Indie Author Of The Month; Kim M Watt

Hello and welcome to another Indie Author of The Month post! At the end of each month I highlight an indie author I happen to think is rather wonderful. This is usually because I have read their books and been following them online for some time. For June, please welcome author Kim M Watt. First, let me say that Kim writes books I wouldn’t normally make a beeline for. Humour and fantasy. Not that I don’t like either, but I’m usually more drawn to YA or gritty, dark kinds of books. I was attracted to Kim’s books because of the snippets and graphics she posts on social media, all of which made me smile and want to give these unusual books a go. I have particularly fallen in love with her Gobbelino London series. To find out more, read on!

1. Tell us about your latest release. What is it about and who is it aimed at?

My latest book is Gobbelino London & a Contagion of Zombies, which is book two in the Gobbelino London series. It’s an immensely fun series to write, about the adventures of a feline PI and his human sidekick on the streets of Leeds. Contagion is (surprise!) about an unexpected rising of the dead, resulting in stress-baking reapers, irate magicians, zombie chickens, and some issues of undeadness for our team. It’s aimed at anyone who enjoys a light take on the PI genre, heavily salted with mayhem, humour, and cat hair.

2. Tell us about your publishing journey so far.

I’ve had a few attempts at traditional publishing (starting with a truly terrible vampire novel at 16), but a few years ago I became interested in indie publishing. I like the degree of control it affords the author, and as I’m a reasonably fast writer it also suits me. Plus, as my stories are a bit … quirky, shall we say? Weird has also been used… Anyhow, they don’t fit any one genre that well, so it’s tricky to sell them traditionally. So indie just seemed like a good fit all round. I published my first cozy mystery with dragons about 18 months ago, and it’s just been a really interesting and fun learning curve ever since.

3. When did you first know you wanted to be a writer?

Ooh, always! I grew up on a boat in the South Pacific for quite a few years, so was on the NZ correspondence schooling system. Those being the days of very slow post, we sometimes lost incoming coursework. My solution was to write (and illustrate) a book of short stories. Although I may have been trying to avoid my mum’s maths questions by saying I was writing, too.

4. What is your typical writing day like?

I’m really lucky in that I’m able to write fulltime at the moment, so a typical day for me is up around 6 (earlier if the cat feels I’m slacking on food duty), work out or run, breakfast, then write for about 4 to 5 hours. I don’t write every day, but when I’m on writing or rewriting, that’s my time frame to hopefully get a couple of chapters done. I’m not too hard and fast on word counts, but that’s my goal. The rest of the day is then blog posts, social media, newsletters – whatever else needs doing.

5. What is your writing process? (how do you plot a book, come up with characters, find motivation etc)

Right. Yes. My process. *Tries to look like she knows what she’s talking about*

My process is … messy. I’ve tried really hard to learn to plot, and have done everything from plot gardening to circle-y things to Beat Sheets and everything else I’ve come across, including using a small forest’s worth of Post-it notes (I’m sorry, trees).

My conclusion is that it doesn’t work for me, certainly not in the first draft. My best writing is to have a start point and a vague idea of where I want to end up, then I just start writing. I find by hand works really well, or fast typing without correcting anything (and I’m a terrible typist. It’s almost as bad as my handwriting). The characters tell me about themselves as I go along, and that tends to shape the story. I’m mostly just along for the ride at this stage.

I then go back for at least one major rewrite before I send the story out to beta readers, and that’s where I use a Beat Sheet as a reference point to make sure I’m hitting plot points at about where I should be. Motivation is rarely a problem when I work this way – by the time I start writing I’ve usually had an idea rolling around in my head for a few weeks or months, and I have so much fun watching it take shape on the page that I look forward to sitting down. When I try to plot, on the other hand … not so much fun.

6. What has been the most positive thing about your publishing journey so far?

The online writing community. It’s the most supportive and wonderful collection of people – it makes me feel so lucky to be a part of it. I also love how social media means you can chat to readers – it makes the whole process so personal and lovely.

7. What has been the most negative thing about your publishing journey so far?

I’m not sure I’d call it negative exactly, but it’s All The Other Stuff you have to learn – from formatting to figuring out what you want covers to look like to trying to work out why your website suddenly started eating all your photos. There’s a lot!

8. Who is your favourite character from your own books and why?

Aw, that’s hard! I love all of them for different reasons. Gobbelino because he’s just such a cat, and so much fun to write. Beaufort because he’s so optimistic and gentle and fierce all at once. Glenda, who joined the Apocalypse on her Vespa, and who hasn’t told me her full story yet, but I know she will.

9. Where do your ideas come from?

An amazing amount come from Twitter. Gobbelino London started as one of those games that go around – the name of your first pet plus the last place you went on holiday. The Beaufort Scales series was a combination of a tweet I misread (it was about being barbecued by dragons if you went near their hoard, and I thought it was about dragons hoarding barbecues) and a strange discussion with my dad regarding the Beaufort Scale. Anything can be an idea, really.

10. What can we expect from you next?

I have the third Gobbelino London book due out in August, and a fifth Beaufort book towards the end of the year.

11. Tell us three fun facts about you

This is the hardest question yet!

– I’m originally from New Zealand, but haven’t actually lived there all that much.

– The Little Furry Muse (aka Layla the cat, and inspiration behind many snarky feline characters) has been with me for over 10 years, and in that time has lived in three different countries, ten houses, and two campervans.

– I’ve had all sorts of non-writing jobs, including teaching SCUBA diving, teaching sailing, cooking on sailing yachts in the Caribbean, and being bosun on a superyacht. Writing’s still the most fun.

12. What is the best advice you could give to aspiring writers?

Finish your writing. Accept it won’t be perfect, but know when you’ve done the best you can, and put it down. Otherwise you’ll be adding dragons and taking away pixies for another 326 drafts. And celebrate everything. Every draft, every rewrite, every edit. They all deserve celebrating.

Plus drop the “aspiring” bit, unless you’ve actually not written anything at all yet. And in that case – just start. That’s the scariest bit, so just start anywhere. And then you’re a writer 🙂

Thank you so much for inviting me to interview!

Thanks so much Kim for joining me on the blog. If you would like to find out more about Kim and her books, the links are below!

Website: https://kmwatt.com/

Books links: https://kmwatt.com/my-books/

Indie Author Of The Month; Paula Harmon

Welcome to another Indie Author of The Month post! This time please welcome the marvellously versatile and prolific indie author Paula Harmon. As well as writing fantastic novels and short stories, Paula was also one of the wonderful people behind Blandford’s first ever literary festival last November. I was honoured to be asked to get involved and it was a fantastic event I hope they are all very proud of. I can’t wait for the next one! Here Paula talks about where her ideas come from, what her writing process is and more. Enjoy.

  1. Tell us about your latest release. What is it about and who is it aimed at?

The Wrong Sort To Die’ will be out as an e-book on 30th June 2020.

It’s a historical mystery set in June 1910.

Fighting her corner in a man’s world, Dr Margaret Demeray works as a pathologist in a London hospital for the poor. Suppressing her worry that she’s breaching confidentiality, Margaret gives a stranger called Fox information about a dead down-and-out, in the hope he’ll use it to raise awareness of bad working conditions.

But when a second man appears to die the same way, Margaret starts to wonder why the enigmatic Fox keeps turning up to ask ever more complex questions.

She decides to work alone, uncertain of his motives and wary of her attraction to him.

Once she starts investigating however, her home is burgled, she’s attacked in broad daylight and a close friend becomes distant.

Fox offers the chance to forge an alliance, saying he knows why the men have died but needs her to find out what is killing them and who is behind it.

Yet how come the closer she gets to him the more danger she faces? And how can a memory she’d buried possibly be linked to the deaths?

Margaret must discover the truth before someone – known or unknown – silences her for good.Margaret Demeray was a minor character in the Caster and Fleet series set in the 1890s where she first appeared as feisty teenager. There was no chance she was going to let her older sister get away with all the fun. It would be suitable for anyone who enjoys writers like Ann Granger, Anne Perry, Clara Benson and like a strong-minded female lead.Tell us about your publishing journey so far.

2. Tell us about your publishing journey so far.

I published two collections of short stories in 2016, followed by a memoir about my father in 2017. In 2018, I published my first novel ‘Murder Britannica’ which is a historical mystery set in Roman-Britain in AD190. The sequel ‘Murder Durnovaria’ set the following year in Roman Dorchester came out late 2019. I published a joint collection of short fantasy stories called ‘Weird and Peculiar Tales’ with Val Portelli. With Liz Hedgecock, I co-wrote the Caster and Fleet series – six historical mysteries set in 1890s London which start with ‘The Case of the Black Tulips’. They’re about two young women, frustrated with the restrictions in their lives who end up in partnership solving mysteries.

3. When did you first know you wanted to be a writer?

When I was very small, if I was sent to bed early as a punishment I was always quite glad as it gave me the chance to tell myself stories. (For as long as we shared a bedroom, I used to drive my younger sister up the wall by doing this under my breath when she was trying to go to sleep.) Creative writing was my favourite subject at school and I’d always meant to be a writer. Earning a living, then having a family got in the way to start but I thought I’d finally have time and space when my youngest child started school.  However, a relocation and change of working pattern meant my dream was dashed. Then in 2015, someone encouraged me to enter a competition and join a writers’ group. After that I sort of thought ‘if I don’t just get on with it whether I have time and space or not, I’ll never do it’ and I did.

4.What is your typical writing day like?

I work full-time and writing tends to have to fit round work. I try to write for one day at the weekend as well as fitting in an hour a day otherwise. I’d write on train journeys as I did a lot of commuting up till March. The current Covid-19 situation makes things less easy since, although I’m still working, I spend that ‘hour after work’ catching up by video with my mother and sister. But on the other hand, I’ve had nowhere to go at weekends and been able to get on with writing instead. Although, as for many, the coronavirus situation itself has a scrambled my brain a little.

5. What is your writing process? (how do you plot a book, come up with characters, find motivation etc)

I tend to start off with a short scene in my head – a person or people in a location doing something apparently ordinary and then I have to work out who they are and what’s extraordinary about it or what’s going to happen next. I usually start with two characters and seem to end up with a million – really not sure why! Once I know who the people are, I then work out where they are, when they’re living and what time of year it is. If it’s set in another era, I’ll do a little light research to find out what was going on at the time in case I need to factor that in.  Generally once I find the ‘shape’ of the story, I know how it will start and end and roughly who wants what and what is stopping them from getting it. I usually write that down and then an outline of what ought to happen roughly at each stage of the book. Then I just start and see what happens. I quite often end up completely reorganising the middle, though the beginning and end don’t usually change. I find out more and more about the characters as I go long – they become ‘real’ and that sometimes alters what the core of the story is about in terms of what they learn about themselves or their world.

6. What has been the most positive thing about your publishing journey so far?

Hearing that people enjoy what you’ve written – that it’s touched them or made them laugh – is wonderful. But for myself, even if I write something that not many people read, somehow tapping into the part of my brain that demands to write stories is a wonderful mental release.

7. What has been the most negative thing about your publishing journey so far?Marketing is very hard work. Most writers by nature are rather introverted. I’m not sure I always come across that way at work, but the minute I start talking about my books, I’m overwhelmed with shyness. It always feels like I’m exposing a part of myself, which I suppose I am – since most characters have elements of the author in them. (That’s a little alarming when I think of some of my characters.)

8. Who is your favourite character from your own books and why?

That’s really hard to answer and tends to depend on what I’m working on at the moment! Margaret Demeray’s outgoing and determined nature leads her to want to make the world a fairer place, but it hides a vulnerability. She’s drawn in part from some of the rather feisty women in my family, none of whom let anyone tell them what they could or couldn’t do. But I confess her tendency to lose her temper and say the wrong thing when she does is definitely me.

But I can’t help loving Lucretia – one of the main (and from her perspective) most misunderstood characters in the Murder Britannica series. It never ceases to astound her that people don’t realise just how important she is, but she remains full of hope that not only will she become even richer very soon but that she’ll find if not love then passion – it’s just annoying that people around her keep dying in suspicious circumstances.

9. Where do your ideas come from?

I really don’t know! They just turn up. I’ve always had very vivid dreams and quite often that’s where they come from, and I’m also a terrible day-dreamer. I love places of transit like stations where you can think ‘what if I got on a different train and went somewhere else entirely? or what if the train went back in time? or what if an old friend/enemy sat down next to me? or…’ I sort of apply that in other contexts and see what unfolds. ‘Murder Britannica’ started as a paragraph where Lucretia is having a snide and critical conversation with her daughter-in-law. It just came to me one lunch-time and I wrote it down. It was years before the rest fell into place. With ‘The Wrong Sort To Die’, I started knowing that Margaret had qualified as a doctor in about 1898 and wondered what she’d done after that. I knew she’d have a thirst for justice and equality but also suspected she wouldn’t be much good at bedside manner, so wondered what she’d do and decided she’d probably work in a charitable hospital in the pathology department. I decided what year the story would take place in and by chance, saw something on TV about that era which gave me a germ of a background for the plot – most of the general public thinks they’re living in a golden age of peace with new inventions and social change but meanwhile, the government is preparing for war. What might that mean for the people Margaret wants to help?

10. What can we expect from you next?

Next on the list will be the third in the ‘Murder Britannica’ series. While ‘Murder Durnovaria’ was set in Roman Dorchester, the third book is set in a small town near a river which is roughly located where modern day Blandford is. It’s midwinter and Lucretia’s nephew Fabio will do anything to avoid being forced into an arranged marriage, even look into strange goings on in a small town where it’s hard to know who’s on whose side.

11. Tell us three fun facts about youI can make something out of next to nothing whether it’s a meal or a costume; I don’t take myself remotely seriously; according to family legend I have a medieval ancestor who caught a ‘whale’ off London bridge.

12. What is the best advice you could give to aspiring writers?

Don’t give up. Keep writing things even if you don’t finish them, they may come into their own one day and if not then they’re worth it just for the practice. Maybe today is the right day and maybe it’s not. One day you’ll just get on with it, regardless of whether you really have the space or time. Everything you experience, witness and live through can inform your writing whether it’s serious or funny or thought-provoking. Within legal limits – be a people watcher!

Thank you so much to Paula for agreeing to be interviewed on my blog! |If you would like to find out more about Pauls and her books, her bio and links are below!

Paula Harmon was born in North London to parents of English, Scottish and Irish descent. Perhaps feeling the need to add a Welsh connection, her father relocated the family every two years from country town to country town moving slowly westwards until they settled in South Wales when Paula was eight. She later graduated from Chichester University before making her home in Gloucestershire and then Dorset where she has lived since 2005.

She is a civil servant, married with two children at university. Paula has several writing projects underway and wonders where the housework fairies are, because the house is a mess and she can’t think why.

https://paulaharmondownes.wordpress.com

https://www.facebook.com/pg/paulaharmonwrites

viewauthor.at/PHAuthorpage

Murder Britannica

It’s AD 190 in Southern Britain. Lucretia won’t let her get-rich-quick scheme be undermined by minor things like her husband’s death. But a gruesome discovery leads wise-woman Tryssa to start asking awkward questions.

Murder Durnovaria

It’s AD 191. Lucretia last saw Durnovaria as a teenager. Now she’s back to claim an inheritance. Who could imagine an old ring bought in the forum could bring lead to Tryssa having to help local magistrate Amicus discover who would rather kill than reveal long-buried truths.

The Wrong Sort To Die

London 1910. Dr Margaret Demeray is approached by a stranger called Fox to help find out what’s killed two impoverished men. How can a memory she’d buried possibly be linked to the deaths? And how come the closer she gets to Fox the more danger she faces herself?

The Cluttering Discombobulator

Can everything be fixed with duct tape? Dad thinks so. The story of one man’s battle against common sense and the family caught up in the chaos around him.

Kindling

Secrets and mysteries, strangers and friends. Stories as varied and changing as British skies.

The Advent Calendar

Christmas without the hype says it is – stories for midwinter.

The Quest

In a parallel universe, Dorissa and Menilly, descendants of the distrusted dragon people, are desperate to find their runaway brother in a fog-bound city, which simmers with unrest and deceit.

The Seaside Dragon

For 7-11 year olds. When Laura and Jane go on holiday to a remote cottage, the worst they expect is no wifi. The last thing they expect is to be battling strange creatures with an ancient grudge.

The Case of the Black Tulips (with Liz Hedgecock)

When Katherine Demeray opens a letter addressed to her missing father, little does she imagine that she will find herself in partnership with socialite Connie Swift, racing against time to solve mysteries and right wrongs. (This is the first of six Caster & Fleet Mysteries)

Weird and Peculiar Tales (with Val Portelli)

Short stories from this world and beyond.

Indie Author Of The Month; Mick Williams

Welcome to another Indie Author of The Month post! At the end of every month I will be interviewing and generally drawing attention to a fellow indie author I have come across on the internet. For April, I welcome Mick Williams to the blog. Mick is an author I have had the pleasure of knowing online for a few years now. I’ve read a few of his books and he has also read a few of mine. Mick is a very versatile author who writes in multiple genres. He really does have something for everyone! His books are fast-paced and full of adventure. Read on for more.

1. Tell us about your latest release. What is it about and who is it aimed at?

My latest book is called Hope’s Game, a story about a man named Charlie who has lost everything and is offered the chance to earn £10,000 by taking part in research for a new Artificial Intelligence project. Of course, he has no choice but to take part and goes on a life-changing, sometimes harrowing journey. If I had to categorise it, I’d say it’s a little like the Black Mirror TV show… it seems like it should be sci-fi, but it really isn’t, it has all kinds of things in it. Based on that, it’s aimed at pretty much anyone, although I wouldn’t want younger readers to see it, Charlie goes through some tough times!

Hope's Game by [Mick Williams]

2. Tell us about your publishing journey so far.

I’ve been writing forever, and it wasn’t until I attended a conference in America that I plucked up the courage to go for it! My first book, A Reason to Grieve, was self-published and, if I’m to be honest, was written as a dare since I’m a fan of action and it’s more of a romantic comedy! Something must have worked, though – it’s still my best reviewed book and people still mention the characters to me and demand a sequel! After that, I finally wrote an action/adventure book called A Guy Walks into a Bar. When it was completed, I printed out two copies (old style, at home!) and handed them to two people who had offered me a ton of advice. One of them was the wonderful author, Tony Acree. Little did I know, he also ran a publishing company. We met for lunch, where I expected some nice food, company and advice, and I walked away with a contract! I now have four books published through Hydra Publications.

A Reason to Grieve

3. When did you first know you wanted to be a writer?

At junior school. I’ve always written. English Language was my favourite subject at school and it followed me home every day. I made my own comics, short story books, magazines – you name it, I tried it. I can’t begin to explain the feeling I had when I opened the box that contained my first ‘proper’ book, and it still gives me chills after a further five!

4. What is your typical writing day like?

Ha! I would LOVE to be able to say that I have a typical writing day. Unless I’m on holiday, no two seem the same. I work a full-time job, so I have to MAKE time to write, otherwise it doesn’t happen. As I write this, we’re (hopefully) in the middle of the Coronavirus pandemic. Out of all the horrific negatives that come with it, the first positive I considered was that I might be stuck at home with the entire day to write but, no, my company has me working a full week from home! So, I set the alarm for as early as I dare and write before I get ready for work. It can get frustrating, since my brain never shuts off and I usually get my best ideas when I can’t do much but jot them down.

5. What is your writing process? (how do you plot a book, come up with characters, find motivation etc)

The honest answer is that I don’t really have a process! In terms of plot, I think I’ve tried something different for every book I’ve written. I do TRY to put together an outline (Reason to Grieve, Exodus and Hope’s Game were done on an Excel spreadsheet, Whatever it Takes and A Guy Walks into a Bar were a bunch of handwritten notes, and Callie’s Eyes was a pile of research and a ‘wing it’ approach!). I’m currently playing with the corkboard feature in a program called Scrivener for the sequel to Exodus, which is cool since I can swap, shift and change things as I go and see the whole picture, but I’m also ‘winging it’ on another story, AND writing random scenes for the sequel to A Reason to Grieve!!

Exodus: An Old Farts Club Story (The Old Farts Club Book 1) by [Mick Williams]

Characters are everywhere! Some are people I know, or see when I’m out and about. I sometimes ‘cast’ my characters as if they were in a film, then I can play their scenes in my head and have an idea of who they are and how they’d react to different situations. A couple of the characters in Reason to Grieve were based on characters from a show called ‘Coupling’, and the lead character in Whatever it Takes is based on a customer who came into the store I worked in when I lived in Kentucky. He loved to hunt and was a perfect Cory Keller!

Since I normally know my characters before I start writing, a lot of the time their actions are dictated by what that their personalities would actually do. I have an idea of where I need them to go, but I let their actions take them there… it seems much more natural to let them take over than have me try to force them. If they sometimes surprise you when you read them, you should have them in your head when you write them!!

I remember an author friend saying ‘vomit your first draft onto the page and then sift through the chunks’… I struggle to do that. I normally write a chapter, then go over it and nit-pick it to death. It slows me down but, by the time I’m ready for the next chapter, I’m fully immersed in that world and those characters. It also helps with continuity. Once I’ve completed the first draft (in my fashion), I’ll go through it again and flesh it out with description and emotion. Then, I’ll go again and check it for grammar, punctuation and the dreaded typo. Typos ALWAYS slip through, so then I’ll send it to trusted readers who’ll send back their thoughts. I’ll go through it yet again and either make necessary changes, or decide that what I’d written originally is still the best way to say what I want to say. After that, it’s about as good as it can get at the time, and it’s time to let go and send your story into the world.

6. What has been the most positive thing about your publishing journey so far?

Two things. Mainly, the people. I’ve met some amazing people on this journey. Writers are, for the most part, incredibly supportive of one another. More so, I think, than in most other professions. I have a ridiculous amount of writer friends who are always there for support, encouragement and, as importantly, honest criticism. I’d be lost without them. I’ve also gained some really cool readers who stay in touch to see what I’m up to and, again, offer support and encouragement.

Then, there’s the writing itself. Some days it’s easy, others it seems impossible, but it’s always there. Being able to sit and tell stories is something we’ve done since time began – I get to do it whenever I can. The feeling of opening a new completed book, of seeing a review on Amazon, of writing a particularly satisfying scene… they’re all incredible feelings and something that never gets old. To be able to transport someone from this world into another, even if only for a short time, is fantastic. We read books so that we can check out different worlds without moving. What a gift to be able to supply that world!

7. What has been the most negative thing about your publishing journey so far?

That’s easy – marketing! I love to write but each time I release a book, with the exception of my loyal readers, few people see it and it vanishes into the ether with the tens of thousands of other books that were released at the same time. I love the writing process, but really struggle with advertising and pushing things about me and the fact that I have a new book out (just so you know – I HAVE A NEW BOOK OUT… the link is here somewhere!). I’ve signed up for so many courses and programs, and have so many books on the subject but, when I release a new book, I’m so eager to get stuck in to the next one that I neglect to let folks know about it.

8. What can we expect from you next?

Scarily, three things!! I’m working on a sequel to the award winning Exodus, an adventure/thriller series about a group of army veterans called The Old Farts Club – think of an ‘up-to-date A-Team’! I also started to write a first-person story about a guy who works in retail and gets tired of the abuse the public throws at him – so he embraces his dark side to deal with it. That one came to me after binge watching ‘You’ on Netflix! And, after so many requests, I dipped back into the world of my first book, A Reason to Grieve, to carry on the story of Tom, Emma and their friends; a complete contrast since it’s a romantic comedy. I have enough words between the three of them for a complete book, but my publisher has suggested that I concentrate on one at a time, so Sarge and the rest of The Old Farts are currently engaged on an adventure and have flown from Kentucky to deepest Scotland to save a friend’s life

9. Who is your favourite character and why?
That’s a tough question!

Doris, from A Reason to Grieve, is the only character that I’ve shed tears over, so that must mean something. I truly love her spirit and her blunt way of giving advice to the younger characters. If i can be like Doris when I’m approaching seventy (but without the blue rinse!), I’ll be a happy man.

I do also love Paul Howard from A Guy Walks Into a Bar – he’s just an average man who finds himself in an extraordinary adventure. He’s resourceful and witty…and he gets to hang out with the other cool characters.

Then there’s blind Callie from Callie’s Eyes, and Hope from Hope’s Game…did I mention this was a tough question?

Callie's Eyes: How do you convince someone you can see the future, when you can't see at all?



10. Where do you get your ideas from?

Everywhere! News and magazine articles, people watching, overhearing things people say (not eavesdropping, mind, overhearing; apparently, there’s a difference!) and, in the case of Callie’s Eyes, a dream. Most of the story, including Callie’s name, happened in a dream and it was one of those fortunate times when I woke with it still at the front of my mind. I jotted it all down on a Post-It note and picked it up in the morning. Hope’s Game is based on a screenplay from a very good and talented friend of mine, Craig Ostrouchow. Whatever It Takes came out of a conversation with a hunter in Kentucky. A Reason to Grieve came from an old workmate who’d browse the obituaries every morning before work to see if he found anyone from his old school in there. A Guy Walks Into a Bar came from people watching – in a hotel bar, and Exodus came from a holiday in Jamaica when we visited Bob Marley’s compound and got to drive through the Jamaican townships and countryside.
So, like I said…everywhere!

Whatever It Takes

11. Tell us three fun facts about you

Haha – what was I saying about pushing ‘me’?? Erm… okay –

1. I LOVE music. Alongside reading, writing and family, music is everything. Genesis are my favourite band, and Jude Cole is my favourite artist. If it wasn’t for Jude Cole, I would not have met my wife (if you’d like the full story, join my FB page ‘mick williams author’ and message me and I’ll tell you, it’s a long story!). Truth be known, there isn’t much music I don’t like, I go from punk and pop to rock and reggae and everything in between! MP3s and streaming mean that music is everywhere now. The only thing I miss is the album format. Now that we can stream everything, music seems to be piecemeal where, before, a good album was constructed to flow and have peaks and troughs. Just like books.

2. I have two very cool cats name Thud and Crash. Thud adopted me when we lived in Kentucky. My American brother and my adopted second wife have a house that overlooks a golf course. One cold winter, after a Mexican meal and one or two (or five or ten) drinks, we were hanging around in the kitchen when my wife heard a noise outside. I went out to check it out and was eventually ‘ankle-bumped’ by a dirty, freezing-cold kitten. The end of his tail was broken, and his ears were riddled with mites. At the time, I wasn’t really a ‘cat person’, but our option was to either take him home or put him back into the cold. When we found that he’d been dumped, we had no choice but to adopt him, and now he’s my writing companion (he’s actually on my author pic on A Guy Walks into a Bar!). I call him the OC (Original Cat) since we also adopted another furry fella from the animal shelter to keep Thud company. This ginger tabby is the most lovable animal I’ve ever met and has a habit of nuzzling against you and then falling over to let you fuss him. We had to call him Crash. I should really put their pictures on my FB page and website!!

3. I’m not an army brat, but I’ve lived (I think) in thirteen different places, on either side of the Atlantic, and I’m getting ready to move again once restrictions are lifted! I think this time, once we find somewhere, that’s it! I’m ready to sit still now!!

12. What is the best advice you could give to aspiring writers?

Write what makes you happy. I read a lot about ‘writing to market’, but a) markets seem to shift constantly and b) that seems too much like work! I love to write, and I write what’s in my head, not what I think people might like to read. I’ve been fortunate to find people that like to read what’s in my head which, I suppose, makes them as crazy as me! It won’t ever fund my retirement, but it’ll make my retirement a lot more fun.

Read. A lot. Reading is writer homework. See how the books you enjoy actually work. Why did that scene make you smile? Why is your heart pumping a little faster after finishing that chapter? Good writers don’t hide how they make their magic, it’s right there on the page. Love or loathe him, but no one creates worlds better than Stephen King. How? Description and character. By the end of a SK book, you’ve lived in that town and you know those folks. They’re as real as you and I… that’s why it bothers you so much when he does nasty things to them! Learn from the best.

And, remember that rules are made for bending. While there are definite do’s and don’ts, no one will write your story the way you will. I remember reading somewhere that sentences should vary in length (which I agree with 100%), but that they shouldn’t be overly long. I’ve just finished the latest number one bestseller by Lee Child. There’s a sentence in there that runs at over ONE HUNDRED words (his previous best was 81 – I counted!). This breaks every rule under the sun, but it worked. And Reacher still had time to get the job done

And, finally – just enjoy it. If no one else reads a word of what you’ve written – you have. And I’ll bet it felt great.

Thank you so much to Mick for doing this interview! If you would like to find out more about Mick and his books (and I highly recommend that you do) you can follow him here;

Get in touch: Website – http://www.mickwilliamsauthor.com

Facebook – mick williams author

Twitter – mickwilliamsauthor

Email – mickwilliamsauthor@gmail.com

Weird Is The New Normal and It’s Okay To Be Constantly Confused

Yesterday in the UK we heard the news that lockdown will continue for at least another three weeks. It’s probably what most of us were expecting. It also seems the most sensible and the safest course of action in light of the fact deaths are still rising.

The last few days I’ve been struggling with a constant mix of emotions and from what I hear on social media, this is a very common way to feel. In a weird way, we have all adjusted to lockdown and for the most part, we seem to be making light of it and digging up our sense of humour to survive. I think most people would rather stay at home while the virus is still rife, if only to protect their loved ones.

I was thinking the other day how quickly we have got used to things that would have been very weird to us a few months ago. On our daily walk or cycle ride, we’ve got into the habit of looking out for other people. It’s only so that we can change direction if we need to, or move to make room and allow everyone enough space to pass. Ideally, we don’t really want to see other people when we are out because it has become very awkward and strange. No one really knows what to say. Everyone starts moving out of the way and it feels weird, like we are all diseased or dangerous or something. I start feeling like I’m living in a film, a post-apocalyptic one, where strangers usually mean danger.

I’m worried about causing anxiety about strangers in my youngest. I suddenly realised the other day how many times I say phrases such as; ‘let’s go early, so there’s no other people,’ ‘let’s go this way, because I can see people coming,’ ‘there’s people coming, so move over here.’ Scary, really. I have obviously explained to him why we are doing this and so far so good, he is five and seems to have adjusted to this better than the rest of us. But it’s unnerving in a way, how quickly weird things have become normal.

Like avoiding people. Like not going to work. Like not driving anywhere. Like not doing the school run. Like staying at home and making the most of the house and garden and our imaginations. Like eating slightly odd dinners based on the fact we can’t always get what we need in the shops. Like constantly wondering what the fallout of all of this will be on society…

It’s weird, but it’s become normal. We’re getting used to it. The other thing is the constant confusion, and by this I suppose I mean confused emotions. I’m an emotional person at the best of times, so this is playing havoc with me. I’m up and down and all over the place. I have such mixed feelings about everything. I both love and hate lockdown. I both long for ‘normal’ life and fear it returning. I’m thinking a lot about a lot of things and that’s pretty exhausting.

My own confusion is hard to understand, although I think I’m getting closer. I will probably delve into it in another blog post.

But from what I see and hear around me, feeling constantly confused during this strange and scary time is perfectly okay. Maybe our confusion is the most normal part about this. No one really knows what is going to happen. Everyone is scared on some level. Everyone is doing their best and putting a brave face on as much as they can. But it’s weird that weird has become normal and we are definitely very confused.

See you next time and stay safe xx