Author: ChanAtkins

Interview with Indie Author Anthony Morgan-Clark

~ ChanAtkins ~ 1 Comment

Anthony Morgan-Clark is an indie author I have followed online for some time. Anthony has spent over a decade working in and managing children’s homes. Since 2014 Anthony has published a sci-fi short story collection, ‘Reformed’, and the Tor horror series.  He has also been published on the QuarterReads website, and has had short stories published in several magazines. Anthony grew up in Brighton and Wales before moving to the Wye valley, and currently lives in the Forest of Dean. Having read and enjoyed part one of his horror trilogy The Tor, Part One; Whiteshill and the prequel to the series, The Cauldron I recently went on to read The Complete Tor, which is available in paperback and ebook. This epic edition contains the prequel, the three parts of the series, and another short story related to The Tor, Symeon’s Tor. I’ve always been a fan of horror, so it’s been a pleasure to discover Anthony’s work. I’ve been well and truly pulled into the creepy world of The Tor and I am looking forward to reading more from this author. Enjoy the interview!

Q1- Can you tell us a bit about where the idea for The Tor came from?

My original idea was to have the Tor at the centre of five villages, with the Batsford being one of the five villages. Whiteshill was to be another. Weird stuff would happen in each of the villages, the kids at the local comprehensive school would map out the disappearances, they’d notice the Tor being at the geographical centre and they’d investigate. Then, after some more horror, everything would be okay. Stephen King meets the Famous Five. Anyway, after I realised this was far more in terms of settings and characters than I needed to tell a story, I cut it all back to one village and a handful of characters, and started again.

With regard to the Tor itself, I was walking to work -I used to work and live in the village upon which Batsford is based- and on the hill in front of me I saw, through the mist, a cottage and smaller buildings. The shape and layout of those buildings looked very much like a circle of standing stones. That image became The Tor; the trees came from Mayhill, a local landmark.

Q2 Was it originally written as one book, which was then divided up for the ebook series? Or did you write it with serialisation in mind?

Originally I’d planned one book. I thought at first about telling the story of Whiteshill from Martin’s perspective, then from Eddie’s, then from Constable Donnell’s. But as I worked through it I realised that there was a narrative bigger than that which eventually became Part One, especially after introducing Symeon into the story.

Coupled with that was the story of Rebecca. In 2004 I was living on my own and had the idea for the story that became Rest. I wrote it in one draft and, naively, sent it to a publishing house for appraisal. They wrote back, praised my writing, but struggled with the question of why the protagonist would suddenly fall for Rachael (as she was known then) after a single meeting. It was a plot issue that had concerned me also. So I shut the story away and moved on to other things, and didn’t think of the story again until after I’d written Whiteshill and begun work on The Cauldron. As I wrote, the character of Rebecca felt familiar, and it was whilst walking home from work one evening (a good walk does wonders. It gives the mind time to wander and explore and make all these little links of its own accord) that I realised both the character from The Cauldron and the character from The Tor were one and the same.

Q3 Is the story of The Tor over? Or are there other stories connected to it that might arise?

After abandoning Rest in 2004 I started a fantasy piece based around a young, excluded boy who moves to a new town. There he befriends and old, bearded man who is of mysterious origin, and lives to collect stories. The story did not turn out as I had planned, but it was the genesis of the characters Martin and Mr Symeon. Symeon is Symmonds in that story (named after Symonds Yat if

you’re interested). I’d love to rewrite and finish that one. I’ve also just completed writing two short stories based around the red man from Rest’s white tower. I’ve thought about writing more of Rebecca’s history too. In Rest she goes through an apparent drug addiction, but this is the longest we see her away from the Tor. Is she suffering withdrawal from the Tor? Is she taking substances to escape it? Does she go back willingly? There’s a lot to explore there, but to reveal too much would, I think, spoil the story.

Q4 I could really imagine it as a creepy TV series, X-Files or Twin Peaks style, stretching over the decades. Have you ever thought about developing it into a screenplay?

Not seriously enough to dedicate such a big amount of novel-writing time into doing so. Like novels, the writing is only half of the work at most. To generate interest, pitch it, sell it, etc – I have no idea how much work that would involve. I’d be really interested in a graphic novel adaptation though.

Q5 When did you first know you wanted to be a writer?

As a kid I figured I had the perfect career planned out. I was obsessed with Jeff Capes (who I was convinced came from Llanelli, like I did), Spiderman, Nigel Mansell and Roald Dahl. I figured being a strongman would help my superhero career; the travelling involved would be the perfect cover for it; and since F1 drivers only work every other weekend and superheroes work at night, I’d have plenty of time during the week to write.

Aside from a few speeding points, writing was the only thing I stuck with. I remember writing Star Wars and Transformers stories with stationery sets I received as a kid, and amassing a collection of notebooks filled with fantasy and scifi tales as a teen. I used to relish English lessons in school. It’s something I’ve always done. Some people play sport, some people paint, some people keep animals. I write.

Q6. Can you tell us about your writing journey so far? Ups and downs?

This is a tricky one. I’m not one of those eternally optimistic people who see every problem as a challenge in disguise, but I do believe there is something to learn (and therefore something to be gained) from every situation. Publishing my first book to Kindle, seeing my first short story in print, and having a short story selected for a collection have all been ups, as have the strong reviews my work consistently receives. The only real down is the fact that my writing does not yet bring me enough of an income to write full time. But I’m sure that’s a matter of time (the TV rights for the Tor are up for grabs if anyone wants to throw me some money…) and effort.

Q7 What made you decide to take the indie route?

Impatience. I can finish a book on Monday, and readers can buy it on Tuesday. I love that. Also the flexibility being an indie author affords me. If I want to drop the price, I can. If I want to try another genre, I can. I’m in control of my writing. Publishing houses are like record labels. It’s not about quality, it’s about what sells. That’s why we have a million boy bands for every Nirvana. Publishers chase the market, but being an indie author allows you to carve out your own niche. Kindle and Createspace have broken the market up in the same way, if not to the same degree, that the plummeting price of home recording equipment has done for the recording industry. Who needs a record deal when you can promote on YouTube and sell your MP3s via your website? Who needs a publishing deal when you can promote and sell your own books?

Q8 What would you say are the hardest things about being an indie? And what would you say are the best?

The best things about being an indie author are those I mentioned above. As a writer I’m not beholden to any publishing company’s notion of what I should be. The worst things I think are the fact that, when it comes to self-published indie authors, there is an incredible amount of dross out there tarnishing what we do. Some readers equate “indie author” with “couldn’t get a publishing deal”, and for a lot of writers that’s true – not that I’m suggesting publishing houses don’t put out poor books, because they do. I read The Da Vinci Code at work a few years back, and was amazed that such a thing could get published. But being an indie author means battling against people’s expectations and stereotypical views of an author who is not traditionally published.

Being an indie also means you have responsibility for every aspect of the book, from the first draft to the marketing plan. It’s an opportunity to learn many new skills, but it can also be incredibly tiring. Then there are the issues of drumming up sales, chasing reviews… being an indie author is hard, time-consuming work if you want it to be anything more than a hobby.

Q9 What advice would you give to a writer about to embark on their own indie journey?

It’s a hell of a lot more work than you’ll expect. Work hard, but don’t burn out. And leave ample time between drafting, editing, proofing and releasing your work to ensure it’s the best it can be. Once you hit ‘publish’, all your mistakes are public.

Read lots of books, good ones and mediocre ones. Work out what methods the author uses to make them so good (or not). Deconstruct the work of different authors, you’ll learn a hell of a lot this way.

Spend time reading around the subjects of writing and editing. I’d always advise hiring a good quality editor to go through your novel, but for many people this just isn’t realistic. Read and re-read Strunk & White’s Elements of Style, and Browne & King’s Self-Editing for Fiction Writers. Even if you can afford an editor you’ll save a ton of cash by giving them the best manuscript you can. The Tor was the hardest thing I’ve edited, particularly the second section Rest. I learned a hell of a lot from doing so and now I’m tempted to re-edit Reformed. Editing is a skill like any other, and the more you do it and the more you read about the techniques involved, the better you’ll be.

Q10 What are you working on right now?

A short horror story collection that will include stories relating to The Tor; a collection of new and previously released short stories covering a variety of non-horror genres; and a stand-alone horror tentatively titled The Swarm. I also have a notebook full of short stories that will one day make up a sequel to Reformed.

Q11 Who are your favourite authors?

As a kid Roald Dahl and CS Lewis were my favourites. I also devoured comics, particularly Batman. The late eighties Batman comics had some complex characters. That version of Batman was a really complex character, and Jason Todd (Robin) had a real dark side. All the characters in Roald Dahl and CS Lewis’ books were black-and-white good guys or bad guys, but when you read of Batman beating information out of goons, or Robin allowing a bad guy to fall to his death instead of rescuing him (or possibly even pushing the guy off – it all happened off-panel)… as a kid it was a real eye-opener for how complex fictional characters could be. And to have read it in a comic, as well! Before that I’d been obsessed with Stan Lee’s Marvel creations, all day-glo spandex and good-guys-beating-bad-guys.

Lately I’ve been reading a lot of Philip K Dick’s novels and short stories, and I love the hallucinatory, paranoid nature of his work. Neil Gaiman and Clive Barker both have a depth and breadth of imagination that always leaves me exhilarated. Steven King is underrated as a literary author; I find his writing to be better than a lot of people give him credit for, and the horror elements to be overrated. For example, the characters and depiction of the town and residents in Needful Things were far more powerful than the horror and weak resolution; in the same way the final section of It was nowhere near as vivid or moving as what preceded.

Terry Pratchett is another writer who took a long time to be recognised for the strength of his characterisations and his writing as a whole, rather than as ‘just’ a good fantasy author. I think it’s a problem common to all genre authors. People see you as a horror/scifi/fantasy/whatever writer, rather than as simply an author.

Alan Moore’s comics (Watchmen in particular, but also From Hell, V for Vendetta and The Killing Joke) always reward being read again.

With regard to ‘literary’ authors, I’ve read 1984 countless times. I love Of Mice and Men too. Oryx and Crake is another favourite, as is American Psycho.

Q12 Tell us three interesting facts about yourself

Three interesting facts? Hmm… As a teen I had insomnia and, when I did sleep, a recurring dream. I decided one day to write the dream down. Once I’d done so still had a recurring dream, but

a different one. This happened four or five times. And yes, those dreams have made it into my writing.

I have a phobia of spiders falling down into my collar when I’m in sheds or garages. This is a really specific phobia and I don’t think it has a name. I can’t enter a shed or garage without pulling my top tight around the back of my neck.

I can’t tell the difference between certain shades of purple and certain shades of grey. I know that’s not especially interesting, but I’m running out of ideas here – you’re asking a man who has 450 CD’s alphabetised by band name and then album title…

You can connect with Anthony on social media and via his website;

https://anthonymorganclark.wordpress.com/ (blog/website)

https://www.facebook.com/MorganClarkAuthor/ (Facebook)

@AMorganClark  (Twitter)

 

What Comes First? The Characters or the Plot?

~ ChanAtkins ~ 8 Comments

 

What comes first? The characters of the plot? I guess the answer is different for every writer, and often different for every book. I’ve been thinking about this since one of my daughters showed a rare interest in my writing and asked me what came first; my characters or my plots? My immediate answer was the characters, as this is how it so often feels. But as I went through the novels one by one, I had to admit that it’s different each time. For example, The Boy With The Thorn In His Side was an idea that grew into a character, followed by a more complex plot. The Tree of Rebels, which will be my next release, was undoubtedly plot before characters, more so than any other book I’ve written. I’ve blogged before about how difficult this made the process, and how it has taken longer for me to understand my characters and feel comfortable with them. With Elliot Pie (a book only in its first draft) it was the character first, but his character, in being someone who was intrinsically curious about strangers, was the plot. So they evolved simultaneously.

Having thought about it for some time I realised that my novels, This Is Nowhere and The Mess Of Me both have something in common. They were both written in the same way. I had the character first, and then had to create a plot to go with them.

I’m not sure this is the best way to write a book, but it’s just the way it worked with these two. With This Is Nowhere, I had the character in my head for some time, and with the character came the whole feel and tone of the book. Slightly sombre, dark around the edges, yet gentle, confused, struggling through mystery. I knew the character was a male in his late twenties or early thirties, and I knew he was rootless and aimless, a drifter. He had never grown up, but why was that? I knew he had a bad relationship with his father but the rest of that came much later. I knew he had a recurring stomach ailment, and had turned his back on the religion he had been brought up with. I had images in my head of a boy running across a sun baked field, though running from what I had no idea. The whole thing seemed to evolve in my head through feelings and images. I got the idea for the plot involving his missing mother when I was walking my dogs in the woods one day. I’m pretty sure, though it is hard to recall now, that my daughter had spoken to me about a missing persons case, and that had set something off in my head. What if this drifter was to return to his small home town in order to find out what happened to his mother, who vanished when he was a child?

With The Mess Of Me it was harder. In this case, I would probably not advise coming up with the character before the plot, although in all honesty I had absolutely no control over this!

Lou Carling started talking to me when I was about half way through writing The Boy With The Thorn In His Side. This was fantastic to me at the time. Having had a long break from writing, in tackling The Boy I was giving it all a go again, seeing if I still had the urge and the passion. When Lou started talking and grumbling, I was overjoyed because I had that feeling again. Of fireworks and ideas exploding in my head, of panic and excitement knotting in my belly, of wanting to hurry home to the laptop, of needing to scrawl notes onto scrap paper so I wouldn’t lose a thing. Essentially, Lou let me know that it was back. Writing was back.

I let her babble on for a while, mostly because she really amused me. She had just finished her GCSE’s and had a long summer before A-Levels ahead of her. She was deeply cynical about everything and everyone, and had a rather filthy mouth. Her best friend was a boy called Joe, a lanky, hazel eyed boy whose mother was her mother’s best friend. I could see Lou and hear her. In fact she barely left me alone. She would have constant conversations in my head, really interesting little nuggets of dialogue I just had to scribble down for later. But I had no plot. What was this book going to be about? What was going to happen to her? What did she want? What did she fear?

It took a while, but I got there in the end purely by listening to her, and being witness to the world that started to build around her. The claustrophobic council estate, growing up without money, feeling exasperated and embarrassed by her family. Hating everyone, especially herself.

I’m happy to admit that large parts of Lou are based on me, on my own experiences, on my own views and feelings growing up. In many ways, she is the character closest to me, at that age anyway. But I allowed her more freedom, letting her express herself when I was too shy to. Immensely liberating, I can tell you. The plot I ended up with actually came from a strange childhood memory.

When I was young, my mother had a friend who had five sons. She was a larger than life kind of woman, large in build and large in voice. She would sweep you in for a cuddle and nearly break your bones. She used to make jokes about swapping my mum’s daughters for her sons, and I used to think she was serious, and I was just a little bit afraid of her. I loved going to her house to play though. With her two youngest sons, me and my sister and brother used to trespass onto the grounds of their local school and play games with their pet dog. We would climb and hide in trees and bushes and behind walls and the dog would look for us. I can also remember playing with a huge mound of cardboard boxes in their back garden, making dens out of them, climbing up them and leaping off to crush the boxes below.

Her three older sons were teenagers when we were small. They flitted in and out of the background, and as I was so shy I probably never spoke to any of them. I watched them get the odd clip around the ear. One even had his mouth washed out with soap one day. But they were like mysteries to me. Part of my life, and yet totally unknown. They could have been anyone. They could have had any kind of life without me knowing. I had no idea who they were, where they went to, what they did, or what they dreamed about.

One day we were coming up the front path and one of the teenage boys was sat on the doorstep with his head in his hands looking absolutely miserable. In the cool dark of the kitchen, I overheard my mother’s friend telling my mum he was in so much trouble. They muttered and murmured in there for some time, while he remained on the doorstep. I never did find out what he’d done wrong.

So somehow, for some reason, this all crept into Lou’s world. The house full of boys. The mother on the warpath, driven to distraction by her unruly brood. Having these people you’ve grown up with, and yet never really know. Mysteries that unravel just out of reach and over the heads of young children who are told to go out and play.

The drug running storyline was of course utterly fabricated. It could have been anything really, the trouble the boys were in. Everything else from here on was pure imagination!

In many ways the drug running activities of Joe’s older brothers, and the way both Joe and Lou get pulled into it all, is a sub-plot to the main one, which is simply Lou’s journey over that summer. Her determination to lose weight and get skinny. Her finding herself, without it sounding too much of a cliche, was central to it all.

So that’s the story of The Mess Of Me. Where it came from and how it happened. It is probably my most character driven book, with the plot almost taking a back seat to the characters.

What about you? As a reader, do you ever wonder what came first, the plot or the characters? Can you ever tell?

What about you writers? Is it always the plot first, the characters later? Or the other way around? Which way does it happen for you, and does it make it harder to write if it happens in a way you are not used to?

Feel free to comment below!

 

 

 

 

 

No More Free For Me

~ ChanAtkins ~ 10 Comments

There are many decisions to make about your book when you are following the indie route, and what to price it at is one of the big ones. When my first novel The Mess Of Me was about to be released in 2013, I made my decision regarding the price, by looking at similar books in the genre and also looking at the other authors who were with the same indie publisher. This helped me get an idea of how to price my debut novel. I didn’t want to make it too expensive and put anyone off purchasing it, but I also fully intended to make some profit after spending so much blood sweat and tears on it! I was also extremely serious about finally following my dream and making a living out of writing, and this was the first step on that journey. So never, in a million years did it occur to me to give my book away for free.

In fact, back then, as an indie newbie, I hadn’t even really heard of books being given away for free. I didn’t have an ereader at that time, and the way I bought books always involved parting with cash. It was quite a surprise to me that so many authors were giving their books away for nothing. Didn’t they want to make any money? Okay, not loads, no one should be in this game just to get rich. But didn’t they want some financial reward for all their hard work? Didn’t they at least want to break even after paying out for editing, formatting, book covers and promotion? Were they all nuts? It seemed like it to me.

I was a bit snobby about it for a while. I decided I would never do it. My books were worth more than that! I’d slaved over them, devoted my life to them, and they were good, damn it! Why the hell would I just give them away? People don’t choose a coffee and then walk out without paying for it, do they? You don’t do your food shopping and then waltz out the door without parting with your money. I mean, when did this whole free thing even begin? Where else does this happen??

So, I ignored it. I priced my books sensibly for a newcomer. Sometimes I reduced them a bit, especially if they had just been released. And all the time I was seeing this utter madness unfold around me on social media. It was everywhere I looked. Authors screaming FREE! FREE! MY BOOK IS FREE! GRAB IT NOW WHILE IT IS FREE! It was like they were all saying their own book was not worth paying for.

At the same time, I noticed another strange phenomena. The authors screenshotting their high rankings and declaring themselves bestsellers because they had entered the best sellers ranking with their free book. I found this really, really odd! But was this the reason they were doing it? To be able to call their book a bestseller, even though it had been given away? Or was there more to it than that?

Of course, I soon began to understand what was going on. The whole thing was a minefield. A quagmire of indies screaming and drowning and waving at the same time, and the ones shouting the loudest were all shouting FREE! ITS FREE! I’M A REALLY GOOD AUTHOR COS ITS FREE! But the truth is, what they were really saying behind the lines was something like this;

Look, in all honesty this indie author lark is not as easy as I first thought. I’m not selling anything and even my close friends and family don’t seem to give a shit! I need to be seen, I need reviews to get me noticed. I need someone to give me a chance! Once you read it, I know you’ll love it and then you’ll quite happily pay for the next one, plus you will review me and recommend me to all your loved ones! So just this once, just for you, just to lure you in and let you experience my genius, I will put my book for free.

And yep, you’ve guessed it, before long I was doing the exact same thing myself. I did wait at least a year and a half though, and then I went for it. I had nothing to lose. I was selling a few here and there, and I was getting great reviews, and people were going on to read the next books, but it didn’t feel like enough. Maybe making a book free would help?

Well, yeah, initially. It was exciting to watch The Mess Of Me sky rocket up the rankings in the week I made it free. Oh my god, all those people downloading my book! At last! This was it! Surely this would be it! Al those people would read it and review it and then buy others, and I wouldn’t ever have to do this again, would I?

Ah, what a dismal flutter back down to earth when the promo was over. How depressing to watch the book plummet back down to its usual position. And then came the waiting game. How many reviews would I get? It would be worth it, wouldn’t it?

Well no, because generally not that many readers bother to review! (And that’s a post for another day believe me) I had some lovely messages. I had some new followers. I had someone message me on my Facebook author page to ask questions about the book and tell me how much they had loved it. I asked politely for a review and they agreed but never left one. I am sure now that the majority of people who downloaded it never even got around to reading it.

I tried the same thing with two other books, and the same thing happened. Dizzying heights followed by depressing plummets and all for one or two reviews if I was lucky. My then indie publisher even tried to warn me. Free books don’t work like they used to, he advised. The time has passed.It’s not a great promo tool anymore, and he was very right.

Since then, I’ve released more books, grown my following, tried many other promotional routes and had my indie publisher go bust on me. I am now properly self-published and loving it. I am actually doing better than I was before. I’m not talking thousands of copies of course. I’m just saying things are heading in the right direction.

Will I ever give my book away for free again? Yes, but only to the right people. You see, here is the thing. Who is more likely to reward the freebie with a review, a recommendation and another purchase? Someone who is already interested in you. In other words someone who has subscribed to your email list, or someone who is interacting with your social media pages, keen to see what you come up with next.

So from now on, those are the people who will be treated every now and then to a freebie. A competition on my Facebook page, or a free ebook attached to my email newsletter. I know there is a higher chance they will leave a review and help me on my journey. Personally, I think it is time for the free ebook on Amazon to die. Readers should be happy to pay something in recognition of the authors hard work and dedication, and the only way they are going to place value on a book is if it costs them something to purchase it. Too many free books force other writers to lower their prices to compete, or to place their own as free, adding to the problem. I think 99p/99c is cheap enough, and from now on, this is as low as my books will go, and this will only be for countdowns and odd promotional days. After all, if I don’t value my own work, who else is going to?

What do you think about free ebooks? Please feel free to add your comments below. Is it time authors stood up and said no to free? After all, like a popular meme on social media points out, people are more than happy to pay a few pounds for a coffee, so why not a few pounds for a novel that had taken someone years to write? Has giving your books away for free helped you progress? If so, comment away!

 

 

 

 

Have You Got What It Takes To Go Indie?

~ ChanAtkins ~ 12 Comments

Life as an indie writer is not easy. It is a hard slog, full of ups and downs. It is a journey often plagued by a gnawing self-doubt as well as the added burden of feeling like you constantly have to prove yourself. Not only do you have to make all the key decisions about your book, with regards to editing, front cover, and how to market and promote it, you also sometimes feel like you have a shadow hanging over you. You have to fight harder to be seen, try every trick in the book to prove yourself, and all with the nagging question that just won’t seem to go away. Are you really good enough?

Sadly, since I started my own journey in 2013, I’ve seen indie author’s announce they are quitting on a regular basis, stating that they just can’t do it anymore. There are just so many of us out there now, all searching for the same thing. The Holy Grail. How to succeed as an indie writer.  It often feels like a step forward, followed by two steps back. Many give up when their books refuse to sell. Many become disenchanted when they fail to find an audience. Many become exhausted by the endless choice and costs involved in promoting their books.

So what does an indie need to survive? What sort of person to they need to be to get through the inevitable highs and lows? I believe survival comes down to four main things, four personality traits you are going to need in bucket loads, if you are going to stick with the indie life and not give up when the going gets tough.

You need to have an immense passion.You must believe in your stories. You might be good at writing, but you are going to need more than talent to survive the bumpy road ahead. Never mind your writing abilities or creative talents right now. Ask yourself this; do you truly have a passion, a deep and possessive passion for the stories? Do these stories keep you up at night? Are these stories begging to be told? Do they plague your daydreams and interrupt your ordinary life? Do you have something you desperately want to say and share? Is this idea driving you crazy? If yes, then you‘ve got the passion. But that is only half the battle. You have to keep that passion, especially when times get tough, as they inevitably will. It helps to have a lot of unwritten material sloshing around inside of you. A host of characters chattering away, urging you to get on and give them their turn. A desire to get it all out,whatever it takes, to keep writing and writing, no matter what.  The passion to write is perhaps the most important thing you will need. It will ensure you keep writing, because you have to write, because absolutely nothing is going to stop you.

Self-belief. In truth, for any writer, self-belief comes and goes. There are times you have lots of it and feel genuinely proud of your last paragraph or your final, finished product. But there are equally as many times when a first draft is anything but perfect. In fact it is ugly and clumsy and utterly different to how you envisioned it in your head. Quite simply you think you should give up and never write another word. This is quite normal, and I’m sure even the most successful and well known writers are regularly plagued with bouts of crippling self-doubt. There are days you just can’t write properly, nothing comes out the way you want it to, you compare yourself to others and feel you fall woefully short. This is all fine. But in order to succeed as an indie writer you need to have a rather solid foundation of genuine self-belief.You may not want to brag about it or declare it to the world, but deep down inside you must believe that you are good. You must believe that you can write. You can tell a story and make it work. You can make people care. You deserve this and can hold your head up with the best of them. Otherwise, the hurdles to come are going to knock you off course pretty quickly.

Hope. I think this applies to the indie more than any other writer. The indie needs passion and self-belief, in order to get that idea down on paper. They need talent and determination to edit, rewrite and perfect that work until it is ready to publish. They need to become an expert at marketing, promotion, an entrepreneur even, and in many respects a businessperson. But they also need to be an optimistic and hopeful kind of person in order to survive. Why? Because hope keeps you going through all the hard times, through the low sales and no sales, through bad reviews and no reviews, through feeling totally alone and out of depth and not to mention being penniless! You have hope that you‘ll become a better writer, that you will get better with every new thing you write. You have hope that your small following will continue to grow,and that fans will spread the word for you. You have hope that you‘ll one day land a nice big, traditional publishing deal, (if that’s what you want, and let’s face it, most indies would love to hand at least some of the control over to an enthusiastic professional!) You have hope that you‘ll make it. You‘ll succeed and realise your dreams, and achieve whatever level of success you are aiming for.

And finally, I believe you need to be a realistic dreamer. By that I mean, you need to dream big and aim high, but at the same time, you need to keep your feet on the ground and be realistic. I think perhaps too many writers jump into the indie game with their expectations too high. I know I was guilty of just this at the start of my journey. I sort of expected things to just take off. I thought all my friends and family would buy and love my book, would leave plentiful glowing reviews, and would then encourage all of their family and friends to do just the same, and my book would somehow just tumble forward, picking up speed until I made it! Oh how that makes me laugh now! No, I’m sorry, it’s just not going to happen like that. In my experience, people mean well, but when they say they will read or review your book, it does not always happen. People are busy. They have their own lives and interests, and they may not want to read your book for fear of offending you if it’s not their kind of thing. in truth, many of them are just not going to be interested at all. The indie journey can therefore be a lonely one at times, not to mention frustrating. Expect too much, and you are going to get disappointed. Be realistic. Recognise that it is not a race, but more a journey of development and discovery. The fact is, you will get better at all of it. You will get better at writing, and at marketing, and you will realise you don’t need your family and friends to push you forward. You need to find your own audience, and finding them, is quite simply part of the package you sign up to. Getting reviews and exposure, gaining readers and fans, winning awards and so on; all of these things are down to you.

I believe that if you have enough passion, self-belief and hope, you will be able to maintain longevity as an indie writer. Keep your feet on the ground and your expectations realistic, while not ever giving up on the dream. They may all get dented and bashed about from time to time, but as long as the reserves are deep, you should be able to keep going. Who knows what is around the corner as long as you don’t give up your dream?