Final Draft? Patience is the key…

Last Friday I finally finished the final draft of my YA novel The Tree Of Rebels. Yes, yes, yes, it is done! It is finished at last! Or is it? I’ve lost count of how many drafts and rewrites it has been through now. I’ve blogged about a fair few of them! I decided to change the tense from present to past, and I also added some new scenes. Then I went through it all again, with what felt like a very gentle and enjoyable edit. Correcting typos here and there.Small corrections. Nothing major. And I finally liked it!

As I may have mentioned once or twice before, I’ve had a love/hate relationship with this novel since I first got the idea for it. I ignored the idea for a while because it would mean writing a book way out of my comfort zone. When I finally started it, I suddenly got another really good and important idea for another book, which wanted to interrupt this one. I didn’t let it, and forced myself on, which in hindsight, was probably the wrong thing to do. I do wonder if I ought to have listened to the loudest voice, put Tree of Rebels to one side and gone with Elliot Pie when he was at his most demanding…

But anyway, I didn’t. I wrote this book, and then started a second draft, sent to beta-readers, drafted again, hated it, drafted again, loved it, left it for ages while I wrote Elliot Pie…drafted it again, hated it even more and so on, and so on. It was like having a constant argument with myself. This book is brilliant! No, it’s not, it’s a total waste of time!

I’m pleased to report that during this last, final, never to be messed with again, draft, I really and truly fell in love with this book. I got the feeling I had been waiting for. Everything clicked. I knew what it was and I was proud of it. Changing the tense worked wonders, and the extra scenes I added seem to work really well too. I was so into this book by the time I finished it, I even carried on and drafted the synopsis of the sequel, and wrote the first two chapters of this!

So when will I be releasing it then?

Hmm, not yet. Because I still don’t think it is finished! I decided that after so much doubt, it would be worth sending it back to my top beta reader/editor for a final read through. I know she will be honest and scathing if she needs to be. I am curious to see what she thinks of the change in tense and the extra scenes. Waiting for her to read it will give me some head space from it, and a chance for the book to breathe. I thought this was a sensible idea. If there are any lingering typos or things that don’t make sense, they will be picked up and sorted and being patient will help me decide if it really is finished.

The problem is, I am already getting more ideas. Just little bits here and there. Just bits of dialogue, and brief scenes or moments that have suddenly popped into my head. I really didn’t think this would happen! I really did think I was done…

But I’m glad that it has, even if this does mean once it comes back, it will be getting another going over by me. You see, it’s all too easy these days to write something, do a few more drafts and then self-publish it and move onto the next one. Believe me, it is very, very tempting to do this. I have so many other books to write, but I have to resist the temptation to rush things. Patience is the key. A book is done when it is done, and not a moment before. I could release this book now and see if you like it, or I could wait to see what my favourite critic says first. I could release it after that, after any last lingering mistakes have been mopped up, or I could wait a bit longer, see if it can be any better. It’s surprising how you feel about a piece of writing if you leave it alone for a while. You might think its the best it can be, but give it a few months, during which hopefully your writing skills would have improved even more, and quite often you can already see that it can be made better. And if it can, then it should.

So, apologies folks. The Tree Of Rebels is done…but not done.

The really good news is that I have finally fallen in love with it, which is how it should be in my opinion. I’ve had a strange relationship with this book, and I’ve nearly given up on it several times. It never felt quite the same as my other books, like the connection was not quite right. But this feeling has well and truly gone now. I’m even writing some more of the sequel tonight!

 

 

The Dark and the Light

The Dark and The Light

 

It is wrong. Like me.

Everything about me is wrong, and I hear them say it. I have heard it often enough. I amble through it, warm inside, warm outside, full of acceptance and impatience.

I am impatient because life is long, and slow. Like my love. I need them both to end.

I am thinking about this in my flat. My flat is always warm. And so am I. I am not sure what being cold feels like. I have too many layers, one on top of the other, dirt and grit in-between, guilt and shame. They layer up, they gang up on me, they bind me up and keep me warm at night. I am always warm.

Like now. Watching him.

My face is warm and so is my groin. I lift one arm slowly. I watch it travel through the clogged up, fogged up air, and I can feel how tightly the air surrounds my skin, lingering there, filled with secrets. My hand moves slowly. It is a juddering, shuddering thing, a dark starfish turning, curling through the dust.

I touch my face. My palm is rough against my whiskered jowls. It is a landscape of lumps and bumps, craggy and weathered and warm and pulsing. And I can smell it. If I stand here still enough, if I breathe in slowly enough, inhaling the life I exist in. I can smell my skin and I can smell the stink of age and ruin.

Whiskey on my breath, coating my tongue. Nicotine stains upon my fingers. I can smell the scent of who I am, of what I am. I suck it up. Breathe it in. Remember. Rotten on the outside as well as the in. Decayed from within.

Was I ever anything else? Anything more, or less than this?

I am too old now, too far gone, too hunched and sorry and broken and lustful to remember. There must have been another me once. A younger, trimmer, taller me. With brighter eyes and sounder mind. I can’t be sure though. I can’t be sure when the rot set in, when the infection took hold. I do know that I never once tried to fight it. Life was too long then, too slow. And it still is now.

Watching him. On guard. Waiting. Always waiting. Stood behind, looking down. Cocooned by the flat, by the dark, warm cave it has become. Lonely, but somehow we are joined here, linked. I sniff it. The darkness does not hide my secrets well. For I can smell them in the sweet cloying air as it cloaks my face. My flat smells too, of everything I am, of everything I bury here, of longing and loathing, and love.

Orange curry and gone off milk, cobwebs hanging with dust and dried flies, stains on the carpet, mould on the walls, fingerprints in the books and on the dirty magazines under the mattress.

In here it is dark, and he is the only light. He never sees this because he thinks he is ruined and destroyed, and maybe he is wrong, maybe he is right. He never thinks about anything too much these days. Only the home he escapes from, and the fear of being found. Only the music he keeps in his ears, in his brain, blocking everything else out, refusing it entry. Only the dark oblivion we enjoy together. Try this. And this.

I am the dark and he is the light.

His pale face turned up to mine, eyes closed and mind gone. I want to reach out and touch him but I cannot. If I lay my dirtied hand against his pale skin I might leave a stain upon it. I might destroy the light. And then we will all be worse off.

I stand behind and look down.

Breathing him in. Absorbing the light. My hand remains against my face. Warm and throbbing, rough and worn. I hold myself there. And my guts are inside me, behind the wall of fat and whiskey and sloth. Behind the solidified alcohol and curry and waste. My guts are back there, knotted and aching and crying. I can feel them there. I want to ease them out and relieve the pain and pressure. I want to stretch them out and let them breathe. They are a weight holding me down. Holding my feet to the sticky carpet.

Everything I deserve is in this place. Dirt and dust and shadows. I don’t belong anywhere else. One day I think, I won’t leave here. The doors and the windows will seal me in. The air will thicken until I suffocate. I will die here and I hope it is soon.

But what of him? What of the light?

How much time have we got? How much longer can I keep holding myself back? I examine the contours of his face lovingly, as I drag my rough palm over my own soggy, saggy features. Where his is sharp, defined, clean edges, mine is lost, sunken, shabby and derelict. My chins pile up. My cheeks hang loose. My eyes vanish under folds of flesh.

His skin is clear and soft and new. The only blemish is the deep cut to his top lip and a slight swelling there. My hand is reaching out to it now, reaching for the bump on his lip, but I pull back just in time. I always do that. I long to reach out and soothe what the monster has inflicted. I don’t say a word when he does it though. I hang back and look on.

Silence pounds my brain.

Blood throbs between my legs.

The monster jeers and laughs at this, but this is not all there is. It’s not just that… It’s not just blood and longing and desire. This is different. The boy has a light. And now the pounding is in my heart as well. The aching and the longing is in all of me.

My hand is where it should not be. It has landed in his hair again. My heavy fat fingers falling through the tousled blonde strands while my heart beats faster. I pull my hand away when the door suddenly opens. I walk quickly away, shoving my hands into my pockets, blinking away a salty tear.

In walks the monster. In walks King Of The Castle. In walks Mr High and Mighty. Mr The Big I Am. He walks in and the air grows colder and the boy shifts and stirs and moans softly on the sofa, but he does not wake.

The monster smiles at me because he can always smell my guilt.

‘Behaving yourself?’

‘Course I am. What do you want?’

No answer, because he does not have to answer your questions. Not the King Of The Castle. Not the King of the Shitting World. He goes to inspect the boy, who he thinks he owns, who he tries to turn into a robot, a yes-man, a minion. The beautiful boy full of light.

‘Is he out of it?’

‘Looks that way.’

‘Little prick.’

I sigh and shuffle towards the kitchen, where there are dead flies on the windowsill.

‘Do you want tea? Whiskey?’

‘Tea. Not staying long.’

‘Are you taking him home?’

‘Might do. Why? Will you miss him?’

Of course he laughs at his little joke, because he has always found my pain amusing. I deserve it though. He knows this as well as I do. We exist like this, somehow. The monsters. Both of us. Vile. Inhuman. We don’t deserve love or light.

Only I feel the guilt. That is the only real difference. The thing is, we both want the same thing. We both want love given to us, we both want what we do not deserve, what is not rightfully ours. We go about it in different ways. And the boy on the sofa knows all of this and none of this. He knows everything and yet nothing.

I make tea and in the lounge the monster sits next to the sleeping boy, dulling his light. Can it work the other way around, I wonder? Can the light fight back? Can it ward off the darkness and win? Theirs is a fight to the death. A fight neither can afford to lose. I make the tea and try not to think about the future. Time passes too slowly for the likes of me. I have been dying slowly for years. I am trampled fruit underneath the autumn tree, I am crushed and squashed and pulped and rotting. It takes too long. I should be dust by now, but it all takes too long.

Another unseen salty tear stings my eye while I make the tea and think about the boy. I think about him and how rotten we are to surround him like this, to want to own him and love him, to want his light to reflect back on us. I think about the very first time I saw it. I think how my breath hitched in my throat, and how my old eyes widened and my mouth fell open and how my blackened old heart ran up to my mouth, pounding, though it had no right to, though it was not allowed.

I have no right to love of any kind.

And there is a clock ticking somewhere in this place. There is inevitability and pain waiting for all of us in this dark, warm cave.

Something will happen. Something is coming. This, this is all wrong…I swirl the bloated teabags around the mugs, one at a time, my movements clumsy and stiff, sploshing brown liquid over the sides. I listen to the voices in the lounge. King of The Castle is waking the light up, easing him out from his dreams. I wonder how he feels when he wakes up like that. Realising. Remembering. Does he get a jolt of cold fear right in the centre of his chest? Do the hairs on the back of his neck stand on end? Does he feel the most powerful urge a human body can experience; the urge to run? Or does he just feel flat, empty and resigned? Does he just remember and then give in? I don’t know anymore. There used to be more fire in his eyes, I remember that. I enjoyed that. But now I don’t know.

I pick up the mugs and carry them in. They don’t look at me or speak to me, and yet I know what we are. We are a triangle of misery and hatred and love and the whole thing turns like a never-ending circle, but it can’t do that forever, because one of us will be blunted. One of us has to go.

 

This is a short story written from the point of view of one of the minor characters in my novel The Boy With The Thorn In His Side – you can find out more about these characters and this story by following this link – the novel is available in ebook and paperback 

http://www.amazon.co.uk/Boy-Thorn-His-Side-ebook/dp/B00W8DLGKA/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1431972783&sr=1-1&keywords=the+boy+with+the+thorn+in+his+side

 

He Is A Storm

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He Is A Storm

There is a storm in his head.

It is black and violent and consuming and becomes him.

It has been there for so long, ebbing and flowing, dimming and glowing. It burns from the inside of his brain, begging release. His heart is on fire. Pain explodes in his guts and suddenly he is not human anymore.

Because a fine line snaps.

Because it pulls taut, tighter than normal, tighter than anyone can stand, vibrating like guitar strings. And on this day, and in this moment, it snaps. The line snaps and it sets him free.

He is no longer tethered, or loosely, marginally restrained. He is no longer held back, warned off, given the look, or contained. There is nothing between them now. Nothing except the black storm inside his head and the ping of the line as it snaps inside of him, and sets him free, sets him reeling forwards.

He moves soundlessly in his head, yet somehow he knows his open mouth is bellowing years of pent up rage. He feels his bulk multiplying in size and force. He is like a building rising up before exploding and falling down. And he does fall down.

Set free, he gives himself totally to violence. It’s blind and raging and delicious and addictive. He falls down upon the smaller body, and they clash, bones jarring, muscles screaming, eyes popping. Game on. And sounds rise into the air around them and above them, as they entwine and entangle, as they smash and crash and dance into the wall.

His own soul bellowing while it dies.

The cries of shock and pain. They make primal sounds, the two of them, dancing. And the girl is in the background but she is insignificant to the fight. A fly in the air buzzing. A bug on his neck scratching. He swats her away like she is nothing.

And the more he punishes the body he has seized, the more free he becomes. An ugly wound stuffed tight now breaks open, and the foul gush runs free, rumbling and turning within the fire that burns. And the more he hates and the more he punishes, the better he feels, the best ever, and he wants to cling onto that feeling for longer. And so the rage screams from his lips, and the fists go in and out, in and out, until the blood smothers them, thick and warm like crimson gloves.

It spatters his face like paint. Droplets in his hair and eyes and mouth. He is eating him alive. Blood brothers. The bug is on his back again, fighting and clawing, her screams mixed with the bellow in his own brain, until he throws her aside and lands on top of her.

And now the storms starts to subside, starts to ease off, like a deep breath taken and held, and everything stops, and he sees his bloody fists and he feels the ache of his knuckles and he sees the terror in her face, and he sees the body lying still against the wall.

But he asked for it. He went too far. Wrong moment. Wrong time. Wrong person. Wrong place. Wrong life. He couldn’t stop. Because he didn’t want to stop. But now he has stopped. The storm betrays him and skies start to clear.

She stares back at him and suddenly there is someone else, coming towards them, shocked and crying out. And this breaks whatever is left of the spell, and the hold the storm had on him is gone, over, broken.

The line tries to find its way back, tries to reattach, but it can’t find its way. He gives up. He gives himself up to everything. He runs from their terror and from the blood on the wall and from the figure on the floor. Like a beast, like a creature, like a monster, he charges bull-like, monstrous, inhuman, thick and hard and powering through everything as he explodes from the inside, and he runs from them all.

Blood in his mouth.

Sweet and tangy.

He spits and retches and heaves and runs. He opens the car door and somehow he is driving. Tyres screech against tarmac. Panic thunders in his chest. He can’t breathe, or see, or think. He is not human, he knows only this. He turned his back on it and embraced insanity. He drives, not knowing where he is driving to.

He drives to her.

Something desperate and clawing, something raw and open and bleeding and weeping and begging and shaking. Something hammering at his blackened mind. Words and visions and blood soaked dreams. His mother washing his mouth out with soap. Picking up the frying pan and battering his step-dad over the head with it. Wanting to do so much more. Needing to.

The door is open. Unlocked. No cars. No one home? It is like the house is waiting for him, door open, enticing, inviting him in. He runs in, blood soaked and calling her name, twisting his hands inside his t-shirt, trying to wipe off his crime.

His mind is chattering. Cold now. Afraid.

Oh what have I done, what have I done, what have I done, what have I done…

            Powers up the stairs. His body is rigid, rock hard with adrenaline tightened muscles. He could run through walls. Sail through windows. Calling her name. Calling for her.

What have I done, what have I done? Oh what have you done? What have you done?

            He finds her lying there like a pale, limp starfish.

Arms and legs all stuck out to the side of her tiny body dressed in black. He finds her open eyes staring, but not seeing. He finds her sheets soaked in blood. He finds her wrists sliced open, undone, like him. Her line snapped too.

Oh what have you done? What have you done?

            He pulls off his t-shirt and wraps it around her wrists, winding the bloody material around and around, binding her hands together.

What have you done?

            He gathers her small body into his big, naked arms, and her head rolls back and he hears her gasp, feels the breath leave her mouth and smother his face, and he holds her and runs.

In the hospital he sits, covered in so much blood, yet none of it is his. They think it has all come from her, the girl he brought in, the life he saved. He sits there, on a hard plastic chair while they stitch her up, fix her, attach her line and shake their fingers.

You saved her life.

            She’ll be okay. What’s your name?

            Where are you going? Where are you going?

            Don’t you want to see her now? You can see her now.

            But he can’t see her now. He can’t see anyone. Least of all himself. He is a storm.

This short story is written from the POV of Leon, a character in my novel The Mess Of Me. If you would like to find out more about his story, you can download the novel here;http://www.amazon.co.uk/Mess-Me-Chantelle-Atkins-ebook/dp/B00CSVQ8EQ/ref=sr_1_3?s=digital-text&ie=UTF8&qid=1438892427&sr=1-3

Interview With Author Alec John Belle

Welcome to my second author-to-author interview. This time I am really excited to introduce a great new talent. Alec John Belle is only seventeen years old and already has two novels, Before I Break and Forbidden Darkness under his belt. I came across Alec on Facebook and liked the sound of Before I Break, which is a novel dealing with homophobia among teenagers, as well as issues such as self-harm and suicide. I decided to check it out and was suitably impressed. Alec has self-published both his books, but has just recently been snapped up by a small press. Personally I think if Alec can write this well at only seventeen, he is definitely an author worth watching! Over to Alec.

1)      How old were you when you first started writing?

I was in fifth grade when I first started writing.  I was obsessed with the Goosebumps books by R.L. Stine and one day in class we had a free write, where we could write about anything we wanted.  I decided to write a horror short story about a kid who goes to see a fortune teller who makes all his wishes come true.  My teacher was shocked at how well it was written for a 10 year old, so she asked me to write more.  That year I won a writing award for school for another story I’d written about a human who woke up to realize they were an alien.  It was then that I knew I wanted to be a writer.

2)      How would you describe your work?

The best way to describe my work would be “gritty and raw”.  My first book, Before I Break, explored topics such as bullying, discrimination, LGBT teens, self harm, suicide, and a few others that would be spoilers.  It really was a lot to write, and sometimes even I had to take breaks because it was too much to take in.

My new series, in the paranormal YA genre, called The Forbidden Darkness Chronicles, follows similar topics.  It’s about a girl who discovers she is a Monster Hunter one year after her best friend’s attempted suicide.  In the series, there’s a physical entity called Darkness that feeds off of negative emotions, such as depression, anxietym bipolar, etc.  That’s what makes the Darkness strong.  Once again, with a less realistic approach, there are still real world topics that make it fall under “gritty and raw”.

3)      What is your writing process/routine?

This may sound weird, but I actually don’t have one. For me, it’s just whenever I get the urge.  I may go a week without writing, then one day feel the push.  People think that actually means it takes me longer to write a book, but when I do write, I make up fot missing days.  I can write the first draft somewhere between 1-3 months.

Also, I’m a night owl.  So all of my good writing is done at night.

4)      What are you working on right now?

Both of my books, Before I Break and Forbidden Darkness  (the first in my new series), are being reprinted under the publishing house, Booktrope.  While going through that process, I am working on the second book in The Forbidden Darkness Chronicles, titled Shadow’s Wings.

5)      What else have you got planned for the future?

The Forbidden Darkness Chronicles will have 8 books, plus some short stories in between I hope.  I also am hoping to make Before I Break a trilogy.  The second Before I Break novel, titled Once I Fall, is kind of on the back burner for now, but I’ll get back to it eventually.

6)      What is your approach to self-promotion?

Self-promotion is the hardest part about being a writer.  For me, I just post on social media about my books ALL the time, especially my WordPress site.  It’s helped bring in some new readers.

7)      Where do you get your ideas from?

My ideas are usually pretty random.  I got the idea for The Forbidden Darkness Chronicles in 7th grade when I was on a Hayride at a Halloween event.  That idea sat in my head for years, which created a story that now needs 8 books.

Before I Break came to me one day when sitting in Spanish class when I went to public school.  Suddenly, a question popped into my mind: “What if a homophobic straight male became friends with another guy without knowing the other guy was gay?”  Then next thing you know, the whole story just flooded into my head, including the ending.  I knew exactly what would happen at the end by the time class was over.

8)      What would be your advice be to other young writers?

My advice, as cliche as it may sound, is to keep writing.  Write your heart out.  Think your idea is stupid?  Write it.  Think your idea isn’t good enough? Write it.  Think it’s too controversial?  Guess what?  Write it.  Don’t let anyone tell you what you can and can’t write. If I did, Before I Break and Forbidden Darkness wouldn’t be Amazon Bestsellers.

9)      What advice would you give to a writer embarking on the independent path?

It’s difficult.  It took months for Before I Break to hit the Bestseller list on Amazon.  You also won’t make the New York Times Bestseller List.  But you will build a fan base.  It won’t come overnight and you’ll need to try and try and try and try before you start selling even one book a day, but it’s so worth it.  Trust me.

10)   Can you describe your highs and low so far?

The highs have included a few.  The first high was getting my book published.  Before I Break came in the mail and it was so overwhelming.  Same with Forbidden Darkness.  Another high was making the Amazon Bestseller List.  I cried when that happened because it was so overwhelming, and while some say the Amazon Bestseller List means nothing, it does.  I also love book signings and being able to meet new readers and talk about some of these issues.  It gives me great joy being a figure some people look up to.

The only real low is not many sales.  As an indie author, the sales haven’t been that great, but they’ve been alright.  Self-promotion is difficult.  I just hope that with my books being reprinted under Booktrope, my sales will start to get better.

You can connect with Alec on Facebook; http://www.facebook.com/alecbellefanpage

or follow his blog here; http://alecjohnbelle.wordpress.com/

Find my previous author-to-author interview with Kate Rigby here; https://chantelleatkins.wordpress.com/2015/02/11/interview-with-author-kate-rigby/