This Week I Had Five WIPS Vying For Attention In My Head

I Need More Me’s!

Image by TyliJura from Pixabay

If you’ve followed my blog for a while you’ll probably know that I find it impossible to work on just one writing project at a time. Ideally, I would love to. One story idea, one plot, one set of characters, one job to do! I envy writers whose minds work like that. It must feel very in control.

It’s never that way with me. There is always the book ready to be published that needs quotes posting, cover sorting, final edits and so on. There is always the current priority work-in-progress and sometimes that’s a series, not a standalone. And there are always the future books, the ideas, all in various stages!

It’s been like that this week, and then some.

First, I am trying to draw attention to The Mess Of Us which came out on Valentines Day. That means promoting it as best I can and creating graphics of quotes from the book and reviews as they come in.

Second, I am preparing my next book for release at the end of the year. I need to sort out the cover, finalise the blurb and send it to my editor. Recently I read it through on my kindle to pick up any lingering typos or plot holes and found it to be a very clean read. But it still needs that professional edit and proofread. I hope to release The Dark Finds You towards the end of the year.

Third, I’ve been adding stories and poems to my next anthology Dirty Feet. I’ve no idea when I will release this, but every now and then I add new bits and pieces to it, so it’s always on the go.

Next, I’ve been working on my official work-in-progress, Black Hare Valley. It was never meant to be a series but book one inspired two more books and then I had the idea of a diary style companion book. That’s what I am writing at the moment, and once that is finished, I will be going through each book in the series with a fine toothed comb, ensuring there are no plot holes and a clear timeline that makes sense!

But as well as all this I started getting the urge to create a graphic novel style version of Black Hare Valley. Don’t ask me why. I can’t even draw very well! I haven’t done anything about this. But the urge is there and it’s very strong!

Plus, I’ve been thinking a lot about which book I will work on once Black Hare Valley is complete and decided it will be The Seventh Child, a family mystery thriller. This idea has been building for a while, and I already had the whole plot, the location and the character bios in a notebook. A while back I wrote the first chapter, because, why not? This week, this book has been screaming at me to get on with it! Please, someone tell it it has to wait!

On top of that another book idea keeps growing and swelling and this week I figured out exactly how I will tell it. Anya and Cody Start The Apocalypse is an idea that came to me in bits and pieces with the characters showing up first. I eventually started a notebook to keep track of things and soon had character bios and locations and a loose plot. That plot has since tightened up but I was still unsure of how to tell the story. Then I figured it out. Epistolary style! The book will be written by another narrator who is writing a dissertation project on Anya and Cody after their story is over. It will be told by the narrator compiling diaries, letters, news reports and social media posts in order to explain what happened. I’ve written diary style books before, (The Mess Of Me and The Mess Of Us, plus the companion diary for Black Hare Valley) but I’ve never tried anything like this so I am really, really excited! And I want to do it now!

But it has to wait! I will carry on adding bits to the notebook of course. But that doesn’t mean it will shut up.

My head is full of all these stories all the time. I wish I could create some extra me’s or some extra hands to get it all done. I think I will feel better once I finish the Black Hare Valley diary book. I can then fully concentrate on getting the whole series ready for publication in 2026. I would love to have the first book ready to go in January 2026, for example. The rest of the books will follow one by one throughout that year, and in that time I will be busy writing The Seventh Child.

Then it will be Anya and Cody’s turn…

What is wrong with me?

If You’re Planning More Than Writing, You’re Going To Miss Out

A balance between actual writing and preparation is what to aim for

Image by Yerson Retamal from Pixabay

I’ve been running my own creative writing business for over ten years now. I used to run creative writing workshops for adults and kids, but these days I just concentrate on the kids. My writing clubs are run on Zoom or in person via after-school clubs, and my clubs are always full. My school clubs all have waiting lists. It thrills me to know there is a thirst for writing among young people and I love my job.

However, in all the years I have worked with young people and with adults, whether its running clubs and workshops, or taking part in literary and writing festivals, there is a phenomena I always come across and it always, always worries me.

The over-planner.

The writer, whatever their age, who plans, plots, preps and then plans, plots and preps some more. Often this process, for older writers at least, has been going on for decades. I have met countless adults who are still working on a book they had the idea for as a youngster. I fully understand that life gets in the way. That happened to me and I had a ten year break where I did not write at all. I also understand that self-doubt gets in the way and even money gets in the way.

Let’s not doubt that writing a book, finishing a book and publishing a book is a hard road to hoe.

But many writers seem to be self-sabotaging themselves from the beginning and I am curious to know why.

Within my writing groups, I come across three types of writer.

One, the writer who loves writing, happily responds to every and any prompt or challenge, writes short sharp things, declares them done and then moves on to the next.  These writers are a joy, and I predict that as they get older they will settle down to something a bit longer, something that takes more of their time, but for the moment they are having fun and more importantly, they are finishing things. 

The second type I come across is the ‘have a million stories on the go at once but rarely finish one’ writer the ‘have a million stories on the go at once but rarely finish one’ writer, and again, this is very common with young writers. I used to do this myself. I always tell them not to worry. Having too much to write is not a bad thing, it shows how much is going on inside your head and it also demonstrates that the writer is constantly being stimulated and inspired by the world around them. Great stuff. I have every faith that this writer too will eventually find a story they are passionate about and will stick with it and finish it.

The third type is the ‘have an amazing idea, have created an entire universe, but can’t stop planning and prepping’ writer. This one worries me and in my groups, I keep an eye on these ones as it is a tricky trap to escape from once you fall into it.

There is perfectionism at work here and we all know perfectionism can stop us writing. I think these writers are able to write regularly but everything becomes about planning the book more than writing the book.

Often it’s a complex story, perhaps one that has been with them a long time. It means a lot to them and they want to get it right and do it justice. And of course over time, the writer changes and matures and evolves, so they go back over their writing again and again noticing things they can improve. There is nothing wrong with doing this as a young writer by the way. In fact I would advise against publishing books at a very young age because undoubtedly your writing will get better as you get older.

But I come across a lot of adults with amazing stories they’ve been working on for years, yet they are still not ready to publish. This isn’t about them trying to find an agent, or trying to decide what publishing route to choose, this is about them not thinking the story is ready at all. This is about them working on it, planning, preparing, researching, plotting forever and ever…and never letting go of it to move on to the next thing.

For some reason they can’t quite let it go. They can’t quite share it or declare it finished. Or perhaps they can’t quite write it, because the planning has totally absorbed them and taken over. Some writers are natural planners. They like to plan everything out before they start. I’m talking full plot, sub-plots, intricate character profiles, location research, general research and much more. They often end up with a vast body of work which is undoubtedly impressive, but the story has still not been written.

My advice to this kind of writer is always the same. I always tell the young people in my writing groups that planning and plotting should be a balancing act alongside actual writing — dipping your toe in the water, if you like.

Some writers hate planning and just want to dive right in but I encourage them to do just the minimal amount. At least a plot idea, or brainstorm, at least a character bio or a vague idea for the location. Get that down then start writing. When you get stuck, go back to planning. Does this character need more fleshing out, for example? More back story or motivation? Do you now need to research the location a bit more so you’re not just winging it?

Planning and writing can go hand in hand and happen alongside each other. But they need each other. We cannot have a great story without a bit of planning and we cannot have a great story if we never write it because we are too hung up on the preparation.

Personally, I like to have a vague plot and my characters sorted first,  then the location and after that I start writing. I always like to know what’s roughly going to happen in the next chapter or two and that is enough to keep me going. The story and the characters undoubtedly change and evolve as I write and that is part of the beauty that too much planning can sometimes rob us of.

I don’t like knowing everything before I start – I like finding out as I go along.

But I also won’t start with a blank slate because I’d get stuck really quickly.

It’s all about balance.

For those who don’t finish, who spent maybe years planning and plotting and adding to their body of preparatory work, just consider how fast life goes. Please. On day it will be too late. How sad is that? My greatest fear is dying before I tell all the stories in my head. My goal is to get them all written and published before I die. I can’t think of a greater pain for a writer than bearing untold stories!

Once something is written, once something is out of your head and your planning notebooks, you can make it better. You cannot edit a blank page. You cannot improve a story that has not been written. You’ve got to become comfortable with the process of a first draft.

This is perhaps something some writers struggle with.

A first draft is you telling yourself the story. It should be basic and clumsy. Ugly, even. You should wince a little when writing it, but you should not let that stop you. You are building something for the first time. You are finding your way and if you start writing it, believe me, the characters and the world you have created will start to help tell it for you. A process will begin. Something simultaneously controlled by you and in control of you.

It’s magic, I promise.

I cringe at my first drafts but no one is ever going to see them. I don’t know my characters that well yet, despite the bios I’ve created. It feels clunky and unnatural when they speak or act, but I push forward. I tell the story. Once it is done I go back over it and wow, often its better than I thought it was! But if you don’t ever write the first draft, how will you know?

To the over-planners I say this. A first draft is your friend. A first draft is your starting point. A first draft is a promise. A first draft has so much potential and once it is written in all its stumbling unsure glory, you can sharpen up those perfectionist and over-planning skills and put them to use.

Preparation, notes, ideas, research and snippets are no good all on their own. Plus, you are missing out on the best part of writing if you never get past this stage — writing ‘The End’ and cracking open a bottle of bubbly to celebrate before the real hard work starts…

Go on. Stop planning. Write.

The May Queen, Hill Forts, Fairy Circles, Leylines, Holloways and the Moongazing Hare

Research for my latest novel has sent me down some divine British folklore rabbit holes.

(This article was originally published on Medium.)

I’m not normally a huge fan of research. Most of my novels have been set in times and locations that don’t require me to do a lot, and even then, if I do need to research something, I tend to leave a question mark there to remind me to do it later, while I get on with writing the thing.

However, my attitude towards novel research has changed for the better with my current work-in-progress, a folk horror story set in 1996, which will have companion books set in 1966 and 2026. On the very first draft (where I didn’t really know what I was doing), I ended up with the bare bones of a story, and possibilities for more in-depth plot-lines and character development. I didn’t do any research for the first draft, but I knew for the subsequent drafts I’d have to. And it’s been so much fun! I’ve had to look up a real range of interesting things, from which telescopes and cameras were popular in 1996, to 90s fashions and music (not too much of a problem, as I was a teenager in the 90s) to what sort of CCTV systems existed back then.

 This was just the start. As my folk horror story developed, I found myself going down some delightful British rabbit holes as I researched things I wanted to include in my story. It’s essentially a story about a strange little town with an ancient evil under the surface, and the plot is kicked off when a local boy goes missing.

These are some of the things I’ve had the pleasure of researching so far:

The Hare — I’ve always been fascinated by hares. I’m quite literally obsessed with them. For years and years I dreamed of seeing a wild one and in my youth had to be satisfied with keeping rabbits as pets, which was almost as good. In recent years I’ve seen hares in the wild and every single time it is a breathless magical experience for me. My son’s school is rural and on the journey there and back, down twisty country lanes, we often stop to watch hares running in the fields. Recently we spotted one lying low, and we stopped the car to watch. It knew we were watching and eventually got slowly up and loped away. I savoured every second of watching that huge, strong, almost deer-like body hop away. Another time we had to stop the car as another huge one was plodding casually up the lane in front of us. My son rolled his eyes at my over-enthusiastic reaction, ‘Oh my God, it’s a hare! It’s a hare! It’s a bloody hare right there!’ The hares in that area are giants, I swear. One time I thought it was a dog I’d spotted in a field but when I slowed down to check if it was all right or lost, I realised it was lupine in nature and had the pure joy of watching it dash away.

When I first created my current WIP, Black Hare Valley, it was just a vague idea about a folk horror story, an ancient evil, a plucky group of misfit teens and a strange little town I wanted to be old-fashioned in the most British of ways. Me and my son created it together, rolling out a huge piece of paper to create the map of the town. A few years later I started writing the story and always knew the town would be called Black Hare Valley.

Image by Artur Pawlak from Pixabay

But back to hares. There is so much folklore surrounding them, it only adds to their beauty and mystique. The moongazing hare has been symbol of growth, rebirth and fertility, as well as being associated with madness and witchcraft. In many cultures seeing a hare is meant to be good luck and in just as many, it is seen to be bad luck. There was an old superstition that witches could shape shift into hares, as often hares were seen running from flames. In truth, they often waited until the very last minute to break free from the traditional burning of stubble in fields. In many cultures the hare is considered a sacred animal who symbolises our relationship with the land.

Iron Age Hill Forts — Badbury Rings and Maiden Castle in Dorset are two favourites of mine but there are many of these ancient monuments across the British Isles. What were once defended settlements set into sweeping hills and reinforced with earthworks, stone ramparts, defensive walls and external ditches, are now intriguing and mysterious places to visit. I always feel strangely connected to both the past and the earth itself in these places. I was inspired by a trip to Badbury Rings to make Black Hare Valley a town built out of an iron age hill fort. Hill fort settlements could see their enemies from a great distance and this is a theme weaved into my story, especially concerning the history and founding of the town.

Holloways —Holloways are just as fascinating!I’d been keen to visit the infamous Hell Lane in Dorset for years and a couple of summers ago we took the kids there. I absolutely loved it and again I felt so close to the past and the earth there. Holloways are ancient paths criss-crossing the country, possibly markers of old trade routes. The paths themselves have become so deeply trodden by millions of feet, hooves and wagon wheels over centuries, that they are now almost tunnel-like, with the roots of trees visible on either side. At Hell Lane in particular you feel like you are about to descend underground as the trees shade you from above and the path leads you ever deeper. There are a fascinating array of carvings and faces on the clay walls too. I knew Black Hare Valley had to have its own Holloway!

Hell Lane, in Dorset. Photo is mine.

Fairy Circles — I only researched these recently when I decided that Black Hare Valley will be set in 1996 and that it definitely needs a prequel set in 1966, which will see my group of teens parents go through an equally strange and dangerous ordeal in the town. One of the 1966 kids is described as being ‘away with the fairies’ and I decided to play into this a bit more in the 1996 story, as this character as an adult has been missing for a long time. I simply added a fairy circle to a scene and had one character stomp through it while another declares it to be bad luck, and he retorts that his mother used to believe in such rubbish. Fairy circles are naturally occurring circles of mushrooms, often found in forests and grassy areas. Across the world, fairy circles or rings were often associated with folklore and myth and seen as dangerous places. It was said to evoke a curse or bad luck if you crossed one.

Ley lines — ley lines are also mentioned in Black Hare Valley, as I needed a central spot in one of my locations that would provide an intense amount of energy and a feeling of being held in place. I researched ley lines, which I only vaguely understood, and it turns out some people believe in them and some don’t. Essentially, they are believed to be straight lines between prominent landmarks, prehistoric sites and historic structures. Believers assert that ‘earth energies’ run along these lines but there is no scientific evidence to support this, and instead it is a matter of faith.

The May Queen — May Day, The May Queen and other spring celebrations and traditions will be more fully explored in my prequel set in 1966, but as I lay the clues for this in the 1996 book, I’ve had to research them now. One of my 1996 characters discovers that his troubled mother who ran away, had a sister who went missing in 1966, much in the same way a friend of his has gone missing in 1996. In scouring old photos from their parents, the group of friends discover that the missing girl was crowned the May Queen in the spring of 1966. I had great fun researching this and looking at old photos. The May Day celebrations marked the beginning of summer and small towns and villages across Britain, and indeed Europe, would celebrate by choosing a young girl to be the May Queen. She would be decked out in white with a crown of wild flowers and would be given a throne to sit upon. Villagers would also dance around a Maypole, weave floral baskets and ‘bring in the May’ by gathering wild flowers and branches. Going back even further, it is reported that wild hares were often part of the tradition and would be released from cages as part of the celebration. 

Researching books can be a lot of fun and Black Hare Valley is providing me with unique opportunities to google things and learn more. I have now started writing a rough draft of the book set in 1966 and have already had fun researching the clothes, music, and food popular at the time!

The Joy Of Being Lost In A World I Created

Oh, it is such bliss to be back here again…

It’s been too long…

I had almost forgotten what this feels like…

Image by Mystic Art Design from Pixabay

I’m talking about the unique and blissful joy of being utterly immersed and lost within a world you created. I often blog about how magical writing is – partly because I feel it so strongly and partly to counteract the often negative view towards writing I come across online. You know the memes; writing is torture; writing is terrible; writing is so, so hard…

Nah, I don’t see it that way.

I could go on all day about how wonderful, brilliant, life-affirming and beautiful writing is but today I just want to focus on one aspect; getting lost in a world you created.

At the moment, I have the next three books in The Day The Earth Turned series ready and waiting for their release dates. This will be October 2023, January 2024 and April 2024, roughly. By June, 2024, I hope to have At Night We Played In The Road published, which is a spin-off from The Boy With The Thorn In His Side series. After that, I plan to release The Mess of Us (long-awaited sequel to my debut, The Mess Of Me) around September 2024 time and finally, the last book in that connected universe, The Dark Finds You will come out around either at the end of 2024 or the start of 2025. These books are all finished! Some are awaiting beta reader feedback and one is about to come back from the editor. They all have front covers ready. There’s not a lot more I can do to any of them other than responding to feedback and edits when I get them and preparing them for release…

As you know, my self-imposed writing ban ended a few weeks ago when I gave in and started typing Black Hare Valley up on my laptop. This is, of course, the book I’d vaguely planned with a map, character bios and plot ideas and then ended up writing entirely in long-hand in five notebooks during a prolonged power cut in February 2022.

After that frenzied writing session, I put it away to concentrate on everything else.

And now here I am, happily typing up my own work, work I barely remember writing, transferring longhand from notebooks into a Word document on my laptop.

Every night I sit at the laptop for at least an hour and type up what I can. Every night, the story reveals itself to me like a dream I can barely remember. It feels so fresh and new, like I only wrote it yesterday, but at the same time, I have little memory of being the person behind the pen.

I am loving this.

Black Hare Valley is a strange little town with a lot of strange goings-on. I got the initial idea after reading Stephen King’s epic ‘It’ for the third time. I love that book. I would read it again tomorrow. I feel like Black Hare Valley is my personal homage to the great, master of horror, Stephen King. Funnily enough, after coming up with the idea, I watched Stranger Things on Netflix and realised there are a few comparisons. Only in the sense that it’s another strange little town where strange things happen and it’s mostly up to the kids to solve it!

When I came up with the idea, it wasn’t much of an idea; it was really just the town, which I had great fun creating with my son on a large piece of roll out paper. I still love that map. We put such detail into it, the whole place just came alive. I was also inspired by recent visits to iron age hill forts and places like Hell Lane, in Dorset. I was inspired by dark, magical, local folklore, and slowly the story began to write itself.

At the start I just had a missing child, and a group of kids thrown together trying to solve the mystery. They soon realise there is far more to their close-knit and seemingly ‘perfect’ town than they ever realised…

It was such fun to write and it’s even better now, sat here night after night, writing it up. I look forward to it all day. In my head, I am going to Black Hare Valley. I am there every evening, lost inside a world I created, wandering the streets after dark, wondering who is keeping secrets and whose those glinting eyes in the shadows belong to… I am there with my heroes, my band of misfit teenagers who are slowly unravelling the darkness that forms the foundations of their town, in order to find out what happened to missing Paddy Finnis…

I am there, in the warm and cosy Hound and Hare pub, and I am there at the old ruins, hiding from shadows. I am there in Black Woods, searching for strange footprints, and I am there at the school, where the headmaster has something quite evil behind that thin smile of his… I am there in The Magic Of Books bookshop, sneaking between old dusty books for answers, I am there at Hill Fort Farm, the highest point of the valley where Mayor Sumner keeps a watchful eye over the town her ancestors founded…

I am there! Every night I go missing. I’m not here, I’m not anywhere you can find me. I am in Black Hare Valley and I don’t want to come back…

This is without a doubt one of the best and most magical things about being a writer.