Ssh…I’m Hiding

Lately, I’ve felt like I’m in hiding. Running away. I keep attempting to stand still and face my demons but it doesn’t last for long. Every now and then I give myself a good shake and even come up with a plan…but they tend to be short-lived and easily shirked. So, what is it I’m running from? What terrible thing have I been hiding from lately? Burying my head in the sand of my writing in the hope it will just go away and leave me alone?

The answer is book promotion.

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The reasons are these;

  1. I’ve got too much to write. I’ve written about this lately in The Return of the Voices (and the nervous stomach) I won’t bore you with how many projects I am working on or have in progress at the moment, but I will say they are all moving on. They are all coming together. But I’ve never given myself a workload quite like this one…I just don’t have time to fit book promotion into my daily life. Or so I keep telling myself anyway. I just want to get these books done.
  2. Touched on above, there is just not enough time. There are the books I am trying to get ready for release, and then there is my writing business, Chasing Driftwood Writing Group which is quite rightly taking up more and more of my time. I’ve got two big projects I am trying to get funding for, plus the regular writing groups and workshops to prepare for, plus just the day to day running of a company, which is all very new to me! Then there’s the four kids and house and garden and pets…Book promotion just doesn’t get a look in!
  3. I’m bored of it. I do go through phases where social media and book promotion bore me intensely. I do love my blog and my Facebook author page, but that’s where the love ends. I tend to post more pictures of dogs and kids on my Instagram, often completely forgetting that it’s a business account to be used for selling books! I go onto Amazon and check for reviews and know I should send out some Tweets and so on…but it’s boring. I’m bored of it.
  4. I can’t afford it. Obviously, social media is free to an extent, and blogs and websites but pretty much everything else costs. Even your Facebook author page can be a cost now, requiring you to pay to boost posts to reach people who have already liked your page. And all of the worthwhile book promotion sites cost big money. I just don’t have it.
  5. It doesn’t work. As you can tell, I’m feeling a bit cynical about it all at the moment! I’ll probably feel differently in a few weeks time. I think I’m one of those indie authors who is still fruitlessly searching for the holy grail of effective book promotion. I think I’ve tried everything they suggest. Starting a blog, posting regularly (okay I flagged a bit recently but I seem to be picking up again now) running a Facebook author page, Twitter, Pinterest, Instagram, setting up email newsletters, Street Teams, discounting books, holding giveaways and events and competitions. And I’ve tried paid promotions many times and not had any success. I truly believe the answer is not simple and the one thing you think will work, does not exist. It’s a marathon, a platform you build over years of hard work. If I thought posting daily tweets and quotes from my reviews got me sales, I’d do it more often! But I’m pretty sure nothing much has worked so far…
  6. I’m jaded with it all… Yep, I’m tired of the whole thing. Hence, my efforts to find a publisher for my last novel The Tree Of Novels and next release Elliot Pie’s Guide To Human Nature. Self-publishing can be a lot of fun, but it’s hard work with not a lot to show for it. And I’m well aware that authors signed to publishers also need to good at marketing themselves and their books and also have to endure the litany of promo related stuff I mentioned above…but oh how nice it would be to have someone do it all for me! So I could just write!!
  7. I’m out of ideas.  This is a big part of the problem, and I’ve been here before. Therefore I do know that I will eventually come out the other side of this standoff with fresh ideas and enthusiasm for promoting my books. I’m just feeling so lethargic about it at the moment, I can’t muster the energy. I’ve sort of given up on sales and reviews and just thrown myself into the actual writing. I’m addicted to the writing, you see. It’s the one thing I want to do passionately every day. The one thing I would choose above almost anything else in this world. I feel annoyed when I have to do other things! I turn on my laptop in the evening and I don’t want to think about promoting my books, I just want to start writing…
  8. The writing wins...Yep, at the moment anyway, the writing just wins every time. the odd tweet, the odd share of a review, the odd book selfie even, but that’s it. I want to be writing, I need to be writing, I can’t rest until this current workload is shifted.

So, that’s where my head is currently at when it comes to the marketing and promotion of my books! I am ashamed to admit that I have been utterly crap at promoting my books for a fair few months now. There are so many things I could do to remedy this, and I will. Starting maybe with a piece of paper stuck to my wall beside my laptop…A piece of paper with weekly goals and daily goals. A piece of paper with a blank space there for any bright ideas I pick up while online.

What do you think, fellow readers and writers? Any hot tips? As a writer, how do you go about promoting your books? What works and what doesn’t? Do you go through slumps where you would much rather hide from promotion and just get on with the writing? Or do you enjoy marketing your books and finding your audience?

What about you readers? What sort of book promotion works for you? What has drawn you to look up certain authors or pick up a certain book!

I’d love to hear your thoughts on this so do please feel free to comment and share…

 

Interview With Emily Williams, Author of Rafferty Lincoln Loves…

Last month I picked Emily Williams‘ wonderful young adult book, Rafferty Lincoln Loves… as my Indie Book of The Month. Emily kindly agreed to an interview, so here she is answering questions about the inspiration behind the book, how it was researched and what to expect next from her!

1. Can you tell us where the idea for Rafferty Lincoln Loves…came from?

The idea for the novel came from wanting to write a novel about horses but one that appealed to an older audience. The main plotline involved the missing racehorse Profits Red Ridge, however, the character of Rafferty took over. I let the story lead me along as I was writing but had the overarching plotline drawn out beforehand. The character subplots led in all sorts of exciting directions!

The themes developed as I was writing. I knew high-school-years were always going to be difficult to write about and Rafferty Lincoln Loves… delves into some sensitive topics. I wanted to capture high school from the perspective of one student, Rafferty, but then him discovering what it would be like to experience high school from other circles.

2- Did you enjoy reading books about horses when you were a teenager?

I loved them! Although, I found it difficult to find many aimed at the older teen and so I read books for younger children. I wanted to fill that gap in the market by writing my own horsey novel aimed at older teens.

3-Did you have to do much research for this book and if so how did you do it?

There were parts of the novel that needed research and other parts that I used my own knowledge.

I had some input from a police officer friend and from a friend working in social services. I used quite a lot of my own horsey knowledge but had limited knowledge of racing, so these parts were researched. School life in the novel was based on my own experiences coupled with more modern day experiences with the invention of social media etc and how that affects children. I asked teenagers for their opinions on these aspects!

4- What do you hope young readers get from this book?

I hope they get a more modern day feel to the traditional horsey novel; more current and relevant to their lives. I hope the ending of the novel leaves them empowered about issues at school and how to resolve them and not let them fester.

5- Can you tell us what you are working on next?

I started a psychological thriller last year. It follows a high school girl revising for her exams and watching the house opposite whilst she studies, as new neighbours move in. It’s more an adult book than young adult despite the age of the characters. There are more mature and dark themes running through the novel. I am still trying to add my lighter element of humour too to break it up.

I am really enjoying writing the novel, but put it aside for a couple of months whilst I concentrated on the publication of Rafferty Lincoln Loves… I hope it’ll be released next year, along with another I have developing in the pipeline!

6- Were there any particular challenges in writing a YA book?

I hadn’t written a Young Adult novel before and was worried I’d find it very challenging. However, once the character of Rafferty was established, he took over and the book pretty much wrote itself. There were some tricky themes covered and I worried about covering these sensitively but with the frank openness of a teenager. I hope I managed that! I loved writing a novel involving horses and was very excited about the whole novel from start to finish.

7- What has been your approach to marketing Rafferty Lincoln Loves…?

Marketing is always tricky. I planned the marketing for the novel well in advance and gave out advance review copies early to get reader opinions. The novel has appeared in a couple of magazines and local papers. I hope to spread the message about the novel far and wide to support the charity.

All proceeds from the novel are being donated to, The British Thoroughbred Retraining Centre. The charities ambassador, Frankie Dettori MBE, has supported the book by writing the foreword and the charity themselves have been supportive in sharing the novel

8- What is your favourite YA book and why?

There are several that I love but my favourite is, The Perks Of Being A Wallflower. It captures adolescence in a lighthearted manner but with gritty underlying themes.

9- Did you always know the ending for the book or did it change as you wrote it?

I had the ending in mind, however, one of the characters really came alive as I was writing so he had a larger part in the ending than I planned. It came together even better than I hoped it would and more emotional.

10-How did you write this book? What was the process like?

I start with a plot and then find suitable characters. The plot is always easier than finding unique characters that fit the story. The characters do lead the plot totally astray from what I originally planned but I’m okay with that. I sometimes gently bring them back to the main plot but let them have their own time. Often other themes I hadn’t anticipated arrive and make the novel better, deeper and more interesting. Themes of high school bullying and rumour spreading surfaces in Rafferty Lincoln Loves… which I hadn’t originally planned for.

I love the writing process and once I’m fully into a story, I whizz along really enjoying the writing. The early stages I find difficult like I am with the novel I am currently writing, but with Rafferty Lincoln Loves… I was submerged in the storyline very quickly.

Thank you so much for agreeing to an interview, Emily! Good luck with Rafferty Lincoln Loves… and I’m very much looking forward to your next novel!

I Am Never Just Me and I Am Never Alone

I remember standing outside school when I was about four or five, trying to understand why I was only me. Why my thoughts and feelings were limited to just mine. I looked at my friends and my mother, and stared into their eyes, and realised I could not climb into their heads and become them, I could not occupy the space behind their eyes and see the world as they did. I vividly remember thinking how amazing, strange and sad this was.

But I soon found out that this does not really apply to writers. If you are a writer, you are not limited to being just one person or living just one life. As a writer, I discovered that I was never just me, and I was also never, ever alone. When I started to write stories, they were about animals, lost and neglected, looking for love and embarking on adventures. I became them. I was them, just as much as I was Chantelle. I had to quieten them and hide them when people asked something from me. I had to climb back out of their minds and fully inhabit mine. But I would try to get away with not doing this in full. I’d be eating my dinner, sniffing the air, sure I had picked up the scent of trouble, my eyes darting from side to side, planning an escape. I wasn’t just me. And then when dinner was over, the stories would continue and I would slip back into character.

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Throughout my life, I have been all the people I have written about. I have not simply created them, written their stories and then cast them aside. It doesn’t work like that at all. These people come to me, somehow, for some reason. They start off small and grow bigger and bigger, louder, more complex, more real. They are all from me. It blows my mind. It’s like they find me and ask me to tell their story, but that’s not really it. Somehow, they come out of me, because they are me.

And then I am them. I become them in order to write their story, in order to feel what they feel, and do what they do. I don’t really know how I do this. I just think about them so much, picture them, hear them, study them. I lie awake at night, and they are there. Characters from books already written, and characters still developing in my head for future books.

Danny (The Boy With The Thorn In His Side)is still the most constant visitor because he has been in my head since I was 12. We grew up together. Me, lying in bed, watching him in my head. Hearing the words I put in his mouth, though it never felt like that, it always felt like he was the one saying them. His story is an action-packed tragedy of violence, music and friendship that plays out endlessly inside my head, even now. I lie awake and watch scenes that exist. Then I see new ones, ones that happened in his life, but never in the actual book. He’ll never go away. He is me. As are the other characters in that book. It still slightly concerns me how easy it was to climb inside the twisted mind of Lee Howard. How I was able to understand and even empathise with his warped motivations and desires.

Others come and go. Lou (The Mess Of Me) is another fairly constant visitor. This is because she is the one most based on myself, on my life and my thoughts and feelings. Her story, like mine, is not over yet, and until I get around to writing her sequel, she whispers in my ear on a regular basis. We share the same dark thoughts and our worst enemies are ourselves.

If characters are still waiting to be fully told, they will talk a lot in the day. Walking down the lane, I listen to Reuben and Chess, the characters from a YA series I am planning. They have conversations constantly. When I least expect it, they pop up and start talking or arguing. They are helping me to write the book.

The same goes for current ones, characters from my works-in-progress. I learn new things about them every day. I will be washing up or making dinner, and suddenly there they are, having a conversation that just needs to be written down. Because of these people, I am never, ever lonely. I don’t know what it feels like to be bored or alone. Because of them, I don’t know how to have just one train of thought in my head. I don’t know how to have a quiet mind.

Yet, to those that know me, I am often described as quiet.

Sometimes I think the people in my head are the best thing about being a writer. Creating worlds and weaving plots, sharing your work with readers, getting reviews, these are all fantastic, magical things, but being more than one person who is never, ever alone, has to be the best and maybe the most unexpected.

 

Being A Self-Published Author; Is It Worth It?

This is a question I ask myself on a regular basis. And let me be honest, for many reasons, I would not choose to be self-published over having a decent traditional deal with the right publisher who knows how to market my books. Let’s get that out in the open. There are many proud indies out there who feel very differently, and I admire them greatly. Perhaps their books are selling so well they have been able to give up their day job. It does happen! Perhaps they are earning enough to keep a smile on their face and self-doubts at bay. Perhaps they are natural promotional and marketing wizards, or have experience in this area. I salute them.

But for many indies, the self-published route is a hard old slog. That’s not to say it’s without its joys and successes. It’s thrilling to finally publish a book. It’s exciting to work on a cover, and it’s challenging to learn how to craft a decent synopsis. There are a lot of positive aspects to self-publishing, and I would never ever deter anyone from trying it. You learn innumerable skills, you run your own business, you hit the ceiling with joy when your book connects with a reader so much they send you a personal message or leave a book review that blows your mind. Believe me, there is a lot of fun to be had.

But let’s take another look at the hard old slog of it. Let’s take a look at what it can take to get a book finished and out there, to push it and promote it, and then see a trickle of sales reward you. Let’s think for a minute what it is like to remember that literally millions of other indies are publishing books, that the market is swamped and that it is getting harder and harder to be seen and heard.

So, first, you write a book. Which might take a year or two out of your life. There will inevitably be blood, sweat, and tears. There will be semi-breakdowns and outright temper tantrums. There will be a neglected family and or partner who know you are never really listening to them when they talk. There will be a day job for you to try to focus on. There will be housework and life and this crazy, messed up world. But somehow, you do it.

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Of course, the hard work has only just begun. Now you must rewrite it, redraft it, edit it, proofread it, cry over it some more, enlist beta readers, cry some more when they tell you what sucks, feel like giving up, bang your head against the wall and do it all again, and again and again until you know it is done.

Then you try to find a publisher because you’ve heard how hard self-publishing is. You’ve heard that it costs money to edit, create a cover and get it marketed. You don’t know how to do all that stuff, so you want a publisher. You want someone of authority and experience to grab your book and demand to publish it. You want that recognition that all that hard work was worth it. That your book is worth it. That you are in fact, really and truly, a writer.

Next, you face rejection. You get sorry not for us, right now. You keep going because you know how many times Stephen King and JK Rowling got rejected, but eventually, you realise that self-publishing may be your only option.

If you are made of tough enough stuff, you don’t balk at this. You want to be published and decide to grab onto this adventure with both hands. So you start doing your research, network and make contacts, maybe go to workshops or events and you start to feel good about this. You can do this. This might even be fun! It’s a challenge!

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You read articles and secure a cover and pen a synopsis and do everything the best you can, although you will always harbor a sneaking feeling that it all could have been much better with more money and experience behind it. You plan a book launch. Exciting, indeed.

Exhausting too. This was me the last few weeks, months even. Reading up, reaching out, building hope. Sending the book out to agreeable ARC reviewers, which is something I have not done before. I decided to focus more on reviews than sales with this book to see what difference that makes. Because everything with self-publishing is experimental and trial and error. No one thing works for sure. What works for one person will do nothing for another. You have to keep trying different things.

As I got closer to launch day, I panicked. I panicked that the book was not good enough. Two people found a few typos, so there was panic in getting these amended in ebook and paperback, and in both cases, I managed to mess up the formatting and had to ask for help to fix it all again. In the nick of time, all was well for release day. In a negative mindset by then, I decided that no one would come. No one would join in. Most of my FB friends had ignored it. What was the point? It wasn’t worth it. None of this was worth it. I was well and truly down about it. And feeling down about self-publishing is not a new state of mind for me, it’s a pretty regular one. I have down days and then something happens to lift me up again. It’s a good old fashioned roller coaster of a ride, all right.

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I spend a hell of a lot of time on this. Writing and crafting the books, keeping my social media and author platform engaging and consistent, reading and absorbing new trends and information. The list goes on and on. This is not a game for the faint hearted or the easily dissuaded. This is also not a game for anyone banking on instant success, money or fame.

Nevertheless, I persevered.

And launch day reminded me why.

Launch day reminded why self-publishing is worth it.

Launch day kicked off with 6 instant reviews on Amazon, courtesy of those amazing ARC reviewers. By the end of the day, I had 12 glowing reviews. One review was the longest I have ever had for any book! The reviews left me in no doubt that these readers had got the book, enjoyed the book and been affected by the book. Over the moon does not go close to revealing how this made me feel. I believe reviews are fuel to writers. They feed us and warm us and keep us going when we feel like quitting. These reviews will fuel my journey for some time to come.

Launch day saw my online Facebook party start at 1pm and end at 11pm. I managed to juggle this with childcare and domestic duties, and though I had been dreading it and wishing I hadn’t started it the day before, I ended up really, really loving it.

I shared news of my release in a Facebook group called Book Connectors, and had a great response there with a few people buying the book and coming over to join in the party. I’ve already had a great response from bloggers in that group for this book and some of the others. It’s been a brilliant group to be part of.

Feeling more confident, I launched the party and to my surprise, things really took off. Lots more people started joining, loads of people shared the event and each post and giveaway got a really great response. It was tremendous fun!

I sold some books, gained new likes and followers, enticed discussion, gained reviews and had a great time. A few days later and I am still selling books and gaining reviews. I keep telling myself to enjoy it while it lasts, and prepare myself for a slow down or a stall in sales. I am sure there will be another down day, another ‘this is not worth it day’, but until it comes I am determined to bask in the glory of the now and let people know how much I appreciate their help and support.

So, going back to my original question; is self-publishing worth it?

Yes.

Will you ever make back the money you spent?

Yes. One day you will.

Will you ever feel like you are worthy after the rejections of traditional publishing?

Yes. Given time, patience and increased work and attention to both your craft and your promotional activities, you will. Not all the time. But enough to keep you going.

Because self-publishing is one thing above anything else. It’s an opportunity. It’s a chance. It’s not easy, and it does not guarantee sales, reviews, recognition or respect. You have to earn all those things and yes, in time, they do come. It’s an opportunity to get better. To become a better writer with every book you produce, to become a better promoter, to improve your author platform, to network, to keep trying, to work harder and harder.

 

What do you guys think? I’d love to hear your thoughts on this subject! Have you tried self-publishing? What are your thoughts on how easy or hard it is to succeed?