The Dark Finds You Is Out Now!!

And is it about to become a trilogy??

Last Friday I released by 24th book, gritty crime thriller, The Dark Finds You. This book about dark pasts converging in the battle to find a missing teenager, can be read and enjoyed as a standalone, but it also fits into a bigger universe of connected characters and plots. If you’ve read The Boy With The Thorn In His Side series, The Holds End Trilogy, The Mess of Me, The Mess of Us, Elliot Pie’s Guide To Human Nature or At Night We Played In The Road, you will find some familiar faces and locations in The Dark Finds You!

The idea for this novel came to me when writing The Mess Of Us and At Night We Played In The Road. Those books already fitted into a connected universe, as At Night We Played In The Road is technically a spin-off from The Boy With The Thorn In His Side series, and The Mess of Us and Me are set in the same universe and location. These books also had connecting plotlines with drug abuse, drug running, music and community being common themes.

The Holds End trilogy, essentially a murder mystery centred around enigmatic teenage singer, Bill Robinson, also takes place in the same universe and has similar plotlines converging.

This is why The Dark Finds You was so easy to write! All these characters had already converged, their storylines connected and their locations crossed over. The plot of a missing boy was then used to pull them all together and the plan was to end this universe for good. Tie up their individual storylines as well as the missing boy plot. I wrote The Dark Finds You over six weeks back in 2023 and it’s had to wait this long to get its release date. It is now available in ebook and paperback across multiple platforms.

So, what next? Well, in checking The Dark Finds You paperback proof for any errors just before Christmas, I suddenly got some new ideas and a sequel exploded in my head. There were a few things I left open at the end of the book and that crack was enough to let the ideas seep in. I had the whole plot within a day and simply could not resist writing it! Over Christmas I had three weeks off work and the book just poured out of me in a total of four weeks. Of course, that’s a rough first draft and it needs a lot of work!

This week I dived into my second draft of The Dark Finds You – Part Two. This is what I call a read-through draft, (where I remind myself of what I wrote!) and a timeline draft, (where I set out the timeline of events in a notebook to ensure there are no inconsistencies.) This didn’t take long to complete and by the end of it I had some things I wanted to change.

A few minor things to add and embellish and one major thing to change. This means that draft three which starts now, will be a rewrite more than an edit.

And then, guess what happened?

My rewrite ideas, which undoubtedly make the whole novel more twisty and unpredictable, led me to ideas for a possible part three…

Noooooooo!

I was meant to be releasing the Black Hare Valley series this year…

I have delayed that for the moment because it feels right to fully concentrate on this potential trilogy and get it done. I won’t say it will end the universe forever because that’s probably not going to happen, is it? It seems I love this world too much.

I am not 100% certain I will write a part three and make The Dark Finds You a trilogy… but the changes I make to part two will certainly leave that as a possibility.

In the meantime, I have got to crack on with this third draft/rewrite and also not neglect to market the first book!

As usual, thanks for joining me hear in my tiny corner of the internet! Thank you for your support in 2025 and for sticking with me into 2026!

Interview With Sim Alec Sansford – Welcome To Hollow Wood is Out Now!

If you are a fan of slasher movies from the 90s and 2000s, such as Scream and I Know What You Did last Summer, if you’re a reader of YA murder/mystery books like One Of Us Is Lying by Karen McManus, then stay tuned! This is for you!

Sim Alec Sansford has a new book out and it’s got all the key ingredients of a classic teen slasher story set in an eerily too-perfect small American town.

Sim tells us all about what inspired this YA thriller, plus what to expect from him next. Link and blurb to the book at the end!

Can you tell us what inspired Hollow Wood?

Growing up I was always hooked on movies I was probably far too sheltered to be watching at the time––like SCREAM, I Know What You Did Last Summer, and a variety of other teen thrillers and suspense films. During my school years you would always find me in the library devouring anything and everything by R. L. Stine, too. I think that’s where my inspiration for not only this story but most of my writing stems … Good characters and irresistible twists, red-herrings, and reveals.

You’ve said this book idea came about a long time ago, but you only recently felt ready to publish it – can you tell us why it took so long?

Yes. This story first begun somewhere around 2012 when one of my university assignments for Creative Writing was to create the first six chapters of a novel. Whilst most of my classmates wrote deep, poetic romances and historical fiction, I was writing about teens and murder. At the time I couldn’t understand why they weren’t … It was so much fun!

Unfortunately, disaster struck when my laptop died and my hard drive failed to restore the file. I was devastated. All that hard work vanished, never to be retrieved. I thought about re-writing it all, but the idea of starting over and not capturing what I had upset me. I decided to put it to bed. However, over the years the characters wouldn’t stop running through my mind and in November 2021 I decided to add Hollow Wood to my list of work to complete by the end of 2024.

Does this book link to any of your others and if so, how?

In some ways this story does connect to others in the Sim Alec Sansford Universe (I really need to come up with a better name for it than that!). Hollow Wood is first mentioned in my debut novel, Welcome to Denver Falls, where it is the neighbouring town. In that book the there is a baseball scene where the Denver Dholes go up against the Hollow Wood Hawks.

Book two, which I’m working on currently, also makes reference to a character featured in my series Fortune’s Well. However, despite links to these series Hollow Wood is not paranormal.

What does your normal writing process look like from original idea to published book?

Blurb first. Possibly a little backwards, but I love creating engaging blurbs and mocking up cover art and teasers for my books. Yes—before I’ve even written them.

I find this helps me grow ideas, moods and themes for my stories. I find blurbs exciting. You get to hint at what readers can expect and ask questions that keep you hooked from the moment you open the first page.

From there I am very much a “pantser”, I let the story and characters take me and rarely force anything. If it doesn’t feel right then something in my gut is telling me to take a step back, evaluate and try again. This approach doesn’t work for everyone and it’s not something I recommend, but for me it works. I think of myself as a director plotting out a movie and I have to call cut a few times before I get it right.

Who is your favourite character in Hollow Wood and why?

That’s easy––Eliot.

I feel bad saying that because of all the characters who’ve stayed with me from the get go, Weaver is the one who’s been more prominent. In fact, he is the only one who still has the same name, home life, and personality traits from the original uni piece.

However, I love Eliot because there’s an edge to her. She is dark brooding, artistic, introverted, and absolutely addicted to music. In many ways I think she is a manifestation of a younger me. She’s also very damaged and spends a lot of her time pleasing others rather than thinking about herself. That’s a quality I definitely relate too, and although it has some draw backs I feel there’s a power in it.

You write in the YA genre – what do you like about this genre?

I feel like teen characters are far more complex. When you’re younger everything is heightened … love, lust, hate … revenge. It’s all so much more daring and exciting.

There is a nostalgia in YA too, it speaks to your inner self as a reader and a writer. It allows you to say the things you wish you had when you were that age. Do the things you were too scared to do. Likewise it allows you to revisit such a special, monumental point in your life. I’m not sure if I’d enjoy writing any other genre as much.

What are your favourite YA books and why?

I love a wide variety of Young Adult books. From paranormal romance such as Alexandra Adornetto’s Halo trilogy, to more contemporary realistic fiction like John Marsden’s Tomorrow series.

I just love reading about teen characters for the same reason I love to write them. Their lives are usually far more complex and the stakes are so much higher.

Halo definitely taught me a lot about romance and how powerful and all consuming love can be for younger people. Likewise, Tomorrow definitely showed me how strong the bonds of friendship can be and how ordinary teenagers (most often overlooked by the adults in their lives) can be the greatest heroes of all.

What do you hope readers will get from Hollow Wood? What kind of experience will they have?

I hope they get a story that they simply cannot put down.

I feel like this book, although short, has a lot of twists and turns which will keep readers on the edge of their seat. There will be answers, but ultimately a lot more questions. Again, this is a short novel for YA, but there is enough there to get readers absorbed into the world of Hollow Wood and fall in love with the characters.

I imagine the Hollow Wood series to be is a television show on the page. Book one is the pilot. It draws in the hype. You fall in love with the cast and fear for their fate in the sequel.

What are you working on now? What will be released next?

Currently I am working on the second book in the Hollow Wood series, currently titled Lie, Lie Again.

I am absolutely loving what I have so far and cannot wait to share it with you––hopefully very soon!

What is your favourite part of the whole writing process, for example is it the excitement of the initial idea, the first draft, or the last draft?

I absolutely love the feeling of having a new idea. That rush you get certainly can’t be beaten. When you get so excited about a story that you want to shout it from the rooftops. Ideas come easy to me, it’s the patience and dedication involved in writing that can be a challenge. I want so badly to spill everything out from my head and onto the page. I get so impatient. But then again, when you type those last few words and can see it all on there in black and white, it feels like such an achievement.

You never really know how a book will be received, but I write with one rule in mind––it’s all for me. I write the stories that I love to read. When other people love them too, it feels really great and affirming.

That’s the power of a great story, it make us feel a little less alone.

Thank you so much to Sim for talking to us today about his latest release!

You can grab it here https://amzn.eu/d/fUpsC43

and here is the blurb:

#WhatHappenedToKelseaGregory

That’s the question on everyone’s lips.

Everyone apart from Weaver Lawrence, Eliot Chase, Noah Castello and Beth Sinclair, the only ones that know the truth. At least that’s what they think. Little do they know someone else was there that night in the woods two years ago, and they’re thirsty for revenge.

On the surface, their town of Hollow Wood seems like the perfect vacation destination. Quaint countryside, large estates, wealthy residents with perfect lives and perfect smiles. But with senior year coming to an end and exams looming;for these four estranged friends, this year’s going to be an absolute KILLER

An Extract From A Song For Bill Robinson

Release day is fast approaching! I am just putting the final touches to everything and double checking everything is okay before I set up the Amazon pre-order link. I hope to have that done in the next few days.

But to keep you entertained, I hope you enjoy this sample chapter from the novel!

12

Bill was lying to both Pete and Summer when he said he knew what he was going to sing on Saturday. He didn’t know, and it was driving him insane. It wasn’t as easy as people imagined. He couldn’t just get up there and sing what he wanted to sing. There was so much more to it than that. There was the audience for one thing. They came expecting entertainment. They didn’t want to be subjected to anything too new, too obscure or too noisy. More than anything, he knew they wanted something to sing along to.

He spent the rest of the week trying to figure it out. He didn’t want to get on the stage and sing karaoke songs like all the others. He wanted to sing. He wanted to perform.

Last time he had been showing off. He’d picked a song from the machine a week in advance, probably the hardest one on there. It was never about emulating the original version. He just listened to the lyrics and thought about what they meant to him. He’d spent hours like that, lying on his bed with the music in his ears and his eyes closed.

He’d mouthed it in silence to begin with, getting to grips with the feel of the words in his mouth. Bill smiled about it now, as he paced his room, picking up records and putting them down again, running through his playlists again and again, thumbing through Spotify and YouTube. What did he want to sing? What did he want to say?

Dog Days Are Over, by Florence and The Machine. He’d picked it because it was shouty and loud. Because he could lose himself in it. Because he liked the words and he thought about Summer when he sang it, and he didn’t even know why, except you had to think about something, someone?

But now? What now?

That had been before. Dog Days Are Over. He’d felt like that…like he could forget about his mother and the horrible aching betrayal of it all, and he could sing anyway. He didn’t sound like her. He didn’t sing or move like her either. He could just be himself and still blow their minds. He could walk around this cesspit with his head held high.

This was after. Now he had to pick a song knowing that the entire estate knew a gang of masked youths had kicked the shit out of him. He had to pick a song after that? And sing it in front of all of them? Including McDonnal? No, it wasn’t easy.

Bill thought about drink warming his belly, fingers of comfort snaking through his veins, bringing him up tall, and what would he sing when he felt like that? Something old and warm and comfortable. He could sing one of his mum’s favourite songs. His voice smooth and silky yet strong and growling when he needed it to be. Something by The Foundations or The Four Tops. The audience would like that. Everyone knew those old soul songs.

He could sing something new he was getting into, but he didn’t know how that would go down. He was into some dark stuff lately which wouldn’t suit the community centre atmosphere. People went there for a good time, or for some company, some support. They went there for hope. He couldn’t take that away from them for the sake of showing off.

Then there was his bloody dad.

They’d always clashed, Bill thought, as he opened the window and felt the cold night air on his cheeks. People said they were too similar; short tempered and impatient, but Bill didn’t buy that. They were nothing alike. He liked to be left alone, whereas Andy craved company. Bill liked to keep his thoughts to himself, but his father liked the sound of his own voice too much. Like now. Bill could hear him downstairs, his voice rising and falling, laughter, punctuated by angry exclamations. He could have been arguing with someone or shouting at the TV or just talking to himself. He could never be still or silent.

His dad was one of those short, angry men, he mused, gazing out of the half open window. He had a chip on his shoulder and a point to prove. He was so annoying most of the time, so over the top, especially lately with all the overprotective crap. He was embarrassing.

But those bastards had made him cry.

Bill didn’t think he would ever forget it. His father leaning over him, touching his hair with tears on his cheeks. It was the first time he had considered what his dad had been through. Until that moment Bill had only viewed the attack through his own eyes. He had not stopped to think about how his father must have felt that night.

And it pissed him off.

Maybe blood was thicker than water after all. Maybe he owed him a good night. He leaned out of the window, pushing it further open. A stroll in the dark was what he needed. A chance to think about it. Something would come to him then. The Clash, maybe. The Buzzcocks. His dad loved all that stuff. A grin pulled at his lips as he pictured himself getting up on the stage to sing something by The Sex Pistols. Then there was Tom Waits. Andy had always been a fan.

Something pulled at his mind then. Guitar intro. Low and dark and thrumming, giving the suggestion that something was about to happen. The drums building up with the guitars. And then when it kicked in it was gentler and sadder than expected. He could have jumped up and down in excitement when it finally came to him. He recalled the first verse, something about flirting with death and not caring about it. And it all fell into place, the rest of the words, and the music that spiralled between the two short choruses. It would be blinding. It was exactly what he wanted to say.

He decided to sneak out anyway. He could find it on his phone and wander around having a quiet sing. Bill turned at the exact second the brick came flying towards his head. He felt it spin past his cheekbone and ducked away instinctively covering his head with his arms. It rolled across the bedroom floor and sat there ominously. He rushed to the window, leaned out and looked around.

‘That all you got?’ he roared without thinking. ‘Come on then!’

He regretted his outburst when his father came pounding up the stairs and into his room. Perhaps Bill could have made up an excuse, if Andy had not stubbed his toe on the brick lying in the middle of the carpet.

‘What the bleeding-hell?’

Bill pulled the window shut and whipped the curtains together. He faced his father and watched him pick up the brick and turn it over in his hands. He held it out to Bill, his eyes bright and accusing.

‘This just come through the window?’ Bill paused, and his father reddened. ‘Eh? Did it?’

‘Looks like it, doesn’t it?’ he responded sulkily, pushing past him.

Andy rushed to the window where he yanked back the curtains and stared out. ‘Just like that?’

‘Yes!’

‘Right, that’s it then,’ Andy stormed from the room, taking the brick with him. ‘I’m calling Collins over.’

Bill followed him from the room. ‘Oh, for God’s sake, what’s the point? I didn’t see anyone!’

Andy stopped and faced him on the stairs. ‘That’s all I ever bloody hear from you! I didn’t see anything, I didn’t see anyone! What are you, bloody blind?’

Andy trotted down the rest of the stairs and picked up the phone. He pointed the brick at his son. ‘I’m not sitting here and taking that!’ he told him. ‘This is our home!’

Bill made a noise of disgust and walked through to the kitchen. ‘Go on then!’ he yelled back over his shoulder. ‘You’re wasting your time!’

Bill stalked around the kitchen, shaking his head and feeling penned in. Minutes later his father stormed into the kitchen and stood in the doorway, hands on hips, legs spread.

‘He’s coming over. You’re gonna sit in here and talk to him.’

Bill threw up his hands. ‘About what?’

‘About everything!’ Andy growled in return. ‘Now, I’m not bloody stupid, Billy-boy. I wasn’t born yesterday! I know there’s something you’re not telling me about all of this. Why is someone targeting you?’

Bill slumped into a chair, folded his arms and shook his head. ‘How do you even know the same person threw the brick? Probably just kids mucking about. You’re gonna look a right dick when Collins turns up!’

‘You’re gonna look like a dick when whatever you’re hiding catches up with you!’

‘What?’

‘I’m not stupid,’ Andy warned him again, his breathing finally slowing down. ‘You’re seriously expecting me to believe you was just minding your own business one night, and a whole gang decided to target you? No. There’s more, and I know it. Sit there! And don’t even think about moving a muscle until Collins gets here!’

Andy spun around and marched back into the lounge, where Bill heard him collapse onto the sofa and swear at the dog. Bill rested his elbows on the table and dropped his head into his hands. Suddenly Saturday night seemed a very long way off. He exhaled frustration through his fingers, then dropped his hands and sat back in the chair. A brief glance at the door, considering escape, but Andy must have been a mind reader too.

‘Don’t even think about it, Billy-boy,’ his voice came from the other room. ‘I’m a lot faster than you right now!’

PC Collins knocked on the door twenty minutes later. He came through to the kitchen, his hat in his hands and his cheeks flushed red from the cold night air.

‘Thanks Andy,’ Bill heard him saying, before he glanced at Bill, and then gestured to a chair. ‘Mind if I sit here?’

Bill sighed, slumping forward again. ‘Look, he’s totally wasting your time. It was just a stupid brick! Could have been anyone!’

Collins flipped open his notebook and started writing. ‘Well,’ he said, sounding weary. ‘The thing is, you might be right, but we have to consider what’s already gone on, don’t we? Now obviously in the eyes of the law, a brick is not much to go on and no damage was done, but we can’t help connect the dots to other things, eh?’

Bill breathed out and in again, willing his frustration to lay low. ‘Connecting dots is just useless though,’ he tried to point out. ‘That won’t stand up in a court of law, will it?’

‘No, course not, but that’s not the point right now.’

‘What is then?’

‘The point is keeping an eye on the situation,’ Collins explained calmly. ‘Making sure things don’t escalate. Your father did the right thing calling me, and he also did the right thing when he called us about the video. Sometimes lots of small parts add up to the whole, you see?’

Bill shook his head and glowered. ‘Not really.’

Collins laughed softly. ‘Well, you will. Okay, so you were in your room? At the window? The window was open?’

‘Yes,’ he growled. ‘Then I turned away and the brick came through. And no, I didn’t see or hear anything or anyone.’

‘Okay,’ sighed Collins. ‘And you’ve not had any altercations with anyone in the last few days?’

Bill thought briefly about punching Logan in the community centre. ‘No.’

‘Okay-‘

‘Look, can I ask you something?’

Collins lowered his notebook. ‘Of course.’

Bill scratched his head, then pushed his hair back from his face and bit his lip. ‘Just saying…I mean, if I thought I knew who attacked me, but I couldn’t prove it? That still wouldn’t help me, would it?’

Collins closed the notebook, folded his hands on the table top and looked at Bill very seriously. ‘If you have any idea who attacked you, Bill, you need to tell me now.’

‘But what I’m saying is, it won’t help, will it? I can’t prove anything.’

‘Well, let’s say you thought you had an idea, it would depend on why. So, let’s say, hypothetically speaking that you did have an idea? Why that person?’

Bill shrugged. ‘Instinct.’

Collins nodded. ‘Nothing else? No recognition? Of shape or form or voice? Stature?’

Bill shook his head. ‘Nothing obvious. Nothing that can be proven in court. That’s what I’m getting at. You need actual proof, don’t you?’

Collins nodded slowly. ‘Yes, you do. But imagine if I had a name? Then depending on who that might be, and what their reputation and record showed up, I might be able to get a warrant to search their home. You see? I might be able to question them, and you know, sometimes that’s all you need, because they don’t have an alibi for that night, or they’ve got some incriminating evidence in their home.’

Bill smiled softly. ‘No one would be that stupid.’

‘You’d be surprised, Bill.’

Bill shook his head. If there had been any evidence, it would have been destroyed that night. And the gang would provide alibis for each other.

‘There were four of them, you say,’ Collins said to him then. Bill nodded. ‘A chain is only as strong as its weakest link.’

‘What does that mean?’

‘It means not all of those four will be as strong as the others. Someone will crack.’

‘They might,’ Bill corrected him. ‘That’s what I’m saying. Might and maybe are no good for me, are they? You can’t promise me anything.’

‘I can protect you.’

Bill laughed out loud. ‘No, you can’t. No one can do that for anyone. Can I ask you something else?’

Collins slipped his notebook into the breast pocket of his uniform. ‘Go for it.’

‘Has there been any progress on the Lewis Matthews murder?’

‘Well, I’m not obviously meant to discuss that case with anyone.’

‘I’m not just anyone. It might affect me. Have they got any idea who it was? Or why?’

Why is the biggest problem,’ Collins sighed, getting up from the chair. ‘Lewis was a nice kid. Worked hard at school and kept himself to himself.’

‘So, why’d someone stab him then?’

Collins shrugged. ‘The only angle we’ve got to go on is his father’s colourful background, but that’s about all I can say about it to you right now, okay?’

Bill nodded, knowing the officer had already said more than he was supposed to. It was enough anyway, he reasoned. Enough for Summer.

Who Is My Reader?

One of the first pieces of advice I recall hearing when I started my indie publishing journey in 2013, was; ‘know your audience.’ It sounds so simple, doesn’t it? Know your audience, know who your reader is. Once you know who they are you can figure out how to find them, where they hang out on the internet, what social media they are likely to be on, what tags you can use to get their attention, who to market your books at and so on.

I remember struggling with this at the time though. And I’m still struggling now. Back then, I had written The Boy With The Thorn In His Side, Parts One and Two, but while it was with beta readers, I very quickly churned out The Mess Of Me. The two were written side by side for a while until eventually The Mess Of me won the race and was released first.

The Mess Of Me has a 16-year-old protagonist and is essentially a book about growing up and the many teenage issues that go with it. At the time though, I didn’t think of it as Young Adult or as being aimed at teenagers.  I just listened to the voices in my head, as I always do, and they were young.  I soon figured out that not categorising and marketing The Mess Of me as YA was foolish and ridiculous. I had to get my head around something then. Was I a YA author? Did I just write YA?

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I didn’t have a problem with this as I have never grown out of loving YA books, and although I read a lot of genres, I do frequently return to YA and always feel like I am coming home. The problem was the next book. Though also having a teenage protagonist, and dealing with teenage issues, it was far harder to classify. Partly because the teenage narrator grows up and becomes an adult, and partly because there are two narrators for Parts One and Two, and the second narrator is an adult. In my head, this book was never aimed at anyone. I just had it in my head and wrote it.

I’ve got to be honest, this has mostly been my approach since too. This Is Nowhere features a grown man, but every other chapter dives back into the past to when the character is a young boy and teenager. I always felt like this one was probably better suited to adults though, so I categorised it accordingly.

The Tree Of Rebels was the first and only book I wrote with a deliberate audience in mind, and I think I mentioned on here several times while writing it, that this made it the hardest book to write. It sort of altered how I felt about the book. It was like I was trying to write to please someone the whole time.

The Tree of Rebels

Since then, I returned to just writing what I wanted to write and not imagining the reader first. This is fine when writing, but presents all sorts of problems when the time comes to publish the book. What categories and keywords do I choose? How do I market it? What genre is it? How do I find the people who will like this book?

Elliot Pie’s Guide To Human Nature is a classic example of why I am still in such a muddle and still struggling to find my readers. It has a young narrator, but also an adult one. The adult themes, for me, make it more suitable for adults than teens, but Elliot’s day to day life and outlook are something that will more than likely resonate with young people. I still find it hard to describe the genre of this book. Definitely coming-of-age but also contemporary women’s fiction? Maybe even UpLit?

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With Parts One and Two of the new, revised The Boy With The Thorn In His Side series almost ready to be released, and Parts Three and Four being polished up in the background, my mind has once again returned to my elusive reader. 2019 will continue to be busy as I plan to release YA novel, A Song For Bill Robinson and possibly it’s almost finished sequel, Emily’s Baby. My list of novels is growing longer, but I still don’t know who my audience is. It’s tricky when you cross over so many genres. Most of my books cross into two or more, with psychological thriller, suspense, crime, coming-of-age, mystery and dystopian all regularly showing up.

So, who is my reader? What sort of person reads my books and likes them? I only have a small audience, so it’s hard to speculate. But I suppose really, my reader must be someone quite similar to me. I imagine them as slightly scruffy, or at least not terribly groomed and over bothered with appearances. They probably make an effort when they can, and they probably berate themselves fairly often about sorting out some kind of ‘look’, but it never really feels urgent to do so. They are probably young at heart. Stuck in the past, tinged with nostalgia, reluctant to admit and give in to adulthood. I think they are a music fan. They probably like all sorts. They’re not narrow-minded about it at all. They’ll listen to anything, but they have their favourite era of course, and their favourite songs. They see life in songs. Soundtracks are everywhere.

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What else? I imagine them as liking animals and nature. Not in a really obsessed, or professional way, just in that seeing a bird or a deer unexpectedly will really make them smile and have a better day. I think they enjoy being outside, all weathers too. Being outside makes them feel more alive.

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I think they are introverted but friendly and warm. A bit cynical and suspicious at times. Prone to the odd dark mood. Likely to panic about once a month about how the world is utterly doomed. But they always brighten up and soldier on. Despite being naturally shy, they are really interested in people, genuinely intrigued by them. They love a spot of people watching and love a character-driven book they can really get their teeth into. They are looking for stories about humans they can relate to and empathise with, and they are looking for characters to fall in love with, characters they wish were real.

They want to disappear inside a book and come out feeling different. They don’t want anything too formulaic or predictable. I think they are a bit of an eccentric at heart. They probably talk to themselves.

This is how I imagine my readers to be and I shall continue to do my best to try to find them. What about you? If you are a writer, do you know who your audience is? If you don’t know, does it make it harder to sell your books? If you’re sure of your audience, tell me about them. What are these people like? If you’re a reader, do you imagine yourself as part of a genre tribe, full of similar and like-minded people all connected by an appreciation of mysteries, or romance, or horror?

Please feel free to comment and share!