Back in December, I penned this post Why My Favourite Draft Is The Second, while I was busy writing the first draft of a YA novel called A Song For Bill Robinson. I was enjoying the first draft, but also realistic about its ugliness, and I was excited about going back to the second draft for the reasons I mentioned in the post.
Well, three months on, I am now well into that second draft, and enjoying it every bit as much as I said I would! It is easier than the first because the basic framework is there and the hard work has been done getting the story out of my head. I already know I can make it better and I have already listed and made notes of how to do this. The second draft is just fun!
I had to have a think about this earlier. Has this been the case with all my books? And I think the answer is yes. The first draft is the hardest for me. The later drafts are the most tedious because you know the story, and really you want to be writing something new, but you have to polish this thing up, cut bits out, sharpen it and refine it and make it as good as it was when it first appeared in your head. I think of the first and the final drafts as the real hard graft. The second, for me, is much more fun.
In many ways, the second is more of a read through than a rewrite or a detailed edit. After a break, I am familiarising myself with the story and getting to know the characters again. I read through each chapter, getting a sense of them and their motivations, making notes and finding my way back into it all. Of course, I fix any typos I come across, and I do a lot of deleting unnecessary and repetitive words or phrases. I tidy it up as much as I can, but at the same time, I know the more brutal cuts, the reshuffles and the changes in direction will all come much later. This is still very early days, and I want to enjoy it. I don’t feel the need to make any major decisions at this point.
At the moment, I am totally addicted to this particular story, which is also how I felt when I first wrote it. I suppose it’s more familiar ground for me as an author and a person. A gritty, contemporary YA drama with lots of dysfunctional family behaviours and social issues thrown in. I feel a passion for it. I want to tell these stories. And there are so many stories in this novel…
It’s fast paced. Which is good. I hope! On later drafts I might feel the need to slow things down a bit, my niggling worry being that it might come across as unrealistic for teens to have a life this dramatic. It’s literally a roller coaster of events, repercussions, consequences and drama. It’s full of highs and lows with plenty of unrequited love, dangerous lust, and familial miscommunication and resentment. Oh and of course, a rather wonderful soundtrack (the male protagonist is a talented singer) which ranges from The Four Tops and The Foundations, to Arctic Monkeys and Jamie T. There is just so much to play around with!
And I know I haven’t got it all right yet. I know I need to keep fleshing out the characters and finding stuff out about them. I know I need to work on the visuals, the environment, such as their homes and bedrooms and so on. I tend to forget about all that stuff on a first draft, knowing that no one else is going to read it for a long time. I just want to get the nitty gritty down first.
But at the moment I am enjoying the ride, and just felt the need to share that with you. Adding bits and cutting bits. Reading it like a reader and bloody enjoying the process. I can’t get enough of it.
I doubt I will feel this way by the time draft ten comes around, so this is why I savour the second draft so much. I know the time will come when I almost come to hate this book. I have been there with The Tree Of Rebels many times, and Elliott Pie reached that point just recently before I sent it out to a second round of betas. I was sick of it. I am sick of it. Diving into this much fresher book has been just what I needed.
So, for me anyway, I give my thanks to the wonderful second draft, with the foundations laid down and the really hard work yet to come. I shall enjoy the party while it lasts.
I agree, the second draft is a pretty fun place to be. Though for me later drafts aren’t any less fun. They’re when I finally feel like the story has a pleasing shape, dangling plot threads have stopped whipping me in the eye, and I can focus on excising those cringe-worthy passages and making the whole thing read as well as I imagine it in my head. (Okay, that’s probably optimistic, but read better.)
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Ah, I’m glad you know what I mean! I just feel so joyful on the second one. It’s sort of special. I always feel a bit nervy on the first one, in case it doesn’t come out how I had it in my head. Later drafts can be fun, but also get tedious depending on how long the process drags on for!
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Very true!
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