mouth.

Sweet and tangy.

He spits and retches and heaves and runs. He opens the car door and somehow he is driving. Tyres screech against tarmac. Panic thunders in his chest. He can’t breathe, or see, or think. He is not human, he knows only this. He turned his back on it and embraced insanity. He drives, not knowing where he is driving to.

He drives to her.

Something desperate and clawing, something raw and open and bleeding and weeping and begging and shaking. Something hammering at his blackened mind. Words and visions and blood soaked dreams. His mother washing his mouth out with soap. Picking up the frying pan and battering his step-dad over the head with it. Wanting to do so much more. Needing to.

The door is open. Unlocked. No cars. No one home? It is like the house is waiting for him, door open, enticing, inviting him in. He runs in, blood soaked and calling her name, twisting his hands inside his t-shirt, trying to wipe off his crime.

His mind is chattering. Cold now. Afraid.

Oh what have I done, what have I done, what have I done, what have I done…

            Powers up the stairs. His body is rigid, rock hard with adrenaline tightened muscles. He could run through walls. Sail through windows. Calling her name. Calling for her.

What have I done, what have I done? Oh what have you done? What have you done?

            He finds her lying there like a pale, limp starfish.

Arms and legs all stuck out to the side of her tiny body dressed in black. He finds her open eyes staring, but not seeing. He finds her sheets soaked in blood. He finds her wrists sliced open, undone, like him. Her line snapped too.

Oh what have you done? What have you done?

            He pulls off his t-shirt and wraps it around her wrists, winding the bloody material around and around, binding her hands together.

What have you done?

            He gathers her small body into his big, naked arms, and her head rolls back and he hears her gasp, feels the breath leave her mouth and smother his face, and he holds her and runs.

In the hospital he sits, covered in so much blood, yet none of it is his. They think it has all come from her, the girl he brought in, the life he saved. He sits there, on a hard plastic chair while they stitch her up, fix her, attach her line and shake their fingers.

You saved her life.

            She’ll be okay. What’s your name?

            Where are you going? Where are you going?

            Don’t you want to see her now? You can see her now.

            But he can’t see her now. He can’t see anyone. Least of all himself. He is a storm.

This short story is written from the POV of Leon, a character in my novel The Mess Of Me. If you would like to find out more about his story, you can download the novel here;http://www.amazon.co.uk/Mess-Me-Chantelle-Atkins-ebook/dp/B00CSVQ8EQ/ref=sr_1_3?s=digital-text&ie=UTF8&qid=1438892427&sr=1-3

Help me choose the best blurb!!!

1) 13 year old Danny is new in town. It’s meant to be a new start, but for Danny and his mother the old problems remain. He’s a troublemaker and she has a habit of attracting the wrong men. With his new misfit friends in tow, Danny vows to scare men away from his mother. Enter Lee Howard. Local nightclub owner. Violent control freak. He is about to become a very painful thorn in Danny’s side… What do you do when your mother is dating a real life monster and no one can see it but you? Spanning the decade that brought us grunge and Britpop, Danny’s struggle is accompanied by an eclectic soundtrack. A powerful coming-of-age story of friendship, love and fighting back.

2) Having moved towns to escape his mother’s ex-boyfriend, Danny vows to keep his beautiful mother single and scare away any potential suitors. He soon makes friends with the local misfits and troublemakers and finds himself on a thrilling musical journey. Everything is as it should be for a teenager; good friends, good music and first love. However, things turn darker when his mother meets local nightclub owner Lee Howard. Howard is a dangerous control freak and there are very few adults who will believe a word Danny says. Who is Lee Howard and what does he ultimately want from Danny?

With his own personal soundtrack in his head, Danny explores the power of music in the decade of Grunge and Britpop. This is a story about music, dreams, first love, the friends who would risk anything to save you, and the choice between escaping or fighting back…

3) ‘Never go anywhere without music. I’m telling you. You never know when you are going to need it.’

England, 1993. Danny is 13 and falling in love with music in the decade of grunge and Britpop. New in town, life seems to be the up when he makes friends and feels the flush of first love. Added to that, is his determination to keep men away from his beautiful single mother. His plans backfire however when local nightclub owner Lee Howard enters his life and wins over his mother. Howard is a dangerous control freak who seems to be addicted to violence.

Told from both Howard and Danny’s point of view, The Boy With The Thorn In His Side is a powerful coming-of-age saga about friendship, music and the choice between escape or fighting back…

4) ‘I was always looking for music that made me shiver. You ever felt that? You know, when the words, or the chords, or the arrangement, something, at some point in a song makes you shiver, makes a tingle run down your spine, makes your hairs stand on end. I lived for that. I hunted it down. When it came it took my breath away and it felt like I was falling… I felt the music beating in my veins and I remembered that I was alive, and that this was a life.’

Set on a council estate in the south of England during the decade that brought us grunge followed by Britpop, The Boy With The Thorn In His Side is a gripping coming-of-age-story. Danny is on a journey of musical discovery and obsession, falling in love for the first time and having the best friends in the world. But he’s also got a problem…his mother is dating a real life monster and no one can see it but him. Lee Howard owns the local nightclub and is a control freak who seems to be addicted to violence. This intense and gritty novel follows the power struggle between Danny and Howard, as each tries to get what they want.

5) ‘I don’t have my headphones on yet, but the music is always in there. I have a constant walking soundtrack to my life you see. There is a song for everything. For every bit of pain, for every bit of joy, for every single moment I can see in bright clarity in my mind, for people’s faces and people’s words and for all the things left unsaid…’

In the decade of grunge and Britpop, 13 year old Danny is a music fan in the making. He is also on a mission to deter unsuitable men from his beautiful single mother. With his best friends behind him, a soundtrack in his head and first love on the horizon, things are looking good. Until local nightclub owner Lee Howard comes on the scene and sweeps Danny’s mother off her feet. Howard is a control freak who seems to be addicted to violence and Danny finds there are very few adults who will believe a word he says. A dark and gripping coming-of-age story about the power of music, first love, the friends who would do anything to save you and the choice between escaping and fighting back.