A Letter To The People In My Head…

Dear Characters,

First of all, thank you. Thank you for being here. Thank you for showing up, as you do, without fail, time and time again. Thanks for that! Because none of this would be able to happen if you didn’t.

Thank you for many things in fact, like keeping me entertained and ensuring I am never, ever bored. There’s no such thing as a quiet moment to myself because if I should find one, you like to join me too, don’t you? Same thing at night time. Hello characters, there you all are. Old ones, current ones, future ones. So thanks for that. It would be nice if the rush of ideas and revelations could wait until morning, but it seems you can never wait. Between 2am and 3 am seems to be the golden hour for you guys to suddenly need to share things with me. I’ll let you off, because it’s always riveting stuff, but you don’t seem to realise it keeps me awake for hours after you’ve told me. I appreciate the insight, of course, but I also need my sleep!

I wouldn’t want you to ever stop though. I’m grateful, really I am. You know more than I do, that’s the thing. Because you started all this. You came to me. Your voices, your stories, your lives. You interrupted mine when I was a kid and you’ve been doing it ever since. I never decide to write a story about a 16-year-old alcoholic singing sensation, or a 30-something woman who can’t leave the house anymore because she hates people so much, you guys just show up! I don’t know how you find me. I guess somehow you know that I want to listen.

You surprise me again and again. When you first show up, out of nowhere. When you start getting chatty, warming up, revealing yourselves. I respect the honesty, because let’s face it, none of us are perfect. You lot are a pretty flawed bunch. But I think that keeps things interesting. You go on surprising me after that. Usually mid-plot. Throwing unexpected twists into the storylines. I suppose you must surprise yourselves too? A sequel? Didn’t see that coming but yes, I can see how you would want to talk about what happened next…A trilogy now, is it? Okay, if you’re sure, if you think you’ve got enough drama, I will keep it coming if you do. And don’t worry, I have already plotted most of the third book, and yes, I will end this one by writing the first chapter of the next. Your incessant babbling has seen to that.

Thank you for keeping me excited. It’s not enough to say you keep me from being bored because it is so much more than that. I have to thank you for the fizzy lurch in my belly every time I think about writing, that excitement, like Christmas, as the time draws nearer. I wake up in the morning and think about writing. I travel through my day and perform my duties, still thinking about writing. You people, you are there, all the time, paving the story, laying it out piece by piece, showing me the way. I race to the laptop in the evening, still excited, and then I bang away at the keyboard, and the excitement never seems to fade.

Thank you for teaching me about people, about human nature and society. I’ve always been fascinated by them, a people watcher from an early age. People pass you by on the street and you watch them go and wonder who they are, what secrets they hold, where they are going, and what they dream of. Being a writer allows me to explore these thoughts and answer all the ‘what if’s…’ You guys, my characters, you keep me curious. You show up with these messy, complex lives. You’re all tangled up, the lot of you. It’s my job to unwind you. To figure you out. Some of you are pretty vile. Some of you have done some very bad things. But all of you are teaching me something about how this life is full of human cruelty, courage, heroes, and villains. I thank you all for that.

You get pretty noisy. You certainly wear me out. I’m always relieved when a first draft is over because you tend to get quieter after that. Sure, some of you still show up years after your story has been told. Maybe you miss me. Maybe you still have something to say. But generally, once the story has been blurted out into an ugly yet victorious first draft, you tend to give me a break, and believe you me, I’m looking forward to it this time! I’m just days away, just chapters away from finishing a first draft. I know there is more work to be done, and yes, somehow you current characters have talked me into a third book in this series, and honestly, I’m grateful and I can’t wait, but I am looking forward to a brief reprieve. I know you’ll start up again pretty soon, but if I get to the finish line on this story in the next few days, maybe you could let me have a few night’s sleep as a reward? What do you say?

Then again, second thoughts, scrap that. If you have something to tell me, don’t hold back. I would never ever want you to fall quiet.

Cheers, guys xx

 

Photo by John Jennings on Unsplash

 

 

Character Interview; Flora from ‘Letters To Eloise’

Welcome to another character interview! Today I’m chatting to the lovely Flora, from Letter To Eloise by Emily Williams.

Enjoy!

1) Do you have any negative character traits, and if so what would you say they are?

I have many! I’m an over-thinker and this makes me a daydreamer and over emotional. You’ll read this in Letters to Eloise and understand! I get irritable and short-tempered when I know I’m in the wrong and I struggle to find the words sometimes to apologise. I turn to food (not a bad thing!) when I need comfort, especially biscuits and cheeses!

2) What are your most positive traits?

Hopefully, others will think that I’m a kind and loyal friend. I am fun loving and up for trying most things, which is a useful trait when starting university as there is many social activities and events to participate in. I am hardworking and dedicated to my studies and always down the library, but for those who have read Letters to Eloise, you’ll know that sometimes studying wasn’t on the agenda when I was there! Tut tut!

3) What are your current ambitions or dreams?

I’m hoping to finish university and take up a teaching place after my maternity leave. My ambitions have been slightly put on hold, but fear not, I will get back there and complete my childhood ambition of teaching children. I do dream that one day I’ll make amends with River, but we’ll see…

4) What are you scared of?

Absolutely everything, but mainly of missing opportunities. You’ll see in Letters to Eloise why I was scared of the future and being pregnant and alone at University. I wasn’t afraid of the pregnancy and of little Eloise, the rest of the future terrified me!

5) Who is your best friend and why?

I’d have to say Brooke (otherwise she’d kill me!) but it’s a close toss up between Brian and Brooke. Brooke is loyal and there for me one hundred percent but her ways of going about things sometimes leave me stifled. Brian struggles with communicating his feelings, except in a jokey way, but he is a true friend and is always there for me.

6) What do you think true love feels like?

Like jumping between big puffy clouds. Light and effortless.

7) Do you have any secrets?

That would be telling! I’m not good at keeping secrets unless they are really important to me.

8) Do you have any regrets?

I regret the way things have been left between myself and River. I wish more than anything I’d worked harder to make it work. I’m not sure, even if I had of, whether it would have made much of a difference but I regret not trying.

9) Where would you like to be 5 years from now?

Settled, happy and with a healthy and beautiful daughter. Anything else fades into insignificance.

10) How would you like to be remembered?

For my strength and for never giving in

 

I Am Never Just Me and I Am Never Alone

I remember standing outside school when I was about four or five, trying to understand why I was only me. Why my thoughts and feelings were limited to just mine. I looked at my friends and my mother, and stared into their eyes, and realised I could not climb into their heads and become them, I could not occupy the space behind their eyes and see the world as they did. I vividly remember thinking how amazing, strange and sad this was.

But I soon found out that this does not really apply to writers. If you are a writer, you are not limited to being just one person or living just one life. As a writer, I discovered that I was never just me, and I was also never, ever alone. When I started to write stories, they were about animals, lost and neglected, looking for love and embarking on adventures. I became them. I was them, just as much as I was Chantelle. I had to quieten them and hide them when people asked something from me. I had to climb back out of their minds and fully inhabit mine. But I would try to get away with not doing this in full. I’d be eating my dinner, sniffing the air, sure I had picked up the scent of trouble, my eyes darting from side to side, planning an escape. I wasn’t just me. And then when dinner was over, the stories would continue and I would slip back into character.

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Throughout my life, I have been all the people I have written about. I have not simply created them, written their stories and then cast them aside. It doesn’t work like that at all. These people come to me, somehow, for some reason. They start off small and grow bigger and bigger, louder, more complex, more real. They are all from me. It blows my mind. It’s like they find me and ask me to tell their story, but that’s not really it. Somehow, they come out of me, because they are me.

And then I am them. I become them in order to write their story, in order to feel what they feel, and do what they do. I don’t really know how I do this. I just think about them so much, picture them, hear them, study them. I lie awake at night, and they are there. Characters from books already written, and characters still developing in my head for future books.

Danny (The Boy With The Thorn In His Side)is still the most constant visitor because he has been in my head since I was 12. We grew up together. Me, lying in bed, watching him in my head. Hearing the words I put in his mouth, though it never felt like that, it always felt like he was the one saying them. His story is an action-packed tragedy of violence, music and friendship that plays out endlessly inside my head, even now. I lie awake and watch scenes that exist. Then I see new ones, ones that happened in his life, but never in the actual book. He’ll never go away. He is me. As are the other characters in that book. It still slightly concerns me how easy it was to climb inside the twisted mind of Lee Howard. How I was able to understand and even empathise with his warped motivations and desires.

Others come and go. Lou (The Mess Of Me) is another fairly constant visitor. This is because she is the one most based on myself, on my life and my thoughts and feelings. Her story, like mine, is not over yet, and until I get around to writing her sequel, she whispers in my ear on a regular basis. We share the same dark thoughts and our worst enemies are ourselves.

If characters are still waiting to be fully told, they will talk a lot in the day. Walking down the lane, I listen to Reuben and Chess, the characters from a YA series I am planning. They have conversations constantly. When I least expect it, they pop up and start talking or arguing. They are helping me to write the book.

The same goes for current ones, characters from my works-in-progress. I learn new things about them every day. I will be washing up or making dinner, and suddenly there they are, having a conversation that just needs to be written down. Because of these people, I am never, ever lonely. I don’t know what it feels like to be bored or alone. Because of them, I don’t know how to have just one train of thought in my head. I don’t know how to have a quiet mind.

Yet, to those that know me, I am often described as quiet.

Sometimes I think the people in my head are the best thing about being a writer. Creating worlds and weaving plots, sharing your work with readers, getting reviews, these are all fantastic, magical things, but being more than one person who is never, ever alone, has to be the best and maybe the most unexpected.

 

10 Ways Writing A Book Is Like Raising A Child

 

This blog post is brought to you from the mind of a writer who has a three-year-old son who won’t go to sleep by himself. As frustrating as it is, his delightful refusal to fall asleep on his own, is entirely my fault. As my fourth and last baby, I have held onto him even tighter. This time, I ignored the advice I had struggled with in the past, I shunned the social norms and expectations and embraced what felt natural. So, he was breastfed to sleep until he was two and three months, and since then, I have cuddled up in bed with him and held him until he falls asleep. So of course, he has absolutely no clue how to drop off on his own. We tried working on it last week and it was horrible. There was crying and shouting and stomping about and general confusion for both of us. Inevitably, I gave in to him and to my heart and got back into bed with him. As I lay there, holding his half snoring, half sobbing body tightly to mine, I suddenly realised that a year from now he will be about to start school. I held him even tighter and as I gazed into his face I could have wept with the useless, torment of knowing this will all one day be over. And then I started thinking about writing books, preparing them and letting them go. I released my latest book The Tree Of Rebelson the 11th August after two years of work. The more I thought about it, the more I realised that writing books and raising kids have quite a few things in common…

  1. They occupy your mind constantly and completely. I sometimes say my mind is like a sieve these days. Utter mush. But in truth, it is just full of children and writing and there is not a lot of room for much else. If I am not thinking of,  worrying about or planning things for my children, then I am consumed with thoughts and fears and ideas of the fictional kind.
  2. You don’t want to let them go. Well, sometimes you do. When they drive you mad, when you’re at a complete loss as to what they need or want. When you’re tired, close to exhaustion, just want to escape, or have completely forgotten why you started this in the first place! But most of the time, letting go is hard. Almost impossible. I just spent two years making sure one book was good enough to meet the world. And as for the kids, I’m never going to be ready for that.
  3. You are always preparing to let go. Though you don’t want to, you know you have to. As a parent, bringing up your child to be a decent human being, is preparation for letting them go. From the moment you first hold them in your arms, you are making decisions that will affect how they turn out. You encourage them to walk and talk and run and climb. You send them to pre-school and teach them how to hold a knife and fork. You do all of these things because you know that one day they will be standing on their own two feet. It’s the same with writing a book. When you first start it feels impossible that it will ever be developed enough to share with anyone. It’s a mountain to climb. Followed by another one. But every draft, every edit, every rewrite, every proofread are all part of letting it go bit by bit.
  4. You know you must work hard for the end result to have a positive impact on the world. You don’t want to raise an arsehole. You don’t want to inflict a spoiled brat on the world. You don’t want to create a selfish, mean or ignorant human. There are already enough of those! Raising decent kids is a lot of hard work. You have to say no a lot, and you have to explain why you are saying no. You have to distract them from the thing you are saying no about. You have to be inventive, creative, spontaneous, organised and heroic. Writing a book is similar. You might not aim to change the world, but surely you don’t want to make the world a worse place?
  5. Inspiration works both ways. My children and our lives together inspire my writing. I write for them and because of them. Our journey takes me outside of myself and later allows me to fully wallow inside of myself. They have made me a better person and I want to be that better person for them. Being a writer also inspires me as a parent and a human. Because I love writing, I am interested in humanity and in the stories that make up a society. I hope this makes me more empathetic as a person, as I try, time after time, to get into the heads of other people.
  6. The work is never really over. You get to the top of the mountain, only to discover another one! The work is never over if you are a writer. There will always be another idea, another plot, another story to be told. The same applies to parenthood. They might fly the nest one day, but you are never going to stop worrying about them.
  7. But once it’s mostly done, you will have more time for the next project. When I go cold at the thought of my littlest one starting school, I remind myself how much more time I will have for other things, once he does. I can remember when my third child started school, I spent months dreading it and welling up at even the thought of it, and then, that summer, I started writing again. I had not written in years. But suddenly it was back and I needed it more than ever. I was suddenly excited. I had something just for me. I had a part of me back again! And the same thing applies to writing a book. You feel so many mixed emotions when you finally publish it, but what allows you to let go is the call of the next project, the next characters and so on. It keeps you excited.
  8. They will always be your baby. Kids grow up fast. They often move away from you before you are ready. Pulling their hand out of yours when they spot their friends. Saying they are too old for bedtime stories. It happens bit by bit. You watch them grow. You prepare to say goodbye. But even when they eventually leave home, just like the books you wrote, they will still be your babies. Forever. Nothing can change that.
  9. They came from inside of you. And I don’t just mean physically, although this is obviously true of both your children and your writing! I mean they were created and developed and matured with your thoughts, feelings, emotions and imagination. What is inside of you as a human, what makes you you, has had an influence on these offspring of yours.
  10. Creating them means you will live forever. Well, sort of. I like to think of it like this anyway. Passing your genes onto your children, as well as some of your experiences, stories, opinions, beliefs, means parts of you live on after you have died. The same could be said of writing books. Your words and therefore, parts of you and who you were, will continue to exist long after you do.

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