The Mess Of Us is Available to Preorder!

The sequel to my debut novel, The Mess Of Me, is coming soon.

Exciting news! The Mess Of Us is nearly here! Over ten years have passed since I published my debut YA novel, The Mess Of Me, but I’m delighted to share that the sequel can now be preordered on Amazon! I only have the ebook set up at the moment and it is currently discounted at just 99p. I will have the paperback version set up soon, followed by both ebook and paperback on multiple platforms.

Here is the blurb:

“Dear World, so, obviously we made a mess of it. Inevitably. Otherwise I wouldn’t be writing to you again, would I?”

What do you do when the man who beat your boyfriend into a coma is about to be released from prison? What do you do when that man is your boyfriend’s older brother who wants to make amends?

Now a couple, Lou and Joe are struggling to get over the traumatic events of two years ago. When Joe’s brother Leon is released from prison, they must decide if either of them are able to forgive and forget what he did.
Meanwhile, an unexpected pregnancy throws their lives into chaos and when tragedy reawakens Lou’s self-destructive tendencies, she faces losing everything they have built. Can she fight her body image demons once again? Can either of them trust Leon? As Joe and Lou try to decide whether bad people can truly change, they are about to have one mess of a summer.

This sequel has been a long time coming but as you know, I have been very busy writing and publishing other books within this universe, as well as The Day The Earth Turned series. November saw the release of At Night We Played In The Road, which is a spin-off from The Boy With The Thorn In His Side series, and The Mess Of Us, which also connects to these books, will be released on February 14th 2025.

There will then be one final book in this universe, The Dark finds You, which I hope to release in the summer of 2025. That book is a crossover book, taking characters from lots of the other books in order to tie up all their stories.

For example, at the end of The Mess Of Us you might wonder what happens next to Leon, whose redemption arc is a pivotal plot point of the book, and you will find out in The Dark Finds You. This final book will basically pick up where The Mess Of Us ends!

If you are new to my books and are interested in gritty, character led stories that share a universe, this is the suggested reading order of the books:

The Boy With The Thorn In His Side series
The Mess Of Me
Elliot Pie’s Guide To Human Nature
The Holds End trilogy
At Night We Played In The Road
The Mess Of Us
The Dark Finds You

It was a lot of fun being back with these characters again. The sequel had been building quietly in my head for a few years, and what concerned me most was Leon’s release from prison. How would Joe and Lou react to this? Would Leon want to apologise to Joe for what he did to him? And would Joe and Lou be able to forgive and forget what happened? I was curious about Leon as a character. In The Mess Of Me he is painted, quite rightly, as a total villain. However, towards the end of the book he commits a vile crime on the same day he saves someone’s life. I found that really interesting to explore and The Mess Of Us started to form in my head.

I hope you enjoy it and as always, thank you so much for following my journey!

Still Lost In My Own Little World

Me, aged twelve – thinking about my story at school, staring out of the window, barely listening to the teacher, barely aware of the world around me, filling my rough book with ideas and pieces of dialogue because my characters think the school day is a perfectly appropriate time to start talking to me. Rushing home, backpack bouncing against my shoulders, breathlessly running through the door to complete my chores before the rest of the day is mine. Me, in my room, music on first. Guns ‘N’ Roses at that age, thumping out from my hi-fi music system on the floor. My desk, an old coffee table, me on my knees, hunched over reams of scruffy A4 lined notepaper. A whole folder of one boy’s story, one boy’s scary world which would over time morph into an entire universe of my making.

Me, feeling excited to the point of explosion. Fixating entirely and completely on the story growing before my eyes under the frantic movement of my powerful biro. Pouring out the ideas and scenes that have bombarded me all day at school. Not a part of me is wondering what else I might have missed, from teachers, friends or society itself. Because I am removed and detached from all of that. That’s the background, the white noise, the distraction and this – this is real.

There were always other stories too, a constant stream of words and action. Sometimes I would sit at the breakfast bar in the kitchen with an old transistor radio to keep me company. I’d be lost in there, utterly gone. A ghost in this world but the puppet master of my own. I’d come back when I had to, with drowsy reluctance. What was there for me in this world? Terrible school, awful people, tedious chores and pointless homework. My parents rowing, doors slamming, people leaving, accusations flying, money draining away. I didn’t want any of that. I did not, in the words of Tom Waits, wanna grow up.

So, I didn’t. I broke free. I bucked the trend. Broke the rules. Did what all of them told me not to. I became a writer. And not much has changed. I have a foot in each world but most of my thoughts and dreams happen in my own one. As a child people used to say I was in my own little world and I guess they thought that one day I would grow out of it. Nah. I became a writer.

And it’s just the same now, as I hurtle back from the dreaded school run, a day off stretching ahead of me, dogs to walk, ideas to hold onto. I get to the laptop, get to my stories, to my own little world as fast I can. The world is bigger now – it’s a universe! I have sixteen published titles and eleven of those occur in the same universe. The Boy With The Thorn In His Side was my obsession as a child and a teenager. That story, those characters guided me through my youth and gave me a much needed escape route from reality. No wonder they mean so much to me. No wonder I am reluctant to let go. The Boy With The Thorn In His Side, the Holds End trilogy, The Mess of Me, Elliot Pie’s Guide To Human Nature and Bird People and Other Stories have all grown out of my obsessive writing as a twelve year old. I’d love to go back and tell her! And at the moment, the same universe continues to expand with three more books I am working on side by side. Again, I think twelve year old me would be amazed!

At the moment I am working on the fourth draft of At Night We Played In The Road which is a spin-off book from The Boy With The Thorn In His Side series. Two characters are introduced in book five of the series and I loved them so much I decided to give them their own book. A while back I penned a start to a sequel to The Mess Of Me, which was my debut novel in 2013. I finally finished it recently and as both these new books happen in The Boy With The Thorn In His Side universe, writing them inevitably led me to one final story. A crossover story, which I am currently on the second draft of. This book, The Dark Finds You, brings Danny from The Boy With The Thorn In His Side series, Leon from The Mess Of Me, Bill from the Holds End trilogy and Elliot from Elliot Pies Guide To Human Nature together in one story about a missing boy. It happened naturally and inevitably, I feel, because storylines that run through all those books have tangled my characters up together in the same dark criminal world where youngsters are lured into running drugs for older, criminal gangs and all of this comes to a head in the crossover book. It really finishes off Danny’s story too – from the boy I created aged twelve, to the man he is now – this last story ties everything up with no loose ends left hanging. Once these next three books are released, it really will be the end for that universe.

I will be both happy and sad but other worlds are calling! Plus, I don’t want to drag it out forever! This last book really will tie everything up perfectly and it’s been a very satisfying one to write. I think it is the fastest and easiest book I’ve ever written. It took just six weeks to complete the first draft and it just sort of wrote itself!

So, I’d like to pay homage to my obsessive twelve year old self. Thank goodness you didn’t give up. That goodness that drive to write was there every single day, upon opening your eyes! You didn’t know then what it would lead to but you did know you were addicted!

And I’m extremely happy and grateful to still be lost inside that world of my own making. It’s the best place to be.

Who Is My Reader?

One of the first pieces of advice I recall hearing when I started my indie publishing journey in 2013, was; ‘know your audience.’ It sounds so simple, doesn’t it? Know your audience, know who your reader is. Once you know who they are you can figure out how to find them, where they hang out on the internet, what social media they are likely to be on, what tags you can use to get their attention, who to market your books at and so on.

I remember struggling with this at the time though. And I’m still struggling now. Back then, I had written The Boy With The Thorn In His Side, Parts One and Two, but while it was with beta readers, I very quickly churned out The Mess Of Me. The two were written side by side for a while until eventually The Mess Of me won the race and was released first.

The Mess Of Me has a 16-year-old protagonist and is essentially a book about growing up and the many teenage issues that go with it. At the time though, I didn’t think of it as Young Adult or as being aimed at teenagers.  I just listened to the voices in my head, as I always do, and they were young.  I soon figured out that not categorising and marketing The Mess Of me as YA was foolish and ridiculous. I had to get my head around something then. Was I a YA author? Did I just write YA?

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I didn’t have a problem with this as I have never grown out of loving YA books, and although I read a lot of genres, I do frequently return to YA and always feel like I am coming home. The problem was the next book. Though also having a teenage protagonist, and dealing with teenage issues, it was far harder to classify. Partly because the teenage narrator grows up and becomes an adult, and partly because there are two narrators for Parts One and Two, and the second narrator is an adult. In my head, this book was never aimed at anyone. I just had it in my head and wrote it.

I’ve got to be honest, this has mostly been my approach since too. This Is Nowhere features a grown man, but every other chapter dives back into the past to when the character is a young boy and teenager. I always felt like this one was probably better suited to adults though, so I categorised it accordingly.

The Tree Of Rebels was the first and only book I wrote with a deliberate audience in mind, and I think I mentioned on here several times while writing it, that this made it the hardest book to write. It sort of altered how I felt about the book. It was like I was trying to write to please someone the whole time.

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Since then, I returned to just writing what I wanted to write and not imagining the reader first. This is fine when writing, but presents all sorts of problems when the time comes to publish the book. What categories and keywords do I choose? How do I market it? What genre is it? How do I find the people who will like this book?

Elliot Pie’s Guide To Human Nature is a classic example of why I am still in such a muddle and still struggling to find my readers. It has a young narrator, but also an adult one. The adult themes, for me, make it more suitable for adults than teens, but Elliot’s day to day life and outlook are something that will more than likely resonate with young people. I still find it hard to describe the genre of this book. Definitely coming-of-age but also contemporary women’s fiction? Maybe even UpLit?

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With Parts One and Two of the new, revised The Boy With The Thorn In His Side series almost ready to be released, and Parts Three and Four being polished up in the background, my mind has once again returned to my elusive reader. 2019 will continue to be busy as I plan to release YA novel, A Song For Bill Robinson and possibly it’s almost finished sequel, Emily’s Baby. My list of novels is growing longer, but I still don’t know who my audience is. It’s tricky when you cross over so many genres. Most of my books cross into two or more, with psychological thriller, suspense, crime, coming-of-age, mystery and dystopian all regularly showing up.

So, who is my reader? What sort of person reads my books and likes them? I only have a small audience, so it’s hard to speculate. But I suppose really, my reader must be someone quite similar to me. I imagine them as slightly scruffy, or at least not terribly groomed and over bothered with appearances. They probably make an effort when they can, and they probably berate themselves fairly often about sorting out some kind of ‘look’, but it never really feels urgent to do so. They are probably young at heart. Stuck in the past, tinged with nostalgia, reluctant to admit and give in to adulthood. I think they are a music fan. They probably like all sorts. They’re not narrow-minded about it at all. They’ll listen to anything, but they have their favourite era of course, and their favourite songs. They see life in songs. Soundtracks are everywhere.

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What else? I imagine them as liking animals and nature. Not in a really obsessed, or professional way, just in that seeing a bird or a deer unexpectedly will really make them smile and have a better day. I think they enjoy being outside, all weathers too. Being outside makes them feel more alive.

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I think they are introverted but friendly and warm. A bit cynical and suspicious at times. Prone to the odd dark mood. Likely to panic about once a month about how the world is utterly doomed. But they always brighten up and soldier on. Despite being naturally shy, they are really interested in people, genuinely intrigued by them. They love a spot of people watching and love a character-driven book they can really get their teeth into. They are looking for stories about humans they can relate to and empathise with, and they are looking for characters to fall in love with, characters they wish were real.

They want to disappear inside a book and come out feeling different. They don’t want anything too formulaic or predictable. I think they are a bit of an eccentric at heart. They probably talk to themselves.

This is how I imagine my readers to be and I shall continue to do my best to try to find them. What about you? If you are a writer, do you know who your audience is? If you don’t know, does it make it harder to sell your books? If you’re sure of your audience, tell me about them. What are these people like? If you’re a reader, do you imagine yourself as part of a genre tribe, full of similar and like-minded people all connected by an appreciation of mysteries, or romance, or horror?

Please feel free to comment and share!

Stuck Inside A Story (For 28 years…)

That’s how it feels. That’s what it is. Stuck. Trapped. Held prisoner. I can’t get out. But do I really want to? Evidence would suggest not. Sometimes I wonder what exactly I have done. Created a world, created characters, used some magic and a lot of hard work, an imagination I can’t control, and there you have it, an alternative reality I can’t escape from.

I had no idea this would happen when I started writing as a child. My first attempts were hand-written stories about lost and abandoned animals, heavily influenced by my love of Watership Down and other similar books. I didn’t write my first story about real people living real lives until I was 12 years old. What happened to tear me away from my quaint tales of lost dogs and runaway bunnies? Well, weirdly, this.

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And this.

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Watching The Lost Boys gave me a few vital ingredients for the story that would go on to hold me prisoner for the next 28 years. It gave me the main idea, the main concept and it gave me some characters. Or at least, it inspired me to create characters who would turn out to be the kind of people I wished I knew in real life. As for Stephen King, it was around this time that I started my collection and was well on my way to becoming a truly obsessed fan. Add to that strange mix, the recent divorce of my parents, the usual teenage angst and rebellion, and I had me a story. Remember the bit in The Lost Boys when the younger brother realises his mother is dating the head vampire? That’s where the idea for The Boy With The Thorn In His Side came from. It wasn’t called that back then. It wasn’t called anything for ages. But I kept thinking…what if your mother was dating a monster? Only not the vampire kind, the real-life kind? And what if no one believed you? And what if you only had yourself and your best friends to try to battle this person? It was a weird mix of asking ‘what if’ questions, my parents’ recent divorce playing on my own fears, a dewy-eyed fascination with the actor Corey Haim, and a love of horror and fascination with the darker side of human nature that spawned this tale.

In my mind, my main character Danny, who is 13 at the start of Part 1, looked a lot like Corey Haim, who I was quite a bit in love with at that age. Once I had him in my head, his character started to grow and evolve, and I think I wrote that very early first draft pretty quickly. I remember it was my absolute obsession for a while. I hated to be away from that story. I’d rush home from school and up to my room to pick up my notebook and pen. I’d write endlessly and passionately. I suppose at the time I had no real idea of what I was doing. I was sort of trying to invent friends, I think. People I was intrigued by, people who had drama in their lives. I felt like I was a character in the book too. I was so proud when I finished it. I even started a sequel. I showed my English teacher and she read it and gave me a merit certificate I had to go up in assembly to collect. I remember being embarrassed but happy. The certificate said I had written a novel. At age 12! I don’t think I have the certificate anymore, but here’s the book.

 

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I started rewriting it after that. I had invested in an electronic word processor. It was the most exciting machine in the world to me! I could sit there and tap away and watch my words appear on this mini screen, before hitting print and then holding typed pages in my hands. What also happened to me at that age was that the story crept inside my brain. It kept me awake at night. It was company. I was never, ever bored. I’d look forward to bedtime because I knew I could lie there and think about my story before I fell asleep. I watched the scenes in my head like a movie. I heard them talking and arguing. Inevitably I came up with new ideas and extra bits, but mostly I just let them play it all out, and most of those imagined scenes have never made it into any of the books. It was just me, a fly on the wall of a made-up world, watching them live.

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Here’s one of the many pictures I drew of the characters. Only some of these made it into the final version.

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I rewrote that book again at aged 16. I’d started and not finished tons of other stories in that time. The book had opened a floodgate, forging a lifelong addiction to writing. But that one story, I couldn’t ever let it go. I rewrote it again at 19. I thought about it constantly during the non-writing years of balancing early motherhood with self-employment. The same story, the same characters always in my head, coming back to me night after night. I was 34 before I finally returned to it. I started writing in notebooks again, just like when I was a kid. Snatching spare moments, writing before bed, suddenly entirely addicted all over again, but this time it had to come out, it had to be finished.

I finally released it in 2013. The Mess Of Me snuck in and was released first because The Boy With The Thorn In His Side was so long and needed so much work. But finally, it was out. A real book I could hold in my hands! I’d done it. So now they would fall quiet, surely? I’d stop thinking about them. I’d stop playing out more scenes.

Well, no, not exactly. Before I knew it I’d penned a sequel, This Is The Day and released that too. That should have been the end of it it, but yet, it still wasn’t. The story itself was so enticing to me, and I was so invested in it, I couldn’t stop imagining other endings, and I guess, truth be told, in my head I did not want it to be over. So the stories went on. Every night, hi guys. What’s happening now?

I wrote an alternative ending in 2016 and included it in Bird People and Other Stories.That was supposed to draw a line under it, but it only made things worse. Now I couldn’t get the thought of other endings out of my head! What if this happened instead? What if? What if? For the fun of it, I started writing a screenplay in a notebook. Brand new material that led on from the original ending of book one, slotting in and delaying the ending, but finishing up before This Is The Day. This was only supposed to be for fun. To get it out of my system. To indulge myself even more than I already had. What the hell, what did it matter? It was for fun. I didn’t have to explain that to anyone!

Except now I do. Because that screenplay became a total obsession. I carried that notebook around with me everywhere. I grabbed every spare moment I had to write into it, getting this new story out. I absolutely loved it. I was so excited about it. I just couldn’t put it down. So eventually, after a lot of thinking and plotting, I came to a decision. I would do it. I would split the book back into two parts and this new material would be part three. Part Four would be This Is The day but it would need some reworking. Then suddenly, parts five and six emerged…

I’ve now accepted the truth. And that is that this story and these characters will never let me go. They are part of me and part of my life and I’m going to leave each book open, just in case I want to revisit it again.

There are new characters introduced in Parts Five and Six, and these also get their own spin-off book or possibly series with characters from both appearing in the others. So, as you can see… this thing could run and run.

So, if you are interested in reading this story, which began when I was 12, followed me through my life and has now evolved into at least a six-part series, you can start with The Boy With The Thorn In His Side Part One which is available for pre-order on Amazon now and is released on 9th November. This is a reworked, revised edition. The Boy With The Thorn In His Side Part Two is also available for pre-order now and is also released on 9th November. Both at the special introductory price of 99p.

I plan to release the brand new Part Three in January an Part Four in February. By then I hope to be into the second or third draft of Part Five…

And the weird thing about this story is that I wrote it purely for myself, I indulged myself entirely, became utterly lost and absorbed and have still been unable to climb free from it. So I don’t really expect anyone to buy it, and I don’t really mind if they don’t. It feels weird to even try to plug it if I’m honest. Like this one is just for me. Like this is my mind, my imagination, my daydreams and to imagine anyone else wandering around in there is almost unsettling. And if it holds me prisoner for another 28 years? I think I’m okay with that…

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