Who Is My Reader?

One of the first pieces of advice I recall hearing when I started my indie publishing journey in 2013, was; ‘know your audience.’ It sounds so simple, doesn’t it? Know your audience, know who your reader is. Once you know who they are you can figure out how to find them, where they hang out on the internet, what social media they are likely to be on, what tags you can use to get their attention, who to market your books at and so on.

I remember struggling with this at the time though. And I’m still struggling now. Back then, I had written The Boy With The Thorn In His Side, Parts One and Two, but while it was with beta readers, I very quickly churned out The Mess Of Me. The two were written side by side for a while until eventually The Mess Of me won the race and was released first.

The Mess Of Me has a 16-year-old protagonist and is essentially a book about growing up and the many teenage issues that go with it. At the time though, I didn’t think of it as Young Adult or as being aimed at teenagers.  I just listened to the voices in my head, as I always do, and they were young.  I soon figured out that not categorising and marketing The Mess Of me as YA was foolish and ridiculous. I had to get my head around something then. Was I a YA author? Did I just write YA?

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I didn’t have a problem with this as I have never grown out of loving YA books, and although I read a lot of genres, I do frequently return to YA and always feel like I am coming home. The problem was the next book. Though also having a teenage protagonist, and dealing with teenage issues, it was far harder to classify. Partly because the teenage narrator grows up and becomes an adult, and partly because there are two narrators for Parts One and Two, and the second narrator is an adult. In my head, this book was never aimed at anyone. I just had it in my head and wrote it.

I’ve got to be honest, this has mostly been my approach since too. This Is Nowhere features a grown man, but every other chapter dives back into the past to when the character is a young boy and teenager. I always felt like this one was probably better suited to adults though, so I categorised it accordingly.

The Tree Of Rebels was the first and only book I wrote with a deliberate audience in mind, and I think I mentioned on here several times while writing it, that this made it the hardest book to write. It sort of altered how I felt about the book. It was like I was trying to write to please someone the whole time.

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Since then, I returned to just writing what I wanted to write and not imagining the reader first. This is fine when writing, but presents all sorts of problems when the time comes to publish the book. What categories and keywords do I choose? How do I market it? What genre is it? How do I find the people who will like this book?

Elliot Pie’s Guide To Human Nature is a classic example of why I am still in such a muddle and still struggling to find my readers. It has a young narrator, but also an adult one. The adult themes, for me, make it more suitable for adults than teens, but Elliot’s day to day life and outlook are something that will more than likely resonate with young people. I still find it hard to describe the genre of this book. Definitely coming-of-age but also contemporary women’s fiction? Maybe even UpLit?

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With Parts One and Two of the new, revised The Boy With The Thorn In His Side series almost ready to be released, and Parts Three and Four being polished up in the background, my mind has once again returned to my elusive reader. 2019 will continue to be busy as I plan to release YA novel, A Song For Bill Robinson and possibly it’s almost finished sequel, Emily’s Baby. My list of novels is growing longer, but I still don’t know who my audience is. It’s tricky when you cross over so many genres. Most of my books cross into two or more, with psychological thriller, suspense, crime, coming-of-age, mystery and dystopian all regularly showing up.

So, who is my reader? What sort of person reads my books and likes them? I only have a small audience, so it’s hard to speculate. But I suppose really, my reader must be someone quite similar to me. I imagine them as slightly scruffy, or at least not terribly groomed and over bothered with appearances. They probably make an effort when they can, and they probably berate themselves fairly often about sorting out some kind of ‘look’, but it never really feels urgent to do so. They are probably young at heart. Stuck in the past, tinged with nostalgia, reluctant to admit and give in to adulthood. I think they are a music fan. They probably like all sorts. They’re not narrow-minded about it at all. They’ll listen to anything, but they have their favourite era of course, and their favourite songs. They see life in songs. Soundtracks are everywhere.

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What else? I imagine them as liking animals and nature. Not in a really obsessed, or professional way, just in that seeing a bird or a deer unexpectedly will really make them smile and have a better day. I think they enjoy being outside, all weathers too. Being outside makes them feel more alive.

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I think they are introverted but friendly and warm. A bit cynical and suspicious at times. Prone to the odd dark mood. Likely to panic about once a month about how the world is utterly doomed. But they always brighten up and soldier on. Despite being naturally shy, they are really interested in people, genuinely intrigued by them. They love a spot of people watching and love a character-driven book they can really get their teeth into. They are looking for stories about humans they can relate to and empathise with, and they are looking for characters to fall in love with, characters they wish were real.

They want to disappear inside a book and come out feeling different. They don’t want anything too formulaic or predictable. I think they are a bit of an eccentric at heart. They probably talk to themselves.

This is how I imagine my readers to be and I shall continue to do my best to try to find them. What about you? If you are a writer, do you know who your audience is? If you don’t know, does it make it harder to sell your books? If you’re sure of your audience, tell me about them. What are these people like? If you’re a reader, do you imagine yourself as part of a genre tribe, full of similar and like-minded people all connected by an appreciation of mysteries, or romance, or horror?

Please feel free to comment and share!

Stuck Inside A Story (For 28 years…)

That’s how it feels. That’s what it is. Stuck. Trapped. Held prisoner. I can’t get out. But do I really want to? Evidence would suggest not. Sometimes I wonder what exactly I have done. Created a world, created characters, used some magic and a lot of hard work, an imagination I can’t control, and there you have it, an alternative reality I can’t escape from.

I had no idea this would happen when I started writing as a child. My first attempts were hand-written stories about lost and abandoned animals, heavily influenced by my love of Watership Down and other similar books. I didn’t write my first story about real people living real lives until I was 12 years old. What happened to tear me away from my quaint tales of lost dogs and runaway bunnies? Well, weirdly, this.

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And this.

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Watching The Lost Boys gave me a few vital ingredients for the story that would go on to hold me prisoner for the next 28 years. It gave me the main idea, the main concept and it gave me some characters. Or at least, it inspired me to create characters who would turn out to be the kind of people I wished I knew in real life. As for Stephen King, it was around this time that I started my collection and was well on my way to becoming a truly obsessed fan. Add to that strange mix, the recent divorce of my parents, the usual teenage angst and rebellion, and I had me a story. Remember the bit in The Lost Boys when the younger brother realises his mother is dating the head vampire? That’s where the idea for The Boy With The Thorn In His Side came from. It wasn’t called that back then. It wasn’t called anything for ages. But I kept thinking…what if your mother was dating a monster? Only not the vampire kind, the real-life kind? And what if no one believed you? And what if you only had yourself and your best friends to try to battle this person? It was a weird mix of asking ‘what if’ questions, my parents’ recent divorce playing on my own fears, a dewy-eyed fascination with the actor Corey Haim, and a love of horror and fascination with the darker side of human nature that spawned this tale.

In my mind, my main character Danny, who is 13 at the start of Part 1, looked a lot like Corey Haim, who I was quite a bit in love with at that age. Once I had him in my head, his character started to grow and evolve, and I think I wrote that very early first draft pretty quickly. I remember it was my absolute obsession for a while. I hated to be away from that story. I’d rush home from school and up to my room to pick up my notebook and pen. I’d write endlessly and passionately. I suppose at the time I had no real idea of what I was doing. I was sort of trying to invent friends, I think. People I was intrigued by, people who had drama in their lives. I felt like I was a character in the book too. I was so proud when I finished it. I even started a sequel. I showed my English teacher and she read it and gave me a merit certificate I had to go up in assembly to collect. I remember being embarrassed but happy. The certificate said I had written a novel. At age 12! I don’t think I have the certificate anymore, but here’s the book.

 

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I started rewriting it after that. I had invested in an electronic word processor. It was the most exciting machine in the world to me! I could sit there and tap away and watch my words appear on this mini screen, before hitting print and then holding typed pages in my hands. What also happened to me at that age was that the story crept inside my brain. It kept me awake at night. It was company. I was never, ever bored. I’d look forward to bedtime because I knew I could lie there and think about my story before I fell asleep. I watched the scenes in my head like a movie. I heard them talking and arguing. Inevitably I came up with new ideas and extra bits, but mostly I just let them play it all out, and most of those imagined scenes have never made it into any of the books. It was just me, a fly on the wall of a made-up world, watching them live.

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Here’s one of the many pictures I drew of the characters. Only some of these made it into the final version.

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I rewrote that book again at aged 16. I’d started and not finished tons of other stories in that time. The book had opened a floodgate, forging a lifelong addiction to writing. But that one story, I couldn’t ever let it go. I rewrote it again at 19. I thought about it constantly during the non-writing years of balancing early motherhood with self-employment. The same story, the same characters always in my head, coming back to me night after night. I was 34 before I finally returned to it. I started writing in notebooks again, just like when I was a kid. Snatching spare moments, writing before bed, suddenly entirely addicted all over again, but this time it had to come out, it had to be finished.

I finally released it in 2013. The Mess Of Me snuck in and was released first because The Boy With The Thorn In His Side was so long and needed so much work. But finally, it was out. A real book I could hold in my hands! I’d done it. So now they would fall quiet, surely? I’d stop thinking about them. I’d stop playing out more scenes.

Well, no, not exactly. Before I knew it I’d penned a sequel, This Is The Day and released that too. That should have been the end of it it, but yet, it still wasn’t. The story itself was so enticing to me, and I was so invested in it, I couldn’t stop imagining other endings, and I guess, truth be told, in my head I did not want it to be over. So the stories went on. Every night, hi guys. What’s happening now?

I wrote an alternative ending in 2016 and included it in Bird People and Other Stories.That was supposed to draw a line under it, but it only made things worse. Now I couldn’t get the thought of other endings out of my head! What if this happened instead? What if? What if? For the fun of it, I started writing a screenplay in a notebook. Brand new material that led on from the original ending of book one, slotting in and delaying the ending, but finishing up before This Is The Day. This was only supposed to be for fun. To get it out of my system. To indulge myself even more than I already had. What the hell, what did it matter? It was for fun. I didn’t have to explain that to anyone!

Except now I do. Because that screenplay became a total obsession. I carried that notebook around with me everywhere. I grabbed every spare moment I had to write into it, getting this new story out. I absolutely loved it. I was so excited about it. I just couldn’t put it down. So eventually, after a lot of thinking and plotting, I came to a decision. I would do it. I would split the book back into two parts and this new material would be part three. Part Four would be This Is The day but it would need some reworking. Then suddenly, parts five and six emerged…

I’ve now accepted the truth. And that is that this story and these characters will never let me go. They are part of me and part of my life and I’m going to leave each book open, just in case I want to revisit it again.

There are new characters introduced in Parts Five and Six, and these also get their own spin-off book or possibly series with characters from both appearing in the others. So, as you can see… this thing could run and run.

So, if you are interested in reading this story, which began when I was 12, followed me through my life and has now evolved into at least a six-part series, you can start with The Boy With The Thorn In His Side Part One which is available for pre-order on Amazon now and is released on 9th November. This is a reworked, revised edition. The Boy With The Thorn In His Side Part Two is also available for pre-order now and is also released on 9th November. Both at the special introductory price of 99p.

I plan to release the brand new Part Three in January an Part Four in February. By then I hope to be into the second or third draft of Part Five…

And the weird thing about this story is that I wrote it purely for myself, I indulged myself entirely, became utterly lost and absorbed and have still been unable to climb free from it. So I don’t really expect anyone to buy it, and I don’t really mind if they don’t. It feels weird to even try to plug it if I’m honest. Like this one is just for me. Like this is my mind, my imagination, my daydreams and to imagine anyone else wandering around in there is almost unsettling. And if it holds me prisoner for another 28 years? I think I’m okay with that…

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The Tree Of Rebels Has Another Award!

I didn’t have a blog post lined up this week, as there is just so much going on right now with books and with my Chasing Driftwood business. But I just received the exciting news that The Tree Of Rebels is an indieB.R.A.G Medallion honoree! Which means I get another lovely badge to stick on my front cover! Earlier this year I was thrilled to win a Readers’ Award from Chill With A Book, so it’s absolutely brilliant to add a second badge to The Tree Of Rebels.

This news has certainly lifted my mood this week and does make all the hard work feel worthwhile! If you feel like giving the book a go, it has just been reduced to 99p/99c on Amazon…I only just changed it though, so the changes won’t be live just yet! Grab yourself an award-winning bargain and don’t forget to leave an honest review!

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Ssh…I’m Hiding

Lately, I’ve felt like I’m in hiding. Running away. I keep attempting to stand still and face my demons but it doesn’t last for long. Every now and then I give myself a good shake and even come up with a plan…but they tend to be short-lived and easily shirked. So, what is it I’m running from? What terrible thing have I been hiding from lately? Burying my head in the sand of my writing in the hope it will just go away and leave me alone?

The answer is book promotion.

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The reasons are these;

  1. I’ve got too much to write. I’ve written about this lately in The Return of the Voices (and the nervous stomach) I won’t bore you with how many projects I am working on or have in progress at the moment, but I will say they are all moving on. They are all coming together. But I’ve never given myself a workload quite like this one…I just don’t have time to fit book promotion into my daily life. Or so I keep telling myself anyway. I just want to get these books done.
  2. Touched on above, there is just not enough time. There are the books I am trying to get ready for release, and then there is my writing business, Chasing Driftwood Writing Group which is quite rightly taking up more and more of my time. I’ve got two big projects I am trying to get funding for, plus the regular writing groups and workshops to prepare for, plus just the day to day running of a company, which is all very new to me! Then there’s the four kids and house and garden and pets…Book promotion just doesn’t get a look in!
  3. I’m bored of it. I do go through phases where social media and book promotion bore me intensely. I do love my blog and my Facebook author page, but that’s where the love ends. I tend to post more pictures of dogs and kids on my Instagram, often completely forgetting that it’s a business account to be used for selling books! I go onto Amazon and check for reviews and know I should send out some Tweets and so on…but it’s boring. I’m bored of it.
  4. I can’t afford it. Obviously, social media is free to an extent, and blogs and websites but pretty much everything else costs. Even your Facebook author page can be a cost now, requiring you to pay to boost posts to reach people who have already liked your page. And all of the worthwhile book promotion sites cost big money. I just don’t have it.
  5. It doesn’t work. As you can tell, I’m feeling a bit cynical about it all at the moment! I’ll probably feel differently in a few weeks time. I think I’m one of those indie authors who is still fruitlessly searching for the holy grail of effective book promotion. I think I’ve tried everything they suggest. Starting a blog, posting regularly (okay I flagged a bit recently but I seem to be picking up again now) running a Facebook author page, Twitter, Pinterest, Instagram, setting up email newsletters, Street Teams, discounting books, holding giveaways and events and competitions. And I’ve tried paid promotions many times and not had any success. I truly believe the answer is not simple and the one thing you think will work, does not exist. It’s a marathon, a platform you build over years of hard work. If I thought posting daily tweets and quotes from my reviews got me sales, I’d do it more often! But I’m pretty sure nothing much has worked so far…
  6. I’m jaded with it all… Yep, I’m tired of the whole thing. Hence, my efforts to find a publisher for my last novel The Tree Of Novels and next release Elliot Pie’s Guide To Human Nature. Self-publishing can be a lot of fun, but it’s hard work with not a lot to show for it. And I’m well aware that authors signed to publishers also need to good at marketing themselves and their books and also have to endure the litany of promo related stuff I mentioned above…but oh how nice it would be to have someone do it all for me! So I could just write!!
  7. I’m out of ideas.  This is a big part of the problem, and I’ve been here before. Therefore I do know that I will eventually come out the other side of this standoff with fresh ideas and enthusiasm for promoting my books. I’m just feeling so lethargic about it at the moment, I can’t muster the energy. I’ve sort of given up on sales and reviews and just thrown myself into the actual writing. I’m addicted to the writing, you see. It’s the one thing I want to do passionately every day. The one thing I would choose above almost anything else in this world. I feel annoyed when I have to do other things! I turn on my laptop in the evening and I don’t want to think about promoting my books, I just want to start writing…
  8. The writing wins...Yep, at the moment anyway, the writing just wins every time. the odd tweet, the odd share of a review, the odd book selfie even, but that’s it. I want to be writing, I need to be writing, I can’t rest until this current workload is shifted.

So, that’s where my head is currently at when it comes to the marketing and promotion of my books! I am ashamed to admit that I have been utterly crap at promoting my books for a fair few months now. There are so many things I could do to remedy this, and I will. Starting maybe with a piece of paper stuck to my wall beside my laptop…A piece of paper with weekly goals and daily goals. A piece of paper with a blank space there for any bright ideas I pick up while online.

What do you think, fellow readers and writers? Any hot tips? As a writer, how do you go about promoting your books? What works and what doesn’t? Do you go through slumps where you would much rather hide from promotion and just get on with the writing? Or do you enjoy marketing your books and finding your audience?

What about you readers? What sort of book promotion works for you? What has drawn you to look up certain authors or pick up a certain book!

I’d love to hear your thoughts on this so do please feel free to comment and share…